End Of An Era: Safe Rides Shuts Down

SafeRides has saved its last life.

The program — which ran Saturday nights from 10 p.m. to 1:30 a.m., providing free, confidential transportation home to any high school student in Westport — will not reopen in September.

Directors cite 2 reasons: lack of volunteers, and Uber.

SafeRides began in May, 2009. It was the inspiration of Staples High School senior Alex Dulin — a 1-girl tornado who had recently moved here from suburban Seattle. Just 5 months later, she received the 2009 Youth Leadership Award from the Connecticut Youth Services Association.

For nearly a decade, SafeRides thrived. A board of directors — all high school students — organized volunteer drivers. It was a lot of responsibility, with plenty of training.

SafeRides volunteers, waiting for calls.

But it was fun too. Working in a room donated by Christ & Holy Trinity Church — and munching on pizzas delivered free every week by Westport Pizzeria — dispatchers and drivers ferried teenagers too drunk (or otherwise incapable or unable) to get in a car, from parties or friends’ houses back home.

There was plenty of support. The Westport Police Department backed the program. Kiwanis Club provided an insurance policy. And Westport Wash & Wax offered free cleaning to any driver whose passenger got sick. (It happened a few times.)

But starting last year, numbers — of volunteers and riders — dropped drastically.

A year ago there were 7, 10, 12 calls a night — with 12, 15 or 18 riders. Now there were just 1 or 2 calls, with 2 or 3 riders.

Several times this past school year — lacking enough volunteer supervisors, dispatchers and drivers — SafeRides did not operate.

“The kids on the board tried hard to keep it going. A lot of people tried,” SafeRides president Maureen Coogan says. “There just weren’t the numbers.”

She noted that  SafeRides collected users’ cell numbers — and would only drive teenagers home, not to another party, the diner or McDonald’s.

Uber has none of those requirements. It often arrived quicker than SafeRides.

And — by using a parent’s credit card — Uber seemed as “free” as SafeRides actually was.

“It’s sad for kids who don’t have their parent’s credit card,” Coogan says. “What are we showing our kids — that it’s okay to take their parent’s credit card and do whatever they want?

“And for the community, it’s sad. My daughter had a blast volunteering with her friends. It’s sad that kids will grow up without that sense of giving up a couple of Saturday nights, to volunteer.”

There’s no way of knowing how many lives SafeRides saved. But Westport has not had a teenage traffic fatality in many years. It certainly worked.

Now saving lives is Uber’s responsibility.

Pic Of The Day #86

The Saugatuck River was filled, as Downunder sponsored its 3rd annual “Stand Up for Veterans” paddleboard event. (Photo/Dave Curtis)

Post Road Remains Closed Near Southport

The Post Road has been since 11:30 a.m., between Maple Avenue and Bulkley. Police are investigating a serious motor vehicle accident, with injuries.

(Photo/Seth Goltzer)

That’s right. This happened on a clear Wednesday morning, with presumably moderate traffic.

It’s one more reminder of the speed and lack of attention with which too many people drive around here.

It also could have been a medical emergency.

Be careful out there.

Unsung Hero #6

This Saturday at 4 p.m., when the Westport Cinema Initiative screens “The High School That Rocked!” Fred Cantor will sit contentedly in the Town Hall auditorium.

Few in the audience will know that the ever-smiling Westporter came up with the idea for a film about 6 major bands — you may have heard of the Doors? — that played at Staples High School in the mid-1960s.

Cantor then produced the intriguing film. He tracked down archival photos, arranged interviews and found funding.

Fred Cantor, at the opening of the Westport Historical Society’s “The High School That Rocked!” exhibit. (Photo/Lynn U. Miller)

After the talkback that follows the showing, Cantor will head across the street to the Westport Historical Society for a cocktail hour. Guests will enjoy the “High School That Rocked!” exhibit — inspired, and curated in part, by Cantor.

