Tag Archives: Werner Liepolt

[OPINIONS] 2 Views On Cribari Future

Werner Liepolt and Robbie Guimond live a few hundred yards apart. They are separated by the Saugatuck River — and by what to do about the Cribari Bridge, which links their 2 neighborhoods.

Today, both offer their views on the future of the 143-year-old span.

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Werner Liepolt lives in the Bridge Street Historic District. He writes:

I have worked with the Connecticut Department of Transportation (CTDOT) on the Cribari Bridge project since 2016.

Not against them — with them.

So have several other Westport residents. Many of us served on the Project Advisory Committee as consulting parties recognized by the Federal Highway Administration, representing different groups in town.

I live in the Bridge Street National Register Historic District, which the Westport Historic District Commission and the Connecticut State Historic Preservation Office nominated for National Register status in 2017.

1884 Rufus Wakeman House, in the Bridge Street Historic District.

I am not sorry that we worked with CTDOT.

But I am sorry that CTDOT has not worked more closely with the community on one central concern: truck traffic.

Throughout the PAC meetings, consulting parties repeatedly asked a simple question: If the Cribari Bridge is rebuilt or altered, how will the project prevent the residential neighborhoods of Bridge Street, Imperial Avenue, Greens Farms Road, South Compo Road, and Saugatuck Ave nue from becoming a bypass route for trucks avoiding I-95 congestion?

To date, none of the project alternatives presented by CTDOT address that question.

The 143-year-old Cribari Bridge is not wide or high enough to handle large trucks. (Photo/Patricia McMahon)

The Environmental Assessment prepared for the project runs more than 160 pages, with hundreds more pages of appendices. Yet the analysis largely assumes that changes in bridge height, width, and weight capacity will not significantly alter traffic patterns.

Many residents believe that assumption deserves closer examination, and that CTDOT needs a No Trucks option.

The Cribari Bridge sits within a federally recognized historic district. Under federal law, projects affecting historic districts must consider not only direct impacts to structures, but also long-term, indirect and cumulative effects on the district’s setting and circulation patterns.

Changes that could alter traffic composition — including the potential for heavier vehicles — are part of that evaluation.

In my petition, now signed by over 1,400 people, I asked for something simple: open hearings before decisions are made, and federal oversight to ensure that the protections applied to historic districts are properly followed.

That request still stands.

The upcoming CTDOT meeting on March 19 (6 p.m., Town Hall auditorium) is an opportunity for residents to ask the questions that have not yet been fully addressed.

One of those questions is straightforward: Should Bridge Street and the surrounding historic district become a route for heavy truck traffic — or should Westport insist on solutions that prevent it?

Whatever one’s answer, the question deserves to be asked — and answered — before decisions about the bridge are finalized.

(Click here to submit comments on the Cribari Bridge to the Connecticut Department of Transportation.)

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Robbie Guimond lives on Riverside Avenue, where he owns a marina. He writes:

After 4 decades at the marina, it’s obvious I value public access to the Saugatuck River, The potential loss of the Cribari Bridge weighs heavily on me.

Over the last 10 years I’ve been  deeply involved with this process. It has highlighted various perspectives that deserve investigation.

More traffic analysis is one. I believe the Connecticut Department of Transportation has approached these options from as neutral a perspective as possible.

Even with their past “adaptive reuse” and the less than perfect results, I feel they are looking for the best outcome for the town.

One view underneath the Cribari Bridge (Pier 2) …

After reviewing the Environmental Assessment and literally hundreds of public blog comments, it is clear that losing the historic bridge is unpalatable to the many who are vocal.

 

However, it is also evident that CTDOT intends to take action.

From my perspective, there are 2 paths forward:

1. No Build. This means the repair of pier 2, along with minor repairs to the truss and other needed areas.

Yes, the electric box will go, but the different heights of the horizontal truss members might have a posted height of around 13′ 4″.

I believe one is sagging to 13′ 7″-ish, thus preventing tall tractor trailer trucks while still allowing our Fire Departments ladder trucks. This option also avoids a temporary span in The Bridge restaurant’s lot, and extends the span’s life by approximately 15 to 25 years with minimal disruption beyond some channel closures.

