Tag Archives: Werner Liepolt

[OPINION] No Notice. No Hearing. No Say: The Cribari Bridge Story

Longtime Bridge Street resident Werner Liepolt keeps a close eye on the Cribari Bridge project. Today he describes 3 meetings, over the past 2 years.

February 15, 2024

At a meeting of the Western Connecticut Council of Governments, former 1st Selectwoman Jen Tooker released Statewide Transportation Improvement Program funds of $4.1 million previously withheld by former 1st Selectman Jim Marpe, to the Connecticut Department of Transportation to start the Cribari Bridge Project.

May 15, 2025

At an “invitational” meeting in the Town Hall Auditorium, CTDOT, with Tooker in attendance, announced they were replacing the bridge with “a preferred option,” one that can accommodate all vehicles.

Invitations were based on the inactive-since-2018 Planning Advisory Committee list of stakeholders. This meeting was neither publicly noticed by Westport’s town clerk nor on the CTDOT Project page for the William F. Cribari Bridge. The few Westporters who learned of it had to request an invitation.

Cribari Bridge (Painting by Werner Liepolt)

December 18, 2025

At another “invitational” meeting held at 6 p.m. in Room 201 of Town Hall, Mandy Ranslow, supervisor, Cultural Resources CTDOT, confirmed their “preferred option” is to demolish the William F. Cribari Bridge. As CTDOT had determined this was an “adverse effect,” they offered to move it wherever the town wanted.

CTDOT officials said that tractor-trailer trucks would not be restricted by structural limits on the preferred option replacement bridge, and that it was up to Westport to deal with it.

Invitations to this meeting were sent to only a few consultants; several did not receive them. Attendance by elected officials depended on forwarded emails and word of mouth.

My published opinion piece in the Westport Journal and a sentence introducing Wendy Crowther’s tribute to the bridge in “06880” were perhaps the only publicity for the meeting.

The public hearing that didn’t happen

Curious as to how all this happened without any attempt to inform the public  —you — and elicit your views, which is required on federally funded projects that involve nationally registered historic properties (there are 24 on the east bank of the Saugatuck, and more across the river), I researched whether the “invitational” meetings were publicly noticed.

The 1877 Hotchkiss-Wheeler House on Bridge Street is on the National Register …

Questions and answers

Regarding the May 15 meeting, the town clerk replied: “This was not an official meeting of the Town, which is why it does not appear on the Town calendar. It appears that the State simply used the Auditorium to host the event. Any questions regarding the publication or notice of this event should be directed to the State DOT.”

I directed my question to James Barrows, the project manager. and got an answer: “Thank you for your inquiry and for your interest in the State Project 0158-0214.

“To ensure your request is handled efficiently and in compliance with the Connecticut Freedom of Information Act (FOIA), we kindly ask that you submit a formal FOI request through the CTDOT website. This process helps us track, process, and respond to all FOIA requests in a consistent and timely manner.”

Under federal law (Section 106 of the National Historic Preservation Act), the public must be informed and meaningfully involved before historic resources are evaluated, impacts determined, and alternatives narrowed.

In this case, those steps occurred out of public view. The community is now being presented with an offer of mitigation — a stage that only follows a formal finding of adverse effect — without having had the required opportunity to help identify historic resources, evaluate impacts, or advocate for avoidance and minimization.

… as is the 1932 Anna E. Dolan House. It’s the first one on the right, after crossing the river on the Cribari Bridge from Saugatuck.

Your right to be heard

I have posted a petition, which I will forward to the Federal Highway Administration, Advisory Council on Historic Preservation, and our Congressional representatives, asking for oversight to ensure that our rights to be heard are honored. Please sign it.

I have also filed the Freedom of Information request as suggested by the CTDOT project manager, asking for all records pertaining to the William F. Cribari Bridge Project.

