Roundup: Josh Suggs, Russell Greenberg, Gadi Slade, Tom Karrel …

The last time we mentioned Josh Suggs, the 2021 Staples High School graduate had just been featured in the Wall Street Journal.

Yesterday, the 23-year-old was seen by an even bigger audience: NBC’s “Today” show.

Brian Cheung interviewed him about Street Talk. That’s the company he formed, after dropping out of Syracuse University. It is “disrupting advertising,” Cheung said.

Josh’s route to social entrepreneurship started in Westport, he told “Today.” As a 14-year-old, he got free haircuts for social media posts.

When a Syracuse friend paid Josh $2,000 for 30 street interviews, a light bulb went off. Today, Street Talk earns 8 figures in revenue by conducting authentic, unscripted street interviews that companies large and small can use as brand ads.

“I bet on myself, and the future fo social media,” Josh said.

Click here for the full — and very engaging — interview. (Hat tip: Sharon Horowitz)

RERUN: Last fall’s story was not the first to feature Josh Suggs. Click here to read this one, from 2016. It features Josh and his great Bedford Middle School friend, Jamie Mann. A fellow SHS grad, Jamie has also made a name for himself in New York: on Broadway.

Screenshot: Josh Suggs and Brian Cheung.

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Congratulations to Russell Greenberg and Gadi Slade!

The Chabad of Westport friends recently participated in the Maccabi Games in Israel (aka “the Jewish Olympics”). Over 5,000 athletes attended, including 900 from the US.

Greenberg swam in the Masters division, and captained his team. He captured gold in the 65-69 age group in the 100 meter freestyle, then added silver medals in the 50 free, 50 butterfly and 200 free. He was also part of 3 silver medal relays. Greenberg called the competition “the highlight of my swimming career.”

Slade’s story starts in 1932. A blonde, blue-eyed Jew from Frankfurt traveled to Tel Aviv where, by chance, the 1st Maccabi Games were being held. She met a doctor from Galilee. They exchanged phone numbers and addresses. But she returned to Germany and did not think about him.

Six months later, Hitler came to power. Nine months after that, the German woman and her parents fled to Haifa, where she knew just one person: the doctor from the Maccabi Games. They got together, fell in love,  and were married. Slade is their grandson.

He planned to gain citizenship in Ecuador, make the national basketball team, and play in the Atlanta Olympics — all to get into Harvard Business School.

When that failed, he tried out in 1997 (also unsuccessfully) for the inaugural Maccabi USA field hockey team. Finally, this year he make the Games for masters table tennis. He won a gold medal in the team competition.

94 years after his grandparents met, Gadi marched in the opening ceremony with his son Leo (who also participated in table tennis, for 16 and under).

“The medal was a nice surprise, but for me just being there and wearing the Team USA shirt was my definition of victory,” Slade says.

Gadi Slade (left) and Russell Greenberg, with Maccabi medals.

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Between email, texts and now AI, we’ve forgotten how to have conversations with actual human beings we don’t know.

Help is near.

Staples High School Class of 2012 graduate Tom Karrel has just published “The Lost Art of Random Conversations: How One Conversation with a Stranger Will Change the Way You Connect with Everyone.”

Drawing on over 10,000 hours of group facilitation experience across nearly 50 countries, Karrel offers practical tools and honest stories to help readers break through phone addiction, overcome social anxiety and loneliness, and create real world connections.

It’s available on Amazon, and by clicking here.

Tom Karrel

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Kawa Ni’s “Paint + Sip” events are a smash.

The next 2 are planned for August 5 and 19 (6:30 to 8 p.m.).

Artist Lauren Smith leads guests as they create, sip and enjoy lite bites, on the Bridge Square rooftop overlooking the Saugatuck River.

For $56 you get painting supplies, an 8″x10″ canvas, and Kawa Ni fare. Wine, sake and cocktails are available for purchase. Click here to register.

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Lachat Town Farm offers 3 fall children’s programs:

  • Caregiver & Me
  • Pre-school drop-off
  • K-8 after-school.

Click here for details. Questions? Email childrensprograms@lachattownfarm.org.

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Every Thursday for several years, VFW Post 399 has hosted 2 jazz shows. They kick off at 7:30 and 8:45.

Now, every other Thursday, the Dave Kardas Band plays original jazz, blues and rock, right before (5:30 to 7:15 p.m.). Upcoming dates are tonight (July 3), August 13 and 27, and September 10.

The music is free. There’s happy hour food and drink prices too.

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Westport Police made 2 custodial arrests between July 22 and 28.

A 50-year-old Fairfield man was charged with evading responsibility, traveling too fast for conditions, failure to drive right and reckless endangerment, following 2 notifications on Sturges Highway from iPhone crash detection. Two calls were made, and the man denied being involved in an accident. However, a witness reported a damaged and disabled Tesla unoccupied in the middle of the road, and a man walking away. An investigation determined that the vehicle left the road twice, striking several large rocks. He was released on a $5,000 bond.

