If you thought the giant “Typewriter Eraser” sculpture on Beachside Avenue was cool, you’ll love this news.
An equally large piece is being donated to Westport.
And it’s planned for a much more visible location than a Greens Farms lawn.
“Rock Paper Scissors” monument is a gift from longtime arts philanthropists Ann Sheffer and her husband Bill Scheffler. The 9-foot high artwork will be placed at the top of Jesup Green, near the new path leading down to the river. It will complement nearby sculptures.
Kevin Box’s “Rock Paper Scissors” monument. This is obviously not its location in Westport.
The Board of Selectmen have already reviewed the gift. It goes before the Planning & Zoning Commission on May 14, and then must be accepted by the RTM.
In its application request, the sponsoring Westport Arts Advisory Committee said that sculptor Kevin Box “pushes boundaries of traditional metal casting by creating sculptures that are so delicate, detailed and weightless that they appear to be made simply of paper.”
Combined with the “fortitude of metal,” that results in “whimsical, fun and beautiful pieces with surprising weight, both literally and figuratively.”
Sheffer — a 1966 graduate of Staples High School, who as a 6-term member of the RTM chaired its Library, Museum and Arts Committee — and her Staples classmate Scheffler have long been involved with the town’s arts scene, as well as the Westport Library.
(For more details on the “Rock Paper Scissors Monument,” click here.)
Eagle-eyed “06880” reader Amy Bauer has discovered a statement from Westport Museum for History & Culture board chair Sara Krasne. In it, she addresses the controversy following the renaming of the Sheffer Gallery, after receiving a large donation from an estate.
Krasne’s statement — under the heading “Statement From Board Chair” — appears far down on the home page of the museum’s website, underneath information on upcoming events. She says:
I asked Ann Sheffer if this statement accurately represented her conversation with Krasne. Ann said:
Although I appreciate the apology from Sara about not contacting me personally before issuing the press release about removing my parents’ names from the WHS exhibit hall, our conversation in no way clarified what the Historical Society plans to do to rectify the situation.
I have also had a conversation with Dick Orenstein, the trustee of the Daniel Offutt estate. We had a very productive discussion about responsibility to donors both historic and current, and I am awaiting his report after he has had a chance to talk with Historical Society board members.
Unfortunately, there are a number of other issues regarding recent policies that should be addressed as well. I don’t feel that there is yet any acknowledgement of this, or openness to discussion within the affected parties and the community at large.
Among the many longtime Westporters — and Westport Historical Society volunteers — who are saddened, distressed and/or outraged by the recent decision of the newly rechristened Westport Museum for History & Culture to remove the Sheffer name from the exhibition gallery to accommodate a new donation, it’s hard to find one with a deeper, stronger connection than Eve Potts.
She joined the WHS board in the 1970s. Here are her thoughts on the changes at the downtown institution, whose own history dates back to 1889.
This is a sad, sad story. The present Westport Museum for History & Culture embarked on making a transformational change without the benefit of any knowledge of its own history.
Mollie Donovan was, like many other Westporters, a longtime Historical Society volunteer with an interest in the arts.
Unfortunately a huge vacuum, left by the deaths of an incredible number of faithful, knowledgeable unpaid volunteers like Barbara Raymond, Katie Chase, Susan Wynkoop, Mollie Donovan, Barbara Van Orden and Maggie Fesko, enabled a strategic plan to be put into place that changed the focus of the Society and decommissioned the period rooms, to make way for “museum quality programs and exhibits.”
And now, the announcement that the Sheffer Gallery will be erased and replaced by a name that is totally unknown to most Westporters: the Offutt Gallery.
I have been on the board of the Westport Historical Society since the late 1970s, when we used the home across the street as our headquarters and looked longingly at handsome Wheeler House, then occupied by the elderly Mrs. Avery.
At the time, Betty Sheffer (Ann Sheffer’s mother) and Shirley Land curated the costume collection. They spent many hours conserving and documenting the vintage materials.
The Sheffers, from the very start, were totally supportive, and financially available to help achieve the goals of the Historical Society (as well as every other non-profit organization in Westport).
