Tag Archives: Ann Chernow

Roundup: Ignazio’s Pizza, Grace Salmon Park, Cribari Bridge …

In May, “06880” reported that Ignazio’s was looking for a new owner.

The asking price was $275,000. Rent is $8,000 a month.

The restaurant in the former Bertucci’s space is now closed. Tables and chairs are stacked outside, and lights are off inside.

A phone call brings this cheery-sounding message: “Hi! You’ve reached Pizza Life, formerly Ignazio’s. We are remodeling, and will be back soon!”

Meanwhile, Ignazio’s’ website — still live — promises a new location, coming soon to Mystic. The original location was in Brooklyn.

Iganzio’s opened in Westport in November 2019, just 4 months before COVID struck.

Ignazio’s, this week. (Photo/Matt Murray)

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Grace Salmon Park is one of Westport’s most beautiful — and underrated — places to relax.

Yesterday, it was a classroom.

University of Connecticut master gardeners (and Westport residents) Monica Buesser, Alice Ely and Nathalie Fonteyne  conducted an invasive plant workshop. It was sponsored by the Westport Garden Club.

Sixteen participants learned about the park’s top 15 invasive plants. They then broke into 4 groups, each canvasing a quarter of the site — and found several different invasives.

The next step: using the data to apply for a grant for removal of invasives from Grace Salmon.

Buesser — the conservation chair of the Westport Garden Club —  plans to be at Grace Salmon Park every Thursday from 8 to 10 a.m. (weather permitting). She invites everyone interested in weeding or learning more about the park’s plants to join her.

“You can’t miss me. I wear overalls!” she says.

Grace Salmon Park is a beautiful spot. Like many in Westport, however, it is home to several invasive species. (Photo/Patricia McMahon)

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Seen on the Town of Westport’s Instagram:

The Public Works Department was out in force on Bridge Street. Workers cut back branches and brush that had encroached on the pedestrian walkway leading to Saugatuck.

It won’t make your drive over the Cribari Bridge any quicker. But it’s sure a boon to the many bikers, joggers and walkers who love the view.

(Photo courtesy of Department of Public Works)

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Three Westport non-profits have received CT Humanities grants:

  • United Nations Association Southwestern Connecticut, Westport: $4,980, for “When the Stars are Scattered” author/illustrator visits.
  • Westport Country Playhouse: $14,750 for the production of “From the Mississippi Delta” this coming October.
  • Westport Museum for History & Culture: $4,074 for “Saugatuck Stories: Walking Tour Exploring Diverse Experiences.”

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Sure, NASA is excited about the James Webb Space Telescope.

But the Westport Astronomical Society has Cal Powell.

The former WAS president hosts the “Cal & Friends Meteorite Show & Tell Party” on Tuesday (July 19, 8 p.m.).

Cal received his first meteorite in 2010, as a going-away gift from WAS. He started collecting them a few years later. His collection of nearly 400 specimens covers most meteorite classifications.

Cal will his present his extensive personal meteorite collection, and introduce Stefan Nicolescu with rare samples from Yale’s Peabody Museum. The WAS adds: “Bring your own meteorites and assemble your meteorwrongs!” Click here for more information.

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Noted local artists Miggs Burroughs and Ann Chernow hosted the third and final noir film last night, on the Westport Library’s large Trefz Forum screen.

“Nightmare Alley” was part of the series accompanying the artists’ “Double Indemnity” art exhibit, in the Library’s Sheffer Gallery. It runs through August 6.

Miggs Burroughs and Ann Chernow. (Photo/Dave Matlow)

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Today’s “Westport … Naturally” photo is as delectable as it gets: raspberries, straight from Lauri Weiser’s back yard.

(Photo/Lauri Weiser)

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And finally … Lauri Weiser’s photo (above) reminds us of …

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Roundup: Hook’d (Of Course), Saugatuck River Bridge, Entertainment …

A bit of good news from Hook’d!

They’ve finally posted their hours of operation on their door. They say they open at 11 a.m. weekdays, 10 a.m. weekends. They’re open until 8 p.m. 7 nights a week.

See you there!

(Photo/Matt Murray)

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Unfortunately, that’s not the only Hook’d-related news today.

A reader writes: “A quick Google search of (concessionaire) Upsilon Ventures and (owner) Itai Shoffman uncovers all sorts of stuff, like unpaid taxes.”