A 68-year-old Westport woman was charged with driving the wrong way on a 1-way street, interfering with an officer and failure to appear, following an investigation into an April incident on Franklin Street. The woman approached an officer driving the wrong way. After being signaled to stop, she rolled up her window and attempted to change direction multiple times. When she stopped she was argumentative with officers. She refused to exit the vehicle, and engaged in a physical struggle. She was released on $3,500 bonds.

Westport Police also issued these citations:

  • Texting while driving: 21 citations
  • Traveling unreasonably fast: 9
  • Failure to obey stop sign: 8
  • Failure to comply with state traffic commission regulations 8
  • Failure to renew registration: 4
  • Failure to obey traffic control signals: 4
  • Operating a motor vehicle under suspension: 2
  • Operating a motor vehicle without a license: 2
  • Failure to insure motor vehicle: 2
  • Distracted driving: 2
  • Following too closely: 2
  • Improper use of markers: 2
  • Operating an unregistered motor vehicle: 1
  • Speeding: 1
  • School zone violation: 1
  • Disorderly conduct: 1
  • Criminal mischief: 1

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A crepe myrtle tree makes its first-ever “Westport … Naturally” appearance today. This beauty is on Compo Road South.

(Photo/Topsy Siderowf)

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And finally … in honor of Tom Karrel, and his book on how to have a conversation (story above):

(Speaking of conversations: Let’s talk! If you appreciate even a small part of this hyper-local blog, please consider clicking here to support our work. We rely on you — our readers — so thank you!)

 

 

Westport Library: The Community Is The Collection

Bill Harmer is in his 10th year as director of the Westport Library. In his new Substack, “The Civic Library.” he offers personal reflections on public libraries, civic life, leadership, culture, and the role public institutions can still play in helping communities learn, gather and belong.

He began with this piece. It explains the belief that has shaped his entire career: that a library is not ultimately defined by its building, but by the promise it makes to the people it serves.

It is thoughtful, inspiring and important. “06880” asked Bill for permission to repost it here.

Port Huron, Michigan, a blue-collar border town wedged against Canada, is where I grew up. Lake Huron was present from the beginning. Hockey was, too.

My dad and I spent many Saturday mornings outside before sunrise, carrying hockey equipment through the cold for a seven o’clock game. Afterward, we had a ritual. We would get Coney Island hot dogs with chili, mustard, and onions from the place across from the rink, then cross the street to the Carnegie Library.

The building was not especially impressive. It was simple, unassuming, and made of brick. It looked more like a one-room schoolhouse than a cathedral of learning.

But it felt enormous to me.

Carnegie Library, Port Huron, Michigan

I remember the quiet when we walked in. The smell of old paper. The sense that I could move around without anyone asking why I was there.

Getting my first library card felt like a huge deal. That card set me free. I could not drive yet, but it took me places. I did not need a teacher or parent to tell me what to read. I could browse the stacks, pick up whatever caught my attention, and decide for myself what I wanted to learn.

That was my first understanding of what a library could be.

Not a building. A promise.

A promise that knowledge does not belong only to those who can afford it. A promise that everyone should have a place to learn, discover, imagine, and begin again. A promise that a community is stronger when people have somewhere to gather without having to buy something, prove something, or already know where they are going.

Years later, when I became the director of a public library, that memory stayed with me. It was more than a childhood recollection. It became a leadership principle.

Bill Harmer (Photo/Ryan Allen)

A library is not defined by its walls, its square footage, its circulation statistics, or even its collection. It is defined by the public promise it keeps.

Too often, public libraries describe themselves in terms that are smaller than the work itself. We talk about books, programs, databases, meeting rooms, Wi-Fi, storytimes, and summer reading. All of that matters. Books matter. Access matters.

But we sell the library short when that is all we say.

Today’s library is not simply a place where people come to check things out. It is one of the few remaining public places where people can enter freely, spend time, ask questions, run into a neighbor, hear an unexpected idea, make something new, or sit quietly because they need somewhere to be.

Access matters, but it is not the same as belonging.

A door can be open and people can still wonder whether the place is meant for them.

We can do more than open the door.

The Westport Library’s doors are open many hours a day. (Photo/Michael Chait)

When I came to The Westport Library in 2015, I was hired in part to lead what became known as the Transformation Project, a $21 million renovation and capital campaign. We reconsidered nearly every part of the building, and the new Library opened in 2019.

But the work was never simply about construction.

The harder question was what all that space should make possible.

The building had to do more than look better. It had to reflect the creative energy of the community around it and give that energy somewhere to go.

That question became the center of the work.

We removed walls and opened sightlines. We brought in light. A conventional reading room became a public forum where people could gather, listen, debate, study, perform, celebrate, and sometimes grieve. We created Verso Studios, a media production center where people could record music, make films and podcasts, and learn the tools of modern storytelling. We also built spaces for education, conversation, and making things.

