Tag Archives: Luke Rosenberg

Terry Brannigan: It’s “Time” For Gillham’s Debut Album

Some Westporters know Terry Brannigan as an Eagle Scout. Others think of him as a former Staples High School wrestling star.

Perhaps one day the rest of the world may celebrate him for his music.

The 2020 Staples grad is now a Wesleyan University sophomore. He’s double majoring in physics and music. He’s minoring in IDEAS (Integrated Design, Engineering and Applied Science). He’s a varsity wrestler (125 pounds).

And he’s just released his first album. Which (of course!) he created entirely himself, in his dorm room.

Terry Brannigan’s “studio.”

He wrote every song. He played live instruments (after teaching himself bass and piano — he already knew guitar). He sang. He mixed, mastered and produced it all (after figuring out how to use the Ableton program).

And — why not? — he designed the album cover too

Terry Brannigan created all the “Gillham” art.

“Gillham” — that’s Terry’s middle name; it’s both the album title and his stage name — traces its roots back to Terry’s first guitar, at 7. He joined School of Rock, but did not take music seriously until the summer after 11th grade 

He and a friend formed the band Verbatim (it included his younger brother Eamon). They played a few gigs, at venues from bars to Barnes & Noble.

Terry Brannigan

A turning point for Terry was taking Advanced Placement Music Theory with Luke Rosenberg. The Staples choral director gave Terry “another way to look at and appreciate music,” he says.

Balancing school, music, wrestling and Boy Scouts was not easy. Terry was grateful to have two escapes — arts and sports — from the stresses of teenage life. They use different sides of the brain, he notes, and balance each other out.

Throughout high school, Terry wrote songs. Last year, stuck in his Wesleyan dorm room for long stretches during COVID, he worked in earnest on his music.

“I’d sit in the same chair for 6 or 7 hours — class, homework, music, eating dinner at my desk,” Terry says. “I was having a really weird relationship with time.” He began writing songs with that theme.

At first, Terry admits, it was hard  to write about personal feelings. “Is it too much information? Why would anyone care?” he wondered. But, he notes, “it’s easier, and a lot more fun, to write something you care about.”

The hardest part of making an album was not the lyrics or melody. It was production.

“There’s so much to learn,” says Terry. He taught himself Ableton Live — a digital audio workstation. “There’s an infinite number of sounds and instruments. When I figure out how to get something to sound the way I want it to, I’m grateful.”

Terry Brannigan: Westport and Wesleyan’s music man, in Nashville.

He’s produced an impressive debut album. That theme of “time” runs through nearly every track, mutating and reprising often. The more you listen to “GIllham,” the more you appreciate Terry’s insights, subtleties and nuances.

After the next tough part — promotion — Terry will turn to another musical project.

He’ll fit it in along with his very demanding courses at Wesleyan. And his equally tough wrestling schedule.

Terry Brannigan is a many of many talents. And — somehow — he’ll find “time.”

(“Gillham” by Gillham is available on Spotify, Apple Music and other streaming platforms.)

If Terry Brannigan is not making music or studying, you’ll find him on the wrestling mat.

Candlelight Concert 2021: Now Let Hosannas Ring!

Staples High School’s 81st annual Candlelight Concert — but first of the 2020s decade — awed audiences this weekend, with stunning performances by nearly 200 young musicians and singers.

(Photo/Lynn Untermeyer Miller)

With slight tweaks — an almost indiscernible new arrangement of “Sing We Noel,” snappy staging, even a new font in the program — the beloved event held on to all its important rituals, while offering fresh takes that showcased astonishing individual talents, and tremendous collaboration among teachers and groups.

A festive scene greeted concert-goers in the auditorium lobby. (Photo/Dan Woog)

Along with offerings from the Symphonic Band, Symphonic Orchestra nd Choirs, highlights included (but were hardly limited to) the Jazz Combo’s “Baby, It’s Cold Outside”; the String Quartet’s “Andante Festivo”; the Percussion Ensemble’s “Nutcracker to Go,” and the show-stopping “Fantasie for Piano, Choir & Orchestra Op. 80” by Beethoven, with vocal soloists and a mesmerizing performance by senior pianist Sasha Maskoff.

Another tradition: Alice Addicks greeting the audience. (Photo/Lynn Untermeyer Miller)

Each music instructor took turns leading combined group. Take a well-deserved bow, Luke Rosenberg, Carrie Mascaro, Phil Giampietro and Jeri Hockensmith — and your scores of talented, passionate performing artists.

