[OPINION] Traffic Apps Care About Algorithms, Not Neighborhoods

As a longtime Bridge Street resident, Werner Liepolt has a front-porch view of traffic — including the vehicles that apps like Waze send past his house. He writes:

Take a look at Westport the way a navigation algorithm does.

I-95: Thursday, March 26, 9 p.m.

It sees not a collection of neighborhoods — but a network.

Because that’s how today’s traffic actually moves.

From the Waze-eye view, the logic is clear. Waze sees traffic speed and volume, but it doesn’t reliably see or respect local rules and human factors that shape safe and appropriate traffic patterns.

Waze emojis and avatars — “Moods” — represent “Wazers:” happy, fast, or stuck in traffic. Other icons indicate real-time reports, crashes, hazards and police.

Waze does not consistently indicate local thru-truck prohibitions. Neither school bus stops nor routes are accounted for. Ditto cyclists, crosswalks and pedestrian activity.

And Waze of course has no way of measuring or reporting long time and cumulative effects of traffic noise, pollution, aesthetic impact or vibration damage.

Waze also ignores narrow streets and historic districts — for example, the Bridge Street National Register Historic District.

The Cribari Bridge is not isolated. It connects directly to a sequence of roads that carry traffic eastward through Westport.

From the Waze eye view, the logic is clear.

The William F. Cribari Memorial Bridge connects Riverside Avenue’s commercial district directly to Bridge Street (Route 136), feeding traffic into a residential corridor that continues inland. What appears to be a local crossing is, in fact, a key link in a broader east–west route.

Now look a few miles away.

Individually, these are routine infrastructure projects.

Together, they form something much more consequential.

Just east of Westport, the Sasco Creek Bridge sits on Greens Farms Road near the Post Road and I-95 Exit 19. The Connecticut Department of Transportation proposes removing a major constraint at the eastern end of the same corridor.

CTDOT is:

  • Likely increasing load capacity at Sasco Creek. The design drawings show a full-capacity structure capable of carrying legal truck traffic.
  • Removing geometric constraints and increasing load capacity at the Cribari Bridge, making it capable of handling legal truck traffic.

Yet the Environmental Assessment of the Cribari Bridge assumes trucks will not use this route — without analyzing what happens once both bridges in this corridor are upgraded,

That creates a continuous, higher-capacity east-west route from Fairfield on the Old Kings Highway through Westport on Greens Farms Road and Bridge Street to Saugatuck — closely paralleling I-95 between Exits 18 and 19.

This is not speculation. It is visible on the map. The Sasco Bridge CTDOT Project 0158-0218 is already underway. The hearings concluded in 2021.

They concluded about the time the Environmental Assessment for CTDOT project 0158-0214 (the Cribari Bridge) was being written. Now the hearings and time for public comment on that project will end on April 17.

Combined, these CTDOT projects should broaden the Cribari Bridge Area of Potential Effect to the entire I-95-Greens Farms Road corridor.

Navigation apps do not consider whether a road is “appropriate” for through traffic.

They calculate the fastest route.

When I-95 backs up — as it often does — these systems will route drivers off the highway, send them across Sasco Creek, through Greens Farms and Bridge Street, over the Cribari Bridge, and back toward the highway or local destinations.

Once weight limits and geometric constraints are removed, this corridor becomes accessible, continuous, and visible to routing algorithms.

At that point, it will be used.

The Environmental Assessment for the Cribari Bridge suggests that trucks and through-traffic will not find this route “desirable.”

But that assumption belongs to an earlier era.

Today, traffic patterns are shaped not just by drivers, but by software. And software does not share local sensibilities.

Nowhere does the Environmental Assessment meaningfully examine:

  • The combined effect of upgrading both bridges
  • Diversion from I-95 during congestion
  • The role of real-time navigation systems
  • Impacts on residential streets and safety

Instead, the project is evaluated as if each bridge exists in isolation. It does not.

If this corridor begins to function as an alternative to I-95, the consequences will be felt across Westport:

  • Increased traffic through residential neighborhoods
  • Safety concerns for pedestrians and cyclists
  • Noise and air quality impacts
  • Changes to the character of a federally recognized historic district

These are precisely the kinds of indirect and cumulative effects that federal law requires agencies to consider.

