Tag Archives: Kerry Long

Merrily, Staples Players Roll Along

Justin Paul was a Broadway composer. Collaborating with his best friend, he was hailed for his talent and creativity.

Over the years though, Justin made choices that took him away from his dream of writing songs that made a difference. He let his friends down, sold out, and became just another Hollywood producer.

That’s a true story. Fortunately, the only connection Justin Paul has with it is that the composer is a character he once played.

As a high school senior in 2003, Justin was Frank in Staples Players’ production of “Merrily We Roll Along.” It was a great, complex role, for a talented actor.

For the 2003 production of “Merrily We Roll Along,” Justin Paul (left) and Trey Skinner posed for this photo. It was projected on the Staples stage between scenes, showing changes in characters’ lives. Amazingly, the Music Box Theatre is once again part of Justin Paul’s life: It’s the home of his blockbuster show, “Dear Evan Hansen.”

But Justin was even more talented as a songwriter. At the University of Michigan, he met another very passionate theater major. He and Benj Pasek bonded over their shared love for — you can’t make this stuff up — “Merrily.”

Fast forward more than a decade. Pasek and Paul are now the hottest songwriting team in Hollywood (“The Greatest Showman,” “La La Land”) and on Broadway (“Dear Evan Hansen”).

In fact, the first chapter in a new coffee table book about “Evan Hansen” details that first-year Sondheim experience in Ann Arbor.

Now fast forward even more. Staples Players directors David Roth and Kerry Long are reprising “Merrily We Roll Along.”

And once again, Justin Paul plays a key role.

No, he’s not onstage. But last Friday he visited with the cast and crew. He sat in on rehearsal. And when the curtain goes up later this month, he’ll be in the audience.

Charlie Zuckerman, Avery Mendillo and Nick Rossi perform “Old Friends” in “Merrily We Roll Along.” (Photo/Kerry Long)

“Merrily” is an intriguing show. The story is told backwards. It begins as Frank looks back regretfully on the choices he made. Each subsequent scene takes place several years before the previous one. Each reveals the process behind those choices.

The cast began rehearsing the show in the opposite direction — going forward. “It’s really important for the kids to understand the changes their characters go through, over 20 years,” Roth explains. “That way they can get a grasp on the aging process.”

He notes that the original Broadway cast was all between 17 and 20 years old. That’s close to the age of his Staples students.

“It’s poignant that our kids are at a point in their lives when they still have dreams — and can actually accomplish them,” Roth says.

Avery Mendillo, Nick Rossi, Charlie Zuckerman and the “Merrily We Roll Along” ensemble. (Photo/Kerry Long)

‘Merrily We Roll Along” is, he adds, “a cautionary tale. The message is: Keep an eye on your dreams. That’s what Kerry and I feel is so awesome about the play. It makes you realize you can lose your dreams. But you don’t have to.”

The 2003 production — with Justin Paul — was powerful. Several theatergoers told Roth that the show had made them take a serious look at their own lives. “The power of theater is really amazing,” he notes.

So is the power of Staples Players.

(“Merrily We Roll Along” will be performed on Friday and Saturday, March 16, 17, 23 and 24 at 7:30 p.m., and Sunday, March 18 at 3 p.m. Tickets are $15 for adults, $10 for students and $10 for seniors (matinee only). For tickets and more information, click here.)

Remembering Jessica Shure

Jessica Shure — a Staples Players star in productions like “Guys and Dolls,” “Mame,” “The Mystery of  Edwin Drood” and “The Sound of Music” — died on Wednesday of a brain aneurysm.

The 2001 graduate is remembered by Players directors David Roth and Kerry Long for her “exceptional soprano voice, quirky sense of humor and devotion to musical theatre.” Here she is as Deirdre Peregrine/Rosa Bud in “Drood”:

As a senior, she performed a memorable spring concert solo with Alice Lipson’s choir.

She headed to Northwestern University and pursued acting after Staples, then changed careers and focused on food. She became a valued pastry chef at Bill Taibe’s Whelk and Kawa Ni. (Click here for a profile of her there.)

