Category Archives: Friday Flashback

Friday Flashback #236

“06880” recently took a deep dive into local artists.

We ran a contest to identify the creator of a work — perhaps an ad or magazine illustration — that Alan Neigher unearthed.

We posted automobile advertising art that used Pack Roads and Main Street as backdrops.

This week we feature one of Westport’s — and America’s — best known illustrators.

Stevan Dohanos drew some of Saturday Evening Post‘s most memorable covers. (Along with postage stamps, commissions and plenty else.)

Much of his work included Westport scenes. A favorite model was his son Anthony.

Anthony lives far from here now. From the Big Island of Hawaii, he sent these reminders of his father’s work.

This was the old firehouse on Church Lane. In the 1970s it became part of the YMCA, when they expanded from the original building. Today — reimagined — it’s part of Bedford Square.

That’s Stevan Dohanos himself in the center, talking with firefighters. Check out the Dalmatian between them.

Here’s Anthony in the firetruck. Looking on with smiles are Dohanos, and Fire Chief Harold Shippey.

But life is not all fun and games. When the alarm comes in, the men race to the fire. The dog must stay behind.

Note the realistic map of Westport on the wall!

Friday Flashback #235

Last week’s Friday Flashback of the Pack Roads men’s store stirred plenty of memories.

And though Fred Cantor sent this newspaper clipping in a while ago, it fits now.

The photo caption from the October 21, 1965 Town Crier describes the scene: junior high musicians playing to celebrate an extension being built in the back of a downtown store.

The photo has everything: music, nostalgia (The Remarkable Book Shop) — and there in the background is Pack Roads!

This photo is timely today. Two book stores opened recently downtown: Barnes & Noble, and Westport Book Shop.

Four members of band are still around. Trace Burroughs is a noted artist (and host, with his brother Miggs, of a popular Westport Library podcast). Rick Castillo lives in Norwalk, Chip Jackson in New York, and Tony Pryor in North Carolina. All are still involved in music.

And while the event back in the mid-’60s heralded the expansion of a downtown business, nearly 60 years later Main Street and beyond is undergoing its own renaissance.

Play it again, Rogues!

BONUS FEATURE: After last week’s Friday Flashback, Peter Barlow sent me a dramatic photo he’d taken of Pack Roads back in the ’60s. I added it to the story, but it’s worth posting again:

(Photo/Peter Barlow)

[UPDATE] Friday Flashback #234

A Friday Flashback in December showed a very cool magazine ad from 1964: a Pontiac Bonneville parked in the driveway by Chez Pierre (more recently, Tavern on Main).

Mark Mellor — whose dad was a noted illustrator, and whose stepmother Shirley Mellor owned Max’s Art Supplies — said the ad was drawn by Art Fitzpatrick and Van Kaufman, top car artists of the 1960s and ’70s.

Elaine Marino found 2 more examples of their work. These were done using the small shopping center just north of Parker Harding Plaza.

Today’s it’s primarily offices. But back in the days of muscle cars, it was home to thriving shops like Pack Roads, a men’s store.

Of course just like in 2021, people parked wherever they wanted.

BONUS FEATURE: Native Westporter Peter Barlow sent along this wonderful photo he took of Pack Roads from the same time.

(Photo/Peter Barlow)

Friday Flashback #233

Once upon a time, Westport was awash in New England scenes like this:

(Photo/Fred Cantor)

This Post Road East fruit and vegetable stand was known as Rippe’s.

Much of the produce came from a farm on North Avenue. It’s been plowed under; today it’s the site of Greystone Farm Road, a completely made-up name. But hey, some of the homes have vague silo-looking parts on them.

As for Rippe’s stand and cider mill, pictured above: It was replaced a few decades ago by some of Westport’s first condominiums.

At least the name pays homage to its past. You know: Harvest Commons.

Friday Flashback #232

A recent “06880” story on the death of Hal Holbrook noted his 1959 Halloween appearance — as Mark Twain, of course — at Staples High.

I wrote: “The school had just opened its modern North Avenue campus. The PTA had an active arts program, bringing musicians, dancers and actors to the new auditorium stage. Hal Holbrook might have been the most famous name of all.”

Staples High School auditorium in its first year: 1959.

He sure had competition. As John Kelley notes, in those early days of the new high school, Ottilie Kaufman — who lived right next to the south entrance — organized and produced a one-of-a-kind, first-ever performing arts series at Staples that included (in addition to Holbrook) the Weavers, Marcel Marceau, Ferrante and Teicher, Odetta, Sir John Gielgud , Andrés Segovia and others.