Ann has always had a world-view vision, and a hands-on ability to bring together diverse factions to reach the goals we all were striving to meet. For Ann, Bill and her family to be handled in such a thoughtless and cavalier fashion by the present board is simply not in the tradition of the stated mission of the Westport Historical Society.
When Mrs. Avery died, I went over to Town Hall to check out the Probate Court records. I discovered that the house had been left to Christ & Holy Trinity Episcopal Church.
Along with Eleanor Street, Joan Dickinson, Barbara Elmer, Bob Gault, Peggy Henkle, Mollie Donovan, Fran Thomas, Barbara Van Orden and a group of other active unpaid volunteers, we worked with the church to put together a plan to purchase the house.
Our goal was $300,000. Through massive fundraising events — and the support of Paul Newman and Joanne Woodward, and the combined fundraising efforts of Jo Fuchs, Connie Anstett and many willing volunteers — we managed to come up with the funds, as well as the expertise to refurbish the house to its Victorian era splendor.
Wheeler House, on Avery Place.
In 1987 I wrote the book, “Westport…A Special Place,” with Howard Munce as its graphic designer. All of our efforts and expenses were totally without charge to the Society. In addition, we contributed all funds (well over $100,000) from that effort to the WHS, to support future publications to benefit the Society.
Those funds have supported the publication of a whole string of other important historical publications and videos. [NOTE: The Eve Potts Book Fund supported publication of my own book, “Staples High School: 120 Years of A+ Education.” — Dan Woog]
In 2014, with incredible support from then-president Dorothy Curran and the board, we mounted a very successful exhibit. “Cover Story” (in the Sheffer Gallery!) was admired by Fiona and Andrew Bentley, along with thousands of visitors.
So intrigued were Andrew and Fiona with the artistic New Yorker history of Westport that Andrew got in touch with me. We collaborated on a book about the New Yorker covers.
The cover of Eve Potts and Andrew Bentley’s book.
Thanks to the vision of Ed Gerber, who was president at the time, the book — “The New Yorker in Westport” — was published without cost to the WHS, with funds from the Bentleys and from the Potts Book Fund.
All funds raised from the sale of that publication have gone directly to the Society’s regular yearly budget. They were desperately needed at that time for necessary repairs, including a roof, new furnace and lighting system. The book continues to sell well, and funds continue to go to the WHS annual budget.
It is pitiful to see how all the hard work of so many dedicated Westport volunteers over so many years has been totally disregarded in a determined effort to erase the past by the unwitting actions of the present Westport Museum hierarchy.
Ann Sheffer is a native Westporter. The Staples High School Class of 1966 graduate’s family arrived here nearly a century ago.
Her father Ralph served on the RTM for 16 years, 10 as moderator. He chaired the Nike Site Committee, which managed the difficult task of bringing two military facilities to town, on North Avenue and Bayberry Lane. As chief fundraiser for the Westport Library, he helped spearhead the move from the Post Road to its present location.
Ann’s mother Betty was an active town volunteer. After her death at a young age, the Betty R. Sheffer Foundation provided major funding for arts, education, health care and history projects.
Ann has carried on the family tradition. She is involved in literally dozens of town committees and events, including arts, education, history and culture.
For many years, the main exhibition space at the Westport Historical Society was called the Sheffer Gallery.
The institution’s name change — it is now the Westport Museum for History & Culture — as well as new leadership has brought many changes. Among them: The Sheffer Gallery will now be called the Daniel E. Offutt III Exhibition Hall.
A number of Westporters who were long associated with the WHS have expressed dismay at the changes — including the renaming of the Sheffer Gallery. Ann Sheffer is among them. She sent this open letter to the Westport History Museum:
Last week I drove by Wheeler House. I was pleased to see that the bricks that I bought to commemorate my family’s tenure in Westport are still there (and my husband Bill’s name is now spelled correctly), as are Miss Liberty and Uncle Sam, who have graced the porch or lawn of the house since we donated them in 2000 as part of the Millennium celebration.