Jessica Shure (Photo courtesy of CTEatsOut.com)

Friends are invited to stop by the Shure house today (Saturday, December 30), from 1 to 6 p.m.

Her sister Caitlin and brother Dan suggest that contributions in her name can be made to a local animal shelter or the American Civil Liberties Union,

(Hat tip: Jim Honeycutt)

Read All About It: Reid Thompson Makes “Newsies”

When audiences pack the auditorium this weekend for “Newsies” — Staples Players’ eye-popping production of the Tony Award-winning show — they’ll rave about the Broadway-quality singing and dancing.

They’ll give standing ovations for the high-energy pit orchestra. They’ll congratulate directors David Roth and Kerry Long as one of the first high schools in the country to pioneer the musical.

They’ll notice the set, too. But unless they’re intimately involved in theater, they won’t understand how much the scaffolding, backdrops — and over 1,500 newspaper bundles — contribute to “Newsies”‘ success.

There’s a lot going on during Staples Players’ “Newsies” — including the set. (Photo/Kerry Long)

Reid Thompson knows. He’s the Players grad — and professional set designer — who helped bring the New York newsboy strike of 1899 to life in 2017 Westport.

As a student in the mid-1990s, Staples’ art wing was Thompson’s refuge. Legendary tech director Joe Ziegahn asked the budding artist to paint horses for “Carousel.” The rest is theatrical history.

Thompson continued painting for Players’ productions of “West Side Story,” “Runaways” and “The Tempest.”

He trained at the Art Institute of Chicago. After graduation, Roth and Long asked him to work on summer musical sets at Danbury’s Richter Park.

That led to work with Players shows like “Into the Woods,” “Merrily We Roll Along” and “Hello, Dolly!” At the same time, Thompson painted Broadway and off-Broadway productions, including “The Lion King,” “42nd Street” and “Priscilla, Queen of the Desert.” A 5-year stint painting for the Metropolitan Opera House followed.

Reid Thompson painting “Der Rosenkavilier” at the Metropolitan Opera.

Commuting back to Westport, Thompson moved from painting sets to designing them. He created the jury room cage for Players’ “Twelve Angry Men,” and the illustrated storybook for “Guys and Dolls.”

But Thompson wanted to learn more about set design, so he applied to Yale School of Drama. His Staples portfolio helped gain admission to that very competitive institute. Working there with directors, actors, stage managers and techies, he forged bonds that brought him important New York work (“The King and I,” “Fiddler on the Roof”).

Thompson continued to work with Players, on “Music Man” and — yes — “Fiddler.”

Reid Thompson

Then came “Newsies.”

Beginning last summer, Thompson and the directors talked about period, context and themes. They researched the history of the newsboy strike, its importance to the labor movement and protections for children. They talked about characters.

Thompson looked at historical photos and artwork. Newspaper collages struck a particular chord.

Staples’ huge casts need space to move and jump. Scenery must provide a setting, but flow seamlessly during transitions so audiences are transported into the sweep of the story.

There are other challenges. Can everyone in the audience see the action? Can the singers see the conductor, and vice versa? And of course, what’s the budget?

Thompson set to work using a scale model. He focused on a collage of period newsprint that evokes turn-of-last-century New York: vertical, a bit grimy, sensationalistic. Scaffolding represents tall buildings, and period ironwork.

“Newsies” is a show about kids. Thompson wanted audiences to see their perspective. Thus, much of the set looks upward — “large and overwhelming,” the designer says.

The newsies’ world was black-and-white — literally and metaphorically. Much of the set is too. But when Jack Kelly, the lead character, is in the vaudeville theater, he feels safe. Thompson added vivid colors there.

“That’s Rich,” performed in the theater that Jack Kelly loves. (Photo/Kerry Long)

The stage manager and lighting designer worked from Thompson’s ground plan and drawings.  Technical director Pete DiFranco and student carpenters built sets based on Thompson’s construction drawings. Steelwork was done in a professional shop.

