Category Archives: Looking back

It’s A Wonderful Bridge

Alert — and historic-minded — “06880” reader Wendy Crowther sent along this perfect holiday/Westport piece. She writes:

A few days ago, my TV remote dropped me into the last half of the 1946 holiday classic, It’s a Wonderful Life. I entered the story just as George Bailey ran onto the Bedford Falls Bridge and contemplated suicide. Luckily George’s guardian angel, Clarence, showed up just in time to help George see the value of his life, and its impact on his town and loved ones.

Though I’ve seen the movie a bazillion times, this time I noticed something I hadn’t seen before. George Bailey’s bridge was very similar to our own Saugatuck swing bridge (the William F. Cribari Bridge).

George Bailey on the Bedford Falls bridge (1946).

George Bailey on the Bedford Falls bridge (1946).

Due to my involvement over the last year and a half in efforts to not only document the history of our 132-year old span, but also save it from the impending doom of the state Department of Transportation’s scrap heap, I’ve become  sensitized to old bridges in general — particularly truss bridges like ours (and George’s).

Seeing the movie from this new perspective, I became intrigued by the film’s use of the bridge as a symbol. Sixty years ago, when It’s a Wonderful Life was first released, plenty of small truss bridges still existed. Clearly, it was one of many elements used by the filmmakers to convey the quaint, homey feel of a small, American town — towns like Westport, and thousands of others across the country.

George Bailey’s bridge, set in fictional Bedford Falls, plays a pivotal role in the story. The 2 most transformative moments occur as George stands upon it:  the first as he prepares to jump from it, the second when he returns to the bridge and desperately pleads, “I want to live.”

It’s believed that the town of Seneca Falls, New York was director Frank Capra’s inspiration for It’s a Wonderful Life. He supposedly visited Seneca Falls during the time the screenplay was being developed. Seneca Falls has a real bridge that looks much like the one depicted in the movie.

It also looks a lot like our Saugatuck swing bridge.

George Bailey on the Bedford Falls bridge (left); the actual Seneca Falls bridge (right). (Photos/Ottawarewind.com)

George Bailey on the Bedford Falls bridge (left); the actual Seneca Falls bridge (right). (Photos/Ottawarewind.com)

Though the Seneca Falls bridge and Westport’s are similar in many ways, Seneca’s can’t hold a candle to our own.

Our bridge, built in 1884, is 132 years old — the oldest active bridge of its type in the nation.  Seneca’s, built in 1915, is a mere 101. Both are truss bridges, though ours is longer and made of iron; theirs is made of steel. Our bridge swings open for boat traffic; theirs doesn’t. The roads over both bridges are known as Bridge Street — but ours has the additional honor of being designated a State Scenic Road.

Our bridge crosses the Saugatuck River; theirs crosses the Seneca. Both bridges are still in use and open to traffic. Neither is tall enough to allow semi-tractor trailers to cross.

But here’s where Seneca’s bridge has it over ours. It was rehabilitated in 1997.  Ours may meet the wrecking ball within the next few years — if the State has its druthers. DOT wants to make room for big rigs.

Original plans for the 1884 Saugatuck River bridge. (Image courtesy of Westport Historical Society)

Original plans for the 1884 Saugatuck River bridge. (Image courtesy of Westport Historical Society)

In the fictional town of Bedford Falls, and in the real-life towns of Seneca Falls and Westport, bridges are iconic symbols that tell a story, provide a sense of place, and teach us about our history. They span rivers and time. They connect what separates us, and they can deter what we prefer to fend off.

In It’s a Wonderful Life, the critical moment occurs as George stands for the 2nd time on the Bedford Falls Bridge and begs to have his old life back again. Suddenly, snow begins to fall. He is transported from his alternate reality and returned to the present. His gratitude sends him jubilantly running through the streets of Bedford Falls, shouting greetings to all the buildings and friends he cherishes.

As the film ends, all is well in Bedford Falls. Goodness triumphs over selfishness and greed, bells ring and the angel Clarence gets his wings.

The William Cribari (Saugatuck River) Bridge, Christmas Eve 2015. (Photo/Wendy Crowther)

The William Cribari (Saugatuck River) Bridge, Christmas Eve 2015. (Photo/Wendy Crowther)

Having newly seen It’s a Wonderful Life from the bridge’s perspective, I realize that it offers Westporters valuable insights and inspiration.

Will we fight hard to keep what many of us cherish — our Saugatuck swing bridge? What powerful forces will try to overcome valiant efforts to keep it just the way it is? What changes to the bridge could transform (or devastate) portions of our community forever? If we lose it, will we wish we had better understood the wisdom of its ways?

The film ends with 4 important words. The entire cast sings “Auld Lang Syne.”  Loosely translated from Scottish, the phrase means “for the sake of old times.”  Let’s remember those words.

