Iron shackles. Burned timbers. “Negro child.”
They’re not the usual things you see at the Westport Historical Society.
But this is not the usual WHS exhibit.
Slave shackles, on exhibit at the Westport Historical Society.
“Remembered: The History of African Americans in Westport” opened in May. It’s one of the most creative and compelling shows ever mounted at Wheeler House. (Which, the exhibit notes, sits across Avery Place from a building that may have been built by slaves.)
It’s also one of the most important.
I attended the opening reception. It was packed. I talked with people who recalled some of the important events, like Martin Luther King’s visit to Temple Israel, and the fight over bringing Bridgeport students to Westport through Project Concern.
But it was too crowded to really see the artifacts and photos, or read the texts.
So the other day I returned. The Sheffer Gallery was quiet. I had time to study the exhibit.
And to think.
I learned a lot. I’m a Westport native and lifelong New Englander. But I never knew, for example, that slavery was not fully abolished in Connecticut until 1848. (The decades-long process spared white farmers the loss of free labor while they were still alive.)
Some of Westport’s biggest names — Coley, Nash, Jesup — were slave-owners. The property deeds — as in, these human beings were their property — are right there, for all to see.
A 1780 payment voucher for a black patriot soldier who bought his freedom, and immediately enlisted.
We see too a recreated hearth, from a Clapboard Hill home. It’s cramped and dark — and it’s where a young slave girl might have slept.
The reconstruction of sleeping quarters in a crawl space, from a Clapboard Hill Road home.
I did not know that black Westporters fought for the Union in the Civil War. Nor did I know that an unknown number of slaves are buried in unmarked graves in Greens Farms Church’s lower cemetery.
I did know — on some level — that African Americans have a long history here. But I had not thought about what it meant for them to work on our docks, in our homes, or at our farms.
Black Westporters were domestics, chauffeurs and seamstresses. But they were also, the exhibit notes, teachers, artists, physicians, activists and freedom fighters.
The exhibit includes a 1920s painting by J. Clinton Shepherd, “The Waffle Shoppe.” It may well be based on an actual restaurant on Main Street.
In the 1920s and ’30s, the Great Migration drew millions of African Americans north. Westport — offering work on farms and estates — was one destination. Black families lived on the Post Road, Bay Street — and 22 1/2 Main Street.
I have known for years that that address — set back in an alley that later became Bobby Q’s restaurant — was the site of a boardinghouse, where dozens of African Americans lived.
I knew that in 1950, it burned to the ground. Arson was suspected.
Photos and text about 22 1/2 Main Street.
But until the WHS exhibit, I did not know that a few months earlier, black Westporters had asked to be considered for spots at Hales Court, where low-cost homes were soon to be built. The Westport Housing Authority grudgingly agreed — but only after veterans, and others “with more pressing needs,” were accommodated.
Was that a cause for the fire? The exhibit strongly suggests so.
(Nearly 70 years later, construction at the old Bobby Q’s has revealed charred timbers — vivid testimony of that long-ago tragedy. It’s worth a look.)
I have long been fascinated by this photo, of one African American standing apart from everyone else in the Shercrow School photo. The WHS exhibit gives her a name — Anna Simms — and notes that she may have been a student or teacher.
The exhibit pays homage to African Americans like Drs. Albert and Jean Beasley, beloved pediatricians; Martin and Judy Hamer, and Leroy and Venora Ellis, longtime civic volunteers, and educator Cliff Barton.
It also cites the contributions of white Westporters like Rabbi Byron T. Rubenstein (arrested with Dr. King in St. Augustine, Florida); Board of Education chair Joan Schine, who fought for Project Concern, and artists Tracy Sugarman and Roe Halper, staunch supporters of the civil rights movement.
Roe Halper presents woodcuts to Coretta Scott King. The civil rights leader’s wife autographed this photo. The artwork was displayed in the Kings’ Atlanta home for many years.
But ultimately, “Remembered” remembers the largely forgotten men, women and children who helped shape and grow our town. Some came freely. Others did not. All were, in some way, Westporters.
In the foyer outside the exhibit, a stark wall serves as a final reminder of the African Americans who lived quietly here, long ago.
It lists the 241 slaves, and 19 free blacks, found in the Green’s Farms Congregational Church record books between 1742 and 1822. Most were listed only by first names: Fortune. Quash. Samson.
Some had no names at all. They are called only “Negro Child,” or “Negro Infant.”
The wall does not carry the names of all the white people listed in the church books during those 80 years. Many are well known to us, centuries later.
And most of them, the exhibit notes, owned the men, women and children who are now honored on that wall.
(For more information on “Remembered: The History of African Americans in Westport,” click here. The Westport Historical Society, at 25 Avery Place, is open Tuesday through Saturday, 10 a.m. to 4 p.m. Admission is $5 for adults, $3 for students and seniors. Members and children 10 and under are free.)
(WHS is also memorializing the names of over 200 Westport slaves, through bricks in the brickwalk. The $20 cost covers the brick and installation. To order, click here.)
In 1964, Rev. Dr. Martin Luther King spoke at the 5th anniversary of the dedication of Temple Israel. He autographed this program.