Thompson created the collages himself, using period newsprint sent to a digital printer in Brooklyn.

Large newspapers form a backdrop for “The Bottom Line.” (Photo/Kerry Long)

Conceptualizing — then realizing — a show like “Newsies” takes enormous work. Thompson likens it to an architect working with clients and contractors to produce a building.

When we look at buildings, most of us don’t think of the people who designed it. The same with theater sets. Even audience members who admire the design and detail don’t always realize how, say, moving pieces of scenery on and off stage contributes to the flow of the show. Or that the designer pored over hundreds of photos before creating a certain scaffold, then positioned it just so.

“Newsies” has earned a place as one of Players’ most storied productions ever. It will be talked about for years.

Audiences will remember the singing, the dancing and the acting. They may not recall Reid Thompson’s sets.

But without them, this remarkable show would not go on.

(To learn more about Reid Thompson’s work, click here.)

Players Learn From A Real-Life Newsie

Most high school theater groups prepare for a show by listening to the cast album. They watch a video. The director adds whatever insights he or she can.

Staples Players is not most high school theater groups.

For one thing, this fall’s main stage production is “Newsies.” Players scored a coup last spring, when Disney asked directors David Roth and Kerry Long to pilot the production. They’ll provide executives with feedback. A year from now, other amateur companies across the nation can produce the show too.

For another thing, Players’ cast and crew learned about “Newsies” from an actual newsboy.

Actual, as in one who was on Broadway.

Adam Kaplan — the former Players star who graduated in 2008 — played a newsboy (and Morris Delancey) in the New York production. He also understudied for lead Jack Kelly.

Last week, Kaplan returned to the Staples auditorium. He shared stories about his time with “Newsies,” including how he got the role and how he trained for it.

Adam Kaplan (center) with Nick Rossi and Charlie Zuckerman. The Staples students are double cast as Jack Kelly –the role Kaplan understudied on Broadway. (Photo/Kerry Long)

He also offered advice on how the young actors can take care of themselves, while doing such a physical show.

The students seemed awed when Kaplan walked in. But they quickly responded to his enthusiasm and charisma.

They loved when he joined them in “Zip, Zap Zup” — a popular theater game he played, when he was at Staples.

And when he himself dreamed about making it to Broadway.

The cast and crew of Staples Players’ “Newsies”pose with Adam Kaplan. (Photo/Kerry Long)

(Click here to join Staples Players’ email list, for ticket information on upcoming shows.)

Staples Players’ Summer Musical “Working”: A Perfect Day Off For Audiences

When the school year ends, David Roth and Kerry Long don’t stop working.

After directing Staples Players’ 2 mainstage productions and a host of Black Box Theater shows, they turn their attention to the very popular summer musical.

This year marks the 10th anniversary of the directors’ summer show. For the hard-working, very creative Roth and Long — and the equally hard-working and very talented Staples Players cast and crew — the selection is appropriate:


On July 20, 21 and 22, more than 50 students — from recent alumni to rising freshmen — will stage the sprawling, toe-tapping adaptation of Studs Terkel’s 1972 book. Stephen Schwartz (“Wicked,” “Godspell,” “Pippin”), James Taylor and Lin-Manuel Miranda contributed the music.

Using real words of actual people, the production takes an intimate look at the struggles and joys of a variety of Americans: factory workers, millworkers, project managers, cleaning ladies, masons, stay-at-home moms. Using a style similar to “A Chorus Line,” “Working” weaves together the stories of nearly 40 laborers over the course of one workday.

Rising freshman Samantha Webster and Staples 2016 grad Samantha Chachra rehearse Lin Manuel-Miranda’s “A Very Good Day.” (Photo/Kerry Long)

It’s a fascinating show, and it resonates for many reasons.

For one, it’s timely. As America debates all aspects of work — lost mining jobs, jobs moved overseas, how to prepare for jobs that don’t yet exist, gender stereotypes and roles, you name it — Miranda’s latest revision is compellingly relevant. As much as we talk about work, we seldom explore the meaning we get from whatever we do.

