Lynsey And Tyler’s Incredible Tale

What do you do if you’ve just spent 6 days in terror-filled captivity in Libya?

If you’re journalists and photographers for the New York Times, you collaborate on a story about it.

Westport photographers Lynsey  Addario and Tyler Hicks joined Beirut bureau chief Anthony Shadid and Stephen Farrell in writing a 5,000-word story that the Times just posted on its website.  It will undoubtedly run in tomorrow’s print edition.

Among the most remarkable passages:

No one really knows the script for days like these, and neither did we….

As they neared a dangerous government checkpoint:

“Keep driving!” Tyler shouted at Mohammed, the driver. “Don’t stop! Don’t stop!”Mohammed had no choice, and a soldier flung open his door.   “Journalists!” he yelled at the other soldiers, their faces contorted in fear and rage.  It was too late.

Tyler was in the front, and a soldier pulled him out of the car.  Steve was hauled out by his camera bags.  Anthony crawled out the same door, and Lynsey followed.

Even before the soldiers had time to speak, rebels attacked the checkpoint with what sounded like rifles and medium machine guns.  Bullets flew around us, and the soft dirt popped. Tyler broke free and started running.  Anthony fell on a sand berm, then got to his feet and followed Tyler, who, for a moment, considered making a run for it.

Lynsey instinctively clenched her cameras as a soldier pulled at them.  She let them go and ran behind us.   Soldiers tried to get Steve on the ground next to the car, and he pointed at the gunfire.  They made him drop his camera, then he ran, too.

We made it behind a simple one-room house, where a woman clutched her infant child.   Both cried uncontrollably and a soldier tried to console them. When we got there, soldiers trained their guns on us, beat us, stripped us of everything in our pockets and forced us on our knees.

Tyler’s hands were bound by a strip of a scarf. A soldier took off Lynsey’s gray Nike shoes, then bound her with the shoelaces. “God, I just don’t want to be raped,” she whispered to Steve.

The journalists were no strangers to danger:

All of us had had close calls over the years.  Lynsey was kidnapped in Falluja, Iraq, in 2004, Steve in Afghanistan last year.  Tyler had more scrapes than he could count, from Chechnya to Sudan, and Anthony was shot in the back in 2002 by a man he believed to be an Israeli soldier.  At that moment, though, none of us thought we were going to live.  Steve tried to keep eye contact until they pulled the trigger.  The rest of us felt the powerlessness of resignation. You feel empty when you know that it’s almost over.

“Shoot them,” a tall soldier said calmly in Arabic.

A colleague next to him shook his head.  “You can’t,” he insisted.  “They’re Americans.”

They bound our hands and legs instead — with wire, fabric or cable.   Lynsey was carried to a Toyota pickup, where she was punched in the face.  Steve and Tyler were hit, and Anthony was headbutted.

Even that Tuesday, a pattern had begun to emerge.  The beating was always fiercest in the first few minutes, an aggressiveness that Colonel Qaddafi’s bizarre and twisted four decades of rule inculcated in a society that feels disfigured.  It didn’t matter that we were bound, or that Lynsey was a woman.

But moments of kindness inevitably emerged, drawing on a culture’s far deeper instinct for hospitality and generosity.   A soldier brought Tyler and Anthony, sitting in a pickup, dates and an orange drink. Lynsey had to talk to a soldier’s wife who, in English, called her a donkey and a dog.  Then they unbound Lynsey and, sitting in another truck, gave Steve and her something to drink.

From the pickup, Lynsey saw a body outstretched next to our car, one arm outstretched.  We still don’t know whether that was Mohammed.  We fear it was, though his body has yet to be found.

If he died, we will have to bear the burden for the rest of our lives that an innocent man died because of us, because of wrong choices that we made, for an article that was never worth dying for.

No article is, but we were too blind to admit that.

We probably shouldn’t have lived through the night.

Even before the sun set, another gun battle broke out, almost as fierce as the first one.  We were trapped in trucks in the open.  Tyler stretched the binding of his handcuffs, allowing him to open the door.   Anthony yelled for help, trying to open the door with his teeth.

A soldier finally let Tyler crawl around the pickup to let Anthony out. For a moment, our captors were in the same plight as us. As the hours passed, they offered us food, drink and cigarettes.

“These are the morals of Islam,” one said to Anthony.  “These are the morals of Qaddafi. We treat prisoners humanely.”  For a few hours they did.  They offered blankets and mattresses, then put us in a car.  As rebels attacked every so often, we all barreled out of the car and dove to the ground, until the firing subsided. They put us back in, and we dove to the ground again.

They eventually let us lie behind a pickup.

Lynsey asked for her shoes. She got a bullet-riddled pair of Tyler’s, taken from his bag.

Clockwise from top left: Lynsey Addario, Stephen Farrell, Anthony Shadid, Tyler Hicks

On Wednesday:

A new group seized us, and they were rougher.  They blindfolded us, tied our arms and legs and beat us.  They then stuffed us into an armored car, where Lynsey was groped.  She never screamed but instead pleaded.  A soldier covered her mouth, tracing his hands over her body.  “Don’t speak,” he warned.  Another soldier tried to shove a bayonet into Steve’s rear, laughing as he did it.