(Photo/Lynn Untermeyer Miller)

“Sing We Noel” processional (Photo/Dan Woog)

Orchestra director Jeri Hockensmith leads “Parade of the Wooden Soldiers.” (Photo/Lynn Untermeyer Miller)

All eyes are on the conductor. (Photo/Lynn Untermeyer Miller)

Phil Giampietro acknowledges applause for the band and orchestra. (Photo/Dan Woog)

Masks did not detract at all from the choral selections. (Photo/Dan Woog)

Choral director Luke Rosenberg helped mastermind the 2021 Candlelight Concert. (Photo/Lynn Untermeyer Miller)

Jeffrey Pogue and Shanti Wimmer solo on the Jazz Ensemble’s “Baby, It’s Cold Outside.” (Photo/Lynn Untermeyer Miller)

Sasnta and friend, in Don Rickenback’s peppy production number (Photo/Lynn Untermeyer Miller)

Carrie Mascaro conducts the rousing “Hallelujah Chorus.” (Photo/Dan Woog)

Adding a bit of color to the Symphonic Band. (Photo/Dan Woog)

Staples music instructors (from left) Jeri Hockesmith,Don Rickenback, Mary Gardner, Luke Rosenberg, Phil Giampietro and Caitlin Serpliss acknowledge applause of their musicians after the “Hallelujah Chorus.” (Photo/Dan Woog)

Dozens of alumni joined nearly 200 musicians onstage for the “Hallelujah Chorus” finale. (Photo/Danielle Dobin)

Missed the concert? Mark this coming Thursday (December 23, 8 p.m.); click on www.StaplesMusic.org, for a streamed, previously recorded show. 

(Photo/Dan Woog)

Roundup: Staples Choral Concert; Da Pietro’s; BleachMaker; More


School’s out for summer. But you can listen today — and any (or every) day to Staples High’s Spring Virtual Choral Concert.

Masterminded by the great director Luke Rosenberg, with video work from student Tomaso Scotti, the wonderful event included solo performances, a choral work from each ensemble, and senior updates.

Click below for the full performance:

Click below for the choral performances only:


Among the restaurants that have recently reopened: Da Pietro’s.

The small spot on Riverside Avenue has a new “casual menu,” for takeout or delivery. Click here for details.

Owner/chef Pietro Scotti of DaPietro’s


Westporter Brandon Wilson was just a week into Peace Corps training in Costa Rica in March, when COVID-19 forced all volunteers to evacuate.

Back here and uncertain about next steps, he began working for a Louisville-based company. Waterstep was right up his alley: They empower citizens in developing nations to take care of their long-term water needs.

The key is a sanitizing BleachMaker. The portable device produces 1 gallon of powerful disinfectant in an hour using only water, salt and a 12V/DC power source for on-site.

During the pandemic it’s being used in the US too, in homeless shelters, food banks, prisons, jails, hair salons and other places that need bleach.

Money from domestic sales is used to donate BleachMakers in places like Kenya, where it’s disinfecting hospitals. It’s also a way for people to create microbusinesses.

“Instead of paying multinational corporations for bleach, money stays in local communities,” Brandon notes. He encourages “06880” readers to explore Waterstep further; just click here.


And finally … 50 years ago, the Temptations sang about a ball of confusion. Still, that’s what the world is today.

Pics Of The Day #781

In just 4 years, the Westport Schools’ Music Department Pops Concert has become one of the true highlights — and must-have tickets — of the spring.

The choruses, bands and orchestras are phenomenal. The Levitt Pavilion locale is stupendous. The evening is warm — in both the weather and community senses of the word.

It’s a sure sign that summer is almost here.

And that this is a town that loves and supports music, in all its forms.

A variety of chamber groups entertained early arrivals…

… as did the very talented Middle School Percussion Ensemble, playing traditional rhythms of Senegal.

A small part of the large Levitt Pavilion crowd.

The Westport Police Department color guard. (Photo/Tomas Curwen)

Symphonic and jazz band leader Nick Mariconda retires this year, after 41 years with the Westport schools. He was honored at his final concert.

Three of Mariconda’s former students — Jon Owens ’86, Andrew Willmott ’85 and Michael Ances ’90 — came back. They played trumpet — Mariconda’s instrument — on “Bugler’s Holiday.” All are now music educators.

Between sets, Staples musicians hung out by the river.

First Selectman Jim Marpe, interim superintendent of schools Dr. David Abbey and former Staples High School principal/Pops emcee John Dodig enjoyed the show.

The Orphenians wowed the crowd with selections like “And So It Goes” and “Unclouded Day.”

Orphenians director Luke Rosenberg.

Another view of the great crowd. (All photos/Dan Woog unless otherwise noted)

Unsung Heroes #101

This Unsung Heroes post started with a request to honor one Bedford Middle School music teacher: Lou Kitchner.

A parent praised him for his “innate passion for music, and the power music can have on an individual child.” She mentioned his special ability to make each student feel special; his utter devotion to his craft, and the youngsters he works with; his ability to reach each at their own level, and help them reach far beyond whatever they thought was possible.