For another, Roth has wanted to direct the show since he was 16. He was a junior at Staples, and applied to present it as a studio production. Al Pia chose a senior’s project instead.

More than 30 years later, Roth gets his chance to work on “Working.”

For a third, it’s a musical that engages the 55 actors and 20 tech members. Freed from the pressures of schoolwork, they’re spending this summer totally devoted to something they love.

Summer shows draw together a wider range of ages than school-year productions. During the month of rehearsals and set construction they form strong bonds — essential to an ensemble work like “Working.”

Younger ones learn what it means to be a Staples Player. Older ones mentor them.

Christian Melhuish graduated last year, and is studying musical theater at Temple University. June graduate Jacob Leaf is headed to Northwestern. Both have roles onstage, and help Roth and Long as acting coaches.

Rising junior Antonio Antonelli, with alum Christian Melhuish in Staples Players’ production of “Working.” (Photo/Kerry Long)

For hours every day since school ended, dozens of teenagers have been hard at work. Their job: producing a show that seems effortless, while offering insights, inspiration, and tons of entertainment.

They’ve done it all for free. After all, they’re Staples Players.

But if they were getting paid, everyone would deserve a huge raise.

(“Working” will be performed Thursday, July 20; Friday, July 21 and Saturday, July 22 at 7:30 p.m., with a 3 p.m. matinee on Saturday, July 22, in the Staples High School auditorium. Click here for tickets. Tickets may also be available at the door 30 minutes prior to each show.)

Stop The Presses! Staples Players’ Fall Production Is “Newsies”!

Just when you think Staples Players directors David Roth and Kerry Long have no more theatrical tricks up their sleeves — they stage a new one.

Every spring, they gather their cast and crew together to announce the following fall’s mainstage. It’s highly anticipated — but brief and straightforward.

A couple of weeks ago, Roth got an email from Disney Theatricals. The company handles all Disney productions — “Lion King,” “Mary Poppins” and “Newsies,” for example.

A few years ago, Roth and Long enjoyed the latter show on Broadway. As a recent production though, they never imagined it would be available.

Caley Beretta, as a Staples senior. (Photo/Kerry Long)

But Disney’s email — prompted by 2010 Staples grad Caley Beretta, who now works there as a creative development coordinator — posed an intriguing question: Would Players want to pilot a production of “Newsies”?

If so, the highly respected high school troupe would give Disney feedback on what worked well (and did not), and provide video and photos. Disney executives would see the show, and use Staples’ experience to revise their production. It will then be released to other amateur groups to stage, beginning in the fall of 2018.

The process for selecting a show usually takes much longer. But Roth and Long love “Newsies.”

‘”It’s a true story about the 1896 newsboys strike,” Roth notes. “It’s incredible how kids working together forced Joseph Pulitzer to not take advantage of them. It really is a show about kids. And it’s an ensemble show, which is great too.”

This being Staples Players, there’s a strong connection to the Broadway version. Adam Kaplan — Staples ’08 — played Morris Delancey and a newsboy (and understudied for lead Jack Kelly).

Adam Kaplan (left) and “Newsies” fans (called “fansies”).

Long had a great idea: Kaplan could announce the play to Players.

Last Friday morning, she contacted him. He quickly filmed a video, and sent it over.

That afternoon, Players gathered in the auditorium. Roth had said all day, “I am not announcing the show.”

Technically, he didn’t.

The video began. Kaplan insisted there was no specific reason he was chosen for the task. Meanwhile, he coyly showed his “Newsies” t-shirt, held up an album cover and walked over to a poster.

It was a clever performance — and the audience of actors quickly understood. They laughed and applauded. (Watch Players’ reactions in the upper left of the announcement video below.)

Soon — after this month’s “Peter and the Starcatcher” Black Box, and July’s production of “Working” — they’ll turn their attention to “Newsies.”

