Tag Archives: Robin Moyer Chung

Wandering Through A Rite Of Passage: The Empty Nest

It’s a rite of passage: Young people go off to college.

As the last one does, their parents have their own milestone: They become empty nesters.

Do they celebrate? Mourn? Do both?

“06880” culture correspondent Robin Moyer Chung is one of Westport’s newest empty nesters. She writes:

Last Thursday, I moved my youngest child to the University of Utah, roughly 11 hours door-to-door when factoring in flight delays.

To keep myself occupied, and because misery loves company, I threw myself into an unscientific research project: What is it like to be an empty nester?

Robin Moyer Chung and True Chung at the University of Utah.

Personally, I’m freaked out by the prospect of rattling around my home of 20 years by myself. I rummage through drawers, pulling out kids’ games that haven’t been opened in 12 years and plastic bags full of broken seashells with their names scrawled in black marker.

Everything hits hard now that it’s over.

Unlike so many other life transitions — graduations, birthdays, funerals — there is no ceremony or celebration, no group therapy or organization. It’s just walking into your home and realizing your family is no longer there, a sort of “The most important part of your life is over” meets “Welcome to your twilight years.”

Gail, Kate and John Coykendall at Southern Methodist University.

For a few, it’s sweet liberty. “I embrace it all,” notes one mom. “I think I’m the only one who loved it!” adds another.

For many, however, it’s heartbreaking.

One mom summed it up: “I did not realize how much grief I would feel when my son left for college. We prepare them for this day, but I don’t think moms are prepared enough.”

While seasoned “parentes relicti” assure us the flown will fly back, the biggest question is: Who will they be when they do? Will the kid alighting on the perch be the same one who left?

Well, no.

Mattias and Christina Basler at the US Military Academy.

“The hardest part for me isn’t that they left for college, but knowing the chapter with them ‘growing up’ and living full-time at home has closed,” one mom explains.

While their childhood chapter closes, a lousy chapter often opens for the parents: loneliness.

The kids are gone, along with their social infrastructure. No more seeing parents and kids at soccer games and tournaments, no more grouping with other adults to build sets for musicals, no more raising money for choir concert tours. Happily or not, you’re expunged from the public-school email lists.

Parents celebrate their kids, before prom.

Lisa Stretton started a Facebook group last year, “Westport Moms: Embracingthe Empty Nest,” as a resource for those newly initiated into the fray. “We’re not old enough for the Senior center, there’s really no place for us,” she says. Her page offers entertainment and connection — a welcome diversion from an empty home.

While it stings for almost everyone, stay-at-home moms and single parents seem to feel it more acutely.

A widower admits, “I lost my wife, then my kids went to college. Now I have to reinvent myself.”

A single mother writes of her daughter: “All those years of having her to care for, and then nothing. My purpose was gone. I had a little bit of a breakdown and wanted to die a bit.”

Lila Greifenberger and her roommate, at Indiana University.

Alison Dorfman, founder of The College & Dorm Corner, recently posted a message that went viral: “College drop-off season: when fully functioning adults start crying in completely inappropriate places.”

As for me, a single and, more or less, stay-at-home mom, I feel anxious and untethered. But writing this article has helped keep me busy and focused on something other than my kids.

Which, of course, is the point.

(Your kids may be gone. But “06880” is here for you, 24/7/365. If you appreciate stories like this — or anything else on our hyper-local blog — please click here to support our work. Thank you!)

Mah Jong: Old Game Clicks Anew With Westporters

“06880” culture correspondent Robin Moyer Chung writes:

From 6 to 8 p.m. every Thursday, Katie Andrews’ living room bustles with 16 women, and the click of mahjong tiles.

Mahjong is the cornerstone of a gaming craze — the kind with boards and playing pieces — that’s hitting Westport as hard as last week’s rainstorm.

Andrews bills the 6-month old series — “The Concealed Hand — as “Fairfield County’s First Mahjong Parlor.” She’s one of many instructors and entrepreneurs making sure you can’t throw a rock in Westport without hitting a player.

Katie Andrews, with her tiles. 

