Tag Archives: Howard Munce

Veterans Day Address: Staples Senior Honors Values, Sacrifices — And The Humanity Behind Every Uniform

Gunnar Eklund is a senior at Staples High School. He is president of the debate team. He is also an executive board member of BridgeBuilders, helping organize discussions with the Y’s Men of Westport that foster civic dialogue. Last year he was on the school’s “We the People” team, which placed 8th in the nation. 

Recently, Gunnar worked on Addison Moore’s successful campaign for the Representative Town Meeting (RTM). He has spent his summers as a Camp Mahackeno counselor, and a legal intern. Passionate about public service, he plans to study political science in college, focusing on medical ethics.

This morning, Gunnar represented Westport’s youth at the town’s annual Veterans Day ceremony in Town Hall. In a powerful, insightful speech, Gunnar said:

Thank you for being here today as we come together to honor the veterans of our community. We are here to commemorate the men and women who have served, and who continue to serve, our country with courage, sacrifice, and heart.

My name is Gunnar Eklund, and I’m a 12th grade student at Staples High School. Today I’m honored to share my perspective, speaking on behalf of my generation as we celebrate the veterans among us.

Gunnar Eklund delivers today’s Veterans Day address. 

As students, we grow up learning about wars and battles. In social studies classes we typically discuss dates, history and outcomes: which nation won, which country lost, and what changed.

The common trend is a focus on the military at the macro level. But Veterans Day asks us to look closer, beyond the maps, timelines and textbooks, in order to recognize the individuals who lived those events.

Every single veteran has a story alongside their service. Before we dive into those stories, however, it’s important to pause and think about what service truly means. For my generation, one that has grown up without the draft, service is something we’re still learning to understand.

Gunnar Eklund (center), with veterans and participants in today’s ceremony. The Westport Community band played the national anthem and “Taps”; 1st selectwoman Jen Tooker spoke, and a memorial wreath was laid by VFW and American Legion auxiliaries. 

Service, at its core, is about commitment and honor. When a person joins the military they take an oath. They commit to live and act beyond themselves for the common good of their country, their community, and their family.

The oath is far more than codified words. It’s a promise to uphold values like honor, integrity and duty, even in the face of danger or death.

Service is also a mindset. It’s the willingness to act for something larger than your own comfort. And while many of us may never wear a uniform, the virtue behind the commitment, and mindset of service is something we can all aspire to in our own lives.

To understand what service truly looks like, it helps to hear the stories of those who have lived it. In my family and community, there exist remarkable examples of courage and sacrifice that help bring the idea of service to life.

In my own family, my great0grandfather served under General Patton’s army, which went into France and Belgium, and participated in the Battle of the Bulge in 1944.

Years later my grandfather, Edward Slavin, joined the military during Vietnam, becoming at one point the youngest American drill sergeant, at age 17.

His leadership and dedication left a lasting mark. Over the years he received letters of gratitude from those he had helped, with people writing to tell him that his guidance and courage had saved their lives.

Howard Munce — a World War II Marine platoon sergeant at Guadalcanal, and noted Westport artist — painted this. David Meth has a signed original.

Of the anecdotes my family has shared with me, my favorite remains the story of Perry Watson, a friend of my great-grandfather.

In World War II he was a part of the flash-and-sound unit, locating enemy artillery by performing advanced calculations with sound and light. On one mission, his commander asked him to swim across a river while carrying wires in his mouth to complete a critical measurement.

It was the middle of winter, and the area was under enemy fire. Watson, an honorable man, volunteered for and accomplished the task. But the sounds of bombs detonating above him deafened him for life.

This magazine cover by Westport artist Stevan Dohanos honors residents serving in World War II. It stood at our original Town Hall (now Massi Co). Those servicemembers are now memorialized on a plaque in Veterans Green, across from the current Town Hall.

Stories like these remind us of the incredible cost of service. Behind every medal and every uniform, there are human lives marked by sacrifice and loss. Millions of men and women have given their lives in defense of this country. Their sacrifices are staggering, but rarely do we pause to appreciate them.

