Finding Hope, In Sugar & Olives: The Sequel

A month ago, “06880” described the amazing journey of Josh Kangere.

After 7 years in a Kenyan refugee camp, the refugee from Congo arrived in New York moments before President Trump’s suspension of America’s resettlement program.

Despite years of vetting, Josh endured many more hours of questioning before he could travel to his new apartment — and life — in Bridgeport.

The Wall Street Journal reported his story. Immediately, Jennifer Balin — the Westporter who owns Sugar & Olives — offered him a cleaning and dishwashing job at her restaurant/bar/cooking school/event space, just over the Norwalk line.

Josh — who in his native country worked as a hospital nurse, documenting rape cases for criminal prosecution — quickly said yes.

Josh Kangere, at work.

Now the WSJ has followed up. A video posted yesterday shows Josh working — with a smile — at his job. It also shows him taking the hour-long bus trip between work and home; eating simple foods at the restaurant, and talking about his new life here.

Jennifer is interviewed too. Describing her job offer as “a way to do something for someone that’s meaningful,” she notes the uncertainty of Josh’s future.

He might be at the restaurant “forever,” she says. “Or maybe he’ll open a clinic, with his medical training, and be a great asset to our country.”

Whatever happens, Jennifer has already been a great asset to Josh.

And to us all.

To see the full, inspiring video, click below:

 

Cops And Parkers

As sure as I post photos of some of the most ridiculous, self-centered, entitled parking scenes in Westport — like Monday’s jaw-dropping Trader Joe’s spectacle — readers respond with 2 comments:

  • Someone should have called the cops!
  • You’ve got their license plate right there! Send this photo to the police!

An alert “06880” reader — who asked for anonymity — decided to find out what the cops think of all this.

Deputy chief Vincent J. Penna quickly responded.

He explained that in this case, Trader Joe’s is a private lot. Though the police have some power to enforce motor vehicle laws there — like DUI, reckless operation and evading responsibility — parking enforcement is limited to fire lane and handicap space violations.

“Parking in a private lot is generally enforced by the property owner,” Penna says.

As for sending a photo: Sure, any citizen can provide a sworn statement detailing the infraction to the police. They’ll issue a ticket based on that statement.

However, if the driver pleads not guilty, then the officer — and the citizen — would both be subpoenaed to court.

Oh, yeah: The identity of the person making the complaint — and that person’s address — are public record.

“This tends to deter most people,” Penna notes.

Meanwhile, keep those photos comin’. We may not get any of these very entitled d-bags arrested.

But there’s nothing wrong with a little public shame.

Monday’s infamous Trader Joe’s photo. The license plate is clearly visible.

Concussion Care: Cocooning Is Out

Audrey Paul’s son is a hockey goalie. He’s had 2 concussions.

The first occurred 4 years ago, soon after the family moved to Westport. She felt “completely in the dark.” Doctors did not offer a clear treatment strategy. Paul had a tough time finding up-to-date information.

The second — last June — was different. The 14-year-old was treated at a concussion center. His recovery — spurred by new evidence that forgoes “cocooning” in favor of targeted therapy — went much more smoothly.

That could be a typical Westport story, except for one thing:

Dr. Audrey Paul

Paul is a doctor, trained in pediatric emergency medicine. She teaches at Mt. Sinai Medical Center. And she’s the founder of Heads Up Westport Concussion Center on Imperial Avenue.

Paul did not treat her own son after either concussion. She prefers having an objective professional take charge. But the difference in protocols over those 4 years was striking.

After her initial experience, Paul asked 7 Mt. Sinai doctors for their treatment plans. She got 7 different answers.

Paul went to work. She got a grant to study more than 600 emergency centers nationwide, looking at discharge instructions for patients. They were “all over the place.”

In Westport, she says, pediatricians advised everything from “go back to school tomorrow” to “rest inside for 3 weeks.”

She wanted to create a central space for information. The goal of Heads Up is to provide comprehensive baseline testing, and personalized recommendations for concussion management.

“Targeted therapy is important,” Paul says. “Every concussion is different.” Some primarily affect the eyes; others, balance, or the spine.