Smacking of gin rummy, mahjong is a game of skill, tactility and, according to instructor Michelle Sperry, “a fascinating game filled with endless strategy.”

The game is also an adventure in orthography – there are at least four ways of spelling it. (Mahjong, mah jong, mahjongg and mah jongg. It’s the Chinese word for “sparrow” — máquè, 麻雀 — and refers to the clicking sound of the tiles when they are shuffled, similar to the chattering of birds.)

Why the current craze?

A mahjong query on Facebook elicited responses as swiftly and relentlessly as Compo seagulls on French fries. In fact, as I tapped my post into the online ether, another popped up: “A newbie Mah Jong player would love a card table if anyone has one to give away?”

Local instructors and players note a surge in popularity since 2024. Wait lists for wanna-be players can top off at 40 or more.

Learning the game, with Michelle Sperry (left).

Starting with the opening ritual (the Charleston), the game is refreshing in its formality, and an antidote to the etiquette rot created by social media. It involves 152 tiles, 4 players, 2 dice, and 1 table.

You can stroll into Tiffany and slap down $18K for these ingredients (sans table). But most players are snapping up decorative mahjong sets at The Post for around $650. Or, like me, a cheap set from Amazon in an ugly case.

Sperry notes there’s fun to be found in the tiles, evoking such themes as New York City, rodeos, beaches, Staffordshire dogs, and the Grateful Dead. She adds, “There is even an adult-themed set. I’ll go on record and say I don’t own that one.”

But the greatest appeal? People.

An intergenerational game, mahjong is played by 4 people (or 3, but…) who want to unplug and enjoy the serenade of clicking tiles with like-minded humans.

Jessica Erlich and Dana Bernstein of “Haus of Mahj” write, “Mahjong is one of the rare hobbies that challenges you intellectually while creating human connection.” Every instructor I spoke to had a story about friendships that started with the game, then extended beyond the table.

Jessica Erlich and Dana Bernstein, of Haus of Mahj.

Some say you can learn the game in 3 lessons. I needed 4. It’s not so hard to learn as it is to master. Fortunately, most players are gracious and happy to help beginners strategize.

Games and instructors are literally everywhere. Haus of Mahj is a “mobile social club and mahjong lifestyle brand” that brings its game and instruction almost anywhere.

The Concealed Hand hosts regular 2-hour games throughout the week. Many other instructors host community evenings, offer private lessons, and partner with charities.

Justine Trudeau of the style salon Justine Alexandra Studio included Haus of Mahj at a summer event.

Each instructor has her own price tag and class options. Most classes are 2 hours at $30 to $50, with a recommendation of 3 or 4 classes before wobbling out on your own.

Yes, I wrote “her” because I haven’t yet found a male instructor here. And I’ve heard of exactly one guy who plays.

Maria Luga, and her table. (Photo courtesy of Lisa Girdan-Barkan)

NOTE: Try to avoid classes with more than 8 students. They may spread the instructor’s attention too thin.

Below is a wildly incomplete list of resources.

Who can teach you

  • Kim Meier: crasianmahj.tiiny.site
  • Debbie Solomon: solodeb@optonline.net
  • Katie Andrews: @TheConcealedHand
  • Christy Duggan: Westport Library
  • Michelle Sperry: @MichellesMahjongTable
  • Lisa Girden-Barkan: @GirdenBarkan
  • Jessica Erlich and Dana Bernstein: @TheHausOfMahj
  • Terrie Langer – terrielanger@gmail.com

Where to play

  • Westport Center for Senior Activities
  • Westport Library
  • TCS
  • Make-Modern
  • The Concealed Hand
  • Most country clubs
  • Anywhere you can squeeze a table

(“06880” covers mah jong, other games and activities, sports and hobbies, the Senior Center, Library — and everything else in town. If you enjoy this blog, please click here to support our work. Thanks!)

“Roger Ackroyd”: Whodunit Comedy Draws Big Playhouse Crowds

“06880” culture correspondent Robin Moyer Chung writes:

Here’s what I don’t understand about Westport Country Playhouse’s production of “Agatha Christie’s The Murder of Roger Ackroyd”: Why is it not billed as a comedy?