(Wendy is a founding member of the Westport Preservation Alliance. For more information about the history of the Saugatuck Swing Bridge and the efforts to save it, click here.)

Photo Challenge #102

Old-timers call it “Needle Park.” Newcomers refer to it as “the place at the corner of the Post Road and Main Street, near the Calypso store.”

Either way, it was the answer to last week’s photo challenge. There’s a large concrete urn (perhaps a planter?) there now, which fits in with the drab, gray surroundings.

Once it was a vibrant park next to what was then the Westport Library. It attracted its share of “hippies” — hence the derogatory “Needle Park” — along with many others.

It was supposed to remain a park in perpetuity. Well, they paved paradise and — you know the rest. (Click here to see last week’s photo; click here for an “06880” story on Needle Park.)

Congratulations to Shirlee Gordon, Joyce Barnhart, Bob Grant, Dan Herman, Anthony Palmer and J. Wagner, all of whom knew where to find the photo — whatever they called it.

As for this week’s photo challenge: No, it didn’t snow here last week. But Lynn U. Miller found this mound anyway. If you know where in Westport she took this shot, click “Comments” below.

(Photo/Lynn U. Miller)

(Photo/Lynn U. Miller)

Boathouse Beached

Yesterday’s “Friday Flashback” featured the Godillot property — several buildings located on Jesup Road, near the police station.

One of the properties shown in the painting is no longer there. A red boathouse on the banks of Deadman’s Brook was relocated in the 1950s.

Turns out it’s been hiding in plain sight ever since. In the back yard of a house at 244 Greens Farms Road, it’s easily visible from the street.

244-greens-farms-road-boathouse-moved-from-godillot-property

(Photo/Peggy Lehn)

I have no idea how or why a boathouse ended up on dry land like this. But I’m sure at least one of our history-minded “06880” readers does.

The Greens Farms Road home is up for sale. I’m guessing the boathouse goes with it.

The boathouse -- then painted red -- is in the lower right corner of this painting.

The boathouse — then painted red — is in the lower right corner of this painting.

(Hat tip: Seth Goltzer)

Friday Flashback #18

For over 60 years the Tri-Town Teachers Federal Credit Union has served educators in Westport, Weston and Wilton, plus many other Westport town employees.

Most recently, the credit union has been housed in the historic Godillot Carriage House. It’s on Jesup Road near Imperial Avenue — catty-corner from the police station.

The credit union is proud of their home — and the entire neighborhood. So they recently commissioned a painting of it circa 1882, when it was built.

Artist Jack Conti did plenty of research, to make sure he got the details right.

godillot-house-credit-union

Alexis Godillot was an importer of French foods. He and his wife Julia expanded and improved his property, making it a showplace of the community.

Conti’s painting shows the property looking north across Deadman’s Brook, from Imperial Avenue.

The main house (yellow) sat on a knoll. Originally built in 1804 in Victorian stick style, by 1882 it had an attached greenhouse. The building is now occupied by the Smith Richardson Foundation.

The credit union is now housed in the carriage house — the red building next to the main house. It once included a stable.

The white cottage housed servants. It too had a greenhouse. The building — once the offices of the Westport Board of Education — is now occupied by the Sherwood & Garlick law firm.

The boathouse (red structure on the brook) served as a place to store small recreational boats. It was relocated elsewhere in Westport in the 1950s.

The Jesup Road neighborhood is now on the National Register of Historic Places. It looks much the same today.

godillot-house-and-credit-union-john-coniglio

Still, the credit union — the building in the center, in the photo above — is not stuck in the past.

On its roof now are solar panels.

And gone are the stables. They’ve been replaced by free charging stations, for drivers with electric vehicles.

(Hat tip: John Coniglio)

“Save Cockenoe Now” Posters: The Sequel

Yesterday’s post about the “Save Cockenoe Now” posters at Walter and Naiad Einsel’s estate sale reminded readers of a past political battle: When Westporters saved Cockenoe Island from becoming the site of a nuclear power plant.

Everyone who was here then also remembers the Einsels’ iconic artwork.

But alert “06880” reader Jeff Manchester went over to the sale, and found other posters that never gained that cult-status attention. It’s kind of like finding unreleased Beatles tapes, nearly 50 years later.

Here, in all their late-’60s, trippy glory, are 3 of those “unreleased” posters. I particularly like the “Fishin’, Not Fission'” one.

Thankfully — with a big boost from the Einsels — we’re here today to tell that tale.

cockenoe-poster-2-einsel

cockenoe-poster-4-einsel

cockenoe-poster-3-einsel

Friday Flashback #17

Today’s Friday Flashback is different from most. There’s a reason.