2. Full Replacement: If CTDOT deems the first option out of the question, a full replacement is the only other reasonable alternative. The current bridge has already undergone many modifications, and further aggressive changes will only diminish what remains of its character and lead to a 13′ 6″ marked height.

… and another (the pedestal the span swings on). (Photos/Robbie Guimond)

While the pros and cons of a full replacement are debatable, one point is non-negotiable: The town administration, with its Representative Town Meeting- suggested Bridge Committee must maintain strict control over every detail of the design — including location, height, air gap, crosswalk improvements at Wilton Road, and Compo Road South’s desperately needed left turn signal — as this new structure will likely stand for the next century.

I am hopeful that either option can lead to a successful outcome,  I guess time will tell.

(“06880″‘s Opinion pages are open to all. Email 06880blog@gmail.com with submissions. To donate to this hyper-local blog, please click here. Thank you!)

Cribari Meeting Looms; Petition Gains Signatures

What’s next for the Cribari Bridge?

As Westporters prepare for Thursday’s public meeting with the Connecticut Department of Transportation (March 19, 6 p.m., Town Hall auditorium), nearly 1,400 residents have already made their views known. (They have also donated $2,455 to the cause.)

They signed an online petition organized by Werner Liepolt. The former Westport teacher — who lives on Bridge Street just few hundred yards from the 143-year-old span — initiated it due to what he calls “a public perception that CTDOT had not provided opportunity for public involvement.”

Werner Liepolt painted this image of the Cribari Bridge.

Liepolt asks for “federal oversight to guarantee that all alternatives are evaluated and that the richly historic and irreplaceable nature of the bridge is given due consideration.”

He has submitted his petition into the official public comment record for the Environmental Assessment currently under review by CTDOT and the Federal Highway Administration.

Under federal review procedures, public comments and petitions are part of the record considered as agencies evaluate project alternatives and potential effects on the surrounding area (including the Bridge Street National Register Historic District).

The meeting is part of the ongoing environmental and historic review process for the Cribari Bridge project.

The full petition — active until April 17 — says:  “I am a resident of the Bridge Street National Register District, home to the iconic William F. Cribari Bridge—individually listed in the National Register of Historic Places that has been an integral part of our community’s identity for 141 years.

“This historic bridge, oldest operable bridge of its kind in the USA, nestled in Westport, Connecticut, is on the brink of being replaced by the Connecticut Department of Transportation (CTDOT) without an essential public engagement process.

“Despite its historic status, there has been a disturbing lack of transparency and involvement from the public, disregarding the National Historic Preservation Act of 1966 Section 106 review procedures.

“The William F. Cribari Bridge is more than just a piece of infrastructure; it is a cherished symbol of our heritage, tying together the historical fabric of our neighborhood.

Cribari Bridge (Photo/Patricia McMahon)

“The sudden decision to replace such an irreplaceable landmark raises concerns not only within our community but also nationwide, as it sets a precedent for how historic sites might be handled without proper oversight.

“Why hasn’t there been an effort to engage the community in this critical decision-making process? The lack of transparency undermines the principles of fair public policy and overlooks the historical significance that this bridge brings to our region.

“It is imperative that the federal government steps in to ensure that the CTDOT considers all perspectives, from engineering experts to local residents, and follows due process in accordance with National Historic Preservation guidelines.

“The preservation of the William F. Cribari Bridge is essential for maintaining the cultural and architectural identity of our region, and its replacement should not proceed without an exhaustive review and input from all stakeholders involved.

Manually opening the Cribari Bridge.

“We need comprehensive federal oversight to guarantee that all alternatives are evaluated and that the richly historic and irreplaceable nature of the bridge is given due consideration.

“I urge you to sign this petition to demand federal oversight over the Connecticut Department of Transportation’s plans to replace the William F. Cribari Bridge.

“Together, we can safeguard the integrity of our cherished historic landmark and ensure a democratic process respects both our heritage and community voice.

“Let us be vigilant in protecting our past for the generations to
come.”