A fast-paced whodunit set in 1926 in the English countryside, the play follows Dr. James Sheppard’s quest through a panoply of socialites, suspects and detectives to find the killer of its wealthiest inhabitant, Roger Ackroyd.

With an excellent ensemble cast, clever sets and thoughtful costumes, the play begins with a charming introduction from WCP interns, fizzes to a startling climax, and ends with a plea to keep the ending a secret.

Our own Mark Shanahan, executive director of the Playhouse, wrote and directed the adaptation of Christie’s book that many consider canonical detective fiction.

Anthony Cochrane as Hercule Poirot in “Agatha Christie’s The Murder of Roger Ackroyd.” (Photo/Mark Smith)

He confesses to being a “fanboy” when he read it as a teenager, and “literally gasped out loud” when he finished it. “‘The Murder of Roger Ackroyd’ has one of her greatest endings of all time, he says. “It’s the book that put her on the map in 1926.”

Although notoriously considered a tricky text to tackle for the theater, he decided to bang out a few pages anyway. He liked it, so he knocked out an entire draft.

Shanahan approached Christie’s estate about the script, which passed it on to the head of acquisitions and Christie’s grandson. Both loved it.

“They were wildly supportive, which I had not anticipated,” he recalls. “I thought they were going to make all sorts of demands. I don’t think I ever got one.”

With his dialogue and sharp direction, Shanahanteases every bit of delight and wit from the book. If I’m allowed to admit this, I enjoyed it more than Oscar Wilde’s “The Importance of Being Earnest,” which is billed as a comedy and plays on similar conceits.

Allen Gilmore (Inspector Baglan) and Shereen Ahmed (Fiona Ackroyd). (Photo/T. Charles Erickson)

The standout performance (by only a hair) comes from Tony Award-winning Karen Ziemba as the nosy and flamboyant Gertrude Ackroyd, Roger’s financially dependent sister-in-law.

Costume designer Jeni Schaefer dresses her and the other women tethered to Roger in flowing, bright dresses that contrast with the stuffy attire and sensible shoes of those who must work for a living.

Their physicalities — especially the slight, hesitant shuffle of the inscrutable butler Parker (Tom Hewitt) and the outsized gestures of Gertrude — sharpen the humor and depth of each character.

There were more young people in the audience than I’ve seen at other shows. Perhaps this type of show will encourage a new guard of theatergoers?

The one big negative — because nothing is perfect — is that WCP can’t extend the run.

(“Agatha Christie’s The Murder of Roger Ackroyd” is in its final week. Shows are today [Saturday] at 8 p.m.; Sunday, July 26 at 3 p.m.; Wednesday and Thursday, July 29-30, at 7 p.m.; Friday, July 31 at 8 p.m., and Saturday, August 1 at 3 and 8 p.m. Click here for tickets, and more information.)

(Robin Moyer Chung covers culture for “06880.” If you enjoy stories like these — or anything else on this hyper-local blog — please click here to support our work. Thank you!)

“Looking For History”: MoCA Emphasizes Representation, Understanding

On Monday, “06880” culture correspondent Robin Moyer Chung reviewed the new MoCA\CT exhibit featuring artists Ellen Harvey and Rich Shaefer, “Looking for History.”  The museum says:

MoCA\CT appreciates Robin Chung’s thoughtful engagement with “Looking for History,” and the recognition of the exhibition’s complexity and ambition. It’s unfortunate that she found it “stressful.” However, that might be a result of her missing the larger point of the show.

Ellen Harvey’s “The Disappointed Tourist” is not a critique of nostalgia as something exclusionary or manipulative. Rather, it is grounded in the idea that nostalgia can be a shared, unifying human experience — one that connects people through collective memory, loss and longing. By inviting contributions from individuals across diverse backgrounds, the project expands whose memories are preserved and honored, emphasizing inclusion rather than division.

In the story, after a quote from Ms. Harvey, Ms. Chung notes, “The happy memories of a privileged few is [sic] harmful when propagandized to a larger society.”