In a time as divisive as today, fewer people seem proud to be American.

Patriotism can feel complicated, even controversial. Veterans Day reminds us that pride in this country does not mean agreement with every policy. It’s about honoring the values, liberty and sacrifices that make this nation possible in the first place.

The generations that came before us, including the so-called Greatest Generation, did not serve for applause or personal gain. They served because it was the right thing to do. They understood that safety is not guaranteed. And above all, they honorably faced unimaginable pain and sacrifice without any expectations of reward.

Veterans at last year’s ceremony. (Photo copyright Ted Horowitz)

Today, as we honor our veterans, let us remember that their courage, sacrifice and unwavering commitment reminds us of what it means to live beyond ourselves.

If we can carry even a fraction of that dedication in our daily lives, then their legacy lives on.

We must not forget these individuals, and we should all work to preserve their stories. Let us stand with gratitude and resolve as we honor the humanity behind every uniform.

Thank you.

“Monday Painters”: 6 Decades Of Sketching

Dorothy Curran has lived in Westport since 1977. She served on the boards of the Westport Library (trustee; co-chair, River of Names community capital campaign) and Westport Woman’s Club (past president, chair/co-chair, many Yankee Doodle Fairs). She is also a past president of the former Westport Historical Society.

Today, Dorothy recalls the “Monday Painters.” The group began here 60 yeas ago — and is still active. Dorothy has been a member for over a decade. She writes:

In the early 1900’s, Westport was becoming a haven for artists of all kinds: illustrators, cartoonists, sculptors, authors, journalists, actors and musicians.

Many were Midwesterners, who had moved to New York to work in the nascent publishing, advertising and performing arts industries.

They married, started families, and were drawn to Westport by its beaches and countryside; its Fine Arts Theater showing foreign films; its rail proximity to Manhattan; its affordable farmhouses and barns for studios, and the congenial culture, good company and collaborative opportunities offered by fellow artists.

One of Westport’s early artists was James Earle Fraser, at work here on a bust of Theodore Roosevelt in his Coleytown studio. Fraser also designed the buffalo nickel, and the sculpture of a Native American slumped over a tired horse.

This was America’s golden age of representational art and illustration. In Westport’s artists’ colony, “sketch groups” and “sketch classes,” with live models, sprung up naturally.

The goal was to hone skills, enjoy professional camaraderie, share the costs of models, and trade job opportunities.

Around 1967, artist Joey Tate organize the “Monday Painters” group. Members included Elizabeth Gaynor, who in the early 1960s already hosted a sketch group in the basement of her Southport home, with live models. Tate and Gaynor met at Bambi Linn’s Westport ballet class. Discovering a mutual love of painting, they joined forces.

“Sam,” by Monday Painters member Susan Kloepfer.

At first the artists met at Constance Kiermaier’s studio. After a fire destroyed it, and with funding from Tate and Gaynor, the group moved to a former ping pong ballfactory on Riverside Avenue.

Access to the 2nd floor space was outdoors, via a fire escape and wooden stairs. One day, the stairs collapsed. The building was condemned, prompting another move.

Next, the group reconvened in another factory building: the 19th-century Lees Manufacturing (cotton twine) site, converted recently into The Mill condominiums on Richmondville Avenue.

“Seated Man Savoring Summer,” by Monday Painters member Dorothy Curran.

From the mid-1980s to 1997, the Monday Painters moved once more: to the Westport Arts Center, housed in the then-closed Greens Farms Elementary School.

Tate, Betty Petschek and Sally Vance opened their shared studio to group members Gaynor, Paul Heifetz, Gamal Eleish, Judy Kamerschen, Andy Neilly, Charlie Reid, Marianne Rothballer and Gene Wilder.

When a rising student population led Westport to reclaim the school, Gaynor hosted the group at her ballet studio. She did so for nearly 3 decades, until her death last December at 95.