While practitioners still recommend 2 to 3 days of strict rest, they’re now moving toward “a more proactive approach” to concussion management, she adds.

It’s empowering to learn “you can do something about concussions,” beyond sitting in a dark room without a TV, computer or phone screen, Paul notes.

Despite — or perhaps because of — her focus on concussions, she does not advocate banning youth contact sports.

“You can’t live your life hiding under a bed,” Paul says. “Kids should be active.”

But, she warns, “if you do get injured, it’s important to be treated appropriately.”

FUN FACT: March was Brain Injury Awareness Month!

Flowers Pop Up By Railroad Tracks

Last Friday, “06880” readers were lamenting the loss of Daybreak’s greenhouse — and the many back-in-the-day flower shows that made Westport look (and smell) wonderful.

We’ve still got some great florists here.

Now — just in time for Easter — there’s one more spot to buy gorgeous arrangements.

But you better hurry. It’s a pop-up shop.

Owner Breno Donatti has added Rowayton-based Stems + Co flowers to his Winfield Street Coffee, across from the train station.

Stems + Co. flowers, at Winfield Street Coffee.

Bouquets are available for $35. You get a free cup of coffee too.

They’re there only through April 24, though.

Then they disappear. Like Brigadoon.

Or Daybreak.

Sherri Wolfgang Masters Painting

As a 12-year-old Queens girl — visiting her divorced father here in 1969 — Sherri Wolfgang fell in love with Westport.

She was a camper at Mahackeno, and later became an art counselor there. Her dad took her to Max’s Art Supplies, where she bought her first drawing pad.

The budding artist always got an “artists’ vibe” from this town. She grew up, earned a BFA at Carnegie Mellon, and embarked on a career as an illustrator.

Sherri got married, and lived in Greenwich Village. When she had kids, it was time to move to the suburbs. But she wanted a place with that same “great, creative environment.”

In 1992, Westport was that place. Through Max’s — and meeting spots like Glynn’s restaurant — Sherri met artists, illustrators and cartoonists. Stan Drake, Curt Swan and many others welcomed her in.

She formed a studio, called Dynamic Duo. She created covers for Time, Barron’s, Sports Illustrated and Business Week, and helped with ad campaigns for Coca-Cola, Burger King, IBM and MTV. She couriered her work to New York by train, just like all the famed illustrators here did.

Sherri Wolfgang, in her Kings Highway South studio. (Photo/Pam Einarsen)

In 2004, Sherri turned the studio into an art school. For 2 years she taught her craft to kids and adults.

But she missed painting. Ten years ago she started again. She’s been a full-time painter ever since.

Sherri proudly calls her style “old school.” Figure painting is not as popular today as it once was, she says, but that’s how she was trained. She loves it.

She layers oils and resins in traditional style, like the old masters. But Sherri is not da Vinci, Michelangelo or Rembrandt. Her paintings are contemporary. Many include a bit of whimsy or humor.

She paints large canvases, often in series. “Twisted” — which took several years to conceive, create and complete — portrays women who are addicted to cosmetic surgery. That doesn’t sound funny. But Sherri — who believes that “beauty comes from within” — manages to turn that serious subject on its Botoxed head.

If you recognize some of the women, you should: Sherri used herself as a model.

“Lunching in Westport,” from Sherri Wolfgang’s “Twisted” series. (Photo/Pam Einarsen)

She’s had group shows at the Westport Arts Center and Silvermine Guild, plus solo shows at Nylen Gallery here and City Lights in Bridgeport.

Now Sherri is gearing up for her biggest show yet. It opens June 1 at Bridgeport’s Housatonic Museum of Art.

Specifically, the Burt Chernow Gallery. It’s named for the longtime professor, who began his teaching career in the Westport school system. He helped found the Westport Arts Center — where Sherri spent plenty of time, in its studio days at Greens Farms School.

Sherri will exhibit 2 complete series. “Nick.e.lo.deon” celebrates the wonders of the human form. Her model was Nick Daley, a Staples High School 2012 graduate and professional dancer.

One of Sherri Wolfgang’s “Nick.e.lo.deon” paintings. (Photo/Pam Einarsen)

She’ll also show “Twisted.”