Ellen Harvey, with her work …

Ms. Harvey responds: “I’d ask that it be made clear that this is her interpretation. I would never make such a sweeping generalization.” Ms. Harvey emphasizes that “The Disappointed Tourist” isn’t a polemic show, but one that celebrates everyone, and is intended to bring people with different histories and opinions together.

We would also like to note that while Ellen Harvey was born in England, as Ms. Chung pointed out, she is an American citizen whose practice deeply engages with American and international cultural narratives that also happen to be universal human experiences that defy borders and boundaries. Her perspective is both personal and participatory, shaped by years of dialogue with communities across the world.

Beyond questioning Harvey’s citizenship, Ms. Chung further queries, “Should it matter that Shaefer grew up in Europe?” In reality, Mr. Shaefer’s formative years abroad resulted from his father’s dedicated service as a United States Army Officer stationed in Europe.

Rick Shaefer’s charcoal drawings on synthetic vellum are not “canvas monuments to industry and power” as suggested by Ms. Chung, but instead allegorical depictions critical of impenetrable barriers that prioritize self-glorification and ambition over endeavors to achieve unity. Unfortunately, the medium is not the only error the writer makes in her interpretation of Shaefer’s work.

… and Rick Shaefer, with his. (Photos/Hanyue Wang)

“Without polemics, the beauty of Mr. Shaefer’s intricate line work invites viewers to contemplate the distance between our founding ideals and our current reality–and how the choices made today will shape our future,” explains Robin Jaffee Frank, executive director of MoCA\CT.

“Looking for History” is intended to spark nuanced conversations, and we welcome a range of interpretations. That’s the nature of great art.

At the same time, we believe it is important to recognize the exhibition’s underlying commitment to broadening representation, supporting the integrity of the artists, and fostering shared understanding.

(“06880” regularly reports on Westport’s cultural scene — and much, much more. If you enjoy our coverage, please click here to support our work. Thank you!)

MoCA’s “Looking For History”: Challenging Traditional American Narrative

“06880” culture correspondent Robin Moyer Chung writes:

MoCA\CT’s 250th anniversary exhibit, “Looking for History,” is thought-provoking, masterful — and kind of stressful.

The Newtown Turnpike museum chose 3 accomplished artists for the show: Michael Borders, Ellen Harvey and Rick Shaefer. (Should it matter that Harvey is British, and Shaefer grew up in Europe?) Borders’ exhibit arrives August 13.

According to the website, the exhibit “challenges the traditional American narrative. Rather than a purely celebratory look at the American past, this show is a striking reflection on memory, loss, and community identity.”

I agree: It’s more striking than celebratory.

Rick Shaefer at MoCA\CT, with one of his works. (Photo/Hanyue Wang)

It’s also an interesting exercise in opposing dialogues about toxic nostalgia.

According to Harvey, “nostalgia can be flattened and used to manipulate people.” The happy memories of a privileged few is harmful when propagandized to a larger society.

In Harvey’s “The Disappointed Tourist” exhibit, over 300 of her vintage postcard-like paintings are pieced together like a quilt. Each pays homage to someone’s favorite place that no longer exists.

These are not simply happy recollections. They are deliberate antidotes to toxic nostalgia.

Harvey believes that “nostalgia belongs to everyone,” and everyone deserves a special memory of their own.

While she embraces the positivity of nostalgia, Shaefer’s adjoining exhibit, “Colossi,” forces us to confront the toxic underbelly.

With political overtones, frenzied lines and sly wit, “Colossi” is thrilling in its scope and detail. The brutalist images mix cultures, temporalities, historic tropes and deities.

“The New Colossus” depicts a group of white older men (using likenesses of titans Walt Disney, Robert Moses and Albert Speer) consulting specs for an enormous wall amid a mass of construction equipment, airplanes, and swirling … angels?

Rick Shaefer’s “The New Colossus.”

MoCA\CT executive director Robin Jaffee Frank says, “So you’ve got to ask yourself: What’s the purpose of the wall? Who are we walling in? Who are we walling out?” It seems the answer to the latter is everybody but white men.

Alongside Shaefer’s canvas monuments to industry and power are massive drawings of refugees, seething with urgency and trepidation. These desperate and doomed figures will certainly be denied entrance to the titan’s wall. and the privileged narrative within.