Attached was a link to Southern District of New York District Court judgment in “United States of America v. Itai Shoffman.” He was held liable for $201,659.73 in unpaid federal income taxes for 2007 and ’08, plus interest.

The judgment was dated February 12, 2021 — nearly one year after he and Upsilon were awarded the concession contract for Compo Beach and Longshore.

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The Onion is known for repeating the same post-mass murder headline, month after tragic month: “‘No Way to Prevent This,’ Says Only Nation Where This Regularly Happens.”

Westport’s repeated headline is this: “Truck Stuck Under Saugatuck River Railroad Bridge.”

It happened again yesterday morning. A driver ignored the warning sign — “Clearance: 10 Feet, 11 Inches,” and plowed underneath.

As usual, the bridge won.

Yesterday at the Saugatuck Avenue railroad bridge. Similar scenes are repeated regularly. (Photo/David Stone)

Readers always offer suggestions, such as better warnings for truckers (particularly those coming off I-95 Exit 17 eastbound, and not paying attention).

The bridge itself can’t be raised. But what will happen to Northeast corridor train traffic if repeated accidents make it structurally unsound?

Meanwhile, every time a truck driver misses or ignores the warning sign, we all smack our heads in disbelief.

And take a detour.

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The magnificent Steinway piano — formerly at New York’s Village Gate jazz club — has not been played since the day before COVID struck Westport.

But tomorrow (Thursday, July 7, VFW Post 399, 465 Riverside Avenue), Janice Friedman joins “Jazz Rabbi” Greg Wall. She’ll play it again, at “Jazz at the Post.”

There are 2 sets: 7 p.m. and 8:30 p.m. The cover is just $10; there’s also dinner from 6:30 on, with chef Derek Furino. Reservations are “strongly recommended” via email: JazzatthePost@gmail.com.

Before COVID, the Steinway piano was played at 323 restaurant.

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If jazz is not your thing, what about art?

“Double Indemnity” — the Westport Library show of work by Miggs Burroughs and Ann Chernow, based on the noir classic — continues tomorrow and the following Thursday (July 7 and 14).

Both artist will be at the gallery, from 6 p.m. on. At 7, films will be shown on the Library’s big screen: “Detour” this week, “Nightmare Alley” next.

Popcorn and other goodies are available too.

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Meanwhile, just added for Friday, at the Levitt Pavilion:

Hayley Jane & The Primates combine Americana, soul and rock & roll. They bring a powerful vocal range, vibrant dance choreography and explosive energy. The opening act is One Time Weekend.

Click here for free tickets.

Hayley Jane & the Primates.

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Michael Wolfe has no idea who put a sign up on Marion Road this morning.

But, Michael says, “he’s clearly on a quest to spread the word/embarrass Denise on her birthday. Might as well help the cause!”

(Photo/Michael Wolfe)

So: Happy Birthday, Denise, from all your friends at “06880.”

But don’t worry … we won’t tell anyone else 🙂

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Every day, there’s family fun at Wakeman Town Farm.

But this Saturday (July 9, 11 a.m. to 3 p.m.), it’s an official, capitalized Family Fun Day.

Kids of all ages can visit feed animals, plant sunflower seeds, and enjoy music from the School of Rock Fairfield. Food and drink for purchase includes ice cream, smoothies, iced coffee, lemonade and wood-fired pizza.

The schedule:

  • 11 to 2:45: Animal visits; reading room
  • 11 to 12:30: Buzzin’ Bees Craft
  • 11:30 to 12:45: Seed planting
  • 11:30 to 2:30: Pizza
  • 12 to 2: Ice cream
  • 12:30 to 2: Face painting
  • 1 to 2:45: Flight of the Butterflies Craft
  • 1 to 3: Music from the School of Rock House Band
  • 1:15 to 2:45: Farm Olympics.

Click here for advance tickets. Walk-ins are welcome too.

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There’s a lot going on at Earthplace, too.

Canoe paddles along the Saugatuck River — in search of egrets, osprey, ducks, shorebirds and much more — are set for this Saturday (July 9, 10 a.m. to noon); Friday, August 12; Saturday, September 10, and Sunday, October 16. Click here for reservations and more information.

Family campfires, with (of course) roasting marshmallows — plus meet an animal ambassador, and enjoy s’mores and a guided activity. There is a different theme for each campfire. Each family has their own picnic table. Dates are July 15, September 16, October 21, November 26 and December 21. Click here for details.