The point was not the rooms themselves. The point was what could happen inside them.

A child could browse a picture book. A teenager could record a podcast. A filmmaker could edit a documentary. An author could speak to a full room. A retired resident could take a class and discover something new about the world or about themselves.

I do not believe that is mission drift.

I believe it is the mission coming fully into life.

The public library has always been one of the few institutions in American life where people are welcomed without a transaction. There is no purchase required. No membership fee. No explanation needed.

You simply enter.

That feels more radical now than it did when I was a kid.

Westport Library patrons feel at home throughout the building — including the innovative Trefz Forum.

Public life has become more commercial, more digital, and more divided. Many of the places where people once gathered now require a purchase, an invitation, or a password.

The library remains open.

But that does not happen by accident. The promise has to be protected. It also has to stretch.

Some people worry that innovation will cause libraries to lose their way. I think the greater danger is confusing old methods with enduring values.

The card catalog became a search engine. The reading room became a public forum. The study carrel became a podcast booth. None of that abandoned the mission. It allowed the mission to keep moving.

The best innovation does not take us away from the library’s original promise. It brings us back to it.

One of my deepest beliefs is that the community itself is the collection.

Every town is full of people who know things.

Artists, teachers, business owners, veterans, scientists, musicians, parents, elders, tradespeople, and people carrying hard-earned wisdom they may never have thought of as knowledge worth sharing.

They know how to repair, write, cook, build, teach, survive, and imagine.

Books matter, but knowledge does not live only in books. It also lives in people.

Westport TV personalities like Alisyn Camerota and Dave Briggs regularly donate their time to the Westport Library.

The library’s work is not simply to distribute information. It is to help knowledge move.

That changes the role of the librarian.

A librarian still helps someone find the book. But the work can also mean finding the teacher, the tool, the room, the workshop, the person, or the courage to take the next step.

The librarian becomes a convener, a host, an interpreter, a connector, a teacher, an advocate, and sometimes a witness.

I resist narrow definitions of what a library is allowed to be.

A teaching kitchen can expand literacy into food, health, culture, and family life. A media studio can give people access to the tools of modern storytelling. A music or literary festival can place the library at the center of a community’s cultural life. A room built for civil discourse can help neighbors practice the difficult work of listening to one another.

That is not abandoning the mission.

That is taking the mission seriously.

Bringing artists like Wyclef Jean — and connecting them to audiences — is one of the Westport Library’s many missions. (Photo/Kerry Long)

Public libraries are not nice extras. They are part of the infrastructure a community needs in order to learn, adapt, create, and remain human.

We have simply grown too accustomed to describing the work modestly.

Of course, the work is not always inspiring.

Anyone who has spent time leading a public library knows this.

There are budgets to fight for and balance, boards to work with, buildings to maintain, staff cultures to nurture, political pressures to navigate, patrons in crisis, public criticism, personal fatigue, and plenty of days when the mission feels buried under email.

Westport Library

I have wanted to quit more than a few times.

Not because I stopped believing in libraries. Often, it was because I believed in them so much that the gap between what they could be and what the work demanded felt impossible to close.

Leadership in a public library can be creative, joyful, and full of purpose. It can also be bruising, isolating, and misunderstood.

Still, something keeps bringing me back.

A child laughing during storytime. A teenager recording a song in the studio. A donor realizing that a gift can make something possible for people they may never meet. A packed room listening carefully during a difficult conversation. A person walking through the door without knowing exactly what they need, only that they need somewhere to go.

That is what keeps me in the work.

Because the library is not the building.

The building matters. Design matters. Beauty matters. Light, sound, furniture, technology, and flow all matter. They tell people what kind of place they have entered. They can intimidate or invite. They can open possibility or quietly shut it down.

But the building is not the promise.

The promise is deeper.

It is the promise that a person can walk through the door without having everything figured out. They may find a book, a class, a conversation, a place to sit, or someone willing to help.

Sometimes the library gives people information. Sometimes it gives them confidence. Sometimes it simply interrupts a lonely afternoon.

None of that is small.

Everyone can find a place at the Westport Library. This is the view from the children’s section. (Photo/Collette Winn)

That was the promise I first felt as a boy in skates and a winter coat, wandering the stacks after a hockey game.

I have spent my career trying to understand that promise, build around it, defend it, and extend it.

Public libraries must keep making that promise now.

Nostalgia will not save the public library.

Purpose will.

That is not a building.

It is a civic promise.

(Like the Westport Library, “06880” relies on your support. Please click here to make a tax-deductible contribution to this hyper-local blog. To support the Library, click here. We all thank you!)