Cribari Bridge Petition Nears 1,000 Signatures

A petition begun by Bridge Street National Register District resident Werner Liepolt is nearing 1,000 signatures.

Calling the Cribari Bridge — which links his road with Saugatuck — “more than just a piece of infrastructure; it is a cherished symbol of our heritage, tying together the historical fabric of our neighborhood,” Liepolt says: “The sudden decision to replace such an irreplaceable landmark raises concerns not only within our community but also nationwide, as it sets a precedent for how historic sites might be handled without proper oversight.

“Why hasn’t there been an effort to engage the community in this critical decision-making process? The lack of transparency undermines the principles of fair public policy and overlooks the historical significance that this bridge brings to our region.”

Petition organizer Werner Liepolt painted this Cribari Bridge scene.

The Change.org petition is aimed at 8 “decision makers”: Governor Ned Lamont, Senators Richard Blumenthal and Chris Murphy, Congressman Jim Himes, State Senator Ceci Maher, State Representative Jonathan Steinberg, Planning & Zoning Commissioner Michael Cammeyer, and Representative Town Meeting member Nancy Kail.

The petition adds: “It is imperative that the federal government steps in to ensure that the CTDOT considers all perspectives, from engineering experts to local residents, and follows due process in accordance with National Historic Preservation guidelines.



“The preservation of the William F. Cribari Bridge is essential for maintaining the cultural and architectural identity of our region, and its replacement should not proceed without an exhaustive review and input from all stakeholders involved. We need comprehensive federal oversight to guarantee that all alternatives are evaluated and that the richly historic and irreplaceable nature of the bridge is given due consideration.”

Liepolt says that signers “demand federal oversight over the Connecticut Department of Transportation’s plans to replace the William F. Cribari Bridge. Together, we can safeguard the integrity of our cherished historic landmark and ensure a democratic process respects both our heritage and community voice. Let us be vigilant in protecting our past for the generations to come.”

Click here to see the online petition.

(“06880” covers the Cribari Bridge controversy — and everything else going on in Westport too. If you appreciate our 24/7/365 eye on the town, please click here to support our work. Thank you!)

[OPINION] Bridge Street Historic District: Myth vs. Fact

Werner Liepolt lives in the Bridge Street Historic District.

He has watched with interest as the District has become part of the discussion around the future of the Cribari Bridge. He writes:

Myth 1: “Historic district status means nothing can be changed.”

Fact: National Register listing does not stop projects. It simply requires that federally involved projects evaluate impacts on historic character and consider alternatives before decisions are finalized.

Myth 2: “This is just one neighborhood trying to protect itself.”

Fact: Federal law requires special review when a project may affect a recognized historic district. The issue isn’t favoritism — it’s whether required federal review standards are being followed properly.

Myth 3: “Historic protections only apply to buildings, not traffic.”

Fact: Under federal review (NEPA and Section 106), agencies must consider indirect effects — including traffic patterns, noise, vibration, and setting — if they could affect a historic district’s character.

Historic District: The 1886 Orlando Allen House, at 24 Bridge Street.

Myth 4: “The bridge is old, so replacement is inevitable.”

Fact: Federal law requires agencies to evaluate a reasonable range of alternatives, including rehabilitation, before deciding on replacement — especially for historic resources.

Myth 5: “Historic designation blocks safety improvements.”

Fact: Safety improvements can absolutely happen. The requirement is simply that agencies evaluate options carefully and transparently before selecting an approach.

Myth 6: “If traffic is a problem everywhere, the historic district shouldn’t matter.”

Fact: Many areas face traffic concerns, but federally recognized historic districts trigger specific legal review requirements that don’t apply in the same way elsewhere.

18 Bridge Street

Myth 7: “This is about stopping progress.”

Fact: The goal is not to stop change, but to ensure that decisions are made with full information and proper public process, as required under federal law.

Myth 8: “Bridge Street National District is no different than other neighborhoods.”

Fact: It has been recognized nationally, and what happens fall under federal regulations.

(“06880” Opinion pages are open to all. Email submissions to 06880blog@gmail.com)

Online Art Gallery #305

Another record!

Nineteen artists are featured in today’s online art gallery.