The Chernow connection to Westport’s old arts vibe is important to Sherri. Glynn’s is gone. Max’s closed too.

“I’d walk in to buy art supplies, and end up hanging out for hours with Shirley, Nina and Jay,” Sherri recalls. “That was our haven.”

When owner Shirley Mellor sold everything in August 2014, Sherri bought its iconic clock. She beat out fellow artist Miggs Burroughs by a minute. He’s still a friend, as is Nina Bentley — reminders that despite many chances, artists still live, work and thrive here.

Sherri Wolfgang (center) with Max’s Art Supplies’ famous Karron’s clock. She’s surrounded by (from left) Max’s famed Nina Royce, Rita Ross Englebardt, Shirley Mellor (owner) and Jay Cimbak.

Ten years after resuming painting, Sherri says she is in “mid-career.” She feels “lucky and honored” to be able to work in her large, bright and art-filled South Kings Highway studio.

After years of study — including lugging large books of the masters home from the Westport Library — Sherri says, “Things make sense now. I’m a more confident painter. My brush strokes are more solid. And I know when a painting is done. When it’s finished, I can walk away.”

With “Nick.e.lo.deon” and “Twisted” done — and preparations underway for her Housatonic show — Sherri is ready for her next series.

Called “American Pathos,” it’s based on what she sees as her daughters and their Staples friends begin their adult lives. (Sherri calls Class of ’12 grad Maya Schumer — a neuroscience major at Carnegie Mellon — and current junior Eden Schumer “my best works of art.”)

Those young women and their friends wear earrings and tattoos. Sherri will paint those — with Renaissance backgrounds.

Move over, Old Masters. I can’t call Sherri Wolfgang a New Mistress — but I sure can be at her Burt Chernow Gallery opening this spring.

Read TEAM Westport Winning Essays Here

Tonight, TEAM Westport announced the winners of their 4th annual essay contest. Local students in grades 9-12 were asked to reflect on what white privilege means to them.

Here are the top 3 essays:

The Colors of Privilege – First place, Chet Ellis (Staples High School sophomore)

It was second period and our US History class quieted once the bell rang. But not just because of the bell. Our classroom, usually busy with thought provoking conversations was anxiously anticipating the lecture today on racial equality. My teacher was thankful to have at least some diversity in class this year. We three African American students in the same classroom at Staples High School was a rare sight. Since our town is 92.6% white and just 1.2% black, she explained how most years when addressing issues of race in the classroom she would get to use the line, “let’s ask all the black people in the class…” to a silent room. Her joke broke the ice, and we dove into a thoughtful discussion about race relations in Fairfield County, Connecticut.

In the midst of our discussion, a student raised her hand to add an anecdote about seeing a student from another school holding a sign at a football game. She said that on the sign was written, “Warde [High School] has N******,” except she used the actual word. In US History class. In our 92.6% white Fairfield County suburb.

My body froze. Time stopped. I never did hear the end of her story. The air became viscous and the tension in the room felt palpable.

The teacher deftly interjected to continue the flow of the conversation, pointing out the power, sometimes, of confronting such ugliness head on, but for the rest of class, I sat stunned. I knew the student hadn’t used the word in a malicious way, but the response from my body was primal.

Chet Ellis

The N-word is a word that takes African Americans back to 1619 on the tobacco fields of Jamestown and the very beginnings of the American tragedy of human enslavement. It reminds us of Jim Crow, of the senseless beating of Rodney King, and of the killings of 258 black people by the police in 2016. Nevertheless, several of my white friends want to use the N-word in recounting their favorite lyrics. Others even claim that keeping them from saying it is some form of reverse racism. They, like the student in my class, don’t understand how the word takes my breath away.

As a black teen in Westport, race issues in and outside the classroom are unavoidable. One afternoon at track practice, some white friends were discussing how hard it would be to get into college and then out of nowhere one said, “Chet you don’t have this problem because you’re black.” I was stunned and mumbled something instead of firing back, “Your parents are third-generation Princeton and your father runs a hedge fund and yet you think my ride is free?”

Even seemingly safe discussions about our sport can be racial minefields. I remember a terrific runner on our team saying after he lost, “I mean I was running against two giant black guys” and the other teammates nodding with understanding.