(Photo courtesy of Ray and Patricia Donovan)

(Photo courtesy of Ray and Patricia Donovan)

The 1969 photo shows Jean Donovan on her horse Apple, at Fiddle Horse Farm. The farm was located the west side of Bayberry Lane, midway between Long Lots Road and Cross Highway.

Sam and Bernice Friedson owned it, as well as the Tack Room — a horseback riding supply store on the Post Road, opposite the old post office.

So why is this today’s Friday Flashback? It’s the 36th anniversary of the beating, rape and murder of 4 lay missionaries, by Salvadoran military men. Donovan — a 1971 Staples High School graduate — was one of those women.

Growing up in Westport, there was little evidence she’d become an internationally known martyr. She had a fairly secular upbringing here. She was introduced to horseback riding when she was young, and spent some of her teenage years riding and working at Fiddle Horse Farm. It was one of several working horse farms in Westport.

To share memories of those farms — or of Jean Donovan — click “Comments” below.

(Hat tip: John Suggs)

Save Cockenoe: Then And Now

Last month, “06880” previewed Walter and Naiad Einsel’s estate sale. I don’t usually promote that stuff — but the longtime local artists’ Victorian farmhouse was filled with thousands of pieces of folk art, antiques, paintings, prints and advertising items. It seemed like a great Westport tale.

Andrew Bentley was one of the many art lovers who was there. He says it was “more like a folk art museum than a house.”

Andrew wandered past mechanical toys, kinetic sculptures and books of illustrations, on into Naiad’s studio. Magic markers, colored pencils and scissors were all in place, as if she had gone downstairs for coffee.

Thumbing through a stack of posters, he spotted a large envelope. Inside was a shimmer of gold and bronze. Removing it, he discovered a beautiful metallic silk-screened “Save Cockenoe Now” poster.

save-cockenoe-now-poster

Bentley knew it was from the late 1960s, when Westporters opposed a plan to build a nuclear power plant on the island just a mile off Compo Beach. (Click here for that full, crazy story.)

But he’d only seen a black-and-white thumbnail-sized image of the poster, in Woody Klein’s book on the history of Westport.

Suddenly, he held an original. After nearly 50 years, he says, “the colors were still electric.”

Andrew turned to the stranger beside him. He explained that the poster represented a perfect confluence of Westport’s artistic heritage, revolutionary spirit and environmental priorities.

Then, in another Westport tradition, he gathered up as many posters as he could find, negotiated a bulk discount, and made a list of friends in town who deserved a gift.

In 1967, Westporters saved Cockenoe.

In 2016, Andrew saved its posters.

Both stories are worth telling.

(PS: Andrew Bentley designed the logo for The Flat — the new Railroad Place spot that mixes design, art and objects with contemporary lighting, accessories and jewelry. Owner Becky Goss has a few framed Save Cockenoe Now posters there, ready for sale.)

 

$100 Award Pays Millions In Dividends

Staples High School’s Class of 1943 had a less than joyful year.

In the midst of World War II, students with last period free left school early. Some worked for local industries, making items needed for the war effort. Others harvested crops on local farms, replacing older men who had been called up to serve.

Bill Torno’s shop classes built rifle racks, each holding 32 guns, for the Westport Defense Training Unit. He also taught welding. Miss Ossi’s home economics students made nearly 100 cotton hospital bags.

Boys headed to the YMCA every Tuesday for mandatory Commando training. Instruction included diving from the side of a burning ship, and swimming underwater while oil burned on the surface.

When they graduated in June, 10 students — exactly 10 percent of the entire class of 100 — were not there. Stars next to their names meant they had already left school, for the armed forces. The yearbook was dedicated to them.

Amid all the grim news, one announcement stood out. Valedictorian David Hughes received several awards: a DAR citizenship medal, the RPI math prize and a $10 English prize.

He also earned a $100 scholarship from the Staples PTA. That was the very first gift from the organization now known as Staples Tuition Grants.

David Hughes' writeup in the 1943 Staples yearbook.

David Hughes’ writeup in the 1943 Staples yearbook.

Hughes made the most of his award. He went to Harvard; married Janet Brandon of Staples’ Class of 1944, and became Mason Professor of Music at his alma mater. He traveled widely, and retired to coastal Maine.

In the more than 7 decades since Hughes’ scholarship, STG has grown into one of Westport’s most important community groups. Today they award college and trade school tuition grants of up to $6,000 a year, to Staples seniors. Scholarships — which are strictly need-based — can be renewed each year during college.

Last year, STG provided $300,000 to 115 deserving Staples seniors and alumni.

Staples Tuition Grants has provided literally tens of millions of dollars in scholarships. That’s been life-changing for thousands of students.

Some of the awardees at last year's Staples Tuition Grants ceremony.

Some of the awardees at last year’s Staples Tuition Grants ceremony.