Pics Of The Day #3388

Compo Beach pavilion ,,, (Photo/Amy Schneider)

,,, and bathhouse (Photo/Joel Treisman)

Roundup: Max Orland, Pan-Mass Challenge, Arnie’s Place …

In 2010 — when “06880” was less than a year old — we published a story on Max Orland.

The Staples High School graduate had just started working for the Boston Red Sox, as an operations and equipment intern during spring training.

Max prepared well for that job. A 4-year student manager for the University of Delaware baseball team, and valued member of the athletic department, he’d overcome a substantial speech and language disability. The story celebrated his success.

That was just the start. On Monday, Delaware’s UDaily did their own story on Max. “Opening Doors Through Inclusion” covered his 16 years since graduation.

These days, Max works in golf operations at La Gorce Country Club in Miami Beach, and is a team attendant for the Miami Heat. Over the years he has worked for premier golf clubs, and held operational roles with the New York Mets, Philadelphia Phillies and U.S. Open. Soon, he’ll return to the tennis Open as a court attendant.

He speaks on disability issues at national conferences and industry events. And he volunteers with Special Olympics.

Oh yeah: UD’s former baseball team called Max “the best team manager we ever had.” The program’s Rookie of the Year Award in named in his honor.

Max says, “I am still grateful for my 4 years at Staples that launched me to greater heights. I always catch a Wreckers game or two when I’m back home.”

Click here for the full UDaily story.

Max Orland

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The Pan-Mass Challenge is a near-200-mile 2-day bike ride, from Worcester to Provincetown.

But despite its Massachusetts roots — and its fundraising efforts for Boston’s Dana-Farber Cancer Institute — the annual event has a strong Westport presence.

A number of residents have participated in the challenging-yet-satisfying ride. Among them: Adam Drake. (Click here for all previous “06880” stories.)

This weekend, the Representative Town Meeting (RTM) member participates in his 6th Pan-Mass Challenge.

“The Pan-Mass Challenge is an amazing reminder of what people can accomplish when they decide to do something difficult together,” Drake says. “It also reminds me for weeks afterward that no amount of training makes a bicycle seat comfortable.”

For Drake — who is part of local team Velominati — the ride is about supporting the patients, families, doctors and researchers confronting cancer every day.

Many riders participate in honor or memory of someone affected by cancer. More than 1,100 riders and volunteers this year are cancer survivors or current patients, .

“Nearly all of us have watched cancer affect someone we love,” he says. “The miles can be brutal, but they are nothing compared with what patients and their families endure. Riding, raising awareness and raising funds are simply small ways I can help.”

To donate via Adam’s page, click here. 

Adam Drake, at the Pan-Mass Challenge.

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Tomorrow is the last date for boys and girls ages 5-18 to take images for the Young Shoots photo contest.

There are prizes in 3 age groups, and an exhibit and reception for all the young entrants.

The Farmers’ Market takes place at the Imperial Avenue parking lot (Thursday, 10 a.m. to 2 p.m.)

The contest deadline is July 31, Click here for details, and submission guidelines.

2024 winner: ages 5-9: Koa DeCastro.

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Yesterday’s Roundup featured a very cool photo of a baby shark, washed up on Burying Hill Beach.

(Photo/Seth Schachter)

What we did not know — or we definitely would have mentioned it — is that we’re smack dab in the middle of Shark Week. (For those of you who prefer to be outdoors — cautiously — in the summer, rather than watching TV, that’s an annual Discovery Channel promotion.)

And how did we find out about Shark Week?

From Scott Sharkey — owner of the national Sharkey’s Cuts for Kids salon company.

Of course.

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Speaking of nature: The Earthplace “Feed the Animals” campaign has run throughout July.

Their goal is to raise $25,000, to cover the rising costs of care for over 50 “animal friends.”

Many Earthplace resident animals cannot survive in the wild due to permanent injuries. They now serve as “ambassadors.”

Every donation received through Friday (July 31) will be matched Click here to contribute — and have your gift support “double” the animals. 

Please support us!

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On Monday, “06880” reported on plans for a 2-story indoor sports facility, on the present site of Bar Lupa restaurant, Izzo & Son Country Gardens, and Furniture on Consignment II.

That night, the Planning & Zoning Commission looked favorably on the pre-application presented by the Redniss & Mead land use firm.

Westport native Andrew Bangser looked up the location — 1431 Post Road East — on Google Maps.

A nearby building was labeled “Arnie’s Place.”

(Screenshot courtesy of Andrew Bangser)

Most Westporters know it as “the former site of Balducci’s.” It’s been closed for nearly half a year.

And, as Andrew points out, Arnie’s Place — the once-controversial, now long-lamented video arcade — met its end a decade before Larry Page and Sergey Brin began building a rudimentary search engine in their Stanford University dorm room.

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A 2-vehicle accident at noon yesterday, on Post Road East in front of Redi-Cut Carpet, snapped a utility pole and forced the extrication of the occupant of a truck.