Next steps

What you should do: Submit written comments to the Federal Highway Administration, the Connecticut Department of Transportation, the Connecticut State Historic Preservation Office, and the Advisory Council on Historic Preservation requesting the complete Section 106 and NEPA administrative records.

Ask how and when the public was consulted prior to the adverse effect finding, and formally request that alternatives and avoidance options be reopened for transparent public review.

Contact all our local elected representatives and the Select Board, with your need to have your voice be heard.

(“06880″‘s Opinion pages are open to all. Email submissions to 06880blog@gmail.com)

(“06880” is your hyper-local blog. We rely on reader support to bring you news, features, photos and much more. Please click here to make a tax-deductible contribution. Thank you!)

Online Art Gallery #296

Winter and water highlight this week’s online art gallery.

And, of course, several other random themes. Taken together, all make for another intriguing Saturday session.

Thanks, as always, to all our artists. No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Please email a JPG to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Children Reading by Firelight” (Mary Madelyn Attanasio)

Untitled — watercolor and colored pencil (Frazer Benton, One River student)

 

“Burying Hill Kingfisher” — watercolor (Eric Bosch)

“Mill Pond Buoy” (John Maloney)

“Wakeman Town Farm” (Dayle Brownstein)

“Grand Central, NYC” — oil on canvas, 30×40 (R. Castellon — Available for purchase; click here)

“Sun Rise” — acrylic (Dorothy Robertshaw)

 

“Snow’s Gonna Fall and the Frost Gonna Bite” (Tom Doran — Available for purchase; click here)

Untitled (Duane Cohen — Available for purchase; click here)

“Last Full Moon of 2025” (Karen Weingarten)

“A Little Wispy” (Nancy Breakstone — Available for purchase; click here)

“Surfside Beach, Outside Miami” (Wendy Levy)

“Bowl of Winesaps” — oil on panel, 11×14 (Werner Liepolt — Available for purchase; click here)

“Grace” (Bill Fellah — Available for purchase; click here)

“Wreath” (Jalna Jaeger)

“Snowy Hoops” (Patricia McMahon — Available for purchase; click here)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #294

Two days after turkey day, our “06880” artists continue to give thanks.

Hey — it’s still the holiday weekend!

And “06880” is thankful for all of you: our wonderfully eclectic group of artists, and our passionate readers who enjoy this weekly feature, and support them.

A reminder: No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Please email a JPG to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

Untitled (Duane Cohen; Available for purchase; click here)

“Distorted Takeoff” (Patricia McMahon; Available for purchase; click here)

Untitled — Winslow Park (Dayle Brownstein)

“Litchfield Hills Hideaway” — signed acrylic on canvas, 16×16 (Gert; Available for purchase; Click here)

“The Cucurbits of Fall” — oil on canvas, 16 x 20 (Werner Liepolt; Available for purchase; click here)

“Memories of a More Colorful Time” (Nancy Breakstone — Available for purchase; click here)

“Red Fish, Blue Fish, Oyster With a Pearl” — acrylic on canvas (Eric Bosch)

Untitled (Dorothy Robertshaw — Available for purchase; click here)

“YellowSlide” (Tom Doran — Available for purchase; click here)

Photographer Mike Hibbard says: “I am thankful for the gifts of beauty that my colleagues have submitted to Dan Woog’s 06880 Art Gallery, and the audience who enjoy our art. Onward!”

“A Pomegranate from the Shrub/Tree of Knowledge of Good and Evil” — watercolor (Steve Stein)

“Tiger” (Lawrence Weisman)

“Portrait of a Thoroughbred” — watercolor and acrylic (Bill Fellah — Available for purchase; click here)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Roundup: Jose Feliciano, Working From Home, Growing Tomatoes …

Singing and bantering in English and Spanish (and a little Italian), José Feliciano enterained a full and adoring crowd last night, at the Westport Country Playhouse.