No complex modeling is needed to understand the risk. The map already shows:

  • A connected route
  • Fewer constraints
  • A faster alternative to a congested highway
  • Numerous Waze alternative routes from the Post Rd and through residential neighborhoods south of the Post Road

The question is not whether traffic will use the corridor. The question is why the state has not fully evaluated that possibility.

Public comment on the Cribari Bridge project is open through April 17. Submitted comments make a difference and must be counted under FHWA regulations. Comments can be submitted here or by voicemail: (860) 594-2020. (reference State Project No. 0158-0214). Written comments can be mailed to: James Barrows, 2800 Berlin Turnpike, P.O. Box 317546, Newington CT 06131-7546.

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Pic Of The Day #3269

Canal Road sunset (Photo/Gene Borio)

VersoFest: “06880” Culture Correspondent’s Critique

“06880” culture correspondent Robin Moyer Chung writes:

At VersoFest’s headline concert Friday night, Westport Library executive director Bill Harmer introduced Wyclef Jean to a packed Trefz Forum, saying, “What you’re experiencing here does not exist in any other public library in this country.”

I’d argue hardly anything exists like VersoFest in any institution at all.

Each year, the days-long music festival features performances, installations, business insights and author discussions that entertain, enlighten and engage.

It has also galvanized a unique community of renowned musicians, artists, industry professionals and journalists to support VersoFest in myriad ways. At any event you’ll see legendary recording artists, transformative business professionals, and Westport’s own media stars.

And of course Grammy-winning Wyclef Jean, the powerhouse recording artist/ writer/producer, and co-founder of the Fugees.

Imagine the library packed with 800 people dancing and hollering lyrics as though they were in a place that’s not a library.

Wyclef Jean (Photo/Jerri Graham Photography)

While expertly riffing through instruments and singing hits — both his (“Killing Me Softly With His Song,” “Maria Maria”) and covers (“Jump Around”) — Wyclef’s inexhaustible exuberance emitted some sort of particle hallucinogen that caused everyone to go nuts. Even those who had quietly saved seats on the “grandstand” could hardly resist the urge to stand up and go moderately nuts.

Toward the end Wyclef welcomed kids to climb on stage and rock out with him, proving both his multi-generational appeal and his being a great guy.

Fans of all ages loved Wyclef Jean. (Photo/Jerri Graham Photography)

Saturday offered a series of talks, culminating in a performance and discussion with David J. of Bauhaus.

The first was an interview with Claire Dederer on “Monsters, a Look at What to Do with Great Art by Bad People.” In part, her book questions how we can accept artistic works as important, even masterpieces, despite the  the lascivious and sometimes criminal behavior of men who create them.

The discussion with the journalist Hilarie M. Sheets rambled for about 15 minutes before finally hitting on the subject: why the works of convicted or accused predators such as Woody Allen, Roman Polanski, Picasso and Hemingway are still considered creative diadems.

A tough question to tackle, especially in our current cancel culture. The once-acceptable masculinity of Picasso and Hemingway is now often viewed as toxic. However, the nascency and naiveté of then-emerging “mass marketing” overlooked their womanizing (or worse), and promulgated their brooding character as the ideal of manliness.

Does historical context disallow cancellation? Seemingly yes, but why? In the light of #MeToo it’s important to know what we’re seeing or hearing, and understand its context.

Next, a rock star who was definitely not a monster: Tom Petty. Adria, his daughter and a well-known rock music director and managing partner of Tom’s estate, spoke with Sam Hendel, a pioneer in the music industry.

Adria Petty chats with Sam Hendel. (Photo/Kerry Long)

Adria recounted little-known stories about her dad, such as his donating all of the revenue, in perpetuity, from his hit ‘90s Christmas song, “Christmas All Over Again” to Special Olympics. And during his concerts. audience members could submit song requests by writing them on a roll of butcher paper. The band honored every request.

At one point the discussion veered dangerously into a seminar sales pitch for “uber deluxe” packages of records and random souvenirs. A Petty superfan might find merit in this but, honestly, who can blame her? We’re all selling something.

She promptly re-engaged with us though, and continued telling humorous anecdotes about her famous father, making him less an icon and more a caring, quick-witted human being.

Lastly, a woman who defended herself against monsters, actress Gina Gershon, discussed her memoir “AlphaPussy” with former CNN anchor (and Westport resident) Alisyn Camerota.

I’m not crazy about the title. True, young Gina possessed a wherewithal that many women at her age and in her situation may not have had. But that doesn’t make her “alpha” and another “beta,” as the title “AlphaPussy” suggests. I was expecting a self-aggrandizing monologue.