Segovia — a world-renowned Spanish classical guitarist — died in 1987, at 94. But his legacy — and his visit here — lives on.

Soon after another legendary Latin musician — José Feliciano — turned 75 last year, our Weston neighbor received a gift: Segovia’s footstool.

Autographed. And from that March 1960 Staples concert.

A page from the 1960 Performing Arts series program.

The back story: Prior to his show, Segovia came to the Kaufmans’ home next door to the high school. He warmed up in the living room using that footstool. Many classical guitarists do that; it supports the instrument, as they play seated.

Growing up in Spanish Harlem in the 1950s, Feliciano was highly influenced by the skills and intrigue of Segovia’s delicate flamenco style.

The antique stool sat in the Kaufman family’s attics for decades — first on North Avenue, then at Ottilie and Zenn’s son Roger’s house. A guitarist, singer and founder of Old School Music’s concerts, promotions and events, he’s as famous locally as Feliciano and Segovia are internationally.

The stool seemed a fitting present for Feliciano, who always sits when he plays. Now the “Feliz Navidad” and “Light my Fire” Latin/jazz/blues/soul/rock musician is sitting pretty with Segovia’s stool in hand — er, under foot.

From left: local drummer Tyger MacNeal, Jose Feliciano and Roger Kaufman, with Andres Segovia’s footstool. The 75th birthday presentation was at Sakura.

Friday Flashback #231

Westport’s first fast-food franchise was Dairy Queen, on the Post Road near downtown.

That DQ (not to be confused with the one further east, where Little Barn is now) later became the Crest Drive-In. Much later — after demolition — that was the site of Qdoba. Today it’s vacant.

Westport has had other national fast food chains — Roy Rogers, for example (now McDonald’s). And Arby’s.

But that roast beef franchise — most notable for never having, to my knowledge, one single customer, ever — was not the first at that spot.

In the late 1960s, Carrol’s opened there. It was a red-letter day for Westport teenagers.

(Courtesy of Stephen King)

Burgers were cheap. Parking was easy. You could hang out with friends, talk loudly, and pretend you were at a real fast food place, like Burger King.

(Courtesy of Thomas O’Connell)

Which Carrol’s became, after Carrol’s. And before Arby’s.

The drive-thru window is still there. But today it’s a Starbucks.

If that doesn’t say something about how Westport has changed, I don’t know what does.

 

Friday Flashback #230

I’ve always been fascinated by what Westport looked like before I-95 (known then as the Connecticut Turnpike or “the thruway”) came through in the mid-1950s.

Now I’ve seen some tantalizing glimpses.

Cliff Cuseo posted a 7 1/2-minute video on Facebook. It’s a digitized (in color!) version of home movies, taken at various points during construction.

The opening shots look vaguely familiar, but I can’t place them. Perhaps they’re part of Saugatuck — near Exit 17? — that has since been demolished, to make way for the road.

Where was this taken?

But — in addition to showing work on the Saugatuck River bridge and the road itself — there are glimpses of Riverside Avenue (including the long-gone Gault oil tanks), and the Hales Road/Greens Farms area.

Riverside Avenue, and the Gault tanks. The Bridge Street (now Cribari) Bridge is at top left.

Construction near Greens Farms Road, and the new Hales Road bridge.

There’s also the aftermath of a scary truck accident, on what seems like a lunar landscape.

Truck accident.

The movie captures scenes we take for granted today, in a unique way. But I’d still love to see film of Saugatuck — that thriving, compact and close-knit village — before the earth-movers arrived.

Click here for the full video.

The Saugatuck River bridge, before completion.

(Hat tip: Don Willmott)

 

 

https://vimeo.com/507161457/daef799906?fbclid=IwAR1TEM22ObAwkbtyu9BjCjI8777mYKznY4vDKh-CBYGM14QPXicmd3kSEdw

https://vimeo.com/507161457/daef799906?fbclid=IwAR1TEM22ObAwkbtyu9BjCjI8777mYKznY4vDKh-CBYGM14QPXicmd3kSEdw

https://vimeo.com/507161457/daef799906?fbclid=IwAR1TEM22ObAwkbtyu9BjCjI8777mYKznY4vDKh-CBYGM14QPXicmd3kSEdw

https://vimeo.com/507161457/daef799906?fbclid=IwAR1TEM22ObAwkbtyu9BjCjI8777mYKznY4vDKh-CBYGM14QPXicmd3kSEdw

Friday Flashback #229

Everyone remembers their first job. Staples High School Class of 1963 graduate David Grant — now a California resident — remembers his.