Meanwhile, admission to the Earthplace Museum is free through September 5, for Connecticut residents age 18 and under, and one adult caregiver. Support comes from Connecticut Humanities, the Department of Economic and Community Development Office of the Arts, and ARPA.

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George Billis Gallery — now in a new location, 180 Post Road East — hosts an opening reception tomorrow (July 7, 5 to 8 p.m.).

“Ride the Wave” features 8 women artists, including Westporter Dale Najarian.

“Southampton Coastline” — oil on canvas (Dale Najarian)

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Round Pond is one of Westport’s most historic (and overlooked) sites.

Located near the Longshore entrance road — and across the street from the house F. Scott and Zelda Fitzgerald rented in 1920 — it was where social reformer Lillian Wald lived for many years. Eleanor Roosevelt was a frequent guest.

These days, it’s better known as a winter skating spot.

A small sign now notes its name. It’s in keeping with the beauty of the place — and a great image for today’s “Westport … Naturally” feature.

(Photo/Tracy Porosoff)

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Never heard of Hayley Jane & the Primates — this Friday’s Levitt Pavilion band (story above)?

Neither have I.

They’ve been around a while, apparently. Here’s a 2015 clip, from Bridgeport’s Gathering of the Vibes festival:

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MoCA’s Westport Art Show Ends Saturday

Last summer, the Westport Arts Advisory Committee and MoCA Westport began work on the first in an annual exhibition drawn from the Westport Public Art Collections.

The inaugural show — “The Westport Idea” — opened in January. It ends this Saturday (March 12). WAAC chair Nancy Diamond writes:

In 1968 Ann Chernow moved from New York to Westport, where her art school friend and future husband Burt Chernow already lived. Ann had no idea there were artists in Westport; she was looking for a good school system for her children.

She also did not know that since 1964, Burt had been collecting works from his artist friends and colleagues to create the Westport Schools Permanent Collection.

“Burt’s dream was to make fine art a daily part of students’ lives,” Ann says. He was an artist himself and a teacher at Greens Farm Elementary School. With no assistance and no budget, Burt began the collection that has grown to more than 2000 works today.

Walking around the Gallery at MoCA, Ann is flooded with memories.

Standing before a colorful painting (Boy’s Head, 1964) by modernist painter Paul Camacho, Ann recalls. “Burt, our children and I were good friends with Paul and his family.” WestPAC now has more than 30 of Paul’s works. Three are on exhibit at MoCA.

“Boy’s Head” (Paul Camacho)

Of her own work in the gallery, (Hercules, 1976), Ann explains, “It’s the only silk screen I’ve ever done. It turned out I was allergic to the materials.”

The piece is based on Bette Davis. When the legendary actress (and Westport resident) heard Ann was working on it, she visited the studio to check up on it.

Ann Chernow with “Hercules” (top).

Ann is riveted by Laszlo Moholy-Nagy’s crayon and pastel work, Chalk Composition (1946). “One day Baroness Hilla von Rebay, who was instrumental in developing the Guggenheim Museum, called Burt,” she says.

“Hilla asked whether he could stop by her Greens Farms home and possibly fix some paintings she had that were practically ruined. When he got there, Burt found this Maholy-Nagy, as well as a Kandinsky, rolled up on the windowsill.

“They were badly creased. Burt brought them home and flattened them, but you can still see the wrinkles behind the glass.

Photographer Larry Silver arrived in Westport a few years after Ann. When he got out of his car in 1973, he says, “I looked around and all I saw were pictures. The sky, the grass, the trees. I hadn’t even seen the water, but everything was a picture waiting for me to shoot.”

That day he and his wife Gloria found the least expensive house they could afford. He pulled out a check that he had received from a recent advertising campaign and handed it to the broker. “She probably was surprised when it didn’t bounce,” he says.

In 1996 he was invited by the Chinese city of Yangzou (now Westport’s sister city) to photograph their lifestyle. Six Dancers shows 6 deaf girls from the School for Blind and Deaf. They danced for us to a song called Mother, if I could only hear Your Voice Just Once. Larry says, “We all teared up. To do a portrait of the girls, I had to design this photo so each of the 6 faces were important.”

In 2021, Larry donated 30 compelling black and white photographs of his China trip to WestPAC.

Hanging below Larry’s photo at MoCa is a work by Bridgeport photographer Adger Cowans (Three Shadows, 1968). Larry met him 3 years ago. “His is a wonderful picture, reminiscent of the 1960’s styles of life in the streets. It’s beautifully designed.”