Bricks bought by Ann Sheffer and her husband Bill Scheffler, honoring the extended Sheffer family.
As the bricks note, my family has been part of Westport since 1930, and also very involved with the Westport Historical Society. I don’t want to recite all of the volunteer positions we’ve held, contributions to the archives we’ve made, and most significantly, the major contribution to the expansion of the building, which resulted in the naming of the Exhibition Hall in honor of my parents.
So I was dismayed to receive a letter from your board president, Sara Krasne, with the following vague, disingenuous “notice” that the Westport History Museum had received “a significant donation for the purpose of upgrading the exhibition hall to a modern, state-of-the-art standard in return for naming the hall after the donor.”
First, it’s very unprofessional of you to send me a letter rather than speaking to me in person — and trying to understate the fact that you are taking my parents’ names off of the Exhibition Hall. I’m disappointed that you don’t value our history of support for the organization enough to be honest about what you are doing.
Second, it is a fairly serious breach of faith and fiduciary responsibility to remove a donor’s name from a building without having the courtesy to ask their permission.
“Uncle Sam” and “Miss Liberty” — donated to the Westport Historical Society in 2000 by Ann Sheffer and Bill Scheffler — were almost sold last year. They still remain at what is now the Westport Museum for History & Culture. (Photo/Lynn U. Miller)
I would note that my family’s contributions are recognized by a number of other cultural organizations in town, most notably the Westport Library — whose director, Bill Harmer, called me as soon as the plans for the recent renovation were announced, to discuss how we would like our family’s name to be displayed in the new design. Not only were we delighted to be consulted, but his approach resulted in our making additional contributions.
I’m very disappointed that an organization that is ostensibly dedicated to preserving and celebrating the history of Westport would be so insensitive and dismissive of the historical contributions that have insured their existence.
I have no interest in any further discussion with you. But I sincerely hope that you will not treat other donors in such a dismissive fashion, and that you will make an effort to honor the founding principles of the Westport Historical Society despite your name change.
Westport is, as we often say, a special place, with a long history worth celebrating — and the Westport History Museum has a responsibility to preserve that history in an ethical and professional manner.
I asked executive director Ramin Ganeshram to respond. She emailed back: “Please find the official press release regarding the exciting opportunity to upgrade the Exhibition Hall in order to continue the Museum’s transformative path toward excellence in providing world class exhibits in the tradition of our award-winning ‘Remembered: The History of African Americans in Westport.'”
Here is that press release, dated Friday, January 10 but suddenly sent yesterday morning:
Westport Museum (formerly Westport Historical Society) is honored to announce that it will be naming its main exhibit hall after local philanthropist Daniel E. Offutt, III following a significant donation from the Daniel E. Offutt, III Charitable Trust. Mr. Offutt, who lived in Weston, was a generous donor to many local nonprofits both during his lifetime and via his estate.
The gift is the largest single donation ever received by the Museum. The main exhibit hall was formerly named after Ralph & Betty Sheffer, longtime supporters of the Museum who provided the major funding to complete the space in 2002.
“We are thrilled to be able to name this significant cultural resource after Mr. Offutt who was a generous and active member in the local community. His interest and support has helped many cultural organizations here and around the nation,” says Ramin Ganeshram, Executive Director of Westport Museum. “I only wish Mr. Offutt were with us to see the value his good work will bring to this and surrounding communities.”
Daniel Offutt had a lifetime interest in history and in art as both a collector and an artist. A self-described “farmer,” he was more aptly described as a “Renaissance Man”: a tennis player, traveler, sailor, metal sculptor, wood worker, fixer of anything, collector of everything, lover of projects, stock market investor, and a good friend. Mr. Offutt lived for more than 30 years in Weston, Connecticut in a house that he built himself.
The gift from Mr. Offutt’s Trust will enable Westport Museum to make much needed upgrades to its main exhibit hall, in keeping with national museum standards to provide quality experiences with universal access to the widest audience. The goal of upgrading exhibit spaces at the Museum is part of a multi-year strategic initiative to create a world class regional Museum in Westport.