Roth and Long are already thinking ahead. They know they’ll integrate more girls into the show. “There were actually female newsboys back then,” Roth says.

And Kaplan will help in some way — with talks, workshops, whatever.

Those details will still be worked out. Like all shows, it’s a work in progress.

Stay tuned for more news.

(“Peter and the Starcatcher” will be performed May 25, 26, 27 and 28. Online tickets are sold out, but a limited number of standby seats may be available at the door, 20 minutes before curtain. Click here for show times.)

You’re In Luck: “Urinetown” Opens Soon

When David Roth and Kerry Long saw “Urinetown” on Broadway in 2001, they thought it was one of the funniest shows they’d seen. They loved the story, writing, music and choreography.

The Staples Players co-directors waited eagerly for the first chance to stage it in Westport. It came 11 years ago. Roth says it turned out to be one of the most favorite musicals that group of actors ever did. Audiences loved it too.

For the last several years, Roth has wanted to reprise “Urinetown.” Months ago, he and Long decided on it as this spring’s mainstage production.

At the time, the presidential election was far in the distance. “We had no intention of it being a political choice,” he says. “But with the current unrest in the country, the cast really understands the satire.”

The 2017 Staples Players’ “Urinetown” — which opens Friday, March 17 and runs that weekend and the next — has a very different look than the previous incarnation. There’s a completely new cast, of course, but also a new choreographer.

Jacob Leaf as Officer Lockstock, and Georgia Wright as Little Sally. (Photo/Kerry Long)

So far, the choice has lived up to the directors’ intentions. “Students are throwing themselves into creating big, bold characters,” Roth says.

“Bits we’ve watched time and again in rehearsal still make us laugh,” Long notes.

The show has “a lot of great character parts,” Roth says, providing many opportunities for actors to shine. Among them: Remy Laifer, a Players co-president (hero Bobby Strong). Previously, he’s played either socially awkward people or old men.

The musical — which won 3 Tony Awards — is set in a dystopian city. A 20-year drought has caused a terrible water shortage, making the use of private toilets unthinkable.

Public restrooms are regulated by a single mega-corporation. Anyone failing to pay is sent to a penal colony called Urinetown. A hero emerges from the poor. He’s had enough, and plans a revolution to lead all the peons (ho ho) to safety.

Charlie Zuckerman as Bobby, outside “Amenity #9.” (Photo/Kerry Long)

“‘Urinetown’ tells the story of political greed, and how corrupt governments affect the common citizen,” Laifer says. “It affirms that everyone should have a voice.”

Zoe Samuels — who plays Hope, Bobby’s love interest and daughter of the mega-corporation’s CEO — adds, “those who suffer continue to fight, because of ‘hope’ for a better future.”

Players shows often raise funds for good causes. “Urinetown” is no exception. Patrons will be given the opportunity to pay for “the privilege to pee” at intermission. Proceeds go to Water.org, an international non-profit that provides safe drinking water to millions of people.

Tickets are on sale now (see below). Act quickly. Don’t be pissed off at missing this chance for a very funny, cleverly staged show. Urine for a real treat.

PS: It’s rated “pee-gee.”

(“Urinetown” will be performed on Friday and Saturday, March 17, 18, 24 and 25, at 7:30 p.m., with a 3 p.m. matinee on Sunday, March 19. Click here for tickets. Any remaining tickets will be available at the Staples High School auditorium door 20 minutes before showtime.)

Justin Paul Wins An Oscar — And Hails School Arts Programs

Justin Paul and his songwriting partner, Benj Pasek, won Oscars tonight for “City of Stars,” the signature song from “La La Land.” The lyricists were honored for another song — “Audition (The Fools Who Dream)” — from the same film. So they had 40% of the category locked down.

The 2003 Staples High School graduate used part of his acceptance speech to give a shout-out to the importance of the arts for young people.