At 8 p.m. Saturday, Cantor will sit on the Levitt Pavilion grass. He’ll watch with satisfaction as an all-star cast of Staples High School 1971 classmates — Charlie Karp, Brian Keane and Michael Mugrage, all of whom played and recorded with the biggest names in entertainment — join several other very talented ’71 classmates for one of the best shows of summer.

Cantor masterminded that event too.

He won’t get much credit for any of this. But he won’t mind. It’s just his way of contributing to the life, joy and history of the town he’s called home since he was 10 years old.

Cantor moved to Easton Road with his family from Fresh Meadows, Queens. (He loves that place too — and wrote a book about the middle class families that thrived there after World War II.)

While serving as a public interest lawyer in New York City, he and his wife Debbie Silberstein bought a 2nd home on Drumlin Road. They now live there full-time. True to his volunteer — and community-minded — form, Cantor is active in his road association, and a great neighbor to all in need.

Fred Cantor, in the Staples High School 1971 yearbook.

His selfless ways are legion. Several years ago, a Staples freshman soccer player with a single mother had no transportation after practice and games. Every day, Cantor — a former soccer star at Staples and Yale — drove him home.

Twenty years ago Cantor combined his passions for soccer, writing and history with a book, “The Autumn of Our Lives.” He followed the Staples team for an entire season, and told a compelling story of the changes — and similarities — between 2 teams, 25 years apart.

Cantor has done more than perhaps anyone in the world to keep the Remains’ memory alive. The Westport band that opened the Beatles’ 1966 tour — and that was, Jon Landau said, “how you told a stranger about rock ‘n’ roll” — has been memorialized in an off-Broadway play (“All Good Things“) and documentary film (“America’s Lost Band“).

Cantor came up with the idea for both. And made sure that both got made.

Always, he stayed out of the limelight.

These days you can often find Cantor at the Westport Library. He’s researching some element of Westport history.

Often, that research — or simple inspiration — leads to an “06880” story idea.

You may not have known the enormous impact Fred Cantor has had on this blog. Or this town.

Now that he’s this week’s Unsung Hero, you do.

(Know of an unsung hero we should celebrate? Email details to dwoog@optonline.net)

Cribari Bridge: Another View

Yesterday’s statement by 1st Selectman Jim Marpe — requesting that the state withdraw funding for final design and construction projects related to the William F. Cribari (Bridge Street) Bridge — shined a spotlight on the 133-year-old span.

Along with the cannons and Minute Man monument, it’s one of Westport’s most treasured — and photographed — icons.

Here is another (video) view of the Saugatuck mainstay. It shows the swing bridge as it opens.

The time-lapse was shot last August by longtime Westporter Tom Feeley. He’s a proud Staples High School Class of 1987 graduate, and looks forward to this weekend’s 30th reunion. It’s set for the Saugatuck Rowing Club — right near the bridge.

Here’s another video from John Hartwell. It shows another bridge nearby — the Saugatuck railroad bridge. It too opens. This was shot in July 2015.

Despite Marpe’s statement, the next steps in the bridge’s long history have not yet been determined.

Staples Players’ Summer Musical “Working”: A Perfect Day Off For Audiences

When the school year ends, David Roth and Kerry Long don’t stop working.

After directing Staples Players’ 2 mainstage productions and a host of Black Box Theater shows, they turn their attention to the very popular summer musical.

This year marks the 10th anniversary of the directors’ summer show. For the hard-working, very creative Roth and Long — and the equally hard-working and very talented Staples Players cast and crew — the selection is appropriate:

“Working.”

On July 20, 21 and 22, more than 50 students — from recent alumni to rising freshmen — will stage the sprawling, toe-tapping adaptation of Studs Terkel’s 1972 book. Stephen Schwartz (“Wicked,” “Godspell,” “Pippin”), James Taylor and Lin-Manuel Miranda contributed the music.

Using real words of actual people, the production takes an intimate look at the struggles and joys of a variety of Americans: factory workers, millworkers, project managers, cleaning ladies, masons, stay-at-home moms. Using a style similar to “A Chorus Line,” “Working” weaves together the stories of nearly 40 laborers over the course of one workday.