The historic theater was the venue for the legendary, Grammy Lifetime Achievement-winning artist. It was a benefit for the Church of the Assumption, which next year celebrates its 150th anniversary. (That’s almost as old as the 94-year-old Playhouse and 80-year old Feliciano combined.)

The guitarist was accompanied by his sons Mikey (bass) and Jonnie (drums), and a band that — along with Feliciano — played a wide range of songs, in genres including Latin, rock, blues, Motown, Dylan and jazz (plus a smooth Sam Cooke tune).

José Feliciano (right), Hawkins French (left), and 3 other musicians in the 11-member band. (Photo/Dan Woog)

The 2-hour show ended with 2 of Feliciano’s best-sellers: “Light My Fire” and (of course) “Feliz Navidad.”

He’s sung that tune at Assumption’s Christmas Mass for over 3 decades. He and his wife Susan — who took a deserved bow — have been longtime parishioners and supporters of the Riverside Avenue church.

José Feliciano and his wife Susan. (Photo copyright DinkinESH Fotografix)

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If you think more people in Westport are working from home after COVID: You’re right.

According to data released by the CT Data Collaborative and AdvanceCT, and reported by CT Mirror, 36% of residents here work from home. That’s up from 15% in 2019.

Weston saw a similar increase: 39%, also up from 15%.

Meanwhile, 59 businesses opened iin Westport between 2021 and 2024. The number fwas just 30, between 2016-19.

Click here for many more statistics, available by town. (Hat tip: Peter Gold)

GG & Joe opened during the pandemic. They’ve been crushing it ever since.

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Jimmy Fallon knows tomatoes.

But Sal Gilbertie knows a lot more about them.

I’m not sure of the back story behind all this. Here though is a Gilbertie’s video starring a “celebrity tomato”:

It was followed by a Facebook video, from patriarch Sal Gilbertie (click here to see).

Both are delicious to see. (Hat tip: Mary McGee)

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The Board of Education begins meeting again on Thursday (August 21, 7 p.m., Staples High School cafeteria), following its summer break.

The first order of business will be the introduction of its new junior student representative on the BOE: Anwara Olasewere.

Click here for the full agenda.


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Looking for a great activity for your son or daughter?

Look no further than Scouting.

Westport Troops 39 (boys) and 139 (girls) welcome new potential members and their families in grades 5-12 for homemade pizza making and a bonfire (September 11, 6:30 to 8:30 p.m., Compo Beach).

Current members and adult leaders will answer questions, and share their excitement about plans for 2025-26 They include:

  • Ziplining
  • Downhill mountain biking
  • Camping
  • Whitewater rafting
  • Climbing
  • A trip to Fort Adams in Newport, Rhode Island
  • Leadership and service opportunities
  • And more.

Questions? Email Troop39Westport@gmail.com.

Troops 39 and 139.

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George C. White — the driving force behind the famed Eugene O’Neill Theater Center in Waterford, who died August 6 at 89 — was not a Westporter.

But he nurtured and influenced many residents.

Werner Liepolt was playwright-in-residence at the O’Neill theater — twice.

Liepolt says that Westporter Arthur Kopit was also a resident playwright. Max Wilk was a dramaturg there for several summer sessions.

And Michael Douglas — who lived with his mother on Whitney Street, in a house that Kopit later rented — was a frequent actor on the Eugene O’Neill Theater stage.

Eugene O’Neill Theater Center

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This crepe myrtle catches Topsy Siderowf’s eye, very time she passes it on Compo Road South.

She sends it along as today’s “Westport … Naturally” feature photo, adding, “They are more often seen in the south. But this specimen is thriving in Zone 7.”

(Photo/Topsy Siderowf)

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And finally … Bobby Whitlock — a keyboardist and singer-songwriter who helped found Derek and the Dominos, and played with stars like Eric Clapton and George Harrison — died Sunday in Texas. He was 77, and had been diagnosed with cancer.

Click here for a full obituary.