Lou Kitchner

Mr. Kitchner certainly deserves those kudos. But Westport is fortunate to have many other superb music educators too. Each one — from elementary school teachers like Greens Farms’ Suzanne Sherman Propp, to Staples’ Luke Rosenberg, Carrie Mascaro and Nick Mariconda (who retires this year, after more than 40 years as band leader) — earns well-deserved praise and love from students and parents.

So — 2 days before the Westport music department’s 4th annual Pops Concert (a sellout, as always) — “06880” hails the entire town’s band, orchestra and vocal teachers as Unsung Heroes.

Luke Rosenberg, Carrie Mascaro and Nick Mariconda at the 2018 Candlelight Concert.

But I kept thinking about Lou Kitchner and his Bedford band. This has been a very tough year for his school — and of course Coleytown Middle too. Teachers from 2 schools were suddenly thrown together, in 1 building. Overnight, they had to adapt to an entirely new situation.

With incredible hard work, they got it done. Administrators and staff members — teachers, paraprofessionals, custodians, you name it — did whatever they had to to serve their students. (The same thing happened at Staples High, with Coleytown’s 8th graders.)

Spaces and resources were shared. Schedules were worked out. Everyone compromised. The school year went on.

That teamwork was never more evident than on Memorial Day. The Bedford and Coleytown bands marched together. Their numbers were huge. Their sound was impressive. Walking proudly — in front of, behind, and among them — were music teachers from both schools.

The Bedford and Coleytown Middle School bands combined this year. Hundreds of young musicians sounded great — and very together! (Photo/Sarah Tamm)

So everyone who had any part in making the Coleytown/Bedford/Staples transition work this year is an Unsung Hero too.

That’s a lot of heroes. But it takes a village to educate a child.

We bang the drum for all of you.

Nick Massoud: A Whiffenpoof Comes To Westport

Last year, Nick Massoud was a Spizzwink.

Singing with Yale University’s elite 13-member a cappella group, he performed in Europe, China, New Zealand, Indonesia, Hawaii, Iowa — and before a sold-out, hometown audience at Westport’s Seabury Center.

What could Nick possibly do for an encore?

Poof!

Back in his Staples High School days, when he was looking at colleges, Nick heard the Whiffenpoofs sing. They were a major reason he decided to apply to Yale — and, once accepted, to attend.

Self-described as “the world’s oldest and best-known collegiate a cappella group” — which is probably true — the Whiffs are 14 seniors who leave school for a year. They travel the world, singing for alumni clubs, schools and organizations, and in public concerts.

The 1913 Whiffenpoofs.

(They have a fondness for nursing homes too. During World War II, Whiffs’ songs hit the pop charts. Many current nursing home residents learned those tunes then — or heard them from their parents.)

Cole Porter was a Whiff. So was Connecticut Senator Prescott Bush, father of one US president and grandfather of another.

Obviously, you don’t just sign up and join. The audition process is rigorous.

Nick Massoud

Last spring, Nick auditioned with a solo rendition of “Mona Lisa.” Then he sang a Whiff standard — “Shall I, Wasting in Despair?” — to see how well his baritone blended with other voices.

Then came another hour-long interview — because Nick was auditioning not only as a singer, but for the role of business manager. He’d done that with the Spizzwinks, so he already had experience organizing a world tour.

The Whiffs loved Nick’s voice, and his business plan. They liked his responses too to questions about how he’d deal with the media. This is a big moment in the group’s 110-year history: For the first time ever, there is a female Whiff.

Once he was “tapped” for membership, it was an easy decision to defer his studies for a year. Nick says his parents were supportive — “maybe even jealous” — about his opportunity to travel the globe, singing, “before I start an un-musical job for the rest of my life.”

Nick has mapped out an arduous schedule for the Whiffs. Four major tours take them to 15 countries, on 6 continents.

The 2019 Whiffenpoofs. Nick Massoud is kneeling, on the right.

Right now, they’re in the midst of winter performances. They’re booked in Denver, Dallas, San Diego, Los Angeles, San Francisco — and Westport.

The local performance is set for Saturday, February 2 (5 p.m., Christ &  Holy Trinity Church).

On February 14, Nick brings his group back to town again. They’ll perform at Staples — his alma mater — for his former teacher Luke Rosenberg’s choirs and choruses. Staples Players will be there too — Nick was a noted actor, back in the day — and English teacher Brian Tippy may bring his classes. After all, he’s a former Whiff.

So is State Representative Jonathan Steinberg. Who knew?

When they’re not singing, the Whiffenpoofs enjoy local attractions. In Boulder, they went hiking. Nick Massoud is 5th from left.

As Steinberg, Tippy and Prescott Bush prove, there is life after Whiffenpoofs. So what will Nick do, when he returns as a senior next fall?