Rising freshman Samantha Webster and Staples 2016 grad Samantha Chachra rehearse Lin Manuel-Miranda’s “A Very Good Day.” (Photo/Kerry Long)

It’s a fascinating show, and it resonates for many reasons.

For one, it’s timely. As America debates all aspects of work — lost mining jobs, jobs moved overseas, how to prepare for jobs that don’t yet exist, gender stereotypes and roles, you name it — Miranda’s latest revision is compellingly relevant. As much as we talk about work, we seldom explore the meaning we get from whatever we do.

For another, Roth has wanted to direct the show since he was 16. He was a junior at Staples, and applied to present it as a studio production. Al Pia chose a senior’s project instead.

More than 30 years later, Roth gets his chance to work on “Working.”

For a third, it’s a musical that engages the 55 actors and 20 tech members. Freed from the pressures of schoolwork, they’re spending this summer totally devoted to something they love.

Summer shows draw together a wider range of ages than school-year productions. During the month of rehearsals and set construction they form strong bonds — essential to an ensemble work like “Working.”

Younger ones learn what it means to be a Staples Player. Older ones mentor them.

Christian Melhuish graduated last year, and is studying musical theater at Temple University. June graduate Jacob Leaf is headed to Northwestern. Both have roles onstage, and help Roth and Long as acting coaches.

Rising junior Antonio Antonelli, with alum Christian Melhuish in Staples Players’ production of “Working.” (Photo/Kerry Long)

For hours every day since school ended, dozens of teenagers have been hard at work. Their job: producing a show that seems effortless, while offering insights, inspiration, and tons of entertainment.

They’ve done it all for free. After all, they’re Staples Players.

But if they were getting paid, everyone would deserve a huge raise.

(“Working” will be performed Thursday, July 20; Friday, July 21 and Saturday, July 22 at 7:30 p.m., with a 3 p.m. matinee on Saturday, July 22, in the Staples High School auditorium. Click here for tickets. Tickets may also be available at the door 30 minutes prior to each show.)

Pic Of The Day #85

Reflections in a Saugatuck Shores house (Photo/Gene Borio)

BREAKING NEWS: Marpe Tells State: Don’t Fund Cribari Bridge Replacement

Moments ago, 1st Selectman Jim Marpe spoke to State Transportation Improvement Program officials.

For the first time, he explicitly asked them to remove funding for final design and construction projects related to the William Cribari (Bridge Street) bridge.

That throws the municipal government’s weight behind a strong citizens’ effort opposing major rehabilitation or replacement of the 133-year-old historic span.

Here are Marpe’s full remarks:

We recognize that it is important to support on-going maintenance of the bridge; to maintain it in a state of good repair, and that there are elements of the bridge that need some maintenance attention. However, my residents and I are seriously concerned about the potential consequences of a major rehabilitation or replacement.

  • A significantly modified or reconstructed bridge will offer the opportunity for increased through traffic using this route as an attractive alternative when I-95 is backed-up. This introduces a major safety issue to our Saugatuck neighborhood as well as Green’s Farms Road as 18-wheel tractor trailers see the opportunity to use this route. Modifying, or replacing, the bridge so that it can accommodate trucks designed to travel our highways, and not our byways, will place pedestrians and cyclists who travel on surface roads such as Green’s Farms at greater risk of harm. This type of heavy commercial vehicular traffic is utterly incompatible with our suburban and residential community. In addition, this has the potential to add traffic and related pollution to our already congested neighborhood and frequently congested roadway.

William Cribari (Bridge Street) Bridge (Photo/Patricia McMahon)

  • Secondly, the Cribari Bridge contributes to the historic character and culture of our Saugatuck neighborhood, which is undergoing a renaissance and revitalization if its own. The bridge itself is considered historic, but regardless, any significant change will have an impact on the preservation of one of the oldest residential neighborhoods in Westport.
  • Lastly, I cannot even contemplate supporting the set aside of $40 million in construction costs without a clearer understanding of the intentions of this project. As you noted, we are at least a year away from completing the Environmental Assessment. Until that has been completed and until the public has been heard, I cannot support the set aside of over $40 million for a project where we have no understanding of the scope and impact of the potential design.