More than a decade earlier, Mollie Donovan and Ellen Naftalin mounted a special exhibit at the Westport Historical Society. Gaynor and noted artist Howard Munce helped curate “The Sketch Class: A Westport Tradition.”

“Jonathan Henken,” by Monday Painters member Jo Ann Davidson. (Images courtesy of Diane Parrish)

Today — thanks to the generosity of Green’s Farms Congregational Church; the initiative of artist and congregation member Jo Ann Davidson, and the leadership of artists Christy Gallagher and Marty Fleischman, the “Monday Painters” — now nearing their 6th decade, and in their 6th home as a group — continue painting together in Westport.

Want to see what they’re up to? Green’s Farms Church hosts an artists’ reception this Friday (November 7, 6 to 7:30 p.m.). The exhibit is on display through November 30.

(Prospective new Monday Painters members are always welcome. Email DorothyECurran@aol.com.)

(“06880” often covers Westport’s arts scene of yesterday and today, in all its shapes and forms. If you enjoy coverage like this, please click here to support our work. Thank you!)

0*6*Art*Art*0 — Week 81 Gallery

Fall themes and colors predominate in this week’s art gallery.

And why not? It’s mid-October.

Soon, it will be turkeys and Santas. But for now: enjoy the foliage and fresh air!

And remember: Whatever your age and level of experience — professional or amateur, young or old — this feature is open to everyone.

All genres and styles are encouraged too. Watercolors, oils, charcoal, pen-and-ink, acrylics, lithographs, macramé, jewelry, sculpture, decoupage (and now needlepoint) — whatever you’ve got, email it to dwoog@optonline.net. Share your work with the world!

“Falling Leaf” (Karen Weingarten)

“Boudica, Queen of the Iceni, Fighting the Romans” (Bruce Whelan, who notes that the “good female warrior” might inspire anyone looking for a Halloween costume)

“Always Swim Upstream” (June Rose Whittaker)

“First of Fall” (Laura Overton)

“The Ballet Class” — pastel (Roseann Spengler)

“A Blast from the Past” (Howard Munce — the late illustrator drew this for Judith Marks-White’s Westport News column; it still hangs near her desk)

“Mums” (Amy Schneider)

Photo Challenge #301

Last week’s Photo Challenge was fun.

For decades, Howard Munce’s whimsical “star sculpture” has entertained downtown shoppers, strollers and picnickers — yes, they exist — on the eastern bank of the Saugatuck River. (Click here to see.)

It’s part of the Parker Harding Plaza sidewalk, near the footbridge over the marsh. It’s not far from Rye Ridge Deli — Oscar’s, when the sculpture was created — so the picnic table nearby is welcome.

Stephanie Ehrman, Seth Schachter, Pat Saviano, Elaine Marino, Joan Nevin, Amy Schneider, Lynn Untermeyer Miller and Tammy Barry all recognized the artwork with ease.

This week’s Photo Challenge is fun too — and probably tougher. If you know where in Westport you’d see this, click “Comments” below.

And if you know what the numbers represent, let me know. I have no idea!

(Photo/Mark Mathias)

Photo Challenge #249

I thought last week’s Photo Challenge might be too tough for any “06880” reader.

I did not reckon on Mary Papageorge and Lynn Untermeyer Miller.

Both knew that Amy Schneider’s image of a painted smiling face is located on the back side of the large star sculpture that Howard Munce created years ago. It sits on the bank of the Saugatuck River, in Parker Harding Plaza directly behind Rye Ridge Deli.

The fisherman — that’s what the face is — faces the river. It’s not easy to see — and not too many people actually stroll by there (though it is a nice, beautiful spot).

Mary no doubt knows it because the Papageorge family owned Oscar’s — the long-time, beloved predecessor to Rye Ridge.

Lynn knows it because — well, she sees and knows everything.

Can Mary, Lynn and/or you figure out this week’s Photo Challenge? If you think you know, click “Comments” below.