Two people were taken to the hospital, with injuries.

(Photo/Westport Fire Department)

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Since 2002, the Malloy Lecture in the Arts — supported by the last Westport artist Susan Malloy — has brought creative artists like Salman Rushdie, Roz Chast and Kelli O’Hara to the Westport Library stage.

This year’s guest is Amor Towles. The best-selling author will speak with writer and editor Stephanie Klose about his career, and novels like “A Gentleman in Moscow,” “The Lincoln Highway” and “Table for Two” that have captivated millions of readers around the world. Click here for more information.

Amor Towles

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The serious business of school kicks in sooner than anyone realizes.

A few days before, the Westport Country Playhouse offers a “Silly Dilly Concert,” fun for the whole family.

The Saturday, August 22 show (4 p.m.) features over 20 songs, right out of Alan Katz’s parody books. Click here for tickets; click here or below for a sneak peek.

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Today’s “Westport … Naturally” image shows this magnificent raptor at Longshore the Town Farm tennis courts.

Watching the tennis courts — like a hawk, of course.

(Photo/Michael Chait)

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And finally … Freddy Cannon — the singer of classic pop/rock songs like “Palisades Park, “Tallahassee Lassie” and “Action” — died Friday in California. He was 89, and had been diagnosed with bladder cancer.

Click here for a full obituary. 

(“06880” is where the action is — 24/7/365. If you come here for news, features, photos, random stuff — or anything else — please click this link, to support our work. Oh baby, come on!)

Spinnaker’s Saugatuck: Relatively Smooth Sailing Before Architecture Board

The Architectural Review Board took another look at Spinnaker’s plan for 175 apartments — and one retail space — last night.

In a low-key, collaborative Town Hall session, members discussed the developer’s pre-application for 606 Riverside Avenue. The property is bordered by Charles Street and Railroad Place. It currently includes Minute Man Cleaners, a parking lot, locksmith and a white residential building.

The ARB is not the Planning & Zoning Commission, chair Ward French noted. His board’s job is to consider aesthetics, not regulations.

Representatives from Spinnaker and Beinfield Architecture explained changes from their previous ARB meeting. The top (6th) floor now consists of lofts for apartments on the floor beneath it, rather than more residences. The building’s 2 garage levels have been lowered by 2 feet each. Setbacks are deeper. And the Riverside Avenue façade has been softened, in response to concerns about its look.

Sketch of the view from Riverside Avenue. Steam Coffee Bar is at left. The existing white residential building (behind Steam) would be retained, Spinnaker says, and possibly moved back from its current site on Riverside Avenue.

Discussion centered on how the buildings would appear from not only street level, but when coming off the train and I-95 exit 17, and driving past on the highway itself.

Questions were raised about its similarity to the Corbin District — 7 acres of  116 apartments, plus retail, restaurants, fitness studios and offices off I-95 Exit 11 in Darien.

Beinfield managing partner Seelan Pather referenced 95, noting that architects cannot design buildings that accommodate every view.

Pre-app discussion also included the Charles Street building, next to the current 4-story office building and across from Zucca Gastrobar. Its “factory aesthetic” design — a nod to Saugatuck’s heritage — would include 3 different brick styles, to break up its bulk.

View from the corner of Riverside Avenue (left) and Charles Street (right). The current 21 Charles Street office building is at far right. The higher new apartments would be set back from the street.

Suggestions were made to change part of the façade to clapboard siding from brick, to fit better with nearby structures.

French said, “I think we’re headed in the right direction, given the alternatives. I’m fearful of what Darien might look like here. This has more resonance.”

Before Saugatuck, the ARB looked at plans for 1460 Post Road East. Sprouts — the Phoenix-based “farmers’ market” chain — will move into the space now occupied by BevMax (and previously, Pier 1, Barnes & Noble, and Westport Lanes bowling alley).

The liquor store will move to the lower level. Julian’s will be relocated to the far eastern end of the shopping plaza.

Board members asked for changes to the side of the building facing the Post Road, citing its length and height.

Proposed entrance to Sprouts, facing the large parking lot to the west of 1460 Post Road East. Concerns were raised about the bulk of the façade to the left of this rendering, fronting Post Road East.

[OPINION] Westport License Plate Readers Pose Undue Risks

Cabry Lueker graduated from Staples High School in 2024. He studies cconomics at Boston University, and is interested in politics, finance, travel and current events.

He feels passionately about our right to privacy. Cabry writes:

In one month, outside law-enforcement agencies used the generic label “Investigation” in 54,796 searches of data collected by Westport’s license-plate cameras. Most Westport residents probably had no idea those searches were happening.

Cabry Lueker

Every day, most of us willingly trade some privacy for convenience. We install Ring doorbells. We carry phones that know everywhere we have been. We let Google Maps route us to our destinations, while our activity is used to personalize advertisements.