Yes, it was fun locating Harvey’s Westport paintings: The Remarkable Book Shop, Cedar Brook Café, Bloodroot and Allen’s Clam House. I got a kick out of someone pointing out Shaefer’s own image in one of his works.

But I’m a fun seeker. And that’s not always the point.

Ellen Harvey’s “Remarkable Book Shop.” 

(Robin Moyer Chung covers culture for “06880.” If you enjoy her work — or anything else on this hyper-local blog — please click here to support our work. Thank you!)

Westport Library: On The Mark

“06880” culture correspondent Robin Moyer Chung writes:

On Tuesday night, the Westport Library received a Mark Award. They’re one of only 3 Fairfield County arts institutions honored this year for excellence.

To be precise, the Mark was for VersoFest.

Douglas Laustsen, executive director of the Cultural Alliance of Fairfield County — the group that awards the Marks — says, “I’m just in awe of what they’ve built here: showcasing international talent alongside local artists who are doing excellent work day in and day out throughout Fairfield County.”

Westport Library director Bill Harmer, accepting the Mark Award.

Why is this significant?

Because a program like VersoFest is unprecedented in US libraries.

Library executive director Bill Harmer says the Mark Award “recognizes not only a festival, but a vision for the future of public libraries.”

VersoFest, created and hosted by the Library, is a multi-day festival of renowned musicians, writers, filmmakers, technologists, students, local creators and more. It includes rock concerts, book readings, musical performances, lectures, and just about anything involving the arts.

This year’s VersoFest included Wyclef Jean — and a packed Trefz Forum. (Photo/Kerry Long)

The festival is 4 years old, but the idea dates back  more than a quarter century. In the early 2000s Harmer created a Rock & Roll Library Tour, putting indie rock band The High Strung on the road performing in public libraries across the country.

Over several years, The High Strung played more than 250 concerts in libraries in 48 states (and Cuba).

Through the tour’s success, Harmer realized that libraries could go far beyond books, DVDs and quiet spaces. They could be active participants in creating and shaping cultural life.

He says, “Years later, after arriving in Westport and helping lead the Library’s transformation project, we suddenly had the infrastructure to explore that question.”

And they did, creating the Trefz Forum, Verso Studios and Verso Records.

They now had a world-class performance venue, professional production studios, and a community willing to embrace experimentation.

Throw in internationally recognized creative talent, business leaders and exceptional local artists and you’ve got VersoFest.

Laustsen sums it up: “They are bringing the best of the best in culture to Westport, and placing it alongside the best of the best.”

(“06880” covers the arts in all their forms, all over Westport. If you enjoy coverage like this, please click here to support our work. Thank you!)

 

WCT’s “Matchmaker” Lights A Spark

“06880” culture correspondent Robin Moyer Chung writes:

How prescient and timely is Westport Community Theatre’s “The Matchmaker,” a comedy about an egotistic wealthy businessman who is outmaneuvered by those over which he assumes superiority?

Written by Thornton Wilder in 1954, “The Matchmaker” inspired the beloved musical “Hello, Dolly!.” Aside from knocking out a few ancillary characters and throwing in a brilliant score, the musical adheres closely to his original script (itself a rewrite of his earlier work, “The Merchant of Yonkers,” 1938).

Set in 1880 Yonkers and New York City, the story follows Dolly Levi, a widowed matchmaker hired by shop owner and curmudgeon Horace Vandergelder to find him a young wife. Instead, she decides to marry him herself (and put his money to good use), then tricks him into thinking it was his idea.

Lucy Babbitt as Dolly Levi.

First, a word about WCT.

Community theater is different from other theaters. It exists purely for the love of theater and for those devoted to creating and sustaining it. There’s no paycheck, and little glory beyond the applause of an audience that adores theater as much as they do.

Sometimes a show is great; sometimes not so much. But for $30 you can support Westport, see a culturally significant show, and become a thread in the fabric of what makes this town exceptional.