“As Trustee, I am pleased to support the growth and improvement envisioned for the Museum,” said Richard H. Orenstein. “Working with Ramin has been an easy and creative endeavor.”
“Thanks to this significant gift we will be able to create our next ground-breaking exhibit with the highest standards in mind,” said Ganeshram. The first exhibit to open in the newly remodeled space will be in late 2020 about Westport’s indigenous people who inhabited the town and surrounds for 7500 years before European colonization.
While the name change is effective immediately, a plaque will be formally installed to rename the gallery “The Daniel E. Offutt III Exhibition Hall at Westport Museum” at a ceremony to take place at the opening of the 2020 indigenous people’s exhibit in November.
The Westport Library’s Transformation Project is exciting and dynamic. When the official opening takes place June 23, users will enjoy an entirely new experience. Space, usage, programs — all have been reimagined.
But the 2-year renovation has brought changes to some old favorites. More than 150 works of art were removed, reappraised, cleaned, photographed and stored professionally. Some will be back on the “new” library walls.
Others found homes in various town buildings. For example, Robert Lambdin’s 1935 WPA mural “Pageant of History” was relocated to Staples High School.
But what about the River of Names?
That was the 26-foot long, 6-foot high tile work that hung on the lower level, just outside the McManus meeting room.
The River of Names, in the lower level of the Westport Library.
Conceived by Betty Lou Cummings, shepherded along by Dorothy Curran, and commissioned in 1997 as part of a capital campaign, it raised $300,000. All 1,162 tiles were individually created and drawn by artist Marion Grebow.
Some portray historical events, like the founding of Westport, onion farming and the arrival of the railroad.
Others feature favorite places around town: the Compo Beach cannons, Minute Man monument and Staples High School. Some cite local organizations and businesses.
Most show the names of nearly 1,000 families. They honor parents, children and pets. They note when the families came to town, and where they lived.
One of the tiles shows Stevan Dohanos’ Saturday Evening Post cover of the World War II memorial outside the old Town Hall.
Tile donors were promised the River of Names would exist in perpetuity.
Yet finding a new home in the transformed library was difficult.
Fortunately, the library has a 21st-century solution.
An interactive River of Names will be an innovative feature of the new building.
A 43-inch touch-screen digital mural will be on view — and very accessible — on the upper level.
The new River of Names will link historic depictions in the mural to additional information about Westport’s 350-year past.
Another tile shows the YMCA’s Bedford building, constructed in 1923. It’s now the site of Bedford Square.
Iain Bruce — president of the library’s board of trustees — acknowledges the challenge of finding an appropriate location for the mural in the renovated space.
However, he says, the mural — and the entire Transformation Project — has forced the library to reassess how to make its collections and materials more accessible and engaging for everyone.
The new digital mural offers “maximum accessibility, interactivity, and continuity for our community today and for generations to come.” It includes descriptions, narratives, maps and photos. Audio and video clips will be added in the future.
Before the original mural was taken down, Miggs Burroughs photographed and documented each tile. It was removed and stored by a specialized company.
The River of Names includes tiles for the original Westport Library, built in 1908 on the Post Road (now next to Freshii) …
Ann Sheffer — chair of the River of Names Task Force Committee — says she is “thrilled that all this will be available to many more generations of Westport.” She calls digitization “a truly 21st-century demonstration of the role of libraries in preserving our heritage while charting our future.”
The River of Names will be accessible not only to library patrons, teachers and students, but everyone around the globe, adds Kathleen Motes Bennewitz, Westport’s arts curator who consulted on this project.
Like the original mural River of Names, the digital version is ultimately a home-town product.
Square Squared — a Westport company — was the developer. The firm provides creative solutions for print and digital designs, and audio and video production.
Michael Bud — a Square Squared partner — was introduced to the Westport Library years ago, by his mother, a Coleytown Elementary School teacher. He enjoyed story hour and picture books; later, he researched science fair and other projects there.
He was in high school when the River of Names project was installed, and remembers the buzz. Now his 2 children are frequent library visitors.