However, there is one form of surveillance in our town that we never meaningfully agreed to: having our movements recorded whenever we drive here.

The Westport Police Department maintains 29 Automatic License Plate Recognition cameras at undisclosed locations throughout town. Twenty are operated through Flock Safety.

More than 436,000 plate detections were recorded by Westport’s Flock cameras in the last 30 days, according to the department’s Flock Transparency Portal. That is more than 14,500 detections per day. The cameras record passing vehicles, regardless of whether their occupants are suspected of any crime.

The “Transparency Portal,” automatically generated by Flock Safety, includes statistics about the system, and a file listing the previous 30 days of searches. But officers’ identities are hidden, case numbers are absent, search results are undisclosed, and many explanations are as vague as “Investigation,” “INV” or “File 1.”

Westport Police told WFSB earlier this year that all users are trained, the system contains guardrails, and a supervisor audits searches twice a month. The department said those audits had found no improper use.

But it is effectively asking residents to accept its conclusion while withholding the information needed to verify it independently. Transparency should mean more than assuring the public that internal safeguards are working.

Flock license plate reader.

Some may say that “it’s just a license plate.” It is not. The cameras record a vehicle’s description, exact location, date and time. Police can then connect a plate to its registered owner through government databases. Collected repeatedly, this information can reveal significant details about a person’s movements.

The larger issue is that the data does not remain solely within Westport’s control. In October 2025, outside agencies used the label “Investigation” in 54,796 searches of Westport camera records. The Louisville Metro Police Department was the most frequent outside user, followed by agencies in Florida and Texas. Immigration- or ICE-related language appeared in at least 11 searches the following month.

Westport Police say they can restrict individual agencies, and do not share information with ICE. However, these records demonstrate how difficult it is to control access once a local surveillance system becomes part of a national network. The Transparency Portal also does not show outside-agency searches, further calling the effectiveness of these guardrails into question.

That concern is reinforced by Westport’s current audit. More than 80% of local searches were configured to include at least 92 agency networks, while almost 40% included at least 251. Two searches included more than 6,000. The department may own the data, but ownership is not the same as control.

License plate recognition cameras can automatically notify authorities of suspected vehicles.

Nationwide, these issues are even more apparent because of the rapid expansion of Flock Safety and other ALPR systems. DeFlock, a crowdsourced organization that maps these cameras, has identified more than 120,000 nationwide.

Last year, a Texas sheriff’s office searched a nationwide network of more than 83,000 Flock cameras while trying to locate a woman who had reportedly obtained an abortion, including in states where abortion was legal. Authorities said her family feared for her safety, but the case still showed how easily the network can be used for controversial purposes far beyond locating stolen vehicles.

Misuse by individual officers is also well documented. The Institute for Justice identified at least 28 reported cases in which officers allegedly used ALPR systems to monitor current or former romantic partners or other romantic interests. In many cases, the conduct was discovered only after the person being tracked complained. In other words, internal safeguards did not prevent the searches.

Even when no one deliberately abuses the system, errors can have serious consequences. A separate Institute for Justice review identified at least 27 cases in which innocent motorists were stopped, detained or jailed because of incorrect information connected to ALPR systems. In nearly 2/3 of those cases, officers reportedly pointed guns at innocent people before discovering the error.

Earlier this year in Arkansas, a Flock camera misread a plate, and officers detained a couple at gunpoint while their 6-week-old baby was in the back seat. In Florida, an innocent driver was jailed for 13 days after police incorrectly connected their vehicle to an accident.

​According to Flock marketing materials cited by the Institute for Justice, its cameras correctly capture 93 out of every 100 plates while processing more than 20 billion plate readings each month. An inaccurate reading does not automatically lead to a wrongful stop, but at that scale even a small failure rate can create serious risks.

​I understand that Flock cameras have helped Westport Police recover stolen vehicles and a firearm, as highlighted in the “Success Stories” section of its Transparency Portal. There is no doubt that Flock can be a useful investigative tool.

I also deeply respect the work that the Westport Police Department does on a daily basis. However, that does not mean it is immune from criticism or public input. Occasional successes do not justify recording everyone. We must draw the line somewhere.

Some will argue that stricter policies, additional audits or greater transparency are enough. They are not. The problem is not simply a lack of rules. It is the system that Flock and participating police departments have created.

Flock’s value comes from connecting thousands of cameras and agencies into a single searchable network. Policies may reduce the risks, but they cannot eliminate the underlying danger of placing local driving data into a privately operated, multi-agency system — especially in a rapidly shifting federal landscape.

Windsor and Killingworth have already decided that the risks outweigh the benefits. They have terminated their Flock ALPR programs, alongside Los Angeles, Austin, Denver, Cambridge and a growing list of communities.

Westport should be next.

(Last September, Westport Police Chief David Farrell responded to requests for information about the town’s oversight of Flock. Click here for that story.)