Larry Silver with Adger Cowans’ photo (top).

Larry had similar praise for Westport photographer Jerri Graham (Sisters, 2020). “This also is a beautifully designed, well-done picture. The girls look so carefree dancing, even wearing their COVID masks.”

In 2000, Westport’s Pulitzer Prize-winning photographer Lynsey Addario made her first trip to Afghanistan to document the lives of women living under the Taliban. She returned there almost annually until 2014.

A Girl Visits a Shiite Shrine (2008) shows a young woman defiantly not wearing a veil. “The girl is centered in the picture and your eye goes right to her,” Larrysays. “It’s really good.”

Lynsey donated 33 images from her Afghanistan series to WestPAC in 2021.

The works of these Westport artists, as well as of their friends and colleagues, are on exhibit at MoCA in The Westport Idea through Saturday March 12. Click here for more information.

0*6*Art*Art*0 — Week 65 Gallery

Everyone was out this week celebrating the arrival of beautiful weather, and the “reopening” of Westport.

Well, almost everyone.

A few folks had time to send submissions to our weekly art gallery.

We want more! Watercolors, oils, charcoal, pen-and-ink, acrylics, lithographs, macramé, jewelry, sculpture — send it in!

We are particularly interested in student submissions, and readers who have not submitted before.

Some of you are professional artists; most are amateurs. Experience does not matter! Email dwoog@optonline.net, to share your work with the world.

“Juneteenth” (Amy Schneider)

“Trees and Stream” (Frances Overley Ryan, age 9, Greens Farms Elementary School)

Untitled (Lauri Weiser)

“Open Sesame” lithograph (Artist Ann Chernow says “because everything is opening up!”

“Abstract Movement” (Karen Weingarten)

“The Elephant in the Room” (Lawrence Weisman)

Untitled (Evelyn Overley Ryan, age 11, rising Bedford Middle School 6th grader)

0*6*Art*Art*0 — Week 52 Gallery

Ta-da! We did it!

Today, “06880” celebrates one full year of our Saturday morning art gallery.

In those first frightening days of the pandemic, I put out the call: Create art. Then send it in. A welcome tradition was born.

It was a way for artists and photographers to work through so many jumbled emotions. It was a way too for readers around the world to appreciate our artists, without the galleries and shows they always relied on.

In the beginning, work was entirely COVID-related. Oils, lithographs, sketches, photos, crafts — they showed masks, isolation, hearts. They evoked fear, uncertainty, hope.

Over time, other themes emerged. The summer’s Black Lives Movement sparked a new type of art — and a familiar welter of mixed emotions.

Gradually, our gallery changed. Nature emerged. Traditional scenes reappeared. Whimsy popped up.

Coincidentally, 12 artists contributed works to this week’s anniversary gallery. That’s one for every month we’ve endured.

There is light at the end of the tunnel. Let’s hope it’s not an onrushing train.

Meanwhile, our “06880” art gallery will continue. As always, we welcome whatever form suits your mood. You don’t have to be a pro, or even experienced. Send it all!

Student submissions of all ages are especially welcome. So are artists who have not submitted before.

Email dwoog@optonline.net, to share your work with the world.

“Spring Has Sprung” (Amy Schneider0

“I See the Light at the End of the Storm” (Ellen Wentworth)

“St. Patrick and the Wolfhounds” (Brian Whelan)

Untitled (Werner Liepolt)

“Crocuses, Bee and Shadow” (Elena Nasereddin)

“Betrothed in the Time of COVID” (Diane Yormark)

“Done! Who’s Pouring?” (Patricia Duesy)

“Rites of Spring” (Ellin Spadone)

Lithograph artist Ann Chernow says, “If you wear a mask even if you are vaccinated, you’ll have ‘Sweet Dreams, Baby’!”

Untitled (Pam Kesselman)

“Wash Day” (Lawrence Weisman)

“Sunset” (Karen Weingarten)

 

0*6*Art*Art*0 — Week 43 Gallery

Art makes us think. This week, we’ve had plenty to think about.

Recent and ongoing national events influenced this week’s art gallery — both subtly and unsubtly.

Each week, “06880” highlights works from local artists. You don’t have to be a pro, or even experienced. We want it all!

Art should be inspired by, relevant to, or somehow, in some way, connected to our current lives. Student submissions of all ages are especially welcome.