Soon — thank to Dad — they’ll be able to access the River of Names, digitally.
Along with the rest of Westport.
And the world.
… as well the current library, opened in 1986, and soon to be “transformed.” (Tile photos courtesy of Fotki.com)
Early Sunday morning, fire destroyed the American Shakespeare Festival Theater in Stratford.
News reports noted that the 1,500-seat venue — modeled after London’s Globe Theater — hosted performances by Katharine Hepburn, Helen Hayes and Christopher Walken.
When the theater thrived, its garden on the banks of the Housatonic River featured a garden with 81 species of plants mentioned in the Bard’s plays.
The American Shakespeare Festival Theater in Stratford, in its heyday.
Papers reported too that the idea for the theater came from Lawrence Langner. It was not his first rodeo. In 1930 — 25 years before developing the Stratford venue — the Weston resident turned an apple orchard and old tannery into the Westport Country Playhouse.
But Westport’s connection to the American Shakespeare Festival Theater runs far deeper than that.
In fact, our town was almost its home.
In 2014 I posted a story that began with a note from Ann Sheffer. The Westport civic volunteer and philanthropist — who had a particular fondness for the Playhouse, where she interned as a Staples High School student — had sent me an old clipping that told the fascinating back story of Stony Point. That’s the winding riverfront peninsula with an entrance directly off the train station parking lot, where Ann and her husband Bill Scheffler then lived.
Stony Point today (left of the river). The train station and tracks are at top.
Written in 1977, the Westport News piece by longtime resident Shirley Land described a New York banker, his wife and 2 daughters. They lived in a handsome Victorian mansion with “turrets and filigree curlicues.” The grounds included an enormous carriage house, gardener’s cottage, barn and hothouse.
It was the Cockeroft family’s country home, built around 1890. They traveled there by steam launch from New York City, tying up at a Stony Point boathouse.
After the daughters inherited the home, the New York, New Haven & Hartford railroad purchased some of the land for a new train station. (The original one was on the other side of the river.)
The 2nd daughter bequeathed the estate to the Hospital for the Crippled and Ruptured (whose name was later changed, mercifully, to the New York Hospital for Special Surgery).
But the property fell into disuse. Eventually the hospital sold Stony Point to real estate developers.
Which brings us to Shakespeare.
Around 1950 Langner, Lincoln Kirstein of Lincoln Center and arts patron Joseph Verner Reed had audacious plans. They wanted to build an American Shakespeare Theatre and Academy.
And they wanted it on Stony Point. Proximity to the train station was a major piece of the plan.
The price for all 21 acres: $200,000.
But, Land wrote, “the hand of fate and the town fathers combined to defeat the efforts of the theatre people.” Many residents objected. There were also concerns that it would draw audiences away from the Westport Country Playhouse. (Others argued that a Shakespeare Theatre would enhance the town’s reputation as an arts community.)
The theater was never built in Westport. It opened a few miles away –in the aptly named town of Stratford — in 1955.
It achieved moderate success there. But in 1982 the theater ran out of money (and backers). The state of Connecticut took ownership. It closed in 1985.
The garden turned into weeds. The theater grew moldy. The stage where renowned actors once performed the world’s greatest plays was taken over by raccoons.
The entrance to Stony Point.
Meanwhile, in 1956 Westporters Leo Nevas and Nat Greenberg, along with Hartford’s Louis Fox, bought the Stony Point property for residential development.
It’s now considered one of the town’s choicest addresses. A recent listing for one home there was $14 million.
That’s quite a story. We can only imagine what might have happened had Westporters decided to support — rather than oppose — the American Shakespeare Festival Theater in Westport.
Then again, as a famous playwright once said: “It is not in the stars to hold our destiny, but in ourselves.”
Ann Sheffer is among Westport’s most avid arts advocates. Her support of all mediums — visual, performing, classical, new — is abiding and true.
So it’s very fitting that Ann’s latest project involves both an art gallery and the Westport Country Playhouse.
Actually, it’s a gallery at the Playhouse.