A half-hour later, we arrived on what we thought were the outskirts of the other side of Ajdabiya.  A man whom soldiers called the sheik questioned us, then began taunting Tyler.

“You have a beautiful head,” he told Tyler in a mix of English and Arabic.  “I’m going to remove it and put it on mine.  I’m going to cut it off.”  Tyler, feeling queasy, asked to sit down.

We were finally put in a pickup where a soldier taunted Lynsey.

“You might die tonight,” he told her, as he ran his hand over her face.  “Maybe, maybe not.”

At 8:30 a.m. Wednesday, they were thrown blindfolded and bound in the back of a pickup truck and driven along the Mediterranean coast toward Colonel Qaddafi’s hometown of Surt, a six-hour drive.

We felt like trophies of war, and at a dozen checkpoints, we could hear militiamen running to the car to administer another beating.“Dirty dogs,” men shouted out at each stop.Over the years, all of us had seen men detained, blindfolded and handcuffed at places like Abu Ghraib, or corralled after some operation in Iraq or Afghanistan.  Now we were the faceless we had covered perhaps too dispassionately.  For the first time, we felt what it was like to be disoriented by a blindfold, to have plastic cuffs dig into your wrists, for hands to go numb.

The act is probably less terrifying than the unknown.  You don’t know when it’s going to end or what comes next.  By late afternoon, we were taken to a jail in Surt. Our captors led us to a basement cell with a few ratty mattresses, a bottle to urinate in, a jug of water and a bag of dates.  As night fell, we wondered whether anyone knew — or could know — where we were.

The foursome realized that no one outside of their captors knew where they were.
The next afternoon, on Thursday, was perhaps the worst beating.  As we stood on the tarmac in Surt, waiting for a military plane to Tripoli, Tyler was slapped and punched, and Anthony was hit with the butt of a gun to the head.  We were blindfolded and bound another time with plastic handcuffs, and Lynsey was groped again….

Nothing ever felt more generous to Anthony than a handcuffed Tyler managing to reach into the pocket of Anthony’s jacket, pull out a cigarette and light it before handing it back to him.

Tyler Hicks near the frontline during a pause in the fighting on March 11 in Ras Lanuf, Libya. Four days later, he and three other Times journalists were taken captive by government soldiers. (Photo: John Moore/Getty Images)

After a plane trip and bus ride:
We were moved to another vehicle but not before a soldier, perhaps from the losing side, drove the barrel of his rifle into the back of Tyler’s head.

Within a half-hour, we were in a military compound, in the hands of military intelligence. We collapsed on the floor, accepting milk and mango juice. We saw our bags unloaded, though we would never get them back.

A gruff man struck a sympathetic tone. You won’t be beaten or bound again, he told us.   You will be kept safe and, although you will be blindfolded if you are moved anywhere else in the compound, no one will mistreat you.

From that moment, no one did.

We were taken to a detention center that looked more like a double-wide trailer.  On the shelves were a two-volume German-Arabic dictionary and five of Shakespeare’s plays. (Colonel Qaddafi once famously quipped that Shakespeare, or Sheik Zubeir, was actually an Arab migrant.)

The men were given track suits. Lynsey was brought a shirt that read, “Magic Girl,” emblazoned with two teddy bears.  Her new underwear read, “Shake it up.”

At the late hours of night, we were blindfolded to receive visitors.

“You are now in the protection of the state,” a Foreign Ministry official told us….

Officials asked Lynsey whether she had been raped.

Over the next 4 days:

We fought boredom more than anything else.  Tyler finished Julius Caesar.  Lynsey started Othello.  If it went on much longer, Tyler jokingly suggested we perform the plays.  As the hours passed, we replayed each moment of the preceding days in detail, trying to piece together what had happened to Mohammed.

We wondered whether we would be delivered into more sinister hands.  After the no-fly zone was imposed and we heard volleys of antiaircraft fire, we thought that a desperate government could make us human shields.  Weighing over all of us was guilt for what we had put our families and friends through.

In the end, it was the trappings of diplomacy that delayed our departure.

Foreign Ministry officials, clinging to a prestige they may have never had, insisted that our transfer be formal, between two sovereign states.   At one point, they insisted an American or British diplomat had to travel to Tripoli in wartime.  In the end, Turkish diplomats served as intermediaries and delivered us to the border.

As we left, we saw the billboards of a crumbling government.  “Forty-one years of permanent joy,” read one slogan superimposed over a sunburst.  But the words that lingered with us as we left were quoted to Steve by an urbane Foreign Ministry official speaking idiomatic British English.

As we sat in an office, he murmured two lines of Yeats.

“Those that I fight I do not hate,

Those that I guard I do not love.”

12 responses to “Lynsey And Tyler’s Incredible Tale

  1. The Dude Abides

    Jeez, is this the New York Times blog? It is nice to see the saga of the Minolta monkeys coming to an end. I am sure it will get much coverage as it has here. Probably a movie made for TV boobs. Unforunately, the same can’t be true for PFC Rudy Acota, 19, of Canyon County, CA or Corporal David Mickler, 29 of Bucyrus, Ohio, who were killed in action on Saturday in Afganistan. The Times seemed to have forgotten about them. Certainly not front page material.