All of this casual black envy doesn’t take into account American history. A history where slavery and segregation were the law, and black inferiority the unwritten law. In 1940 an experiment was conducted by Kenneth and Mamie Clark to help understand the physiological effects of segregation on children. Today this study is colloquially known as the “The Doll Tests.” In these tests, students would be given identical dolls, except for color, and asked which one they liked more, which one was more pretty. An overwhelming amount of participants from both white and black communities chose the white doll.

My own “Doll Test” occurred in the fifth grade, when I moved to Westport from Manhattan where I thought we were upper middle class. I would look up at all the houses bigger than our rental and imagine what life would be like if I were born lighter and richer. I had no grasp of the deep social issues that had been keeping my people from attaining such heights of prosperity; didn’t yet understand the lack of truly wealthy black residents in my town as indicative of larger social issues. Now as a sophomore in high school, I have a better understanding of the legacy of institutionalized racism. Now I see the history behind the big houses.

I see my fifth grade envy mirrored in my classmates’ jealousy of how fast I can run or how high I can jump. I know my classmates know about the deep social issues African Americans have had to face and are still facing today, but in our peaceful bedroom community that struggle is not present on a day-to-day basis. Students get blinded by the thought that a student could get into college more easily because of their skin color, while not seeing that African-Americans are twice as likely to be unemployed, and once employed earn nearly 25 percent less than their white counterparts. They don’t see that despite making up 12% of the population, we are 35% of jail inmates and 24% of people shot by the police.

Honestly, I never really thought much about white privilege until I moved to Westport. From a young age, I was taught that not everything is meant to be fair and to deal with it. But living in this place where almost everyone is white makes me question, when I’m in Walgreens and the manager follows me around the store, would this happen if I looked different? Now I see the need to speak out, to address white privilege when it happens, so that people know that it’s real despite their best intentions, like the girl in my class pointing out that despicable sign at the football game. We need to make sure there is an open discourse that includes a more diverse history and a sensitivity to each other. In our town it’s impossible to have three black students in every class, but maybe we should all imagine that they are there just the same, and that they will speak out.


White Privilege and Me — Josiah Tarrant (Staples High School junior)

At 16, I’ve lived in the comfort of Westport my whole life. With the exception of a brief eight-day stint in Ethiopia while bringing home my little brother when I was seven-years-old (the first time I became acutely aware of the ghostlike whiteness of my skin), I really never thought much about race. Crazy considering the family I grew up in. Somehow my brother was always “just my brother.” Our family was normal to me, even though we often drew attention from strangers when we were out and about. I grew up surrounded by teachers, coaches, principals, and doctors, all of whom looked like me and shared my skin color. Like most Westport kids, the thought of this never crossed my mind. This is white privilege.

It wasn’t until I was 12-years-old that my learning on racism really began. I still remember the day we returned from swim practice and my mom began yanking all of my childhood books off of the shelves. She enlisted my help to find my brother, then 6-years-old, an Early Reader book featuring a kid that looked like him. I stood next to her and my brother on those visits to libraries and bookstores when we were shown to the “slavery section.” That day marked the beginning of an awareness of how much I had taken my white experience for granted and a realization that things would not be the same for my brother.

It wasn’t smooth sailing for me. I still remember being appalled at my mom’s use of the word “black” as if she had said a bad word. “Mom you can’t say that, that’s racist,” my 12-year-old white male self said. In school, for as long as I could remember, we had been taught not to acknowledge differences of race. The messages I had received had been: “we are open-minded,” “slavery is over,” “we don’t have racism here.” President Obama was the only President I had ever known.

As I grew up, I started watching. Trayvon Martin, Michael Brown, Freddie Gray, Sandra Bland, their deaths marked my teen years. I started reading. Peggy McIntosh, Michelle Alexander, Ta-Nehisi Coates began to inform me. Recently I heard Professor Tricia Rose speak about “post-racial” racism, reinforcing that my childhood belief system had been a convenient myth. We were taught we must remain colorblind, and look at people of color and whites the same way. While I agree, it only makes sense if everyone is already on an equal playing field, which we are not. This is why a discussion of white privilege is critical.