As always, their works span mediums and themes. And their ages, backgrounds and geographic locations are all over the map too. Most artists live in Westport — but some grew up here, and now live and work around the world.

As always, we invite you to be part of next week’s exhibition. No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Just email a JPG to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Echoes of Passion” — digital oil painting (Ken Runkel)

“As We Sometimes See Ourselves” — oil on canvas (Mary Madelyn Attanasio)

“Mia” — 10 x 10 acrylic on canvas (Missy Greenberg)

“Cooper” — pencil on paper (Bill Fellah — Available for sale; click here)

“Swimming Upstream” — acrylic and resin (Patricia McMahon — Available for purchase; click here)

“Art Buds” — 30 x 30 acrylic impasto (Dorothy Robertshaw — Available for purchase — click here)

“Off the Wall” (Nancy Breakstone — Available for purchase; click here)

Untitled (June Rose Whittaker — Available for purchase; click here)

“SnowFrame” (Jerry Kuyper)

Untitled (Marina Drasnin)

“Ice Image” (Cohl Katz)

“What Path Will You Take in 2026? All A-BOARD! Go For It!” (Mike Hibbard)

“Cuban Tree Frog” (Werner Liepolt — Available for purchase; click here)

“World’s First Immigrant Alien” (Mark Yurkiw — Available for purchase; click here)

“Me on the Saxophone” — watercolor (Eric Bosch)

“Hail to the Chief” (Martin Ripchick — Available for purchase; click here)

“Every Dancer Has an Aura!” (Steve Stein)

” Cage Free Soul Intention Seeking Peeps” — Hand-drawn clothing culture construction design art processes (Megan Grace Greenlee)

“Lost in Thought” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Roundup: MLK Day, ACA, Cribari Bridge …

Today is Martin Luther King Day.

Last week, the Westport Senior Center posted 2 of his quotes, on a bulletin board in his honor:

(Hat tip and photo: Laurie Sorensen)

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Fran Hoyte had the perfect spot for a Pilates studio.

Her space on the lower level of Bridge Square offered a peaceful view of the Saugatuck River. It was comfortable, inviting, and — with no advertising or social media, just word of mouth — clients flocked to Saugatuck Studios.

There was just one problem: floods.

The space was inundated by storms like Sandy and irene. Sometimes, it was swamped by high tides.

After 15 years, Fran has found a location guaranteed not to flood.

And it’s just as funky as her previous spot.

Sound Pilates has relocated to 21 Jesup Road. They’re on the 2nd and 3rd floors above the Westport Book Shop. The 200-year-old building — most recently Pause + Purpose wellness center; before that an architect’s office, and earlier a home — offers sweeping (and soothing) views of Jesup Green and the Saugatuck River.

“This is so quiet. But it’s still downtown,” Fran says. “It really feels like home for us.”

Fran has also added a physical therapist. Dr. Victoria Chiappetta has trained with Fran, developing an appreciation for traditional Pilates, alignment, and intelligent movement.

Fran now offers small group classes, in addition to individual sessions. She also teaches Pilates instructors — including many now working throughout Fairfield County.

“We’re not about working until you feel pain,” Fran says of her and Victoria’s partnership. “This is always about joyful movement.”

To learn more about Sound Pilates & Physical Therapy, click here.

Fran Hoyte and Dr. Victoria Chiappetta on Sound Pilates’ 2nd floor, overlooking Jesup Green and the Saugatuck River. (Photo/Dan Woog)

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Werner Liepolt — a longtime Westporter whose home is near the Cribari Bridge — is closely watching state Department of Transportation decisions involving the 145-year-old span.

Last week, he was a guest on Lisa Wexler’s WICC radio show. Click here to listen to their discussion about the bridge’s past, present and future. 

The Cribari Bridge, painted by Werner Liepolt.

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Congress did not extend Affordable Care Act (ACA) premium tax credits. But a Connecticut state subsidy program will replace some or all of the federal tax credits that lapsed on January 1, depending on enrollee eligibility for Access Health CT insurance plans.

Congressman Jim Himes’ office can help with questions: (203) 333-6600.