Gina Gershon (left) and Alisyn Camerota.

I was wrong. Gina was entertaining, and had great rapport with Alisyn. She talked about meeting Prince when he considered casting her in “Purple Rain,” and sneaking into a cinema and stumbling onto a porn flick (she grew up in the “porn capital of the world.”)

Mostly though, I loved the questions from the audience. Women asked about inner strength and initiative, viewing Gina as a warrior in a minefield of sexual judgment and assumptions.

Capping off that evening was a performance and discussion with alt-rock superstar David J. He’s credited with “spearheading the post-punk alternative music scene of the early 1980s.”

His crowd was smaller, but passionate. David received a standing ovation as soon as he walked on stage.

David J.

He read stirring poems from his new book, “Rhapsody, Threnody & Prayer,” including a haunting one about meeting Kurt Cobain 2 years before his suicide. (Kurt was lying in a fetal position in his wife’s dressing room).

David then gave a heartfelt and energetic performance of a few of his popular songs, before speaking with author and documentarian Douglas Rushkoff.

Best of all, David attended almost all of VersoFest’s events over the weekend — and was impressed by every one of them.

(“06880” covers Westport’s cultural events of all kinds, plus much more. If you enjoy keeping up with all the action — before and after it happens — please click here to support our work. Thank you!)

Roundup: Pizza Lyfe, 92 Beachside Avenue, Tony Hwang …

First, Pizza Lyfe established itself as one of Westport’s favorite (among many) pizzerias.

Then they expanded across Long Lots Road, opening Lyfe Café for breakfast, lunch and coffee.

Now comes a third Lyfe.

They’re taking over the Greenology/Jack’s Coffee space next door — the latest in a series of coffee shops there. Soon, it will open as Sweet Lyfe.

As first reported by WestportMoms, the new spot will feature high-protein Greek frozen yogurt, soft serve ice cream, small-batch gelato, smoothies, açaí bowls, imported candy and more.

Plus, “a chocolate and pistachio fountain.”

As Frank Sinatra sort of sang, “That’s Lyfe!”

Sweet Lyfe will move in soon next to (left side, not shown) Pizza Lyfe.

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The Historic District Committee meets April 9 (7 p.m., Zoom).

On the agenda: a demolition permit for 92 Beachside Avenue.

Because the home is over 50 years — in fact, the 7,700-square foot Tudor with 8 bedrooms and 8 1/2 bathrooms, once owned by Lucie Bedford (of Westport’s leading philanthropic family) and her husband, Briggs Cunningham (a race car driver and America’s Cup winner), set on 3.55 acres with 200 feet of Long Island Sound waterfront, is exactly 100 years old — the HDC can delay demolition for 180 days.

It cannot, however, prevent it.

The front of 92 Beachside Avenue …

… and a view from the Sound.

The Historic District Commission will also discuss demolition permits for:

  • 2 Izzo Lane
  • 48 Burr Farms Road
  • 41 Sniffen Road
  • 51 Whitney Street (detached garage only)
  • 20 Bermuda Road
  • 4 Woods Grove Road
  • 103 Sturges Highway
  • 4 Ridge Drive.

On the agenda too: rescinding adoption of the motion to oppose issuance of a demotion permit for 11 Dogwood Lane.

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Tony Hwang — the state senator from Fairfield who, before redistricting, represented parts of Westport and Weston — will not run for a 7th term.

The Republican announced his decision Monday. Including earlier service in the House of Representatives, he said that after nearly 18 years it is time to “ begin the next chapter of my life.”

Hwang — who was born in Taiwan, graduated from Cornell University and became the first Asian American in the Connecticut Senate — will return to the real estate profession.

He also hopes to work with nonprofits and academic institutions to encourage civic engagement.

Hwang said, “My goal is to help future generations understand that community must always come before political labels — and that effective governance requires collaboration, empathy, courage and respect.”

State Senator Tony Hwang (right), with Westport RTM moderator Jeff Wieser. (Photo/Jimmy Izzo)

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Has an osprey returned to Westport?

The verdict is out on the  Fresh Market nest. (It may be a hawk.)

But Ed Simek sends along this shot from Gray’s Creek, next to the Longshore exit road.

(Photo/Ed Simek) 

It sure looks like an osprey to him — and us.

But we’ll leave it to our experts: “06880” readers.

Is it an osprey? A different raptor? Click “Comments” below.