“I was educated in public schools, where arts and culture are valued,” Paul — a product of the Westport school system — said. At a time of pressure from STEM (science, technology, engineering and math) state requirements, as well as the possible elimination of the National Endowment of the Arts, Paul made sure to thank all the teachers who helped nurture him.

He did not mention them by name, but former Staples High School choral director Alice Lipson and current Staples Players directors David Roth and Kerry Long were enormous influences. So were Coleytown Middle School director Ben Frimmer, and Kevin Connors of Music Theatre of Connecticut.

Justin Paul at the Oscars.

Justin Paul at the Oscars.

Paul and Pasek’s Oscar is the latest in a string of awards for the young duo. Earlier this year, “City of Stars” earned a Golden Globe.

And that comes on the heels of the success of Broadway’s “Dear Evan Hansen,” for which they wrote the music and lyrics.

Congratulations Justin, from all your fans in Westport — this “town of stars.”

Justin Paul's Oscar acceptance speech.

Justin Paul’s Oscar acceptance speech.

Legendary Painting Restored; Prints On Sale Now

In the fall of 1946, Westport artist Stevan Dohanos invited 5 students from the 40-member Staples High School band — led by John Ohanian — to be models. Dohanos was creating a Saturday Evening Post cover, and needed musicians.

The quintet — Ed Capasse, Bob Nash, Evelyn Bennett, Steve Sefsik and Robert Barker — came to his studio. He paid them $30 each — over $400 today — to sit still for 30 minutes, as if playing their brass instruments. The cover ran on October 19, 1946.

Ed Capasse was in the upper left of StevanDohanos' painting. He went on to become a noted Westport lawyer. Here's his yearbook photo and writeup.

Ed Capasse was in the upper left of Stevan Dohanos’ painting. He went on to become a noted Westport lawyer. Here’s his yearbook photo and writeup.

In 2001, Staples Players director David Roth selected “The Music Man” as a mainstage production. His promotional poster was a takeoff on Dohanos’ iconic painting. Cast members Jonathan Adler, Trey Skinner, Samantha Marpe, Steven Fuertes and Hayden Moskowitz modeled.

Staples Players' 2001 poster.

Staples Players’ 2001 poster.

This year, “The Music Man” returns. So does the poster. This time Julien Zeman, Tucker Ewing, Maggie Foley, Nick Rossi and Colin McKechnie sat for a photo. (You can see Jacob Leaf — who plays Harold Hill — in the sousaphone reflection.)

...and the 2016 version.

…and the 2016 version.

Now – in honor of the upcoming performances of “The Music Man” — Dohanos’ painting is back in a position of honor.

In 1946, the artist donated the original to the Westport schools. For decades it hung in the Staples band room. Later it could be seen in the principal’s office, then outside the first selectman’s office in Town Hall.

Now a treasured masterpiece of the Westport Public Art Collections Committee, in 2014 the organization raised funds to have the painting conserved and returned to full brilliance.

Westport illustrator Stevan Dohanos' 1946 Saturday Evening Post cover.

Westport illustrator Stevan Dohanos’ 1946 Saturday Evening Post cover.

Yesterday, it was unveiled and hung in its new position of honor: the Staples auditorium lobby. On hand were Players co-directors Roth and Kerry Long; First Selectman Marpe (whose daughter posed for the 2001 poster), and principal James D’Amico.

“Music Man” audiences this weekend and next will enjoy the restored painting (along with the other posters). So will theatergoers for years to come.

“The Music Man” posters in the Staples lobby.

But now anyone can enjoy the painting in their own home. Recently, Art Collections Committee members found a trove of prints that Ann Sheffer made for a fundraiser in the late 1980s.

They’re on sale again, as a fundraiser for 3 worthy organizations: Friends of Westport Public Art Collections, Collections, Staples Music Parents Association and the Westport Historical Society.

Sales take place at “Music Man” performances this weekend and next, as well as online. Just click here to own a piece of Westport (and musical) history.

(“The Music Man” performances are Friday and Saturday, November 11, 12, 18 and 19 at 7:30 p.m., with 3 p.m. matinees on Sunday, November 13 and Saturday, November 19. Click here for tickets. They’re also available 30 minutes prior to the performance in the Staples High School lobby, as available.)