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Yesterday’s snowfall was a great chance for kids to go outside, and have some traditional (aka “non-screen”) fun.

Peter Salwin’s children did just that — with dad.

Here’s the result, on Greens Farms’ Rustic Lane:

(Photo/Peter Salwin)

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Despite yesterday’s snow and cold, Deadman Brook is not frozen over.

That was good news for these guys — the subject of today’s “Westport … Naturally” feature photo:

(Photo/Greg Rosen)

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And finally … we opened today’s Roundup with a tribute to Rev. Dr. Martin Luther King Jr. And we’ll close it another.

The message of this simple, stirring song is as important to heed today, as it was when Sam Cooke wrote it over 60 years ago, in 1963.

Unfortunately.

[OPINION] No Notice. No Hearing. No Say: The Cribari Bridge Story

Longtime Bridge Street resident Werner Liepolt keeps a close eye on the Cribari Bridge project. Today he describes 3 meetings, over the past 2 years.

February 15, 2024

At a meeting of the Western Connecticut Council of Governments, former 1st Selectwoman Jen Tooker released Statewide Transportation Improvement Program funds of $4.1 million previously withheld by former 1st Selectman Jim Marpe, to the Connecticut Department of Transportation to start the Cribari Bridge Project.

May 15, 2025

At an “invitational” meeting in the Town Hall Auditorium, CTDOT, with Tooker in attendance, announced they were replacing the bridge with “a preferred option,” one that can accommodate all vehicles.

Invitations were based on the inactive-since-2018 Planning Advisory Committee list of stakeholders. This meeting was neither publicly noticed by Westport’s town clerk nor on the CTDOT Project page for the William F. Cribari Bridge. The few Westporters who learned of it had to request an invitation.

Cribari Bridge (Painting by Werner Liepolt)

December 18, 2025

At another “invitational” meeting held at 6 p.m. in Room 201 of Town Hall, Mandy Ranslow, supervisor, Cultural Resources CTDOT, confirmed their “preferred option” is to demolish the William F. Cribari Bridge. As CTDOT had determined this was an “adverse effect,” they offered to move it wherever the town wanted.

CTDOT officials said that tractor-trailer trucks would not be restricted by structural limits on the preferred option replacement bridge, and that it was up to Westport to deal with it.

Invitations to this meeting were sent to only a few consultants; several did not receive them. Attendance by elected officials depended on forwarded emails and word of mouth.

My published opinion piece in the Westport Journal and a sentence introducing Wendy Crowther’s tribute to the bridge in “06880” were perhaps the only publicity for the meeting.

The public hearing that didn’t happen

Curious as to how all this happened without any attempt to inform the public  —you — and elicit your views, which is required on federally funded projects that involve nationally registered historic properties (there are 24 on the east bank of the Saugatuck, and more across the river), I researched whether the “invitational” meetings were publicly noticed.

The 1877 Hotchkiss-Wheeler House on Bridge Street is on the National Register …

Questions and answers

Regarding the May 15 meeting, the town clerk replied: “This was not an official meeting of the Town, which is why it does not appear on the Town calendar. It appears that the State simply used the Auditorium to host the event. Any questions regarding the publication or notice of this event should be directed to the State DOT.”

I directed my question to James Barrows, the project manager. and got an answer: “Thank you for your inquiry and for your interest in the State Project 0158-0214.

“To ensure your request is handled efficiently and in compliance with the Connecticut Freedom of Information Act (FOIA), we kindly ask that you submit a formal FOI request through the CTDOT website. This process helps us track, process, and respond to all FOIA requests in a consistent and timely manner.”

Under federal law (Section 106 of the National Historic Preservation Act), the public must be informed and meaningfully involved before historic resources are evaluated, impacts determined, and alternatives narrowed.

In this case, those steps occurred out of public view. The community is now being presented with an offer of mitigation — a stage that only follows a formal finding of adverse effect — without having had the required opportunity to help identify historic resources, evaluate impacts, or advocate for avoidance and minimization.

… as is the 1932 Anna E. Dolan House. It’s the first one on the right, after crossing the river on the Cribari Bridge from Saugatuck.