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Speaking of animals: As the temperature reached the mid-70s yesterday, dogs romped on Compo Beach.

They won’t be back for 6 months.

March 31 is the final day dogs are allowed on town beaches, until October 1.

The ones who were there made the most of the almost-summer day.

And boy, there were a lot of them.

(Photo/Mark Mathias)

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Speaking of nature: Earthplace hosts several intriguing adult events soon.

  • Craft & Sip: Create Botanical Stationery (April 9, 6 p.m.; $35 members, $45 non-members)
  • Mindfulness: Forest Bathing (April 16, 10-11 a.m.; $25)
  • Mindfulness: Sound Bath (April 29, 6 to 7 p.m.; $45)
  • Toast to the Trees (family) (April 25, 4 p.m.)
  • Cocktails &  Clams (June 6, 5 to 7 p.m.).

And for the younger set: Kids Night Out (April 10, 6 to 9 p.m.; $50 members; $60 non-members).

Click here for details on all programs, and registration.

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Aaron and Brett Fortunoff of Staples High School’s Cereal 4 All Club offer “a great big thank you to everyone who helped make this year’s drive a success.” The Staples Service League of Boys (SLOBs) was a huge help.

They collected 1,600 boxes of cereal, and raised over $3,000. They’ve already begun distributing cereal to local food pantries.

Contributions are still welcome. Venmo @lauriefortunoff (she will purchase cereal), or make a tax-deductible donation at cereal4all.org.

Aaron and Brett Fortunoff, with donated cereal (and friend).

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He was right outside her kitchen window.

But Ann Cole says she would not have seen this owl, had he not rotated his head.

Today’s “Westport … Naturally” image shows the beauty of nature’s camouflage.

It’s everywhere. We just have to look.

Very, very carefully.

(Photo/Ann Cole)

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And finally … to all those who forgot that today was April 1, when they clicked on our lead story this morning:

(You never know what you’ll find on “06880.” If you enjoy our wide variety of stories, photos, features and other stuff, please click here to support our work. Even if  — ESPECIALLY if — we got you today!)

A Tale Of 2 Bridges: CTDOT Considers Downtown Span Too

One often-overlooked element of the discussion on the future of the Cribari Bridge is climate change.

As the Saugatuck River rises by a few inches over the next decades, clearance under the 143-year-ol span will diminish.

The state Department of Transportation is considering that, in its plans for rehabilitation or replacement.

But the rise will not be confined to the Cribari Bridge alone.

Consider the Ruth Steinkraus Cohen Bridge downtown.

Very little river traffic now passes underneath the Post Road — a few kayaks and canoes, mostly at low tide.

But CTDOT is looking ahead.

A project (formally #0158-0980) would replace the current structure with a drawbridge:

Artist’s rendering of proposed Ruth Steinkraus Cohen Bridge drawbridge.

Steve Lance — the “06880” reader who spotted the plan, while searching for information on the Cribari Bridge — reached out to CTDOT.

James Barrows, who serves as manager for the Cribari project, responded.

“Work would not begin until #0158-0214 (the Cribari Bridge) is completed,” he said. “CTDOT would not want to disrupt traffic on two major crossings simultaneously.

“However, we see it as an important next component in making the Saugatuck River navigable as far upriver as possible.”

Barrows said that while the drawbridge would initially be open only far occasional traffic, it could adopt a regular schedule to allow more watercraft to pass through than currently do.

He noted that the entire operation would take “only 6 to 8 minutes.” Traffic disruption would be “minimal,” he said.

Barrows — who was at DOT’s recent public meeting at Town Hall — said, “our intention is to involve residents, business owners and other stakeholders as early and often as possible” in the project planning.

Click here to see the full report. A link is included in the report for preliminary comments.

(“06880” will follow this story — as we do all that impact Westport. Please click here, to help us continue our work. Thank you!)

Pics Of The Day #3268

One view of Saugatuck …

… and another (Photos/John Maloney)

VersoFest: The Photos

For the 5th straight year, VersoFest ’26 rocked the Westport Library.

The music/media/and more festival once again entertained, inspired and delighted thousands. Concerts, panels, workshops and art exhibits drew a wide array of guests.

Some wanted to hear music; others, to hear insights. All were thrilled that the Westport Library offers options unlike any other institution, anywhere.

Two of the biggest attractions were Wyclef Jean and Ani DiFranco. Photographer Kerry Long captured some of their magic.