    • The NYT is a profit making entity. It sent these people to Lybia to help generate profits. It seems that they acheived their mission. Unfortunately for Acota and Mickler, their stories were not as profittable as the melodrama in Libya. Moreover, reporting on their deaths would be an implicit criticism of Obama and his ME policies, and we can’t have that.

  2. Minolta monkeys – adrenaline monkeys. Take a step back, Dude and realize that your dehuminization of others whose efforts you are not in agreement with bear a striking similarity to the “baby killer” labels placed on troops during Viet Nam. I didn’t like the label then and don’t care for your characterization now.

  3. Dude: Way too harsh. Only an opportunist would see this as an opening to get your digs into the New York Times. Lynsey and Tyler’s parents thank you for your wit.

    I’m sure the families of those 6,269 American casualties in Iraq and Afghanistan would be far more generous than you at the deaths, disappearances and those under constant threats of a murderous regime as media professionals work to bring a face and life to a story that continues to unfold. Their weapons of choice? Camera, laptop, paper & pencil and they are very effective.

    Dude, take the time to visit the Newseaum the next time you get to Washington DC and see up close and personal the hundreds of media professionals whom have died in the line of fire.

    Dan: thank you for posting the story, reading this brings the horrors of their experience up close and personal.

  4. The Dude Abides

    When I visit Washington D.C., I visit the Vietnam Memorial where some odd
    58,000 names listing the dead are further evidence of our crazy foreign policy. I don’t need to see much else. And I came back from Vietnam in June of 1970, to be spit upon at Washington College. I certainly don’t need the advice of those who would send our troops to die rather than to car pool. Both Westport photographers are talented and earnest. But they don’t belong in war zones that jeopardize not only international affairs but perhaps the soldiers that might have to go in save them. To me, “adreneline junkie” is hardly a criticism. It is what they are: they do it for the excitement, money and travel. But how many Mid-Easterners do you have see in turbins waving a rifle around or a poor African woman with Aids? It is terribly sad. But, take a ride over to Walter Reed to take some photos of the ambutees or photos of the 98,000 that are homeless in LA every night or the face of the poor kid who misses out on the charter school lottery in 7th grade and is destined for an unfullfilled life. That is the truth. That is bringing the story home. I am not being harsh but realistic. It is time for the people to wake up to the atrocities of war and that is not through the glamorization of some Nikon ninnes floating around Libya for a good front page photograph. Stop the pretense.

  5. Tough call. Every profession has its standards of achievement. You don’t win the Pulitzer Prize shooting sunsets and coyotes for Westport Now.

  6. Dude: Ever heard of Restrepo? Look it up.

    Paparazzi take pictures of celebrities for the money. War photographers risk their lives to show the world what is going on, including what our soldiers go through.
    Why don’t you actually look at some of Tyler’s photos…and you’ll see all the atrocities of war that you can stand.

    • People employed by the NYT take pictures to maximize the profits at the NYT. Reporting on a war is a profit making activity. As for the pictures; they reveal only what the photograph captures which may or may not be the “truth.” Some of us remember the staged picture of the baby in Nanking. It was dramatic, but a lie. And if you look at a previous thread, you will see that Eddie Adams was aware of the shortcomings inherent when attempting to make pictures tell the “truth.”

    • The photos certainly havne’t stopped the wars though, have they?

  7. The Dude Abides

    I have looked at the work of both photographers. I have never questioned their talent and moxy going into these combat zones. But for what reason? Is the Pulitizer the barometer on how we judge their mission? I used to fly NSA missions over Vietnam and then later, Cambodia. Upon grounding, there was a flock of photographers and journalists wanting to know where the “action was.” It was a frenzy to get that one picture or story that would bring them stardom and fame. I am not judging their zeal. I am disturbed at any and all newspapers OR our culture as a whole that promotes this kind of behavior. These folks are not trained to fight or defend themselves nor in many cases, have military escorts. As for showing what goes on, a F-15 fighter or SR-71 can take photos from 30,000 feet that show us exactly what is going on. And please don’t compare the plight of two photographers and the day by day hell our soldiers endure. You are naive and stupid to believe there is any similiarity. The message of “Restrepo” was not that film crews were allowed in there for a year but the”brotherhood” that soldiers experience. No such allegiance exists anywhere but in the military in war.

  8. I agree with most of what you’re saying Dude, however I think it was in a little bad taste to post those first comments. You could have just left it at thank God they’re home, glad this thing is over…just sayin’

  9. The Dude Abides

    If you will note my first comment when they were released (see old blog article), I did thank God that they were safe and hoped that they would return home. My argument is not against Lynsey and Tyler, it is against the idots who send them over there and also those who promulgate the demand for their talents. The only bad taste in my mouth is that there 120,000 troops in Afganistan that are in danger every day and go unnoticed by our celebrity conscious society.