Tag Archives: Carrie Mascaro

Now Let Hosannas Ring …

Posted on December 18, 2022 | 2 comments

This weekend’s Candlelight Concert — the 82nd since 1940 — honored both its long and storied tradition, and kept it fresh and new.

The choral symphonic and jazz ensembles awed the full auditorium with their voices and musicianship. The program — from the traditional, lovely “Sing We Noel” through the stunning “Nutcracker Suite,” rousing “Jubilate Deo” and clever production number, to the powerful “Home Alone Suite” and rousing “Hallelujah Chorus” finale — was both proof that our town’s young artists are very alive, quite well (and superbly well-trained), and that even in times of uncertainty and division, all can be right in Westport.

Congratulations and thanks to all who made Candlelight possible: choral director Luke Rosenberg; orchestra directors Carrie Mascaro and Jeri Hockensmith; band director Phil Giampietro; townwide music and visual arts coordinator Steve Zimmerman — and of course all the teenage musicians, who gave us the gift of music.

And of course thanks to Lynn Untermeyer Miller, who captured all the magic of the show.

The stage …

… and the lobby …

… the welcoming musicians …

… the ubiquitous Alice Addicks …

… the “Sing We Noel” processional …

… the orchestra …

… in tune with each other …

… an intense gaze …

… the Jazz Combo plays “Frosty the Red-Nosed Christmas Tree” …

… and the vocal duet “Let It Snow, Let It Snow, Let It Snow” …

… and the music …

… and the production number, Don Rickenback’s original “Holiday Greeting Letter” …

… and another production number view …

… while Jeri Hockensmith (rear) introduces her Staples music department staff (from left) Carrie Moscaro, Luke Rosenberg, Nick Giampietro and Don Rickenback. (All photos/Lynn Untermeyer Miller)

(Happy holidays! If you’d like to help support this hyper-local blog, please click here. Thank you!)

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Candlelight Concert 2021: Now Let Hosannas Ring!

Posted on December 19, 2021 | 4 comments

Staples High School’s 81st annual Candlelight Concert — but first of the 2020s decade — awed audiences this weekend, with stunning performances by nearly 200 young musicians and singers.

(Photo/Lynn Untermeyer Miller)

With slight tweaks — an almost indiscernible new arrangement of “Sing We Noel,” snappy staging, even a new font in the program — the beloved event held on to all its important rituals, while offering fresh takes that showcased astonishing individual talents, and tremendous collaboration among teachers and groups.

A festive scene greeted concert-goers in the auditorium lobby. (Photo/Dan Woog)

Along with offerings from the Symphonic Band, Symphonic Orchestra nd Choirs, highlights included (but were hardly limited to) the Jazz Combo’s “Baby, It’s Cold Outside”; the String Quartet’s “Andante Festivo”; the Percussion Ensemble’s “Nutcracker to Go,” and the show-stopping “Fantasie for Piano, Choir & Orchestra Op. 80” by Beethoven, with vocal soloists and a mesmerizing performance by senior pianist Sasha Maskoff.

Another tradition: Alice Addicks greeting the audience. (Photo/Lynn Untermeyer Miller)

Each music instructor took turns leading combined group. Take a well-deserved bow, Luke Rosenberg, Carrie Mascaro, Phil Giampietro and Jeri Hockensmith — and your scores of talented, passionate performing artists.

(Photo/Lynn Untermeyer Miller)

“Sing We Noel” processional (Photo/Dan Woog)

Orchestra director Jeri Hockensmith leads “Parade of the Wooden Soldiers.” (Photo/Lynn Untermeyer Miller)

All eyes are on the conductor. (Photo/Lynn Untermeyer Miller)

Phil Giampietro acknowledges applause for the band and orchestra. (Photo/Dan Woog)

Masks did not detract at all from the choral selections. (Photo/Dan Woog)

Choral director Luke Rosenberg helped mastermind the 2021 Candlelight Concert. (Photo/Lynn Untermeyer Miller)

Jeffrey Pogue and Shanti Wimmer solo on the Jazz Ensemble’s “Baby, It’s Cold Outside.” (Photo/Lynn Untermeyer Miller)

Sasnta and friend, in Don Rickenback’s peppy production number (Photo/Lynn Untermeyer Miller)