He’s a global affairs major. He interned last summer with Boston Consulting Group. They’ve already offered him a job in New York, after he graduates.

Boola boola!

(For tickets and information on the Whiffenpoofs’ February 2 Westport concert, click here. In the video below, Nick Massoud is at the far left.)

 

Sing We Noel: Staples’ Spectacular Candlelight Concert

From an achingly beautiful “Stille Nacht” to a stirring Nigerian carol “Betelehemu” — bookended of course by the haunting traditional “Sing We Noel” processional, a hilarious production number and the rousing “Hallelujah Chorus” — last night’s 78th Candlelight Concert was one of the best ever.

Staples High School’s hundreds of singers, orchestra and band members and instructors put their remarkable talents on display, in a packed auditorium. It is the music department’s gift to the town — and no amount of money could provide a finer present.

The Candlelight Concert continues this afternoon and this evening. All tickets for both performances were claimed weeks ago.

(Photo/Paul Einarsen)

Handsome decorations in the Staples High School auditorium lobby.

Chamber musicians play as concert-goers arrived.

Antonio Antonelli carries on the “Sing We Noel” tradition.

The Choralaires’ joyful rendition of “Betelehemu.” Dr. Robert Kwan is the accompanist.

Carrie Mascaro debuts as Staples’ Symphonic Orchestra conductor.

Don Rickenback’s hilarious production number includes a “Fiddler on the Roof”-style introduction about “Tradition” …

… and Rudolph the Red-Nosed Reindeer’s much lesser-known daughter.

Choral director Luke Rosenberg, orchestra conductor Carrie Mascaro and band leader Nick Mariconda take well-deserved bows. (All photos/Dan Woog unless otherwise noted)

Orphenians Bring Down The (Opera) House

Last month, the Staples High School Orphenians traveled to Australia. The elite singing group performed at the Sydney Opera House.

The teenagers are home now, but they’re still talking about it in Westport. I imagine they are in Sydney too.

But you didn’t have to be Down Under to hear their remarkable voices. Here, thanks to the wonders of YouTube, is a video of the entire concert.

The Orphenians’ individual performance — directed by Luke Rosenberg — begins at 23:49.

The combined choirs’ performance, including several other schools — directed by Craig Hella Johnson, one of the most popular conductors in any hemisphere — starts around 55:00. Staples’ rising senior Georgia Wright is featured at 1:45:30.

The Orphenian girls are in the second 2 rows, on both ends. The boys are behind them, in black ties.

(Hat tip: Kerry Foley)

Orphenians: The Wonder Down Under

The Orphenians are back.

Staples High School’s elite a cappella group returned — excited, joyful and (of course) singing — from a magical trip to Australia. 

They spent the past few days telling stories, sharing photos and trying to describe Vegemite. 

Rising senior Sam Gusick was one of the very lucky (and talented) Orphs. He says:

The Australian trip was one of the most amazing experiences I could imagine.

Singing in the Sydney Opera House was easily the best part. We worked with fantastic singers, under esteemed conductor Craig Hella Johnson and one of the most popular American choral composers of our time, Jake Runestad. Working with them on a world premiere felt like we were in the presence of celebrities.

The Orphenians, outside the Sydney Opera House…

The performance at the end included a diverse group of talented singers who created fantastic music, in a space that was beautifully designed to give ensembles the best sound possible.

Throughout rehearsals we did sightseeing, shopping and eating all over Sydney. We learned about its history and culture, and got a great grasp of the thriving city.

… and performing inside.

We then went to the more tropical Cairns. We saw the Great Barrier Reef, and visited a zoo with kangaroos, koalas and many other animals.

But this trip wasn’t just about the places we went. It was a huge bonding experience. We’re all closer and more connected as friends than ever before.

Getting ready to explore the Great Barrier Reef, in Cairns.

It never would have happened without Staples choral director Luke Rosenberg. He is one of the most talented and dedicated individuals I have ever met.

He found this incredible opportunity for us, helped us put together an awesome fundraiser, and made the trip extra-special in a ton of ways for all of us. The Orphs are so lucky to have an incredible leader like “Ro.”

Staples Sings With One Voice

Staples High School’s many choral ensembles — male, female, mixed, from freshmen through elite Orphenians — came together last Friday for a special “One Voice Concert for Unity.”

They sang by themselves and together. There were featured solos, and soaring, intricate group selections. Orphenians performed 2 pieces by Jake Runestad, the heralded composer whose work they’ll showcase this summer in Australia.

And there was a compelling rendition of “Tell My Father,” Sullivan Ballou’s tender Civil War letter to his wife, put to music.

It was an outstanding evening. Just when you think choral director Luke Rosenberg and our town’s teenagers can’t set the bar higher — they do.

(Hat tip: Jim Honeycutt, videographer)