Your right to be heard

I have posted a petition, which I will forward to the Federal Highway Administration, Advisory Council on Historic Preservation, and our Congressional representatives, asking for oversight to ensure that our rights to be heard are honored. Please sign it.

I have also filed the Freedom of Information request as suggested by the CTDOT project manager, asking for all records pertaining to the William F. Cribari Bridge Project.

Next steps

What you should do: Submit written comments to the Federal Highway Administration, the Connecticut Department of Transportation, the Connecticut State Historic Preservation Office, and the Advisory Council on Historic Preservation requesting the complete Section 106 and NEPA administrative records.

Ask how and when the public was consulted prior to the adverse effect finding, and formally request that alternatives and avoidance options be reopened for transparent public review.

Contact all our local elected representatives and the Select Board, with your need to have your voice be heard.

(“06880″‘s Opinion pages are open to all. Email submissions to 06880blog@gmail.com)

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Online Art Gallery #296

Winter and water highlight this week’s online art gallery.

And, of course, several other random themes. Taken together, all make for another intriguing Saturday session.

Thanks, as always, to all our artists. No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Please email a JPG to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Children Reading by Firelight” (Mary Madelyn Attanasio)

Untitled — watercolor and colored pencil (Frazer Benton, One River student)

 

“Burying Hill Kingfisher” — watercolor (Eric Bosch)

“Mill Pond Buoy” (John Maloney)

“Wakeman Town Farm” (Dayle Brownstein)

“Grand Central, NYC” — oil on canvas, 30×40 (R. Castellon — Available for purchase; click here)

“Sun Rise” — acrylic (Dorothy Robertshaw)

 

“Snow’s Gonna Fall and the Frost Gonna Bite” (Tom Doran — Available for purchase; click here)

Untitled (Duane Cohen — Available for purchase; click here)

“Last Full Moon of 2025” (Karen Weingarten)

“A Little Wispy” (Nancy Breakstone — Available for purchase; click here)

“Surfside Beach, Outside Miami” (Wendy Levy)

“Bowl of Winesaps” — oil on panel, 11×14 (Werner Liepolt — Available for purchase; click here)

“Grace” (Bill Fellah — Available for purchase; click here)

“Wreath” (Jalna Jaeger)

“Snowy Hoops” (Patricia McMahon — Available for purchase; click here)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #294

Two days after turkey day, our “06880” artists continue to give thanks.

Hey — it’s still the holiday weekend!

And “06880” is thankful for all of you: our wonderfully eclectic group of artists, and our passionate readers who enjoy this weekly feature, and support them.

A reminder: No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Please email a JPG to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

Untitled (Duane Cohen; Available for purchase; click here)

“Distorted Takeoff” (Patricia McMahon; Available for purchase; click here)

Untitled — Winslow Park (Dayle Brownstein)

“Litchfield Hills Hideaway” — signed acrylic on canvas, 16×16 (Gert; Available for purchase; Click here)

“The Cucurbits of Fall” — oil on canvas, 16 x 20 (Werner Liepolt; Available for purchase; click here)

“Memories of a More Colorful Time” (Nancy Breakstone — Available for purchase; click here)

“Red Fish, Blue Fish, Oyster With a Pearl” — acrylic on canvas (Eric Bosch)

Untitled (Dorothy Robertshaw — Available for purchase; click here)

“YellowSlide” (Tom Doran — Available for purchase; click here)

Photographer Mike Hibbard says: “I am thankful for the gifts of beauty that my colleagues have submitted to Dan Woog’s 06880 Art Gallery, and the audience who enjoy our art. Onward!”

“A Pomegranate from the Shrub/Tree of Knowledge of Good and Evil” — watercolor (Steve Stein)

“Tiger” (Lawrence Weisman)

“Portrait of a Thoroughbred” — watercolor and acrylic (Bill Fellah — Available for purchase; click here)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Roundup: Jose Feliciano, Working From Home, Growing Tomatoes …

Singing and bantering in English and Spanish (and a little Italian), José Feliciano enterained a full and adoring crowd last night, at the Westport Country Playhouse.