Carrie Mascaro conducts the rousing “Hallelujah Chorus.” (Photo/Dan Woog)

Adding a bit of color to the Symphonic Band. (Photo/Dan Woog)

Staples music instructors (from left) Jeri Hockesmith,Don Rickenback, Mary Gardner, Luke Rosenberg, Phil Giampietro and Caitlin Serpliss acknowledge applause of their musicians after the “Hallelujah Chorus.” (Photo/Dan Woog)

Dozens of alumni joined nearly 200 musicians onstage for the “Hallelujah Chorus” finale. (Photo/Danielle Dobin)

Missed the concert? Mark this coming Thursday (December 23, 8 p.m.); click on www.StaplesMusic.org, for a streamed, previously recorded show. 

(Photo/Dan Woog)

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Unsung Heroes #101

Posted on June 5, 2019 | 4 comments

This Unsung Heroes post started with a request to honor one Bedford Middle School music teacher: Lou Kitchner.

A parent praised him for his “innate passion for music, and the power music can have on an individual child.” She mentioned his special ability to make each student feel special; his utter devotion to his craft, and the youngsters he works with; his ability to reach each at their own level, and help them reach far beyond whatever they thought was possible.

Lou Kitchner

Mr. Kitchner certainly deserves those kudos. But Westport is fortunate to have many other superb music educators too. Each one — from elementary school teachers like Greens Farms’ Suzanne Sherman Propp, to Staples’ Luke Rosenberg, Carrie Mascaro and Nick Mariconda (who retires this year, after more than 40 years as band leader) — earns well-deserved praise and love from students and parents.

So — 2 days before the Westport music department’s 4th annual Pops Concert (a sellout, as always) — “06880” hails the entire town’s band, orchestra and vocal teachers as Unsung Heroes.

Luke Rosenberg, Carrie Mascaro and Nick Mariconda at the 2018 Candlelight Concert.

But I kept thinking about Lou Kitchner and his Bedford band. This has been a very tough year for his school — and of course Coleytown Middle too. Teachers from 2 schools were suddenly thrown together, in 1 building. Overnight, they had to adapt to an entirely new situation.

With incredible hard work, they got it done. Administrators and staff members — teachers, paraprofessionals, custodians, you name it — did whatever they had to to serve their students. (The same thing happened at Staples High, with Coleytown’s 8th graders.)

Spaces and resources were shared. Schedules were worked out. Everyone compromised. The school year went on.

That teamwork was never more evident than on Memorial Day. The Bedford and Coleytown bands marched together. Their numbers were huge. Their sound was impressive. Walking proudly — in front of, behind, and among them — were music teachers from both schools.

The Bedford and Coleytown Middle School bands combined this year. Hundreds of young musicians sounded great — and very together! (Photo/Sarah Tamm)

So everyone who had any part in making the Coleytown/Bedford/Staples transition work this year is an Unsung Hero too.

That’s a lot of heroes. But it takes a village to educate a child.

We bang the drum for all of you.

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Alan Alda And Mozart “M*A*S*H” Staples

Posted on June 6, 2017 | 10 comments

The final episode of “M*A*S*H” aired nearly 2 decades before they were born.

But 5 Staples High School musicians played Mozart’s Clarinet Quintet in A, K. 581, flawlessly last night.

They played it far better, in fact, than the 5 Chinese musicians who made it famous, in the “Goodbye, Farewell and Amen” episode that Alan Alda co-wrote and directed. With over 100 million viewers that night, it remains the most-watched finale of any American television series ever.

Alan Alda posed last night with Staples’ quintet (from left): Woongki Hong, James Gikas, Michael Fording, Jack Whitten and Sophia Thomas. (Photo/Kelle Ruden)

Carrie Mascaro’s students were at the Westport Library last night, as part of Alda’s “Booked for the Evening” appearance. In the middle of Cynthia Gibb’s introduction — as she noted his many “M*A*S*H” accomplishments — the Staples quintet struck up the piece that struck such a chord with Major Charles Winchester.

It still affects anyone who has ever seen that stunning final episode.

And why did Alda pick that particular piece to weave into his finale?

He met his future wife Arlene more than 60 years ago. She’s a professional clarinetist — and she was playing that very same beautiful Mozart melody.

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