Josiah Tarrant

When I saw the negative reaction of some community members and whirlwind media coverage of the white privilege essay contest “controversy”, I knew that I could not let my white privilege prevent me from taking a stand. Martin Luther King, Jr. said, “Our lives begin to end the day we become silent about things that matter.” So, this teenager who still has much to learn on this topic sat down to write.

What I do with the knowledge of my own privilege is what I have been thinking about most. Acknowledging it is a crucial start. It puzzles me that some white adults react so defensively to even discussing the term. The fact that we live in a town where we can and do strive to discuss white privilege makes me proud to live in Westport. To those who rail against it, I ask, how, when the fact remains there is so much not being taught in our schools? We are not learning that our economy was built on free slave labor, nor about voter suppression, mass incarceration and blocks to mortgages for non-whites, nor that nearly one in three black males will serve time, losing employment opportunity and voting rights, while white kids around me face minimal consequences for their mistakes.

To those who argue “white privilege” is a liberal tactic that creates white guilt, I say explain to me the racial gaps in our country’s education, healthcare, employment, wealth and incarceration. I invite you to sit down and assure me when my brother is a teen out in the world, he can walk with his black friends freely down Main Street as I did, and that clerks and customers alike will look upon him as the great future promise of Westport as they did on me.

Assure me that other parents will not call him out for being “aggressive” when their sons are being just as intense on the soccer field, that his teachers will hold him to the same high standards to which they have held me and push him to reach his fullest academic potential.

Assure me that when Westport parents tell my mom that “he’ll have no problem getting into college,” my brother will know that these schools want him for his brilliance and talent and not his skin color. Assure me that these same adults will educate themselves on how challenging it is for most students of color to get into prestigious universities without strong public schools, alumni legacies, and financial resources for tutoring and college visits. Assure me that when police pull him over (statistically they will), the extra training my parents instill in him will keep him safe. Assure me that I will not have to watch my brother, or someone else’s brother who looks like mine, be the next tragic TV news story.

Until you can assure me of all of that, I will continue to educate myself and use my advantaged status to speak up. So, you ask how does white privilege affect me? How doesn’t it? My abundant white privilege motivates me to use it for good, but I also must do this so that my brother knows that wherever life takes him, I have his back. I vow to be right there alongside him as we together show the Westport community that white privilege is not a black issue, but an everyone issue.


The Privilege of Ignorance — Claire Dinshaw (Staples High School senior)

When I was born, I was placed at the top of a predetermined racial hierarchy. Magazines told me my skin was beautiful. CVS carried bandaids that matched my skin tone. History textbooks and acclaimed novels told the stories of people like me. When I was born, the world made sure to tell me I was important.

Not everyone received the same welcome.

White privilege is like a trust-fund, a bonus given to every white American as a result of an ingrained societal prejudice that ascribes certain traits to white Americans and certain, often less flattering traits, to non-white Americans. Because white is seen as the ‘norm’ in America, white Americans have been granted the power to define what is moral, ethical, and successful. As a white American, I have not always been aware of my privilege, but I have come to see the innocence, predictable success, and overrepresentation I benefit from as byproducts of my race.

In elementary school, I had no concept of race, and I certainly did not see myself as benefitting from any type of white privilege. Westport schools did not involve elementary schoolers in discussions of race, and adults had evidently decided that the history of American racism was not my problem. After all, why explain racism and white privilege to the little white girls and boys?

Partially as a result of this prolonged, privileged innocence, most Westport students, including myself, initially fail to see the ways white privilege has contributed to our success. We study for a test and receive an A; we apply to summer programs and gain admittance to one; we find a job and save money. To us, hard work is the cause of every success. What we fail to question is why the outcome of our hard work is always success. There is never a time when we study hours for a test only to have a hard time getting a ride to school the next morning, prepare for an interview only to get turned away because of prejudice, or work desperately hard only to consistently be the victim of racial profiling by law enforcement.