As well, you can witness the hidden talents of neighbors such as commercial real estate investor Ari Benmosche as Malachi Stack, who delivers a delicious soliloquy eulogizing the merits of enjoying only one vice at a time.

WCT’s production is crisp and energetic and, though written more than 70 years ago, sounds fresh and modern. In fact, some of Vandergelder’s lines elicited shocked gasps from the audience: “Marriage is a bribe to make a housekeeper think she’s a householder.” It is a testament to a brilliant character, when one who asserts a smattering of offensive quips and we still like him.

Emily Roberson-Dos Santos and Henry Durham.

Standout performances by Lucy Babbit (Dolly Gallagher Levi) and Patrick Spaulding (Horace Vandergelder), along with their deft handling of Wilder’s sharp dialogue, create a briskly paced show despite several lengthy set changes.

Rick Stewart (Joe Scanlon and Joe the Cabman) delights as Vandergelder’s exasperated barber.

The only thing … perhaps our dear Thornton wasn’t subjected to many tantrums in his life, which may explain why he made Ermengarde (Vandergelder’s lovestruck niece) so whiny. The first time was amusing; then, well, not so much.

You’re welcome to disagree.

(“06880” covers every aspect of Westport’s cultural landscape, from community theater and music to a weekly online art gallery. Like many arts groups, we rely on your support. Please click here. Thx!”

Style Salons: Westport’s New Fashion Trend

“06880” culture correspondent Robin Moyer Chung writes:

Hot on the heels of Fashionably Westport and, you know, the Met Gala, Westporters are thinking about an important part of our culture: clothes.

Whether you love clothes or not, you buy them. You look at them. Hopefully, you wear them.

You also spend up for them. Given the current economic kerfuffles, the cost of clothes is skyrocketing. Meanwhile, the quality is nosediving.

Women want unique, well-made clothes for a price that won’t trigger heart palpitations. They’re searching for vintage* and pre-loved items that’ll kick up their wardrobe, with the bonus of better quality clothing at a better price.

This has given rise to a nascent cottage fashion industry in Westport, catering to an expanding crop of shoppers searching for outfits that are interesting and affordable.

I call them “style salons.”

Outfits at a Westport style salon …

A style salon host susses out and snaps up designer label vintage and “pre-loved” clothing and accessories from thrift stores, individuals and consignment venues. From Zara to Chanel, each item is chosen for its style, reasonable price point and quality.

They set up racks in their homes — literally — to display their curated collection, hosting shopping parties to sell to friends and acquaintances.

Hosts also organize trunk-shows of their edits at private homes, and offer style-by-appointments.

They throw sip & shops, private parties, and all-out bashes for Instagram followers. Many create inclusive experiences by partnering with local businesses — jewelry, skincare, even mah jong.

… and accessories.

Of the 5 style salon hosts I interviewed for “06880” — all women — only one has a website. None of them advertise. To learn about their sales and availability, you have to follow them on Instagram or get on their guest list.

Call it what you will –passion for the craft, hazard of the job –but my “research” resulted in several purchases: an Aquarius bomber jacket, L’Agence jeans, and Pucci scarf.

I spent $280. But in clothes-lover math, I saved enough money for a few more rounds of style salon shopping.

Here’s what you need to know about each salon: what they’re selling, what they’re doing, and how to get on their lists.

Justine Alexandra Studio

Who: Justine Trudeau
What: Consignment and sourced** pieces
Described as: Ready to wear contemporary
My take: Colorful and well-tailored pieces screaming for a garden party, gala luncheon or date night.
Labels like: Maje, Sandro, La Ligne
Really rough price range: $50-250
Fabulous item: Max Mara cashmere reversible cream coat with matching belt
One more thing: If you love something but it doesn’t fit, Trudeau will source your size.
To get on the guest list: DM @justine_alexandra_studio

Justine Trudeau

Vintage By Virginie
Who: Virginie Bleyaert
What: Consignment and sourced pieces
Described as: Western Ralph Lauren meets chic girl, with a focus on natural fibers.
My take: Thoughtful pieces from designers and stalwart labels for an après skeet shoot luncheon at Bedford Post Tavern.
Labels like: London Fog, Ellen Tracy, Oscar de la Renta
Really rough price range: $20-$400
One more thing: Well, two. She’s going to source in Europe this summer, so get on her list for the windfall. All items are steamed or sprayed organically for cleanliness.
To get on the guest list: DM @VintageByVirginie