(Photo/Tim Woodruff)

 

Friday Flashback #131

When Tommy Ghianuly died last month, Westport lost more than a great barber and good friend.

We lost a man who loved local history — and made his Compo Shopping Center business a shrine to it.

The walls of Tommy’s barber shop are filled with vintage photos. Most customers see them in the mirror as they get their hair cut. Sometimes, someone glances a bit more closely at one or two.

Each of them has a story. Tommy knew them all.

He never wrote them down. Fortunately, in 2001 Staples High School video production teacher Jim Honeycutt teamed up with Phil Woodruff, a retired SHS social studies instructor who was then serving as Westport Historical Society director of oral history.

One morning, Jim filmed Tommy with his photos. They were joined by illustrious artist and longtime Westporter Howard Munce, and town native Jim Feeney.

(From left) Tommy Ghianuly, Jim Feeney and Howard Munce chat about Tommy’s barber shop photos.

These are not talking heads. They’re great conversationalists, sharing stories about the Westport of long ago. They chat about buildings, people, trolleys, downtown, holidays, daily life, and the notorious Compo Inn. At the end, Woodruff makes a cameo appearance.

Tommy, Jim Feeney and Phil are all gone now. But Jim Honeycutt is still very much alive.

After Tommy died, he dug out the 40-minute video. Then he sent it to “06880.”

It’s a way to keep these great Westporters with us.

It’s a way too to remind ourselves why they loved this town. And why we love it — and them.

(To see the video, click below.)

Friday Flashback #123

The other day, town arts curator Kathie Motes Bennewitz moved a Westport Public Art Collection painting from the Parks & Recreation office to Town Hall.

“Up by Daybreak Nursery” — done by noted Westport artist Howard Munce in 1989 — showed the weird Weston Road/Easton Road/Main Street intersection, near Merritt Parkway Exit 42.

On the back, Kathie noticed a few interesting things:


The note on the left — written by Howard in December of 1999 — said:

In 1989 I came upon this scene and quickly went home for my camera.

The locale is at the convergence of Rt. 136 and Rt. 57 — just opposite the Daybreak Nursery.

When former 1st Selectman Bill Seiden saw it he said “Worst traffic situation in town.” Many agree.

Since this painting was done, the nursery has built and planted a mound on the small island that separate the two roads. Also, the Merritt Parkway entrance has been redesigned, causing greater complication at the corner.

Happy motoring. Howard Munce.

Equally fascinating were these “Street Beat” interviews from the December 2, 1999 Minuteman newspaper. The question was: “Which is the most dangerous intersection in Westport?”

On the left, Jim Izzo — owner of Crossroads Ace Hardware — described nearby Main Street and Canal Road. “There is an accident every 2 weeks or so, some kind of fender-bender or something,” he said.

Sid Goldstein nominated Wilton Road and Kings Highway North, because of its narrow turning lane onto Wilton (since improved), and “drivers stop too close to the yellow line on Route 33 heading south” (still an issue).

Nancy Roberts of Wilton said it was the very intersection that Munce had painted: “The merge is laid out so that it confuses people, and not everyone stops properly.”

Todd Woodard — a Tacos or What? employee — thought it was Post Road East, where Roseville and Hillspoint Roads were not aligned properly. Plus, he said, the “big dip” on Roseville makes it hard for visibility. Also the two restaurants’ driveways are poorly placed within the intersection.”

Finally, Chris Cullen — who worked in marketing — pointed to North Compo and the Post Road. “They should make a right turn lane” on North Compo, he said, “because traffic gets backed up very easily.”

Those comments were made 20 years ago. Many are still relevant today.

And probably will be in 2039, too.

60 Roseville Road: Another Historic Arts Home For Sale

Hot on the heels of 157 Easton Road — the former home of concert violinist Leopold Godowsky Jr. and his wife Frankie Gershwin (George and Ira’s younger sister) — another Westport property with a wonderful arts pedigree is on the market.