(Our “06880” Opinion pages are open to everyone. Send submissions to 06880blog@gmail.com. To support this hyper-local blog, please click here. Thank you!)

 

Pic Of The Day #3387

Compo Beach (Photo/John Maloney)

“06880” Podcast: Jay Babina

Jay Babina is the second youngest guest ever on our “06880” podcast.

He’s also got one of the most intriguing stories. Jay is the founder, curator and driving force behind one of the most unique places in town: the Westport Tech Museum.

Click here or below to learn more about Jay’s passion, and his remarkable creation.

Staples Players Rewind: “Into The Woods”

In the spring of 2012, Staples Players directors David Roth and Kerry Long produced “Into the Woods.” Both are longtime fans of Stephen Sondheim, and first staged the show 10 years earlier.

Click here or below for highlights. As always, they’re courtesy of former media teacher Jim Honeycutt, who videotaped all of Roth and Long’s shows.

Many Players have gone on to interesting careers, in and out the arts. Among them:

Will Haskell (Narrator) went on to serve 2 terms as Connecticut state senator — one of the youngest state legislators in the country.

Elle Deran (Rapunzel’s Prince) is a trans and non-binary actor, singer and content creator.

Sofia Ribolla (Cinderella) shifted her focus from theater to to medicine while in college, and is now an optometrist with Greenwich Ophthalmology Associates.

Clay Singer (Jack) has extensive theater credits, including “Masquerade” in New York, “Fiddler On the Roof.””The Band’s Visit” North American tour,
“Next to Normal,” “Man of La Mancha,” “Romeo and Juliet,” “Ragtime,” “The Full Monty — and “Into the Woods” in Pittsfield, Massachusetts.

Jamie Yarmoff (Cinderella’s Stepmother) is a renewable energy professional amd chapter leader for Women of Renewable Industries and Sustainable Energy. She founded the WRISE Utah chapter in Salt Lake City.

Cara McNiff (Drusilla) graduated from Elon University with a degree in musical theater. She is still involved in theater. as a regional booking manager.

Sami Schwaeber (Jack’s Mother) is a Brooklyn-based musical comedian, actor and writer recognized for her queer, Jewish and mental health-focused stand-up and sketch work.

Madeline Seidman (Jack’s Mother) is a Brooklyn-based actor, with an MFA from Yalel School of Drama. She can be seen on screen in the TV shows “Elsbeth” and “A League of Their Own.”

Michelle Pauker (The Witch)  is a singer and actor. She has appeared in “A Midsummer Night’s Dream” (Idaho Shakespeare Festival), “The Hunchback of Notre Dame” (Great Lakes Theatre Company), and “Into The Woods (Forestburgh Playhouse). On Sunday, her band Back to the Garden 1969 performed at the Levitt Pavilion.

August Laska (Wolf) transitioned from acting to behind-the-scenes work in producing and marketing, eventually serving as a marketing coordinator for Disney Theatrical Group. He co-produced “Broadway Gets GLAAD” at Joe’s Pub, and worked as a co-producer on the Off-Broadway and summer Broadway runs of “Broadway Bounty Hunter.” He currently owns The Old Yew plant shop.

Charlie Greenwald (Cinderella’s Prince)  is an actor, voiceover artist, comedian, copywriter and children’s book author. He has appeared in the Academy Award-winning film “The Trial of the Chicago 7” and the TV special “Jesus Christ Superstar Live in Concert.” (2018).

Everett Sussman (Cinderella’s Father) is an applied mathematics/computer science graduate of Harvard University. He is now a digital creator. He has acted in regional theater productions, including “Sweeney Todd.”

Charlotte Weber (Repunzel) attended the International Culinary Center. She works professionally as a pastry chef).

Ryder Chasin is a television writer, creative and comedian in Brooklyn.

Nicholas Massoud (Mysterious Man) attended Yale, and performed all over the world with the a cappella groups the Wiffenpoofs and Sprizzwinks.

Joe Badion (Sprites) is a graduate of Northwestern University’s Bienen School of Music. He teaches upper school music at the Town School in New York.

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!)

Roundup: Shark! WTF …

It’s not Amity Island.

But this was the scene this morning at Burying Hill Beach:

(Photo/Seth Schachter)

Seth Schachter — who made the early morning discovery — searched AI for information.

It says, “based on the shape and markings in your photo, this appears to be a juvenile smooth dogfish (Mustelus canis), which is one of the most common small sharks found in Long Island Sound.”

He notes that it’s a baby; the photo makes it look larger than it is.

Seagulls were picking at it. Seth guesses that high tide will carry it back into the water.

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Wakeman Town Farm is a place of wonder for many youngsters.

And for plenty of others, from nearby communities.

This summer, Wakeman Town Farm welcomed young campers from around the area for a week of discovery, connection and hands-on learning.