Virginie Bleyaert

The Shop Merchant
Who: Gabby Ben-Eli
What:Sourced pieces
Described as: Vintage and pre-loved clothes, jewelry, and accessories curated for a fun shopping experience.
My take: Boho and retro-leaning looks in a party-waiting-to-happen atmosphere.
Labels like: vintage Tibi and Milly, Rabanne, Alexander McQueen
Really rough price range: $50-1,500
Fabulous item: Alix of Bohemia off-white plaid wrap coat (“I’d keep it for myself but it’s too big.”)
One more thing: Stocked with designers less commonly worn in Westport, it attracts those who shop more for looks than labels.
To get on the guest list: Email gabby@TheShopMerchant.com or DM @TheShopMerchantWestport.com

Gabby Ben-Eli

The Exchange Project
Who: Carly Ridloff
What: Consignment only
Described as: Elevated basics
My take: Designer denim and aspirational clothing/accessories for upscale outings and cocktail parties.
Labels like: L’Agence, Ulla Johnson, Jonathan Simkhai
Really rough price range: $25 to $2,500+
One more thing: Piece are divided into Sell/Swap/Donate: Consignment is added to their website. Swap are saved for swap events – you can buy a ticket and pick out an indicated number of pieces (number of items depends on inventory). Donate are sent to the women at Malta House each week, sometimes holding TEP “shopping events” in the evening.
To learn more and shop her website: TheExchangeProject.com

Carly Ridloff (Photo/Emily Rakear)

MCM Designs
Who: Maggie Hawks
What: Overstock from Fairfield County boutiques and consignment
Labels like: Essential Antwerp, Farm Rio, Nili Lotan
Described as: “Current” clothes, offering a full wardrobe and large inventory of shoes, accessories, and apparel.
My take: Walking into a friend’s apartment whose rooms are full of new clothes from my favorite area boutiques, with a handful of consignment in the back bedroom.
Really rough price range: $40-800
Fabulous items: At least once a year, a woman in Stamford consigns “at least $100,000” of clothes with tags still on from Cinq à Sept, Frame, Sea, Theory and more.
One more thing: Maggie offers the same services (private shopping, parties, events, etc.) as others, but is more private.
To get on the guest list: Text Maggie at 646-732-0011

 

Maggie Hawks

* Vintage refers to items 20+ years old
**Sourced refers to clothing the owner finds through thrift stores and consignment.

(From fashion and fun to politics, history, kids and more — if it’s happening in Westport, “06880” will tell you about it. If you enjoy our coverage, please click here to support this blog. Thank you!)

“Primary Trust”: Tender Script, Rich Characters, Unexpected Turns

“06880” culture correspondent Robin Moyer Chung reports:

Over the past few days, “06880” has posted several readers’ praises of Westport Country Playhouse’s latest production, the Pulitzer Prize-winning “Primary Trust.”

I’ll add mine.

Eboni Booth wrote the play during the pandemic, while a student at Juilliard. It premiered Off-Broadway in May 2023.

Touching on isolation, neurodiversity and self-worth, “Primary Trust” illuminates the “invisible” people who float in the margins of our lives.

The characters are rich. The powerful script is tender and charming, with unexpected turns — a quiet uncoiling of the long, relentless tentacles of childhood trauma.

Alphonso Walker Jr., and Lance Coadie Williams.

The show follows Kenneth (Alphonso Walker Jr.), a lonely and unobtrusive 38-year old Black man. Kenneth has worked in the same small bookshop for 20 years. He wanders to Wally’s Tiki Bar every night for the 2-for-1 mai tai special, which he drinks with his only friend, Bert.

Bert, played brilliantly by Lance Coadie Williams, is a jovial and committed companion.

Jasminn Johnson, who effortlessly plays a carousel of entertaining Wally’s waitresses, also plays Corinna, Kenneth’s favorite waitress.