60 Roseville Road is listed on a state database of homes owned by famed children’s book authors and illustrators. From 1946 until his death 30 years later, Hardie Gramatky lived — and worked — there.

His name still resonates. In 2006, Andrew Wyeth called him one of America’s 20 greatest watercolorists. Decades after he wrote and illustrated Little Tootit remains a beloved classic.

The other day, Linda Gramatky Smith — the artist’s daughter — and her husband Ken sat in the light-filled home. They’ve lived there since 1993. Now they’re moving to New Jersey, to be closer to their daughter. They hope they can sell it to someone who cherishes its creative bones.

60 Roseville Road

60 Roseville Road

The house has had only one other owner. Joe Chapin — a famed New York art director — built it as a weekend place. When he died, his wife Henrietta moved to Imperial Avenue (where she lived with Rose O’Neill, creator of the Kewpies comic characters).

The Roseville Road house was rented out. In the mid-1940s, tenants wanted to buy but could not afford the asking price. So they refused to let potential purchasers inside.

Gramatky peered into the windows. He loved it — and bought it for $22,000.

Hardie Gramatky, Dorothea Cooke and their daughter Linda, during their early days in Westport.

Hardie Gramatky, Dorothea Cooke and their daughter Linda, during their early days in Westport.

Moving day was set for December 26, 1946. A huge snowstorm roared in a few days earlier. The tenants — still enraged at not being able to buy — turned off the heat, and opened the windows.

Realtor Muriel Baldwin drove by, and saw what was happening. “She saved the house,” Linda says gratefully 70 years later.

Gramatky quickly became part of Westport’s lively arts community. With Stevan Dohanos, he started a watercolor group. Howard Munce, Ward Brackett and others met monthly to chat, critique each other’s work, and socialize.

Gramatky created a “Little Toot” poster for the Westport Red Cross. He drew caricatures at the Yankee Doodle Fair, was a frequent elementary school classroom guest, and played in the popular fundraising “artists vs. writers” basketball games.

Gramatky’s wife, Dorothea Cooke, was a noted artist herself. She drew covers for magazines like Jack and Jill, and lived in the home until her death in 2001.

“They adopted the community. And the community adopted them,” Linda says.

Hardie Gramatky: "Compo Beach Figures"

“Compo Beach Figures,” by Hardie Gramatky

His home inspired his work. Gramatky could see Long Island Sound from an upstairs window, and painted that scene. Another work shows a boy and his beagle walking down Roseville Road — then just a country lane.

He painted the 1867 house across the street — owned for years by the Fonetlieu family — from many angles. Linda hung some of those works in her living room, next to windows with a view of that home.

The Gramatky house was a neighborhood gathering place. Kids played in the big yard, and sledded in winter. If they wandered into his studio, the artist let them paint. (Dorothea baked cookies for them.)

When Gramatky was dying of cancer, he spent much of his time in the warm sun porch.

Fellow illustrator Munce said in his eulogy, “Some artists go to France for inspiration. Hardie just looked out his windows, and painted those scenes.”

"Green's Farms Station," by Hardie Gramatky.

“Green’s Farms Station,” by Hardie Gramatky.

Linda looks around the house that she and Ken are selling. It has a long, rich history, and holds memories.

“It’s such a livable home,” she says. “I hope someone buys it who understands what it means, and wants to preserve it.”

Westport artist Hardie Gramatky donated this "Little Toot" book cover to the Westport Schools Permanent Art Collection.

Hardie Gramatky donated this “Little Toot” book cover to the Westport Schools Permanent Art Collection.

2016 Art Show Roots Reach Waaaaay Back

As signs go, the ones advertising this weekend’s art show may not be the most artistic:

Art show sign

So Westporters may be forgiven for not realizing that for several reasons, this year’s event is special.

For one, it’s dedicated to Howard Munce and his wife Gerry, a longtime WWC member and community volunteer.

When Howard died recently at 100, his place as one of Westport’s foremost artists was secure.