Many in Westport will ascribe this privilege of predictable success to wealth, not race. However, while it is true that all Westport residents enjoy the privilege of living in a safe community with highly rated public schools, non-white Westport residents still face barriers. Whereas I can find skin care products easily, non-white Westport residents will find that stores mostly carry beauty products designed for white skin; whereas I can turn on the news to find countless white role models, non-white Westport residents will find that the majority of politicians, anchors, and corporate leaders resemble their white classmates; whereas I have been taught by countless white teachers, non-white Westport residents are forced to contend with the fact that, although research published in The Economics of Education found that test scores increase when a student has a teacher of the same race, Staples High School has only recently hired its first full-time black teacher in quite a while.

Claire Dinshaw

I know from personal experience that wealth cannot overcome the deficits of underrepresentation. About twelve years ago, the only female power-players in Washington D.C. who frequently appeared on the news were Nancy Pelosi and Hillary Clinton. At the time, women were so underrepresented in Washington D.C. that when I first saw Pelosi on television I asked my father whose wife she was because I did not believe women like me could be politicians. If I had been born a black women, I might still believe I could not be a politician.

Furthermore, the wealth privilege argument fails to consider the role that white privilege plays in someone’s ability to move to Westport. The societal impact of white privilege means white Americans are more likely to hold college degrees due to education inequality, less likely to go to jail for drug offenses due to a prejudice criminal justice system (even though white men, according to hospital records documented in The New Jim Crow, are three times as likely to use illegal drugs), and more likely to face discrimination in the housing and job markets due to stubborn racist beliefs. This equates to white Americans being more likely to be able to afford a home in Westport and other upper-middle class suburban towns.

As a result, despite the fact that segregation is illegal, integrated regions and school districts are rare, and white Americans are often quick to fight plans to increase diversity. When parents from the predominantly white Francis-Howell school district in Missouri heard that approximately 1,000 students from the predominantly black Normandy school district were going to attend Francis-Howell schools, they were outraged. The incident was documented in the This American Life episode “The Problem We All Live With.”

“We are talking about violent behavior that is coming in,” one parent says during the broadcast. “Is there going to be a metal detector?” another parent asked. The truth is, once white Americans have control of something, whether that be a school district or corporate America, the choice of whether to share that privilege with others also becomes our privilege, and we have not historically been very open-minded.

To be clear, I am not blaming anyone for failing to recognize white privilege. It is a complex concept to grasp, especially in Westport, a town that is over 90 percent white. Growing up here, students like me rarely see the contrast between the way they are treated and the way non-white Americans are treated.

In fact, even as I conclude this essay, I know I have failed to describe the ways white privilege has impacted my life. I know there are sources of privilege I have failed to recognize.

The truth is, I still do not fully understand the extent of my privilege, and that is something I have to work tirelessly to rectify. After all, being ignorant of my privilege is a privilege itself.

TEAM Westport finalists (from left) Josiah Tarrant, Claire Dinshaw and Chet Ellis, before reading their TEAM Westport essays.

TEAM Westport “White Privilege” Essay Winners Announced

When TEAM Westport announced this year’s essay contest topic — the personal impact of white privilege — a national uproar ensued.

Spurred by sensationalism and misunderstanding, news outlets wondered why a vastly white community would address the subject.

The winning responses — announced tonight at the Westport Library — prove the point.

Honest, powerful, insightful, sensitive and clear, the top 3 essays — as judged by a panel of writers — tackle the hot topic exactly as it should be: head on.

And, noted TEAM Westport chair Harold Bailey, this year’s winners had the option to be anonymous — perhaps to avoid backlash like that which engulfed the announcement of the 4th annual contest’s prompt.

All 3 chose to stand up tonight, read their essays, and use their names.

TEAM Westport finalists (from left) Josiah Tarrant, Claire Dinshaw and Chet Ellis, before tonight’s announcement of the winners.

Out of a record number of entries, Chet Ellis won the $1,000 1st prize. The Staples High School sophomore describes the rare experience of being one of 3 African Americans in his US History class — and hearing a white student use the “n” word.

It took his breath away.

Chet Ellis

He writes about casual conversations with fellow track team members laced with stereotypes about black runners, and the assumptions he hears that it’s easier for African American students to get into college than white ones. He regrets not firing back: “Your parents are 3rd-generation Princeton and your father runs a hedge fund, and yet you think my ride is free?”