To repeat, my fellow residents and I have many concerns about the possible change to the Saugatuck swing bridge that will come from these design efforts. They have the potential to impact traffic safety if additional traffic, particularly 18-wheel trucks, are allowed to be introduced to our local roadways that are also highly traveled bicycle and pedestrian routes in residential neighborhoods. An already congested neighborhood will become even more gridlocked. And a bridge whose historic look and feel has helped define the character of our historic Saugatuck neighborhood will be lost.

I ask that you remove the line items related to State Project No. 158-0214 from the proposed STIP. The time to consider the final design and construction costs should be after the Environmental Assessment is completed and we can assess the real project that reflects local needs and safety requirements.

I am prepared if necessary to vote “NO” on these line items at the MPO level, to instruct my Town Engineer to do so as well, and to encourage my fellow chief elected officers to do the same. Please spare us that process and debate and remove the line items until the Environmental Assessment is completed and we can fully understand the State’s intention for the bridge.

Another view of the historic span. (Photo/Dave Curtis)

It Takes A Village To Make A Book Sale

It takes a village to raise a child.

And it takes a small city — well, 300 to 400 people anyway — to run the Westport Library’s annual Book Sale.

The tents are already up for the July 15-18 event. That’s done professionally.

A typical scene at the Westport Library Book Sale. (Photo/Westport Library)

But nearly everything else — hauling boxes, unboxing books, shelving, signage, on-site help, line control, security, checkout, cleanup and takedown — is done by volunteers.

They converge on Jesup Green from all corners of town (and beyond). They come in all shapes and sizes (and ages). They represent the Y’s Men, Staples Service League of Boys, National Charity League, the Gillespie Center and a local addiction recovery house.

Some are giving back to their community. Some are performing court-ordered community service. Some love the library, or books in general. Some welcome a chance to socialize.

All are welcome.

One of the book sale’s many volunteers.

Mimi Greenlee is the longtime c0-chair of the Book Sale. She’s also one of those uber-volunteers who epitomize the saying, “If you need something done, ask a busy person.”

Since moving here in 1971 with her husband Chuck, Mimi has raised 4 kids; taught at Burr Farms Elementary School; served with the Westport Young Woman’s League, United Way, Westport Soccer Association and a slew of PTAs, and run the Westport Downtown Merchants Association art show.

Still, the Book Sale is special. It’s a true community event, with that huge volunteer/collaborative component.

“It’s like a puzzle. I love watching the pieces come together,” Mimi says. “And every piece is a person.”

Nothing ever rattles Mimi Greenlee — not even the controlled chaos of the Westport Library Book Sale.

As the book sale grew — from one tiny table in the McManus Room, to an outdoor tent, to the many tents now on Jesup Green — so did the need for help.

Suzy Hooper gets the volunteers for the 9 days it takes to set up, run and take down the event.

There’s a job for everyone. Some of it is very physical. (“Those Y’s Men put me to shame,” Mimi marvels.)

Some can be done sitting down — even in a wheelchair.

Mimi, Suzy and the library staff have it all down to a science. Last year, it took just one hour from the end of the sale Tuesday, until everything was packed away.

“We get everyone,” Mimi says. There’s a man from New Canaan who arranges his travel schedule every year to do this. There are people who volunteered when they were living in the homeless shelter just across the way. Now they’ve got housing, but they still want to help.”

Mimi invites everyone to the book sale. It starts Saturday, July 15 (9 a.m. to 5 p.m.); continues Sunday, July 16 (10 a.m. to 5 p.m.), Monday, July 17 (9 a.m. to 5 p.m., half-price day), and ends Tuesday, July 18 (9 a.m. to 1 p.m.; everything is free, but contributions are welcome).

And if you’d like to volunteer on the sale days — or help with the book sorting process throughout the year — just email shooper@westportlibrary.org, or click here.

Pic Of The Day #84

Sherwood Mill Pond Preserve (Photo/Katherine Bruan)