(As we gear up for the start of school, add this to your checklist: Please click here to support “06880.” We’ll keep providing all the news you need — with your help. Thank you all!)

Friday Flashback #463

There’s a selectperson’s race in the fall. One issue: a state Department of Transportation plan to replace the bridge over the Saugatuck River.

That’s this year’s scenario. But history repeats itself. The same events played out 40 years ago, in 1985.

This summer, Longtime Westporter (and Bridge Street resident) Werner Liepolt discovered a 4-decade-old t-shirt during a closet cleanout. He writes:

In the summer of 1985, crowds of Westporters wearing “Preserve the Bridge/Save a Neighborhood” t-shirts attended DOT meetings, protested on the bridge, and called for Westport’s candidates for first selectperson to protect a neighborhood and its residents from the irreparable harm threatened by a plan to replace the bridge and allow tractor trailer traffic an unobstructed route through residential Saugatuck.

Vintage 1985 t-shirt, designed by Bill Bell.

Republican candidate Bill Seiden and his Democratic opponent Marty Hauhuth both weighed in.

On August 9, 1985, the Norwalk Hour reported: “First Selectman Bill Seiden asked [CTDOT] to restore and repair the bridge rather than enlarge it which would allow tractor trailers to traverse the state route. He said that the public in general have justifiable fears that a bridge built for such a loading [10 tons & up] will encourage the use of 18-wheelers through our residential streets.

“Preserve The Bridge/Save A Neighborhood” supporters: Top row (left to right): Former 1st Selectwoman Jacqueline Heneage, Andy Ackemann, Marty Hauhuth, Sylvia Kamerow. Front: Bobbi Liepolt, Jordan Liepolt, Lorna Christopherson. (Westport News photo, courtesy of Woody Klein’s “Westport, Connecticut: The Story of a New England Town’s Rise to Prominence”)

His opponent, Hauhuth, acknowledging the neighborhood’s history. said: “The Saugatuck community has already almost been destroyed by one monstrous highway  [I-95]  and we cannot accept any bridge that would again create such monstrous approaches and desecration of homes.”

Hauhuth was dedicated, and more convincing. The “Preserve The Bridge/Save a Neighborhood” group endorsed her, and helped her defeat the incumbent, Seiden.

In the ensuing decades:

  • CTDOT restored the bridge.
  • Westporters ensured its National Register status, as the oldest operable pin-connected swing bridge in America.
  • Our state representatives blessed it with the name of beloved local traffic policeman, William F. Cribari.
  • Route 136, from the bridge up Compo Road South, is now a designated State Scenic Highway, thanks to John Suggs, Helen Garten, Wendy Crowther and Morley Boyd.
  • The Westport Historic Commission worked successfully with the State Historic Preservation Commission to designate the Bridge Street neighborhood — including the Cribari Bridge — as a National Register District.

Forty years later 35 more home owners reside in The Saugatuck (formerly Saugatuck Elementary School), Westport’s first cooperative affordable housing project. It opened in 1988.

And now there are 8 more families in newly built homes on the street leading to the bridge. More kids wait for school buses, bike, walking dogs, and wave to boats passing through the open bridge.

The open Cribari Bridge. (Photo/Whitmal Cooper)

In “Westport, Connecticut: The Story of a New England Town’s Rise to Prominence,” author Woody Klein reported Hauhuth’s sense of satisfaction with her service as first selectperson, stopped in traffic, waiting for the bridge to close:

A group of people gathered and it was delightful. There were people waving from a sailboat in the water. It was a wonderful, marvelous, small town summer scene. As Bob and I were watching somebody behind us said, “The town did the right thing in keeping this bridge. It’s wonderful.” That made me feel as good as anything I did as first selectman.

The Westporters wearing the t-shirts felt pretty wonderful too. We look back on the work that just needed a shirt to get started, and it makes us feel as good as anything we did.

However, not only did we find the preserved shirt, we found the silk screen used to print it.