As far back as I can remember, my parents loved playing tennis.

My father and his regulars played doubles from 9 to 11 every Saturday and Sunday morning. My mother played singles with her friends. Now and then my folks played mixed doubles, but that was usually only for a tournament.

My mother, the clothing designer, wore her Midge Grant tennis dresses. My father wore a white t-shirt and sharkskin shorts.

They played at the Doubleday courts next to what was then Staples High School on Riverside Avenue (now Saugatuck Elementary School). The pro was Freeman Marshall; everyone called him Doc. I started taking lessons from him when I was 10, and continued for several years. Doc Marshall was also my high school tennis coach.

The Doubleday tennis courts are behind PJ Romano Field (formerly Doubleday Field) at Saugatuck Elementary School. (Drone photo/Brandon Malin)

The Doubleday courts were made of clay. They take much more maintenance then asphalt or concrete. They have to be watered regularly and get a weekly dose of calcium chloride so they don’t dry out. They needed to be rolled often, brushed daily, and lines had to be painted on as needed.

Doc Marshall hired me when I was 14 to help maintain the courts. I rode my bike 3 or 4 miles to the courts, arriving (if I was on time) by 7:30 to get the courts ready for each day’s play. At first my lines were a little squiggly, and needed to be straightened. After a while, perfect.

In 1957 — several years before David Grant entered Staples — the tennis team posed with Coach Doc Marshall (standing, far right).

There was a tennis shack at Doubleday. We took reservations, set up tournament pairings, sold tennis balls and soft drinks, and strung racquets. Eventually I took over most of these chores while Doc was on the courts teaching. I kept my job for 8 summers, earning $80 a week — a king’s ransom to me.

As I got older I was also allowed to teach, from 12 to 1 each day and 6 to 8 in the evenings. For that I charged $6 per half hour.

After I’d been working at the courts for several years, Doc hired my best friend Jerry Keneally to help with the work of the courts and shack. It was so great for us to work together and play tennis into the dark after everyone went home. I had the greatest job and the most fun imaginable.

David Grant’s 1963 Staples High School tennis team.

When there was little to do I would pick up trash, or hit balls against a practice wall. Quite often someone would need someone to play with or fill in a fourth for doubles, and there I was.

There was an artist named David Levine, best known for his caricatures. You could see his works regularly in the New York Review of Books. David spent summers in Westport. One day he asked me to hit with him, then on to a set of tennis. I played right-handed, David Levine left-handed. We played, I won.

David challenged me to switch hands, so in our second set I played left-handed and won again. My reward was a trip to his studio in Brooklyn to pick out one of his artworks called “Spies.” Almost 55 years later, I still have it.

“Spies,” by David Levine.

Friday Flashback #228

Westport knows John Videler as a brilliant photographer. He’s carrying on the tradition started by his father Cor, many years ago.

And we know the Gault area — between Imperial Avenue and South Compo — as a tight-knit neighborhood, filled with handsome homes.

But for many decades, it was a gravel pit. Gault — the company founded in Westport in 1863 — owned it. Every day from 8 a.m. to 3 p.m., a crusher pulverized rocks.

In 1979, John was 16 years old. His father had given him his first camera. He headed to the gravel pit, not far from his home.

Today, John’s photos chronicle the beauty of our town. Four decades ago, he showed how we worked.

BONUS GAULT FEATURE: Across the street from the gravel pit — right on the river — was Gault Little League Field.

It took a mighty swing to clear the fence. 

But if you did, the ball ended up across Imperial Avenue, in the pit.

The Marauders, at Gault Park.

Friday Flashback #227

Gatsby in Connecticut” is garnering plenty of attention. The New Yorker called the film about F. Scott Fitzgerald’s Westport sojourn “one of the best of 2020.” Thanks to Amazon Prime, plenty of folks have seen — and enjoyed — it.

F. Scott and Zelda arrived here in the early days of Prohibition. From all indications, Westporters paid about as much attention to the booze ban as my generation did to weed laws.

Apparently, our town had a long history with drink. Seth Schachter found this postcard from 1912. Liquor was legal. But it looks like Westport went way beyond a drink or two.

And no, this is not just any “West Port.” The message on the other side is postmarked here.