Email dwoog@optonline.net, to share your work with the world.

“Our Divided Nation” (Amy Schneider)

“Homework” (Jo Ann Davidson)

“COVID Still Life” (Molly Alger — she made the hat)

Untitled (Greg Puhy)

“Sand Fish at Compo Beach” (Karen Weingarten)

“The View From My Couch” (Lawrence Weisman)

“Just a Little Pinch … Saves Lives” (Ellin Spadone)

“Trying to Stay Positive” (Roseann Spengler)

Untitled lithograph (Ann Chernow)

 

0*6*Art*Art*0 — Week 37 Gallery

Compo Beach on Thanksgiving, a Christmas scene — we’re in the holiday mood this week.

As we’ve done every week since the pandemic struck last spring, we highlight submissions from all artists. You don’t have to be a pro, or even experienced. We want it all!

Works should be inspired by, relevant to, or somehow, in some way, connected to our current lives. Student art of all ages is especially welcome.

Email dwoog@optonline.net, to share your work with the world.

“Shop Local, Curbside and Inside” (Ellin Spadone)

“Canine Zoom Call” (Amy Schneider)

“Blood Moon” (Lisa Seidenberg)

“Trouble,” lithograph from stone (Ann Chernow)

“Two Whales Passing By” (Carole Chinn Mariani)

Untitled (Allegra Bockhaus, age 13)

“Customer Relations” (Lawrence Weisman)

“Thanksgiving at Compo Beach, 2020” (Karen Weingarten)

0*6*Art*Art*0 — Week 31 Gallery

As usual, this week’s art gallery features regular contributors and newcomers.

We welcome all! NOTE: Works should be inspired by, relevant to, or somehow, in some way, connected to our current lives. Student art of all ages is especially welcome.

Email dwoog@optonline.net, to share your work with the world.

“Autumn Scene” (Amy Schneider)

“Fate: It’s All in the Cards” (Ann Chernow)

“Yesterday’s News” (Jo Ann Davidson)

“Missing a Tooth” (Lawrence Weisman)

“An Owl and Snake” — South Morningside Drive (Karen Weingarten)

“Oh, What a Tangled Web We Weave!” (Nancy Axthelm)

0*6*Art*Art*0 — Week 27 Gallery

We’re past the midpoint of our “gallery year” — with no lack of subjects. In fact, we’ve added wildfires to the list of contemporary themes our artists and photographers are tacklng.

As has been the case since March, all submissions are welcome — in any medium. The only rule: It should be inspired by, relevant to, or somehow, in some way, connected to our current world. Student art of all ages is especially welcome.

Coronavirus, social justice, politics, or just the beauty around us — have at it! Email dwoog@optonline.net, to share your work with the world.

Untitled. Amy Schneider photographed these yarhrzeit candles, “in memory of loved ones we’ve lost.” They will be lit tomorrow night, on Yom Kippur.

“To Be Free Again” (Karen Weingarten). In the sky above Compo Beach.

“The Pandemic Blues” (Lawrence Weisman)

Patricia Driscoll took this photo of her husband and their home after the 2017 Tubbs Fire in Sonoma County. California. It was the first day they were allowed to return. “Everything was lost,” she says. The fire destroyed 1500 homes in their neighborhood, and another 1500 nearby. 

“Standing For.” Paul Delano erected this art installation of 16 painted poles in Westport. “In 2020, what are you standing for?” he asks.

Untitled lithograph (Ann Chernow)

Untitled stoneware vessel (Melissa Newman)

“Refuge.” This mixed media, acrylic and fabric was inspired inspired by the beauty of artist Mary Pat Pino’s own back yard.

0*6*Art*Art*0 — Week 26 Gallery

We’ve reached the mid-year point — the 26th week — of our “06880” art gallery.

A new theme is introduced this week: wildfires.

As has been the case since March, all submissions are welcome — in any medium. The only rule: It should be inspired by, relevant to, or somehow, in some way, connected to our current world. Student art of all ages is especially welcome.

Coronavirus, social justice, politics, or just the beauty around us — have at it! Email dwoog@optonline.net, to share your work with the world.

“Wildfires” acrylic painting (Amy Schneider)

Untitled lithograph (Ann Chernow)

“Jumping for Joy” (Lawrence Weisman)

“Refuge.” Artist Mary Pat Pino’s mixed media, acrylic and fabric was inspired by the beauty of her own backyard.