Will a 2025 edition be needed for the coming election and CTDOT hearings?

(Friday Flashback is one of “06880”‘s many regular features. If you enjoy this — or anything else on our website — please consider a tax-deductible contribution. Just click here. Thank you!)

[OPINION] Stop DOT’s Cribari Bridge Plan!

Werner Liepolt lives in the Bridge Street Historic District. Valerie Seiling Jacobs is a member of Save Westport Now.

Both have closely followed deliberations over the future of the 135-year-old Cribari Bridge. Long stalled — like traffic heading to it — the state Department of Transportation has recently shown new interest in a replacement. Werner and Valerie write:

We’ve all seen it: traffic backed up on Bridge Street across the Cribari Bridge, distracted drivers with out-of-state plates checking their smartphones, and the line of cars clogging Riverside Avenue and Greens Farms Road.

It was bad in 2015, when the Connecticut Department of Transportation first started talking about fixing the historic swing bridge. But it’s only gotten worse since COVID.

The stream of traffic coming from I-95 is remorseless, especially in the morning. Pity parents trying to shepherd their youngsters across the street to catch the school bus. or commuters trying to get to the railroad station. A drive to Compo Beach during the summer can put you on Bridge Street for half an hour.

Bridge Street traffic: 7:40 a.m., May 29, 2025. (Photo/Werner Liepolt)

You know all this. You live here. And that’s exactly why Jim Marpe, our former first selectman, refused to vote to release the money for a DOT study.

He recognized that DOT was likely to recommend building a new, state-of-the-art bridge, one that would be tall enough to accommodate 18-wheelers and thus invite even more I-95 spillover and Waze traffic.

But here’s the rub: our current first selectwoman seems oblivious to the problem. Last year she voted to release $4.1 million to the DOT to begin work on the project.

On May 15, DOT held its first meeting in Westport about the bridge since 2018.

William F. Cribari Bridge. (Photo/Ferdinand Jahnel)

Of all the  neighbors, only registered “stakeholder” Werner Liepolt was invited to attend, although the public was not. In the invitation, the DOT noted that there had been “significant developments” concerning the project.

At the meeting, however, we learned the only “developments” appear to be that:

  1. The DOT has been asked by Tooker to do a traffic study on the Saugatuck side of the bridge only, presumably to accommodate the proposed Hamlet development, which she supports; and
  2. DOT is now officially recommending that we build a new, bigger bridge — one that will be weight-bearing and tall enough for 18-wheelers.

Needless to say, the stakeholders in the room were outraged. We reiterated what we had said in 2018: that a taller bridge will invite more traffic and trucks when I-95 backs up.

Matthew Mandell, a Representative Town Meeting member, wanted more information on how to obtain an exemption from current building specs, a request that Valerie Seiling Jacobs of Save Westport Now echoed.

She also asked if DOT had considered the impact of increased traffic on air quality — especially given Westport’s ongoing ozone issues. (They had not.)

Maggie Dallal and other young mothers described how difficult it is to cross Bridge Street to get their kids to the bus stop.

School bus crawls along Bridge Street: 7:47 a.m., May 29, 2025. (Photo/Werner Liepolt)

John Suggs, of the Westport Preservation Alliance, reminded DOT that the bridge is listed on the National Register of Historic Places, and that Bridge Street is an official “Scenic” route, 2 designations that entitle us to special dispensation.

And Paul Lebowitz, chair of the Planning & Zoning Commission, reminded everyone that the traffic and truck problem had been discussed at the 2018 DOT meeting.

A potential solution had been floated then: building a bridge that would look like the current bridge (e.g, it would have ornamental trusses), but would not be tall enough to accommodate 18-wheelers.

What happened to that idea? Lebowitz wanted to know.

The DOT seemed flummoxed by the crowd’s reaction, perhaps because none of them had been at the 2018 meeting (all those folks have since moved on).