The historic theater was the venue for the legendary, Grammy Lifetime Achievement-winning artist. It was a benefit for the Church of the Assumption, which next year celebrates its 150th anniversary. (That’s almost as old as the 94-year-old Playhouse and 80-year old Feliciano combined.)

The guitarist was accompanied by his sons Mikey (bass) and Jonnie (drums), and a band that — along with Feliciano — played a wide range of songs, in genres including Latin, rock, blues, Motown, Dylan and jazz (plus a smooth Sam Cooke tune).

José Feliciano (right), Hawkins French (left), and 3 other musicians in the 11-member band. (Photo/Dan Woog)

The 2-hour show ended with 2 of Feliciano’s best-sellers: “Light My Fire” and (of course) “Feliz Navidad.”

He’s sung that tune at Assumption’s Christmas Mass for over 3 decades. He and his wife Susan — who took a deserved bow — have been longtime parishioners and supporters of the Riverside Avenue church.

José Feliciano and his wife Susan. (Photo copyright DinkinESH Fotografix)

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If you think more people in Westport are working from home after COVID: You’re right.

According to data released by the CT Data Collaborative and AdvanceCT, and reported by CT Mirror, 36% of residents here work from home. That’s up from 15% in 2019.

Weston saw a similar increase: 39%, also up from 15%.

Meanwhile, 59 businesses opened iin Westport between 2021 and 2024. The number fwas just 30, between 2016-19.

Click here for many more statistics, available by town. (Hat tip: Peter Gold)

GG & Joe opened during the pandemic. They’ve been crushing it ever since.

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Jimmy Fallon knows tomatoes.

But Sal Gilbertie knows a lot more about them.

I’m not sure of the back story behind all this. Here though is a Gilbertie’s video starring a “celebrity tomato”:

It was followed by a Facebook video, from patriarch Sal Gilbertie (click here to see).

Both are delicious to see. (Hat tip: Mary McGee)

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The Board of Education begins meeting again on Thursday (August 21, 7 p.m., Staples High School cafeteria), following its summer break.

The first order of business will be the introduction of its new junior student representative on the BOE: Anwara Olasewere.

Click here for the full agenda.


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Looking for a great activity for your son or daughter?

Look no further than Scouting.

Westport Troops 39 (boys) and 139 (girls) welcome new potential members and their families in grades 5-12 for homemade pizza making and a bonfire (September 11, 6:30 to 8:30 p.m., Compo Beach).

Current members and adult leaders will answer questions, and share their excitement about plans for 2025-26 They include:

  • Ziplining
  • Downhill mountain biking
  • Camping
  • Whitewater rafting
  • Climbing
  • A trip to Fort Adams in Newport, Rhode Island
  • Leadership and service opportunities
  • And more.

Questions? Email Troop39Westport@gmail.com.

Troops 39 and 139.

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George C. White — the driving force behind the famed Eugene O’Neill Theater Center in Waterford, who died August 6 at 89 — was not a Westporter.

But he nurtured and influenced many residents.

Werner Liepolt was playwright-in-residence at the O’Neill theater — twice.

Liepolt says that Westporter Arthur Kopit was also a resident playwright. Max Wilk was a dramaturg there for several summer sessions.

And Michael Douglas — who lived with his mother on Whitney Street, in a house that Kopit later rented — was a frequent actor on the Eugene O’Neill Theater stage.

Eugene O’Neill Theater Center

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This crepe myrtle catches Topsy Siderowf’s eye, very time she passes it on Compo Road South.

She sends it along as today’s “Westport … Naturally” feature photo, adding, “They are more often seen in the south. But this specimen is thriving in Zone 7.”

(Photo/Topsy Siderowf)

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And finally … Bobby Whitlock — a keyboardist and singer-songwriter who helped found Derek and the Dominos, and played with stars like Eric Clapton and George Harrison — died Sunday in Texas. He was 77, and had been diagnosed with cancer.

Click here for a full obituary.

(As we gear up for the start of school, add this to your checklist: Please click here to support “06880.” We’ll keep providing all the news you need — with your help. Thank you all!)