This Saturday (November 24, 5 to 8 p.m.), the barn next to the theater welcomes “Amazing Grace.” Noted Westport painter/illustrator Ann Chernow and famed graphic artist Miggs Burroughs offer dozens of mixed media images, photos and oils of real and invented people, from life’s shadows.
Ann Chernow and Miggs Burroughs
It’s the gallery’s inaugural exhibit.
It opens in what is already called the Sheffer Studio Space. The name honors Ann and her family.
As a child, Sheffer’s grandparents and parents took her to the Playhouse. She still recalls sitting in those red seats, for Friday afternoon children’s shows..
At 15, she became an usher. She continued serving the Playhouse long after graduating from Staples High School in 1966. Today, she’s an honorary trustee.
Sheffer has known and admired the 2 artists featured in this first show for decades.
Chernok’s work has been exhibited all over the world. Her Playhouse art focuses on actress portraits from American film noir of the 1930s and ’40s. Of course, many film stars also appeared on the Playhouse stage.
Burroughs — who graduated from Staples a year before Sheffer — has designed Time magazine covers, a United States stamp, Westport’s flag, and hundreds of logos for commercial and non-profit clients. His lenticular photos line the Main Street and railroad station tunnels. His Playhouse exhibit includes 24 male criminals.
A sample of Ann Chernow’s work (left), and one by Miggs Burroughs (right).
Westport has long been known as an arts community. Next Saturday, we celebrate that heritage — in all its forms.
(The Gallery at the Westport Country Playhouse is a partnership between Friends of the Westport Public Art Collection and the Artists Collective of Westport. Saturday’s opening features music by Warren Bloom, drinks and light bites and more. The exhibit runs through December 22.)
As every Kevin Bacon fan knows, everyone in the world is connected by just 6 degrees of separation.
With a Westport connection, those degrees of separation are much closer.
Alert “06880” reader Evan Stein sends along a story that begins with Kate Burns-Howard and Scott Froschauer.
Before graduating from Staples High School, they had worked together at Fine Arts IV. Now Scott’s a Los Angeles-based artist, getting attention for works that use street signs to convey more useful instructions (like “Breathe” and “All We Have is Now”).
On Facebook, Kate reposted a story about a friend who was selling Scott’s art at a Palm Springs show. Kate mentioned Ann Sheffer in the post — probably because Ann is the mother of Kate’s good friend Emily Reich. And Ann (a longtime Westporter and proud Staples grad) now spends a lot of time in Palm Springs. And Ann is a noted art collector.
Turns out, Ann and her husband Bill Scheffler had already bought a piece in Scott’s show — but had no idea he’s from Westport, or that he knew their daughter and her friend.
Kevin Bacon would be proud.
Ann Sheffer and Bill Scheffler, with their new Scott Froschauer work..
In the mid-1960s, Steve Gilbert was a beloved Staples High School art teacher. After school — as technical director for Players — he taught students how to create the remarkable sets that gave that drama troupe some of its early renown.
Each summer, Gilbert had another job: general manager of the Westport Country Playhouse. His Staples connection gave him an easy pipeline to willing workers. He hired set builders, ushers, even parking lot attendants.
Some of Gilbert’s teenagers — like Lindsay Law and Ann Sheffer — went on to careers in theater or TV.
Nearly all recall those summers as defining moments of their lives. They learned so much about the arts. They interacted with stars, and struggling actors. They hung out there together after work, and formed lifelong bonds.
“That’s where we grew up,” Sheffer recalls.
Staples Players received a replica of the Globe Theater. Steve Gilbert is at far left; Ann Sheffer is on the far right.
On Saturday, September 9, she returns to the Playhouse. As part of the annual gala — which this year features “Hamilton” Tony Award nominee and Grammy winner Jonathan Groff — the 1966 Staples grad receives the Leadership Award.
It’s been in the works even before Sheffer was born.
Starting in the 1930s, her grandparents spent summers and weekends in Westport. (Their property, on the corner of Cross Highway and Bayberry Lane, predates the Merritt Parkway and Nike site — which became the Westport Weston Health District and Rolnick Observatory.)