Still, they insisted that a new bridge would not invite more truck or other traffic. In fact, they claimed that a new bridge would actually speed up traffic and reduce idling time, apparently ignoring the fact that everyone would still need to get through the intersection at Riverside and Bridge Street.

Moreover, they seemed to think that trucks would not choose this route even if I-95 backs up.

The Riverside Avenue side of the Cribari Bridge.

Are their memories so short that they do not recall how the fiery crash on I-95 in 2024 prompted hundreds of trucks to cut through Westport? Everyone in the area remembers how our police department had to stop truck traffic due to 18-wheelers jumping the sidewalks.

It’s true that the DOT reps at the front of the auditorium “duly noted” many of the concerns we raised, implying that they would look into those matters. At the very end of the meeting however, in a complete ambush, the chief DOT engineer for the project — who had apparently been in the audience all along but had not previously identified himself — took the microphone and made it clear that DOT intends to build a new bridge that will accommodate all truck traffic — thereby making a mockery of his junior colleague’s “duly noted” promises.

At this past Thursday’s Traffic and Pedestrian Safety meeting, we stood together with residents of the area and insisted that the Westport Traffic Authority demand comprehensive surveys and plans for traffic abatement and resident safety from DOT before any decision is made about the Cribari Bridge.

We must stand together as a community, and tell our first selectwoman and DOT that anything  less is unacceptable.

We deserve to have a voice in what happens in our community.

(If you agree, please email contactsavewestportnow@gmail.com to add your name to the roster of residents who will save the town from this hasty, dangerous, foolish plan.)

(The Opinion pages of “06880” are open to all. Please send submissions to 06880blog@gmail.com)

Online Art Gallery #267

It’s a record!

Over 20 artists are featured in today’s online art gallery. What a great way to kick off Westport’s Fine Arts Festival. As every artist must know, it runs today and tomorrow (Saturday and Sunday), from 10 a.m. to 5 p.m. on Main Street, Elm Street and Church Lane.

See you there — after, of course, you check out the works here.

And don’t forget: “06880” readers are always welcome to submit art. No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone can contribute.

Please email a JPG to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Magnolia Tree Bloom in the Fog” (Bonnie Connolly)

“Sunshine Blooms” (Dorrie Barlow Thomas)

“Hope Garden” — Westport Senior Center (Laurie Sorensen)

“Black-Eyed Susan — Coming Soon to Your Lawn or Garden” (Peter Barlow)

Untitled (Joan Micale — Available for purchase; click here)

“Bernie the Service Dog” (Missy Greenberg)

“Standing Tall and Gnarly” (Patricia McMahon — Available for purchase; click here)

Mike Hibbard says, “Crown of sharp needles locked around the slave’s head until blood flows. Any disobedience and master hits the metal crown harder to drive the needles deeper. Slavery is still rampant in our world!”

 

Untitled — wall sculpture; calla lily wrapped in fall leaf, resin, mounted on found cored circular scrap metal (Maureen Estony — Available for purchase; click here

“Smooch” — abstract digital image, produced in Midjourney and Photoshop (Ken Runkel — Available for purchase; click here)

Untitled (Duane Cohen — Available for purchase; click here)

“Virgin Gorda” — 3 paintings, oil on panel, each 12 x 16 (Werner Liepolt — Available for purchase; click here)

“Ghost of Drowned Keeper Frederick Jordan at Penfield Reef Light in Fairfield, CT Still Helps in Rescuing Mariners” — original oil on canvas, 11 x 14 (L. Miceli — Available for purchase; click here)

“Above the Mown Patch” — watercolor, 15 x 22 (Kathleen Burke; Available for purchase — click here

Untitled (Karen Schlansky — Available for purchase; click here)

“Standing Proud” — oil and cold wax on cradled board, 24 x 30 (Helen Rolfe Ham — Available for purchase, $695 plus shipping; click here)  

“Under the Sea” — painted horseshoe crab shells, mounted on wood (Eric Bosch)

“Mishegas, Bedlam and All Sorts of Chaos” — India ink and watercolor (Aerin Lichtman, 13 years old)

“Ready for a Memorable Memorial Day at Compo” (Steve Stein)

“Strawberry” (Lawrence Weisman)

“Alyssa’s Mom” — digital (Mary Treschitta — Commissions upon request; click here)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #261

Welcome to another colorful, topical and timeless week of our online art gallery.