(All photos/Kerry Long)

Staples Players Rewind: “Children Of Eden”

Our look back at Staples Players’ past shows continues today, with the fall 2005 production of “Children of Eden.”

David Roth and Kerry Long directed the 1991 musical. Based on the Book of Genesis, it tells the stories of Adam and Eve, Cain and Abel, and Noah and the flood.

Longtime media teacher Jim Honeycutt created these “nutshells,” part of “06880”‘s continuing coverage of Players, yesterday and today.

He notes that some of actors in this show went on to bigger things.

Mia Gentile (Eve) starred on Broadway in “Kinky Boots.” She also made it onto “Good Morning America,” with hilarious Stanley Steemer ads.

Jacob Heimer (Adam) starred on Broadway in “Beautiful.” Adam Kaplan (Japheth) went on to star on Broadway too, in “A Bronx Tale.”

Drew Angus (Ham) is now a successful recording artist.

Now you can say, “I saw them ‘when.'”

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“06880” Podcast: Owen Daniel

Owen Daniel is the youngest guest we’ve ever welcomed to our “06880” podcast.

The Weston High School senior balances schoolwork* with performing, songwriting and producing music events.

His songwriting draws inspiration from artists like Noah Kahan, Lewis Capaldi and Olivia Rodrigo, blending introspective lyrics with an acoustic sound.

This fall, Owen heads to Berklee College of Music in Boston. Before he goes — and the world learns about him — he stopped by the Westport Library, for a wide-ranging chat.

It was a great morning. My only regret is I forgot to ask him to bring his guitar.

Click here or below to hear Owen’s take on his life, his music, and the performing and recording world in general.

*Though as a 2nd semester senior, that’s probably now just an abstract concept.

Westport Teen — And Town — Support Surgical Trips

Miri Levin is a senior at Hopkins School. She has lived in Westport since she was 5 years old. Miri writes:

I stand 3,400 miles from home, dressed in surgical scrubs and a mask that hides my age and inexperience.

The operating room lights are bright. I feel at once comfortable and unnerved.

The scene is relatively familiar. I have been volunteering with the International Esperanza Project for 4 years.

But our surgical staff is makeshift by American standards. My mother, an accredited surgeon, will be performing reconstructive surgery after a gunshot wound to the eye.

I — a 17-year-old high school student — will be responsible for handing her the vital tools she needs. I shake off my discomfort, and arrange the surgical tools on a metal tray that stands within my mother’s reach.

Miri Levin and friend.

IEP provides high quality medical care to Guatemalan citizens who lack these resources. Every September I travel to Patzun, Guatemala with my mother to offer free medical care to individuals and families with circumscribed access to quality health care.

Our patients live in poverty, and frequently suffer from long-neglected health issues that have festered over time.

On any given day I move between numerous roles, taking and monitoring patient vitals, stocking operating rooms with surgical supplies, and soothing anxiety in children who may be visiting a doctor for the very first time.

International Esperanza Project takes a break.

My work with IEP forces me to engage with my greatest personal challenge: a sometimes haunting sense of self-doubt. While the imposter syndrome was certainly justified in my role among such experienced individuals, I often question whether I have the competence and experience to chase the accomplishments I want to call my own.

But by committing myself to stepping away from the familiar, whether geographically or intellectually, I can now call “positive risk-taker” as part of my identity.

The organization and compassion that Team Hope put forth during one week is unbelievable. From seeing thousands of clinic patients to performing hundreds of surgeries, the team blends seamlessly together even if most of them just met.

It doesn’t matter where you’re from, or where you’re going. If you come to Guatemala, you join a family. One that has dance parties during late night hospital trips, and one with some of the most gentle teachers out there, supporting and guiding you through a high stress environment that can be hard to adapt to.

During the most recent trip, we posted about a little girl suffering with childhood eye cancer. Both eyes had been removed at a young age, and her family could not afford prosthetic ones.

Within 24 hours, the Westport community raised $6,000. It was unbelievable to see how a group of people could be so generous to someone so close to my mom and me, yet so far from them.

I am so excited for the International Esperanza Project to come to Westport, this time in person. The event is April 2 at Hudson Malone (6 p.m.).

It is an honor being given the opportunity to speak about how much this trip impacted me. Now I have friends all over the world, and most importantly, so do all the patients.

Interested in attending the April 2 event? Email floralevin@drfloralevin.com.