Click here for “06880+”: The easy way to publicize upcoming events, sell items, find or advertise your service, ask questions, etc. It’s the “06880” community bulletin board!

“Music Man” Tootles Into Town

Some people want Hillary. Others want Trump.

Everyone wants “The Music Man.”

This fall — with our nation so divided — Staples Players co-directors David Roth and Kerry Long are staging what Roth calls “the classic American musical.”

The show — which debuted on Broadway in 1957 — “hearkens back to a simpler time. At its heart, this is really about community.”

River City is a town filled with discord, riven by dysfunctional relationships. The school board, for example, bickers about everything — even whose watch is right.

Through music, the town becomes whole. “Professor” Harold Hill turns the school board into a barbershop quartet. When they’re together, they produce beautiful harmonies.

The RIver City quartet: ax Herman (Staples, ’19), Christopher Hoile (Staples, ’18), Tobey Patton (Staples, ’20) and Oliver Smith (Staples, ’17).

The RIver City quartet: Max Herman, Christopher Hoile, Tobey Patton and Oliver Smith. (Photo/Kerry Long)

Music changes everyone in town — including Harold himself.

“Like many people in theater, Kerry and I believe this is the perfect musical,” Roth says. “It’s a fantastic blend of story, comedy, music, dance, drama and romance. It doesn’t get any better than that.”

This is not Players’ first production of “The Music Man.” In 2001 — less than 2 months after 9/11 — Roth staged it as one of his early Staples shows.

Then, as now, fear and dread filled the country. Fifteen years ago, “The Music Man” lifted Westport’s spirits. Roth calls the musical “a love letter to Americana,” and hopes it does the same now.

Staples PlayersWhen the show opens next Friday (November 11) — and runs through the following weekend — audiences will see what may be Roth and Long’s largest and most stunning set ever. Former Player Reid Thompson — who earned an MFA in set design from the Yale School of Drama — has created a stage that conveys an enormous sense of community.

“The town is present in every scene,” Roth says. “It’s a sprawling Iowa landscape.”

There are other differences between this production, and the post-9/11 one. New choreographers Christopher Myers and Rachel MacIsaac have put their own stamp on the dance routines.

In keeping with the sweeping show, the cast is huge. Jacob Leaf — who thrilled audiences as Tevye in “Fiddler on the Roof” — is Harold Hill. Zoe Mezoff  enjoys her 1st big lead, as Marian the Librarian. They’re joined by 62 other Stapleites, and 8 more from elementary and middle school.

Jacob Leaf as Harold Hill, and Zoe Mezoff as Marian the Librarian. (Photo/Kerry Long)

Jacob Leaf as Harold Hill, and Zoe Mezoff as Marian the Librarian. (Photo/Kerry Long)

“The Music Man” is a celebration of community. It’s set in River City. But all of us here will feel the communal spirit too.

Just look around the lobby. There — in a place of honor — hangs Westport artist Stevan Dohanos’ original Saturday Evening Post cover.

Published in 1946, it shows 5 band members all looking away, in mid-toot. The models were all Staples students.

Dohanos’ work had nothing to do with “The Music Man.” But Roth and Long have used it as the poster for the show.

...and the 2016 version.

That’s the kind of thing that brings a town together, and fills it with pride.

Harold Hill: Eat your heart out!

(“The Music Man” performances are Friday and Saturday, November 11, 12, 18 and 19 at 7:30 p.m., with 3 p.m. matinees on Sunday, November 13 and Saturday, November 19. Click here for tickets. They’re also available at a “pop- up box office” at the Westport YMCA on Saturday, November 5 (9-11 a.m.), or 30 minutes prior to the performance in the Staples High School lobby, as available.)


Click here for “06880+”: The easy way to publicize upcoming events, sell items, find or advertise your service, ask questions, etc. It’s the “06880” community bulletin board!