When the small bookstore closes, Kenneth follows a tip from Corinna and applies for a teller position at a local bank.

I don’t want to reveal much else.

Alphonso Walker Jr. and Jasminn Johnson. (Photos/Carolyn Rosegg)

For me, there was one small nag. The 3 main characters — Kenneth, Bert and Corinna — are Black (in accordance with the script). One actor is white: Kenneth’s boss at the bookstore, then the bank, played by the comical Greg Stuhr.

Though not denoted in the script, this casting choice was also in its original smash success off-Broadway.

An antagonistic relationship between older white men and younger Black men is a strong thread throughout modern theatrical and cinematic history, and it threw me off-course. Throughout the show I anticipated a clash or misunderstanding to be its climax, which never happened.

This expectation distracted me from the important themes of the play. Perhaps the casting was intended to disrupt this thread, and alter our preconceptions. I’m all for that.

Lighting designer Jonah Bobilin and sound designer Andrea Allmond deserve a special shout-out for their mastery of some tricky and impactful effects.

“Primary Trust” runs through May 2, 2026.  Click here for show times, tickets and more information.

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“Savannah Sipping Society” Sparkles

“06880” culture correspondent Robin Moyer Chung writes:

The Westport Community Theatre is far more passionate about theater than about public relations.

Which is too bad, because that means not enough people may know about their current production. “The Savannah Sipping Society” is terrific. It’s funny, energetic, and a steal at $30 a seat.

Truthfully, I wasn’t expecting the show to knock me over. Perhaps my low expectations raised my appreciation of it, but I’m pretty sure it’s great by any measure.

First, a bit about WCT. I’m pretty sure, judging by Saturday night’s smattering of theater-goers, precious few of you have seen one of their productions.

Now in its 68th season (68!), WCT is a non-profit company run largely by volunteers. It embraces local talent, and provides opportunities to community members for acting, backstage work and directing.

The play, written by Jones Hope Wooten (a 3-woman comedy writing team), is a Southern-based comedy about 4 middle-aged/liminal senior women who wilt out of a hot yoga class, and bond over their shared disdain for it.

From left: Heather DeLude, Gillian Holt, Dandy Barrett, Ellen Krinick Porto. (Photo/Westport Community Theatre)

They’re all single, they all have baggage, and they all decide to overcome their discomforts and hang weekly with appetizers and libation.

It’s “Sex and the City” without the sex and designer wardrobes — “Sip and the City.”

There are tropes – Marlaflaye’s husband dropped her for a younger woman, Randa was fired from her high-pressure job after a professional meltdown, Dot is recently widowed without financial security, and sexpot-adjacent Jinx has decided to become a life coach.

However, it avoids caricature and melodrama. The play is less about coping with past trauma, and more about 4 strangers navigating new friendship territory after a hard crack from their previous lives.

The women are a strong ensemble, adeptly playing off of each other in witty asides and differing levels of enthusiasm for awkward ideas. I especially liked the unapologetic Marlaflaye, played by Dandy Barnett, with fiery red hair.

The prop master and set designer delightfully bolster their lifestyle and culture: Dot shows up at Randa’s home with a dinner plate full of appetizers, speared with frilly supermarket toothpicks and covered loosely with a square of plastic wrap. In Randa’s home is a makeshift curtain rod and sort-of-coordinating-but-not-really throw pillows on a worn wicker sofa.

The costume designer’s wardrobes, from synthetic separates to artsy/ menopausal ensembles to cautiously décolletage-baring dresses, define each woman’s personality.

One word of caution: Yes, the theater is in Town Hall — but it’s not the upstairs auditorium. They perform in a black box tucked in the basement. Directions to it are helpfully scrawled on a piece of paper taped to the stair railing.

The WCT’s passion for theater outweighs their passion for professional signage as well.

“The Savannah Sipping Society” ends its run this weekend. Performances are Friday and Saturday, April 24 and 25, at 7:30 p.m., and Saturday at 2 p.m. Click here for tickets.

(“06880” regularly covers Westport’s arts and entertainment scene — and much more. If you enjoy these stories, please click here to support our work. Thank you!)