Chet says he never thought much about white privilege until he moved to Westport. Now, he realizes, “In our town it’s impossible to have 3 black students in every class. But maybe we should all imagine that they are there just the same, and that they will speak up.”

Josiah Tarrant, a Staples junior, took 2nd place. and a $750 prize. Though his younger brother is adopted from Ethiopia, Josiah grew up “surrounded by teachers, coaches, principals and doctors, all of whom looked like me.” The fact that he never even thought about that, Josiah says, epitomizes white privilege.

Josiah Tarrant

But as he heard about Trayvon Martin and read Ta-Nehisi Coates, he realized silence about race is not acceptable. Then, seeing the reaction to the TEAM Westport essay contest, he knew he had to take a stand.

“So this teenager who still has much to learn sat down to write,” Josiah says.

He writes that he wants his younger brother to walk down Main Street as freely as he himself does, and be held by his teachers to the same high standards as white students.

Until Josiah has those assurances, he says, he will use his “advantaged status” to speak up. White privilege, he concludes, is “not a black issue, but an everyone issue.”

Staples senior Claire Dinshaw’s 3rd-place essay, which won her $500, notes that in elementary school, race was never discussed.

Claire Dinshaw

Partly because of this “prolonged, privileged innocence,” she writes, most Westport students — including her — believe that their own hard work is the sole reason for their success.

Wealth has much to do with it, she says. So does being white.

Even as she concludes her essay, Claire writes, “I know I have failed to describe the ways white privilege has impacted my life. I know there are sources of privilege I have failed to recognize. The truth is I still do not fully understand the extent of my privilege, and that is something I have to work tirelessly to rectify.

“After all, being ignorant of my privilege is a privilege itself.”

(To read all 3 essays in their entirety, click here.)

Yes, This Is An Actual Parking Job At Trader Joe’s. No, It’s Not A Late April Fool’s Joke.

Here’s another view. Yes, he left his door open the entire time.

When alert — and astonished — “06880” reader David Meth asked the driver if he couldn’t find a parking spot, the response was: “F— you!”

You can’t make this s— up.

Buell Neidlinger: The Ace Of Bass

He’s played and recorded with Frank Sinatra, Barbra Streisand, Ray Charles, the Beach Boys, Elton John, Dolly Parton and Barry White.

He hung out with Pablo Casals — in Westport.

He’s 81 years old. He lives a continent away, near Seattle. In fact, Buell Neidlinger hasn’t been back here much since he left in 1955.

But he’s an avid “06880” fan. He comments frequently, primarily on music and looking-back stories.

And man, does he have tales to tell.

Buell arrived in Westport in 1938, at 2 years old. His parents rented a house on South Compo Road. (A few years later, his father worked with General Eisenhower’s staff in London, planning the Omaha Beach landing.) Buell’s grandfather lived nearby, on Thomas Road.

Buell went to Bedford Junior High, then St. Luke’s in New Canaan.

Pablo Casals was one of the first famous musicians Buell Neidlinger met. He would not be the last.

His first instrument was the cello. That led to his early encounter with Casals. The bass came later.

He spent one year at Yale. The McCarthy hearings mesmerized the country. Buell realized, “I was in school with the same type of people I was watching every day on TV.” College was not for him.

Buell floated around. He returned to Westport, working in Frank Zack’s “high-class haberdashery” downtown.

He sold aluminum windows. Meanwhile he practiced bass in a warehouse, playing along to records.

Max Kaminsky, a famous jazz trumpeter renting in Westport, convinced Buell to move to New York — perhaps the best advice he ever got. He backed Billie Holiday when she played clubs, during the last years of her life.

The first hit record Buell played on was Tony Bennett’s “I Left My Heart in San Francisco.”

“We’d call the answering service,” Buell remembers. “They’d say, ‘you’ve got a session on Saturday, 10 a.m.’ That would be that.”

The custom of the day was for the rhythm track to be recorded first. Then came vocals, followed by horns. The “string sweetener” — with Buell — came last. The lead vocalist cut another track, this time singing along with the strings.

In 1957, Buell Neidlinger played at the Newport Jazz Festival with famed pianist Cecil Taylor. (Photo/Bob Parent)

Buell’s studio work led to a number of live gigs. He played with Chuck Berry, whose promoter was the first white man Buell ever saw with long hair.