The men and women who make up the STG committee perform some of the most important volunteer jobs in town. They scrutinize applications. They interview applicants. And they raise all those funds.

It’s not easy to ask Westporters — and Staples alums — to contribute to Staples Tuition Grants. The perception is that everyone here can afford college.

That’s certainly not the case. The thank-you notes — and heartfelt speeches during the awards ceremony every June — testify to the value of what STG does.

The holiday season — with so many competing demands on time and money — is also not the easiest time to ask for money. But STG believes that now is when donors will realize how far their funds will go.

Many awards honor specific individuals (click here for that list). A newly named award — the Westport Families  Scholarship — is a great way to honor favorite teachers.

Staples Tuition Grants new logoSTG is reaching out to former awardees for donations. The board also wants to hear stories of how their scholarships have helped. If you received a grant — any time from the 1940s to today — email alumni@staplestuitiongrants.org, and let them know what it meant.

Meanwhile, David Hughes’ legacy lives on. The first Staples Tuition Grants honoree died last year. But his daughter lives in Queens. She has been invited to the annual ceremony next spring.

There, she will see the magic that began 74 years ago — in some of America’s darkest days — continues brightly.

(Click here to contribute to Staples Tuition Grants. You can also mail a check to Staples Tuition Grants, PO Box 5159, Westport, CT 06881-5159. On Christmas Eve, STG members and recipients will wrap gifts at Barnes & Noble, in exchange for tips. For more information on STG, click here. Hat tip: Fred Cantor.)

Final Bell Tolls For 17 Soundview Drive

“06880” has chronicled the history of 17 Soundview Drive.

One of the most recognizable homes on the beach exit road, it played an important role in Westport’s musical history.

Today, the nearly 100-year-old house played its final chord. Paul Ehrismann was there. He took this photo, and posted it on Facebook:

17-soundview-drive-paul-ehrisman

(Photo/Copyright Paul Ehrismann)

I knew the old owners. They are good friends.

I know the new ones too. They are also friends. They respected the property — and its history. But they could not find a way to save it.

They’ll do right by the home that replaces it. It will fit in well with its neighbors, and the neighborhood.

In the 1920s the voices of Enrico Caruso, Maria Callas, Robert Merrill and others soared from the living room radio and onto the beach, thrilling neighbors and passersby.

Decades later, Meat Loaf played his next single on the roof deck. No one on the beach could see him there — but they heard him. At the end, everyone applauded.

The house is gone. But those musical memories — and countless others — will remain, long after the final notes have been played.

Remembering Al Brodax

Al Brodax died last week, at 90. The longtime Westporter led quite a life.

He enlisted in the Army in 1943, at at age 17. Wounded in the Battle of the Bulge, he was awarded the Purple Heart. He graduated from the University of Wisconsin, then joined the William Morris Agency where he worked on “Your Show of Shows.

Al Brodax (Photo/Carol King)

Al Brodax (Photo/Carol King)

Brodax wrote and produced more than 500 episodes of “Popeye,” “Krazy Kat,” “Barney Google” and “The Beatles” cartoon series.

His greatest fame came as producer and co-writer of “Yellow Submarine.” It won more than 30 awards, including the New York Film Critics Circle in 1969. Brodax later became the animation supervisor for ABC, then a consultant for Marvel Comics.

In 2012 — before his appearance at a Westport Youth Film Festival event — I wrote this piece for “06880”:

More than 45 years after it supposedly happened, whether the Beatles actually visited Murray the K* at his Bluewater Hill home is up for debate.

But no one can deny that without Westporter Al Brodax, “Yellow Submarine” would never have left the dock.

In the late 1960s, Brodax was head of King Features’ motion picture/TV division. He pitched the idea of a full-length film based on the song of the same name to the Beatles. (I’m sure he knew someone who knew someone who…)

Yellow Submarine movieThe Beatles agreed to provide music for the animated film. (It was also a way to fulfill their contractual obligation to United Artists.)

With Brodax serving as co-writer and producer, “Yellow Submarine” was released to critical acclaim in 1968. The next year, it won the New York Film Critics Circle Award.

(Full disclosure: I always thought “Yellow Submarine” was the worst song in the entire Beatles discography. I had no desire to see the film, then or now.)

Brodax went on to produce, write and direct several Emmy-winning TV shows, including “Make a Wish” and “Animals, Animals, Animals.”

In 2004 he wrote “Up Periscope Yellow: The Making of the Beatles’ Yellow Submarine.” 

Given my antipathy toward the song, I have not read it. Nor do I plan to.

However, I am sure Al Brodax’s death is being mourned by Beatles fans everywhere.

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*Murray the K was a famous DJ.**

**DJ as in “radio disc jockey,” not “someone who plays music at proms, weddings and bar mitzvahs.”