With muddy boots, curious minds and big smiles, campers harvested fresh vegetables, met friendly animals, and explored composting, planting and regenerative farming practices.

Through WTF’s Room to Grow initiative, hundreds of students from Hall Neighborhood House, the McGivney Center and Horizons embraced every opportunity to learn, explore, and grow — for free.

The Room to Grow Fund was launched at the 2025 Harvest Fest gala. Generous donors, and the Westport Woman’s Club and Town Fair Tire Foundation, provide added support.

It’s one of several Wakeman Town Farm initiatives that connect young people from neighboring communities with nature, fresh food, and the lifelong benefits of land stewardship.

Fun at Wakeman Town Farm.

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Westport resident Carl Wistreich is the son of Holocaust survivors from Poland and Germany. Pursuing a career in business and law, he achieved the financial security his grandparents had in their respective countries, before making the lifesaving decision to leave it all (including close relatives) behind.

Finally, in his 50s, Wistreich had time to read family memoirs describing miraculous stories of survival. He realized the stories his parents rarely spoke about needed to be shared.

The result — My Lethal Obsession, a novel about ruin, resilience and rebirth, of one family and the Jewish people as a whole — will be published September 1. The next day — September 2 (7 p.m), Wistreich launches his book at the Westport Library, in a conversation with Temple Israel’s Rabbi Michael Friedman. An audience Q-and-A and book signing will follow. Click here for more information.

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KEYS is a brilliant acronym.

It stands for Kids Empowered by Your Support — which is exactly what the Bridgeport non-profit does and is.

Each year they offer free music lessons, summer camps and instruments, to 600 youngsters in 21 schools.

A front lawn party this Sunday (August 2, 4 to 6 p.m., 53 Compo Beach Road) will introduce guests to the organization, including volunteer, donation and support opportunities.

Park at Compo Beach. Bring a lawn chair if you’d like. Learn more about KEYS –and enjoy their very “empowered” jazz group, who will perform live. For more information, email KanikaTaylor@hotmail.com.

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Grammy Award-winning trumpeter/composer/arranger Michael Mossman has done it all.

After apprenticing as a youngster with jazz legends Lionel Hampton, Dizzy Gillespie, Art Blakey and others, he took center stage as music director for Blue Note Records’ “boy band”, Out of the Blue. Mossman went on to be a key performer in Latin jazz, working with the Afro-Latin Jazz Orchestra and others.

He returns this Thursday for “Jazz at the Post” (July 30, shows at 7:30 and 8:45 p.m.; dinner from 6:45; VFW Post 399).

He’ll play with pianist Luis Perdomo, bassist Alex Ayala, percussionist Carly Moldonado, drummer Vince Cherico and saxophonist Greg “The Jazz Rabbi” Wall. Click here for tickets, and more information.

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Westport resident Jean Schiavone died July 14.

The Newton, Massachusetts native trained as a secretary at Katherine Gibbs in Boston. She married Paul in 1052. The family moved to Westport in 1966.

Jean loved Compo Beach, and raising her children here. She was a parishioner and volunteer at St. Luke Church for over 60 years, working with the Friendly Visitor Program, Multiple Sclerosis Society, Sacred Heart St. Anthony’s School, and St. Luke Women’s Guild. She also cared for the altar linens.

Jean was predeceased by her husband and siblings Peg Davis, Dick McLellan, Ruth Vlass (Gordon) and Tom McLellan. She is survived by her children Dr, Karen Edwards (Lawrence), Joseph (Kan), Paula Bruns (Robert), Nancy Schiavone (Norman Schulman) and Barbara Pinkerton (Steven); grandchildren Katherine Bernard (Scott), Benjamin Bruns (Christina) Timothy Bruns (Eleni) Emily Schulman (David Stone), Peter Schulman, Molly Edwards, Alison Pinkerton, Michael Pinkerton, and great-grandchildren Alice Bernard, Elijah Bruns, Noah Bruns, Lucia Bruns and Anais Stone; sisters-in-law Sally McLellan and Betty McLellan; brother-in-law Gene Davis, and many nieces and nephews.

Visiting hours will take place at Harding Funeral Home this Thursday (July 30, 9:30 to 10;30 a.m.). A funeral mass for Paul and Jean will follow at 11 a.m. at St. Luke Church.

Donations in Jean’s memory may be made to the Matthew 25 Fund at St. Luke Church, which provides food and assistance to individuals and families in need.

Jean Schiavone

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Mourning doves build nests in many places.

Including man-made structures.

These 2 chicks — the subjects of today’s “Westport … Naturally” feature — look as happy as if they were just hatched in, say, a tree or bush somewhere.

Hey — none of us has any control over where we’re born.

(Photo/Rob Jackson)

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And finally … happy 36th birthday, Soulja Boy!

(“06880” is the soundtrack to your Westport life. If you enjoy this hyper-local blog, please click here to support our work. Thank you!