Howard’s roots here date back to the Great Depression. At that time, Westport supposedly had the largest per capita population of unemployed professional artists in the country.

Many were married to Woman’s Club members. To help, the WWC held art shows in Bedford House, the 2nd floor of the downtown YMCA.

Howard was no starving artist. He went on to great fame. But he showed his appreciation for the Woman’s Club by participating in art shows through the 1980s, long after the organization moved to its 44 Imperial Avenue home.

In 2007 — when the WWC celebrated its centennial — Howard designed the logo.

Gerry and Howard Munce. This weekend's Westport Woman's Club art show is dedicated to them.

Gerry and Howard Munce. This weekend’s Westport Woman’s Club art show is dedicated to them.

Howard and Gerry were friends with another civic-minded local family, the Burroughses. Bernie (an artist) and his wife Esta (of Remarkable Book Shop fame) raised 2 artist sons, Miggs and Trace.

This weekend’s art show — curated by Miggs — will be held in the Woman’s Club’s new Bedford Hall. It’s a few steps — and many years — away from the Y’s old “Bedford House.”

The Westport Woman’s Club art show venue has changed, since the Depression.

Howard Munce — for the first time since then — won’t be there this year.

But the show itself hasn’t changed much. It’s still fun, and still an important fundraiser.

And Howard and Gerry will be there for sure, in Westport arts colony spirit.

Mina De Haas: Artist In Residence

If you listen to longtime residents — or read “06880” — you probably think Westport has lost its artistic mojo. With Howard Munce gone — and apart from Miggs Burroughs — when was the last time you heard of a home studio?

Happily, there’s at least one left.

The other day I visited Mina de Haas in her small, 2nd-floor apartment. There — in the shadow of I-95 — she creates acrylic paintings, decoupage and digital collages. She’s not our only in-home artist — but she sure seems a throwback.

A 1979 Weston High School graduate (and direct descendant of the famous Dutch landscape-paining Koekkoek family) who studied fashion merchandising at the University of Bridgeport, Mina worked as a graphic artist for advertising firms and a pharmaceutical company before joining a Norwalk market research company.

When she's not painting, Mina de Haas attends car shows.

When she’s not painting, Mina de Haas attends car shows.

But this story is about her studio.

Heavily influenced by Dali, Picasso, Warhol and — especially Hieronymus Bosch — Mina wants her art to make people feel a bit uncomfortable.

“Anyone can look at a pretty picture of a sailboat,” she says. “I want people to look at my work and wonder ‘What’s going on there?’ And make their own interpretation of what my artwork means to them personally.”

She points to a 3D work called “Stripper Barbie.” It’s exactly what it sounds like: the famous doll in a cage with a stripper pole. Crumpled bills lie on the floor.

She is an expert at taking existing paintings, photos and other images, and manipulating them in new ways — for example, in her interpretation of Bosch’s “Garden of Earthly Delights.”

Mina de Haas' homage to Hieronymus Bosch.

Mina de Haas’ homage to Hieronymus Bosch.

A favorite subject is cars. She looks at their lines and angles in fresh ways, placing familiar vehicles in intriguing and innovative contexts.

One of Mina’s favorite paintings is “Seine River Bleeds.” Done right after November’s Paris attacks, the famed river is bright red. The lights of the Eiffel Tower look like the souls of the murdered victims.

"Seine River Bleeds"

“Seine River Bleeds,” by Mina de Haas.

Mina de Haas is not well known. She exhibited in a small local gallery, and will soon show several pieces at a UB alumni art show.

She hopes to get into a Westport Arts Center emerging artists exhibit. She’d love to sell through restaurants and retail stores here.

Mina does not think there is a real “artistic community” in Westport — at least, not one she feels part of it.

But she’s undeterred.

She does what she loves. In her 2nd floor apartment studio, she creates art.

Just as Westport artists have done, for well over a century.

(To see more of Mina de Haas’ work, click here.)

Another digital collage, by Mina de Haas.

Another digital collage, by Mina de Haas.