As always, we invite submissions from all “06880” readers (and siblings). No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone can contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Branching Out” (Patricia McMahon)

“Purple Spring Flowers” (Karen Weingarten)

Untitled – From the edge of the fields at Greenwich Audubon Center (Kathleen Burke)

Untitled (Duane Cohen)

“Green Fishing Boat” — digital composition (Ken Runkel)

“Old Mill Low Tide” — oil on canvas (Werner Liepolt)

“Is it Winter or is it Spring?” — oil on aluminum (Dorothy Robertshaw)

“Saxophonist Rahsaan Roland Kirk” (Tom Doran)

“Found Art” — outside Westport Library (Jonathan Alloy)

“Circles and Angles and Snowfall in a Mirror” (Peter Barlow)

Pile of puppies dreaming of pulling a sled in the Iditarod Trail Sled Dog Race, 938 miles Anchorage to Nome, Alaska (Mike Hibbard)

“A Candle in the Window” (Lawrence Weisman)

“Still on the Drawing Board” (Aerin Lichtman, age 11)

“Blue or Red State — The Tax Man is Coming!” (Steve Stein)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #255

A couple of dogs, a couple of walks, a first-ever horse conch — and more — make up this week’s online art gallery.

No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Like a Walk in the Park” (Duane Cohen)

“The Walk” (Tom Doran)

“Kinda Blue” — acrylic (Patricia McMahon)

“A Touch of Spring” — watercolor (Dorothy Robertshaw)

“Showing Appreciation” — watercolor (Steve Stein)

“Delivery Man” (Lawrence Weisman)

“Horse Conch” — oil on canvas (Werner Liepolt)

Untitled (June Rose Whittaker)

“Hunting Dog Scene” — acrylic (Missy Greenberg)

“I Love You” (Martin Ripchick)

“Fishing Boat Sashimi — The Dream of All Seagulls!” (Mike Hibbard)

“The Cast Applauds the Audience for ‘Billy Elliot: The Musical’ at Warwick, Rhode Island” (Peter Barlow)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #239

There’s always something new in our online art gallery.

This week: a couple of new mediums.

But no matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Email a jpeg to 06880blog@gmail.com. And remember: Please include the medium you’re working in — art lovers want to know.

Untitled (Lawrence Weisman)

“Dear, I Love You More Than All the Red Leaves on all the Japanese Maple Trees in the Whole World!” (Mike Hibbard)

Untitled — eastern side of the Fairfield mill pond — watercolor (Kathleen Burke)

“Squash & Squalls” — oil on linen (Werner Liepolt)

“A Bench with a View” (Fred Cantor)

“The Queen Mary” — Carl Addison Swanson says, “It took 2 cranes $10,000 to move this from next door when Joey Karmonsky (Staples High School Class of 1941) died.”

Untitled (Duane Cohen)

“Boat Contrasts” — a 61-foot Army Q boat built in 1918 by Luders Marine in Stamford, and an inflatable Zodiac runabout (Peter Barlow)

“Homes” — wood (Tom Feeley)

“Bright Light” — impasto acrylic gold leaf (Dorothy Robertshaw)

“Time’s Up” — digital compounding (Tom Doran)

Acrylic dot art mandala (Faith Vicinanza)

“Is it Pop Art or Kindergarten/Refrigerator Art?” — watercolor (Steve Stein)

“They’re Almost Gone!” (Karen Weingarten)

 

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