As a child, Sheffer’s grandparents and parents took her to the Playhouse. She still recalls sitting in those red seats, for Friday afternoon children’s shows.
The Westport Country Playhouse, back in the day.
At 15, she became one of Gilbert’s ushers. The Playhouse calendar included 12 shows every season, from Memorial Day to Labor Day.
The set would be struck Saturday night. A new one was constructed on Sunday. On Monday, the next play opened.
Going to the Playhouse was “the social event” of the week, Sheffer remembers. “People kept their own seats, and their own days of the week, for years.”
Much has changed — from summer habits to entertainment options to theater itself.
But Sheffer’s commitment to the arts — and the Westport Country Playhouse — never wavered.
After graduating with a degree in theater from Smith College, she earned a master’s in theater administration from Tufts, and an MBA from the University of Washington. Sheffer worked with many non-profit arts groups, serving on boards at the local, state and national levels.
In 1999 — after decades assisting a variety of Westport organizations — Sheffer was asked to help plan the Playhouse renovation. During that long but fruitful process, she championed its history and cultural significance. That includes preserving posters from the Playhouse’s long history. They’re now displayed in the lobby.
She helped procure $5 million in bond money from the state. She also negotiated a $2 million grant to name the adjacent barn for Lucille Lortel, along with annual funds for new plays.
Sheffer has long supported the Playhouse’s education programs. Her brother Doug was a props apprentice in 1968. (That’s why every play featured furniture and other items from the Sheffer’s home — including Sheffer’s mother’s high school diploma, which hung on the wall when Shirley Booth starred in “The Desk Set.”)
In 1968, the Westport News profiled Playhouse apprentices. Doug Sheffer is shown in the photo at right.
Sheffer was a trustee until 2015 — “15 amazing years working with Joanne Woodward, Annie Keefe and a dedicated board” that completely transformed an old, leaky and unheated barn into a theater for the next generation.
When she accepts her award at the September 9 gala, Sheffer will no doubt speak about what the Playhouse has meant to her, for so many years.
She may also weave together some of the strands that continue to tie the Westport Country Playhouse to the rest of the community. For example, the Susan Malloy Lecture in the Arts — named for Sheffer’s aunt, and set for September 11 — will feature a panel discussion on “Falsettos.”
Interestingly, in 1994 Staples Players presented that groundbreaking show about gay life as a studio production. The principal did not want it to be shown at the high school — so the Playhouse offered its stage.
The same stage that — 30 years earlier, and more than 50 years ago now — was a home away from home for a generation of Staples Players.
Including a very passionate, and impressionable, Ann Sheffer.
(The Westport Country Playhouse Gala on Saturday, September 9 begins with a 5:45 p.m. cocktail party. A presentation to Sheffer, a performance by Groff and a silent auction follow. All proceeds benefit the WCP’s work on stage, with schools and throughout the community. For more information and tickets, call Aline O’Connor at 203-571-1138, or email email@example.com.)
This morning’s post — with photos from Westport Memorial Day parades past — inspired 2 alert and historically minded “06880” readers to send in their own.
Jack Whittle found this shot on the Gault 150th anniverary website. It shows a 1920s-era parade — minimalist though it was — passing Willowbrook cemetery on North Main Street. Leonard H. Gault drove the fire truck.
Ann Sheffer sent along 2 photos. Here are some Girl Scouts circa 1955 (with her mother, Betty Sheffer, as a troop leader):
This one from 1961 shows the parade on the Post Road (the Mobil gas station is now where Finalmente is, across from the old post office):
Here was the scene in 1966. Fairfield Furniture stores has of course been converted back into its original “National Hall” form.
Mark Potts offers this scene from 1972. Staples band leader Bob Genualdi (tie and jacket) leads his musicians up the Post Road, in front of the bizarrely named S&M Pizza. (Note the group sitting — as kids did back in the day — on top of the adjacent store.)
Remember: the 2016 version steps off at 9 a.m. Monday (May 30). Get your camera ready — don’t forget to charge that cell phone!
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