He was on stage with the Carpenters — and can be heard on their famous version of “Have Yourself a Merry Little Christmas.”

The Moody Blues flew Buell to London. They needed his acoustic bass.

It wasn’t all rock, pop and jazz. Buell also played with the father of bluegrass, Bill Monroe.

The list of famous recording sessions rolls off Buell’s tongue: The Village People’s “YMCA.” The Eagles’ “Hotel California” and “Desperado.” He played with the 5th Dimension and Chicago. He was there the night John Lennon challenged Harry Nilsson to the screaming match that ruined Harry’s voice.

Buell Neidlinger (center), flanked by Roy Orbison and T Bone Burnett.

He met Whitney Houston when she was just 9 or 10. Her mother — famed gospel singer Cissy Houston — brought her to sessions. During breaks, Cissy and other backup singers sang church songs to their kids. “I’ve never heard anything like that,” Buell recalls.

Elton John played piano on his first 3 albums, while Buell played bass. Years later, Elton offered him $10,000 to perform in a Hollywood concert that included Leon Russell (whom Buell had backed on earlier club dates). Buell was honored — but had retired.

He’d gotten other calls too, like the one to play with Frank Sinatra in Egypt, for King Farouk’s birthday.

Sinatra is a huge name. So is Dolly Parton. He played on her “Coat of Many Colors.”

“What a voice! Buell says. “What a song! What a person! What a night!”

Among all the singers Buell backed, Barbra Streisand stands out. During one session, he played a Mozart composition. She did not like one note. “She changed Mozart,” Buell marvels.

Buell Neidlinger and his wife, Margaret Storer, on the Warner Brothers sound stage in 1993. The big blue trunk carried his 1785 Italian bass.

Buell — who for 27 years was principal bassist of the Warner Brothers orchestra — played on hundreds of movie soundtracks. His first was “Soylent Green.” His last was “Oscar and Lucinda.” In between were many others, including  “Aladdin,” “Dead Poets Society,” “Lion King,” “Shawshank Redemption” and “Yentl.”

Film recording has changed a lot, Buell notes. When he began, musicians worked up to 8 hours a day, for 10 days. For “La La Land,” he says, the orchestra played for just 4 hours, once. All the rest was done on computers.

In 1992, Buell and his wife, Margaret Storer, took their very first vacation: to Whidbey Island in Puget Sound. They liked it so much, they bought property there.

That’s where they live now. In retirement, he plays cello all day.

These days, Buell Neidlinger plays in a local coffee shop. He calls himself “Billy the Cellist.”

Though he hasn’t been back to Westport in decades, he remembers it fondly. “It was so beautiful,” he says. “It was like living in the wilderness — with amenities.”

He asks about local musicians, then answers his own question: “I hope Jose Feliciano is doing well. I did a session with him in L.A.”

Of course he did. He’s Buell Neidlinger.

The only man from Westport who has played with Pablo Casals, Brian Wilson, Duane Eddy.

And Ringo Starr.

The Story Beneath Bedford Square

The glass-half-full crowd loves Bedford Square: Its retro-yet-fresh look. Its new tenants, including retail, restaurants and residential. Its re-imagining of the entire downtown.

The glass-half-empty folks moan: But there’s no parking!

Wrong. There’s plenty of parking. There’s the Baldwin lot, Taylor Place and Parker Harding.

And — even closer — there’s a garage with up to 120 spaces. In fact, it’s so close it’s right underneath Bedford Square. The entrance is on Elm Street, next to Villa del Sol restaurant.

The entrance to the Bedford Square parking garage.

Some spots are reserved for residents and senior employees. But the rest are open to the public.

Right now there’s a valet system, with a drop-off on Church Lane near Amis Trattoria. A 2nd drop-off may be added on Elm Street.

Valet parking is still a work in progress. Developers and Anthropologie are figuring out the best way to use the garage.

But to all the nay-sayers: There are lots more parking spots than you realize.

Now find something else to bitch about.

PS: Meanwhile, Westporters who did not go to the beach this afternoon found a new spot to hang out: the Bedford Square plaza. Here’s the scene, a couple of hours ago: