Tag Archives: Werner Liepolt

[OPINION] Cribari Committee Must Insist On “Honest Process”

Werner Liepolt is a longtime Bridge Street resident. He writes:

On Thursday, 1st Selectman Kevin Christie announced a Cribari Bridge Advisory Committee.

That may sound reassuring.

But before anyone applauds, one question should be asked: Is this committee being formed to scrutinize the state’s process — or simply to give local cover to a decision already being pushed forward on an outdated record?

Because that is where things stand.

The state is moving toward a consequential decision on the future of the Cribari Bridge while relying on what it calls an “updated” Environmental Assessment that is, on close reading, still essentially the same document prepared in 2020.

First meeting of the Cribari Bridge Advisory Committee, in 2018. A new committee will soon be formed.

And Connecticut Department of Transportation officials say that kind of document has a shelf life of only 2 to 3 years.

So let’s stop pretending the issue is only what kind of bridge gets built.

The issue is whether Westport is being asked to accept a 2026 decision based on stale assumptions, stale analysis, and a process that no longer matches present reality.

I attended the first meeting of CTDOT’s Planning Advisory Committee in July 2018 as a federally recognized consulting party, because I live in the Bridge Street National Register Historic District.

At that meeting, CTDOT made the standard clear: Environmental Assessments do not last forever. After roughly 2 to three3 years, they must be revisited to account for changing conditions.

That was then.

At the March 19, 2026 public hearing, CTDOT presented a February 2026 version of the Environmental Assessment that appears to be little more than the 2020 document with a new date.

Cribari Bridge (Photo/Fred Cantor)

Yet the process rolls on:

  • Preferred alternative identified.
  • Public comment period underway.
  • Town leaders urged to engage.
  • Residents told their voices matter.

Fine. Then the first thing this new advisory committee should ask is obvious: Why is Westport being asked to react to a decision framework built on an expired study?

This matters because the bridge does not sit in some abstract engineering zone.

It sits in the Bridge Street Historic District, where setting, views, scale and patterns of neighborhood life are part of what is protected.

It also connects directly to Route 136 Scenic Highway, where preservation of visual character is not a sentimental talking point but part of the public purpose of the designation.

Start of the Route 136 Scenic Highway.

Since 2020, the surrounding conditions have plainly changed.

  • COVID transformed our demographic and altered our work habits.
  • Traffic patterns are different.
  • Navigation apps now push drivers through residential streets in real time.
  • Greens Farms Road already functions, at key hours, as a pressure valve for I-95 congestion.
  • Development in Saugatuck has intensified.

And nearby infrastructure changes raise entirely foreseeable questions about whether this corridor is being transformed, in practice, into something far more consequential than CTDOT’s analysis admits.

Residents do not need a consultant or an advisory committee to tell them that conditions have changed.

They live them.

What makes this even harder to defend is that the project’s own visual analysis appears partial. The review described in the current materials does not meaningfully capture winter visibility from elevated homes within the historic district, even though those views are part of the setting that gives the district its character.

The Bridge Street streetscape changes with the seasons.

So no, this is not just a procedural quibble.

It goes to the integrity of the entire decision-making process.

Because when a study is outdated, everything built on it becomes suspect: the alternatives analysis, the impact claims, the traffic assumptions, the mitigation discussion, and the town’s ability to say honestly that it has evaluated current conditions.

That is why the new advisory committee matters.

Not as a public-relations device.

Not as a way to calm people down.

Not as a stage on which local officials can appear engaged while the real framework remains untouched.

It matters only if it is willing to say, clearly and publicly, that Westport should not be boxed into commenting on a preferred option grounded in a stale Environmental Assessment.

Part of the state’s assessment of the Cribari Bridge.

Westport’s elected officials should be careful here.

A committee can be a tool for real scrutiny.

It can also be a way to absorb public anger while avoiding the central issue.

If this committee is serious, it should demand answers to a few basic questions immediately:

  • Why is a 2020 Environmental Assessment still serving as the foundation for a 2026 decision?
  • What exactly was reevaluated, and what was merely repackaged?
  • How were post-2020 traffic changes actually studied?
  • How were cumulative corridor impacts assessed?
  • Why should residents trust a process that appears to have updated the cover more than the analysis?

Those are not anti-bridge questions.

They are pro-accountability questions.

No one is asking for delay for delay’s sake.

What people are asking for is something much more modest and much more reasonable: that before Westport lends its name, its cooperation, or its political cover to this process, someone in authority insists that the underlying record reflect the world as it exists now — not as it looked 5 or 6 years ago.

The Cribari Bridge, in 2019. (Drone photo John Videler, for Videler Photography)

More than 1,600 people have signed a petition calling for federal oversight on the protection of Westport and the nation’s historic resources.

The March 19 hearing drew a packed room and a near unanimous, clear mandate.

The public has spoken with unusual clarity at the sole public hearing CTDOT has conducted on this project.

Now the question is whether this advisory committee will do anything more difficult than listen.

Because in the end, this is not just about what replaces the Cribari Bridge.

It is about whether Westport’s leaders will insist on an honest process — or help legitimize one that is already past its shelf life.

(“06880” Opinion pages are open to all. Email submissions to 06880blog@gmail.com. To support this hyper-local blog with a tax-deductible contribution, please click here.)

Online Art Gallery #313

Spring beckons, in today’s online art gallery.

As always, our artists — professional and amateur, young and old(er) — choose a variety of mediums to display their works.

As always too, we invite you to be part of next week’s exhibition. No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Just email a JPG to 06880blog@gmail.com. And please include the medium you’re working in.

“You’ve Got Mail” — Saugatuck Shores (Patricia McMahon — Available for purchase; click here)

Watercolor is a Swim in the White of the Paper— Lajos Szalay (Duane Cohen; Available for purchase; click here)

“Travelift, Cove Marina” — Kathleen Burke (Available for purchase; click here)

“One Nyala Morning” (Nancy Breakstone — Available for purchase; click here)

“Bunny’s in Your Garden” — acrylic pastel on canvas (Dorothy Robertshaw; Available for purchase; click here)

“Zeke” — pencil on paper (Bill Fellah)

“My Largest Color Splash Yet” — acrylics poured on a wooden panel (Eric Bosch)

“Print Stripes” — collage and printmaking (Ben Crockett, age 7 — One River Art student)

Untitled — collage (June Rose Whittaker; Available for purchase; click here)

“Mother Nature’s Feather Art” (Mike Hibbard)

“Spring” (Martin Ripchick)

“Lovers” — watercolor inspired by Chagall (Steve Stein)

“Sam” — graphite on Bristol (Werner Liepolt)

“Fred” (Lawrence Weisman)

(Entrance is free to our online art gallery –as it has been for 6 years. But please consider an anniversary donation! Just click here — and thank you!)

Online Art Gallery #312

Happy Easter! Welcome to the start of the baseball season! It’s spring!

Those are some of the themes in today’s online art gallery.

Along with, as always, other works that are harder to categorize, but sure to delight, provoke and inspire all who wander through.

As always, we invite you to be part of next week’s exhibition. No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Just email a JPG to 06880blog@gmail.com. And please include the medium you’re working in.

“Guardian Angel Comforting Jesus” — oil on canvas (Mary Madelyn Attanasio)

“Longshore Marina” (Patricia McMahon; Available for purchase; click here)

“Old Mill Plein Air” (Werner Liepolt)

“Stacked for the Season” (Nancy Breakstone; Available for purchase; click here)

“Sea Shell From Compo” (John Maloney)

“Auntie’s Patch of Heaven” — acrylic on canvas, 20 x 24 (Gert; Available for purchase; click here)

“Watercolor is a Swim in the Unknown: Jean Burman” (Duane Cohen; Available for purchase; click here)

Untitled (Tom Doran — Available for purchase; click here)

“A Hot Wheels Pizza” — wall art (Eric Bosch)

“The Kindness Project” (Owen Wang, age 13 — One River Art student)

In Your Easter bonnet – Gown, and Sparkling Necklace – You’ll Be the Grandest Lady in the Easter Parade! (Mike Hibbard)

“The Saddest Day in Baseball History —  Remembering Lou Gehrig, the Iron Horse” — watercolor (Steve Stein)

“My Friend Kelso” (Lawrence Weisman)

“Presidential Portrait” (Mark Yurkiw; Available for purchase; click here)

(Entrance is free to our online art gallery –as it has been for 6 years. But please consider an anniversary donation! Just click here — and thank you!)

[OPINION] Explaining The Cribari Bridge Process

As a Bridge Street resident, Werner Liepolt has followed the Cribari Bridge project closely. He writes:

Many people in Westport wonder: Could this project change the kind of traffic that moves through our neighborhood — especially trucks?

It’s a legitimate question. And it’s more important than it might seem, because the answer is not just a matter of opinion or preference. It is supposed to be part of a federal review process.

Westport has been here before. From the construction of I-95 to earlier debates over the bridge itself, residents have long wrestled with how large infrastructure decisions affect the character of their neighborhoods. Past leaders have emphasized the importance of seeing full information and hearing public input before major decisions are made.

The Cribari Bridge. (Photo/Wendy Crowther)

That expectation — that process should be clear, transparent and responsive — remains just as important today.

Four key groups are involved in the process.

The Connecticut Department of Transportation (CTDOT) designs the project and prepares the Environmental Assessment, and identifies potential impacts (traffic, right-of-way, neighborhood effects).

The State Historic Preservation Office reviews impacts on historic properties and districts, and participates in Section 106 consultation.

The Federal Highway Administration ensures compliance with federal law; oversees environmental and public review, and must consider and respond to public comments before decisions are made.

The public (residents and consulting parties) provides comments and local knowledge; raises concerns, and becomes part of the official record agencies must consider.

Each of these roles matters. The process works best when every part is carried out fully and transparently.

One way to make sense of the process is to translate the terminology into plain language.

A federal law (the National Environmental Policy Act)requires that before a project is approved, agencies must look carefully not just at what will be built, but at what may change because it is built.

That includes traffic patterns, safety, noise, and how a place is experienced over time.

So when residents ask whether a new bridge might change traffic — possibly including truck patterns — that is not outside the process. It  is the kind of question the process is supposed to answer.

When there is an issue on I-95, traffic backs up on Bridge Street. (Photo/Werner Liepolt)

At the March 19 public hearing, another issue brought the question of process into sharper focus.

It surprised many to hear that approximately 10 properties and a dock may be affected by right-of-way acquisition. Yet no map or specific identification of those properties was presented.

Moments like that can be unsettling — not because projects never have impacts, but because understanding those impacts is essential to meaningful public participation.

When information emerges late or without clear context, residents may wonder whether they are seeing the full picture, or how their own property or neighborhood might be affected.

That too is part of what the review process is intended to address: ensuring that potential impacts are clearly identified and available for public understanding before decisions are finalized.

Because Cribari sits within the Bridge Street Historic District, another federal requirement also applies: Section 106.

Bridge Street is part of a Historic District.

This part of the process asks a different but related question: How might a project affect not just a structure, but the character of a historic place?

To answer that, agencies define an Area of Potential Effects — the area where the project could reasonably have an impact.

If a project could change traffic patterns beyond the immediate footprint of the bridge, it is reasonable to ask whether the area being studied should also be broader.

If right-of-way acquisition is under consideration, it may also be appropriate to consider whether those properties should be clearly identified and included in the analysis.

There is also a sequence to how these decisions are supposed to be made. The process is not decide → build → address concerns later.

Instead, it is meant to proceed in this order:

  1. Avoid impacts where possible.
  2. Minimize impacts where they cannot be avoided.
  3. Mitigate impacts as a last step.

If that sounds like common sense, it is. It is also federal regulation.

At a December 18 meeting, discussion appeared to move quickly toward potential mitigation measures associated with a replacement bridge. Options such as relocating the existing structure were raised, and demolition was referenced as an alternative.

While mitigation is an important part of the process, it is intended to follow a full consideration of ways to avoid or minimize impacts. When the conversation centers on mitigation before those earlier steps are clearly resolved, it can give the impression that key outcomes are already taking shape, rather than remaining open to evaluation.

The Cribari Bridge is 143 years old. (Photo/Robbie Guimond)

A petition requesting federal oversight of this process has gathered about 1,500 signatures in a matter of weeks.

The purpose of that petition is sometimes misunderstood. It is not asking that a particular outcome be imposed, nor is it opposing infrastructure improvement.

Rather, it reflects a shared concern that potential impacts — especially those that extend beyond the bridge itself — be fully and transparently evaluated before decisions are made.

It is a request that the existing federal review process be applied as intended.

As the Cribari Bridge project has evolved, the design has become more defined and more aligned with current engineering standards. That is a natural and expected part of any infrastructure project.

At the same time, some residents are asking whether the analysis of potential impacts — particularly indirect effects like changes in traffic — has evolved at the same pace.

That is not an argument against the project. It is a question about whether the process is keeping up with the project.

It is also understandable that some residents feel the process can be difficult to follow, or that decisions may be moving ahead of public understanding.

At the beginning of the March 19 public comment session, attendees were directed to provide comments at tables for transcription. As the session unfolded, speakers instead came forward to the podium to offer comments directly.

Moments like this can add to uncertainty about how best to participate. Clarity in how public input is received is an important part of ensuring that residents feel their voices are heard — and that their comments become part of the official record.

The public comment period exists for exactly this reason. It is one of the few points at which residents can ask that questions be fully addressed before decisions are finalized, rather than after.

Home page of the Connecticut Department of Transportation Cribari Bridge website.

The comments residents submit become part of the official record that federal agencies are required to review and respond to.

That is how the process is designed to work. It works best when people use it.

You do not need to master the terminology, and you do not need to agree with your neighbor on every point.

But if you are concerned about how this project could affect traffic, safety or the character of the neighborhood, there is a simple and meaningful way to participate: Ask that the impacts be fully studied before decisions are made.

Even a short, clear and respectful comment helps ensure that those concerns are considered as part of the process. Comments become part of the official record that federal agencies must review and respond to before moving forward

In the end, this is not only about a bridge. It is about how decisions are made, how places are understood, and how communities participate in shaping what comes next.

That participation does not require expertise — only a willingness to ask the right questions at the right time.

Public comment on the Cribari Bridge project (#0158-0214) is open through April 17. Comments can be made online (click here); by email (James.Barrows@ct.gov); voicemail (860-594-2020), or mail (James Barrows, 2800 Berlin Turnpike, Newington, CT 06131).

To learn more about the Cribari Bridge project, click here.

(“06880” Opinion pages are open to all. Email submissions to 06880blog@gmail.com. To support our work, please click here. Thank you!)

[OPINIONS] 2 Views On Cribari Future

Werner Liepolt and Robbie Guimond live a few hundred yards apart. They are separated by the Saugatuck River — and by what to do about the Cribari Bridge, which links their 2 neighborhoods.

Today, both offer their views on the future of the 143-year-old span.

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Werner Liepolt lives in the Bridge Street Historic District. He writes:

I have worked with the Connecticut Department of Transportation (CTDOT) on the Cribari Bridge project since 2016.

Not against them — with them.

So have several other Westport residents. Many of us served on the Project Advisory Committee as consulting parties recognized by the Federal Highway Administration, representing different groups in town.

I live in the Bridge Street National Register Historic District, which the Westport Historic District Commission and the Connecticut State Historic Preservation Office nominated for National Register status in 2017.

1884 Rufus Wakeman House, in the Bridge Street Historic District.

I am not sorry that we worked with CTDOT.

But I am sorry that CTDOT has not worked more closely with the community on one central concern: truck traffic.

Throughout the PAC meetings, consulting parties repeatedly asked a simple question: If the Cribari Bridge is rebuilt or altered, how will the project prevent the residential neighborhoods of Bridge Street, Imperial Avenue, Greens Farms Road, South Compo Road, and Saugatuck Ave nue from becoming a bypass route for trucks avoiding I-95 congestion?

To date, none of the project alternatives presented by CTDOT address that question.

The 143-year-old Cribari Bridge is not wide or high enough to handle large trucks. (Photo/Patricia McMahon)

The Environmental Assessment prepared for the project runs more than 160 pages, with hundreds more pages of appendices. Yet the analysis largely assumes that changes in bridge height, width, and weight capacity will not significantly alter traffic patterns.

Many residents believe that assumption deserves closer examination, and that CTDOT needs a No Trucks option.

The Cribari Bridge sits within a federally recognized historic district. Under federal law, projects affecting historic districts must consider not only direct impacts to structures, but also long-term, indirect and cumulative effects on the district’s setting and circulation patterns.

Changes that could alter traffic composition — including the potential for heavier vehicles — are part of that evaluation.

In my petition, now signed by over 1,400 people, I asked for something simple: open hearings before decisions are made, and federal oversight to ensure that the protections applied to historic districts are properly followed.

That request still stands.

The upcoming CTDOT meeting on March 19 (6 p.m., Town Hall auditorium) is an opportunity for residents to ask the questions that have not yet been fully addressed.

One of those questions is straightforward: Should Bridge Street and the surrounding historic district become a route for heavy truck traffic — or should Westport insist on solutions that prevent it?

Whatever one’s answer, the question deserves to be asked — and answered — before decisions about the bridge are finalized.

(Click here to submit comments on the Cribari Bridge to the Connecticut Department of Transportation.)

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Robbie Guimond lives on Riverside Avenue, where he owns a marina. He writes:

After 4 decades at the marina, it’s obvious I value public access to the Saugatuck River, The potential loss of the Cribari Bridge weighs heavily on me.

Over the last 10 years I’ve been  deeply involved with this process. It has highlighted various perspectives that deserve investigation.

More traffic analysis is one. I believe the Connecticut Department of Transportation has approached these options from as neutral a perspective as possible.

Even with their past “adaptive reuse” and the less than perfect results, I feel they are looking for the best outcome for the town.

One view underneath the Cribari Bridge (Pier 2) …

After reviewing the Environmental Assessment and literally hundreds of public blog comments, it is clear that losing the historic bridge is unpalatable to the many who are vocal.

 

However, it is also evident that CTDOT intends to take action.

From my perspective, there are 2 paths forward:

1. No Build. This means the repair of pier 2, along with minor repairs to the truss and other needed areas.

Yes, the electric box will go, but the different heights of the horizontal truss members might have a posted height of around 13′ 4″.

I believe one is sagging to 13′ 7″-ish, thus preventing tall tractor trailer trucks while still allowing our Fire Departments ladder trucks. This option also avoids a temporary span in The Bridge restaurant’s lot, and extends the span’s life by approximately 15 to 25 years with minimal disruption beyond some channel closures.

2. Full Replacement: If CTDOT deems the first option out of the question, a full replacement is the only other reasonable alternative. The current bridge has already undergone many modifications, and further aggressive changes will only diminish what remains of its character and lead to a 13′ 6″ marked height.

… and another (the pedestal the span swings on). (Photos/Robbie Guimond)

While the pros and cons of a full replacement are debatable, one point is non-negotiable: The town administration, with its Representative Town Meeting- suggested Bridge Committee must maintain strict control over every detail of the design — including location, height, air gap, crosswalk improvements at Wilton Road, and Compo Road South’s desperately needed left turn signal — as this new structure will likely stand for the next century.

I am hopeful that either option can lead to a successful outcome,  I guess time will tell.

(“06880″‘s Opinion pages are open to all. Email 06880blog@gmail.com with submissions. To donate to this hyper-local blog, please click here. Thank you!)

Cribari Meeting Looms; Petition Gains Signatures

What’s next for the Cribari Bridge?

As Westporters prepare for Thursday’s public meeting with the Connecticut Department of Transportation (March 19, 6 p.m., Town Hall auditorium), nearly 1,400 residents have already made their views known. (They have also donated $2,455 to the cause.)

They signed an online petition organized by Werner Liepolt. The former Westport teacher — who lives on Bridge Street just few hundred yards from the 143-year-old span — initiated it due to what he calls “a public perception that CTDOT had not provided opportunity for public involvement.”

Werner Liepolt painted this image of the Cribari Bridge.

Liepolt asks for “federal oversight to guarantee that all alternatives are evaluated and that the richly historic and irreplaceable nature of the bridge is given due consideration.”

He has submitted his petition into the official public comment record for the Environmental Assessment currently under review by CTDOT and the Federal Highway Administration.

Under federal review procedures, public comments and petitions are part of the record considered as agencies evaluate project alternatives and potential effects on the surrounding area (including the Bridge Street National Register Historic District).

The meeting is part of the ongoing environmental and historic review process for the Cribari Bridge project.

The full petition — active until April 17 — says:  “I am a resident of the Bridge Street National Register District, home to the iconic William F. Cribari Bridge—individually listed in the National Register of Historic Places that has been an integral part of our community’s identity for 141 years.

“This historic bridge, oldest operable bridge of its kind in the USA, nestled in Westport, Connecticut, is on the brink of being replaced by the Connecticut Department of Transportation (CTDOT) without an essential public engagement process.

“Despite its historic status, there has been a disturbing lack of transparency and involvement from the public, disregarding the National Historic Preservation Act of 1966 Section 106 review procedures.

“The William F. Cribari Bridge is more than just a piece of infrastructure; it is a cherished symbol of our heritage, tying together the historical fabric of our neighborhood.

Cribari Bridge (Photo/Patricia McMahon)

“The sudden decision to replace such an irreplaceable landmark raises concerns not only within our community but also nationwide, as it sets a precedent for how historic sites might be handled without proper oversight.

“Why hasn’t there been an effort to engage the community in this critical decision-making process? The lack of transparency undermines the principles of fair public policy and overlooks the historical significance that this bridge brings to our region.

“It is imperative that the federal government steps in to ensure that the CTDOT considers all perspectives, from engineering experts to local residents, and follows due process in accordance with National Historic Preservation guidelines.

“The preservation of the William F. Cribari Bridge is essential for maintaining the cultural and architectural identity of our region, and its replacement should not proceed without an exhaustive review and input from all stakeholders involved.

Manually opening the Cribari Bridge.

“We need comprehensive federal oversight to guarantee that all alternatives are evaluated and that the richly historic and irreplaceable nature of the bridge is given due consideration.

“I urge you to sign this petition to demand federal oversight over the Connecticut Department of Transportation’s plans to replace the William F. Cribari Bridge.

“Together, we can safeguard the integrity of our cherished historic landmark and ensure a democratic process respects both our heritage and community voice.

“Let us be vigilant in protecting our past for the generations to
come.”

Cribari Bridge Petition Nears 1,000 Signatures

A petition begun by Bridge Street National Register District resident Werner Liepolt is nearing 1,000 signatures.

Calling the Cribari Bridge — which links his road with Saugatuck — “more than just a piece of infrastructure; it is a cherished symbol of our heritage, tying together the historical fabric of our neighborhood,” Liepolt says: “The sudden decision to replace such an irreplaceable landmark raises concerns not only within our community but also nationwide, as it sets a precedent for how historic sites might be handled without proper oversight.

“Why hasn’t there been an effort to engage the community in this critical decision-making process? The lack of transparency undermines the principles of fair public policy and overlooks the historical significance that this bridge brings to our region.”

Petition organizer Werner Liepolt painted this Cribari Bridge scene.

The Change.org petition is aimed at 8 “decision makers”: Governor Ned Lamont, Senators Richard Blumenthal and Chris Murphy, Congressman Jim Himes, State Senator Ceci Maher, State Representative Jonathan Steinberg, Planning & Zoning Commissioner Michael Cammeyer, and Representative Town Meeting member Nancy Kail.

The petition adds: “It is imperative that the federal government steps in to ensure that the CTDOT considers all perspectives, from engineering experts to local residents, and follows due process in accordance with National Historic Preservation guidelines.



“The preservation of the William F. Cribari Bridge is essential for maintaining the cultural and architectural identity of our region, and its replacement should not proceed without an exhaustive review and input from all stakeholders involved. We need comprehensive federal oversight to guarantee that all alternatives are evaluated and that the richly historic and irreplaceable nature of the bridge is given due consideration.”

Liepolt says that signers “demand federal oversight over the Connecticut Department of Transportation’s plans to replace the William F. Cribari Bridge. Together, we can safeguard the integrity of our cherished historic landmark and ensure a democratic process respects both our heritage and community voice. Let us be vigilant in protecting our past for the generations to come.”

Click here to see the online petition.

(“06880” covers the Cribari Bridge controversy — and everything else going on in Westport too. If you appreciate our 24/7/365 eye on the town, please click here to support our work. Thank you!)

[OPINION] Bridge Street Historic District: Myth vs. Fact

Werner Liepolt lives in the Bridge Street Historic District.

He has watched with interest as the District has become part of the discussion around the future of the Cribari Bridge. He writes:

Myth 1: “Historic district status means nothing can be changed.”

Fact: National Register listing does not stop projects. It simply requires that federally involved projects evaluate impacts on historic character and consider alternatives before decisions are finalized.

Myth 2: “This is just one neighborhood trying to protect itself.”

Fact: Federal law requires special review when a project may affect a recognized historic district. The issue isn’t favoritism — it’s whether required federal review standards are being followed properly.

Myth 3: “Historic protections only apply to buildings, not traffic.”

Fact: Under federal review (NEPA and Section 106), agencies must consider indirect effects — including traffic patterns, noise, vibration, and setting — if they could affect a historic district’s character.

Historic District: The 1886 Orlando Allen House, at 24 Bridge Street.

Myth 4: “The bridge is old, so replacement is inevitable.”

Fact: Federal law requires agencies to evaluate a reasonable range of alternatives, including rehabilitation, before deciding on replacement — especially for historic resources.

Myth 5: “Historic designation blocks safety improvements.”

Fact: Safety improvements can absolutely happen. The requirement is simply that agencies evaluate options carefully and transparently before selecting an approach.

Myth 6: “If traffic is a problem everywhere, the historic district shouldn’t matter.”

Fact: Many areas face traffic concerns, but federally recognized historic districts trigger specific legal review requirements that don’t apply in the same way elsewhere.

18 Bridge Street

Myth 7: “This is about stopping progress.”

Fact: The goal is not to stop change, but to ensure that decisions are made with full information and proper public process, as required under federal law.

Myth 8: “Bridge Street National District is no different than other neighborhoods.”

Fact: It has been recognized nationally, and what happens fall under federal regulations.

(“06880” Opinion pages are open to all. Email submissions to 06880blog@gmail.com)

Online Art Gallery #305

Another record!

Nineteen artists are featured in today’s online art gallery.

As always, their works span mediums and themes. And their ages, backgrounds and geographic locations are all over the map too. Most artists live in Westport — but some grew up here, and now live and work around the world.

As always, we invite you to be part of next week’s exhibition. No matter your age; the style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, mixed media, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Just email a JPG to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Echoes of Passion” — digital oil painting (Ken Runkel)

“As We Sometimes See Ourselves” — oil on canvas (Mary Madelyn Attanasio)

“Mia” — 10 x 10 acrylic on canvas (Missy Greenberg)

“Cooper” — pencil on paper (Bill Fellah — Available for sale; click here)

“Swimming Upstream” — acrylic and resin (Patricia McMahon — Available for purchase; click here)

“Art Buds” — 30 x 30 acrylic impasto (Dorothy Robertshaw — Available for purchase — click here)

“Off the Wall” (Nancy Breakstone — Available for purchase; click here)

Untitled (June Rose Whittaker — Available for purchase; click here)

“SnowFrame” (Jerry Kuyper)

Untitled (Marina Drasnin)

“Ice Image” (Cohl Katz)

“What Path Will You Take in 2026? All A-BOARD! Go For It!” (Mike Hibbard)

“Cuban Tree Frog” (Werner Liepolt — Available for purchase; click here)

“World’s First Immigrant Alien” (Mark Yurkiw — Available for purchase; click here)

“Me on the Saxophone” — watercolor (Eric Bosch)

“Hail to the Chief” (Martin Ripchick — Available for purchase; click here)

“Every Dancer Has an Aura!” (Steve Stein)

” Cage Free Soul Intention Seeking Peeps” — Hand-drawn clothing culture construction design art processes (Megan Grace Greenlee)

“Lost in Thought” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Roundup: MLK Day, ACA, Cribari Bridge …

Today is Martin Luther King Day.

Last week, the Westport Senior Center posted 2 of his quotes, on a bulletin board in his honor:

(Hat tip and photo: Laurie Sorensen)

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Fran Hoyte had the perfect spot for a Pilates studio.

Her space on the lower level of Bridge Square offered a peaceful view of the Saugatuck River. It was comfortable, inviting, and — with no advertising or social media, just word of mouth — clients flocked to Saugatuck Studios.

There was just one problem: floods.

The space was inundated by storms like Sandy and irene. Sometimes, it was swamped by high tides.

After 15 years, Fran has found a location guaranteed not to flood.

And it’s just as funky as her previous spot.

Sound Pilates has relocated to 21 Jesup Road. They’re on the 2nd and 3rd floors above the Westport Book Shop. The 200-year-old building — most recently Pause + Purpose wellness center; before that an architect’s office, and earlier a home — offers sweeping (and soothing) views of Jesup Green and the Saugatuck River.

“This is so quiet. But it’s still downtown,” Fran says. “It really feels like home for us.”

Fran has also added a physical therapist. Dr. Victoria Chiappetta has trained with Fran, developing an appreciation for traditional Pilates, alignment, and intelligent movement.

Fran now offers small group classes, in addition to individual sessions. She also teaches Pilates instructors — including many now working throughout Fairfield County.

“We’re not about working until you feel pain,” Fran says of her and Victoria’s partnership. “This is always about joyful movement.”

To learn more about Sound Pilates & Physical Therapy, click here.

Fran Hoyte and Dr. Victoria Chiappetta on Sound Pilates’ 2nd floor, overlooking Jesup Green and the Saugatuck River. (Photo/Dan Woog)

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Werner Liepolt — a longtime Westporter whose home is near the Cribari Bridge — is closely watching state Department of Transportation decisions involving the 145-year-old span.

Last week, he was a guest on Lisa Wexler’s WICC radio show. Click here to listen to their discussion about the bridge’s past, present and future. 

The Cribari Bridge, painted by Werner Liepolt.

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Congress did not extend Affordable Care Act (ACA) premium tax credits. But a Connecticut state subsidy program will replace some or all of the federal tax credits that lapsed on January 1, depending on enrollee eligibility for Access Health CT insurance plans.

Congressman Jim Himes’ office can help with questions: (203) 333-6600.

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Yesterday’s snowfall was a great chance for kids to go outside, and have some traditional (aka “non-screen”) fun.

Peter Salwin’s children did just that — with dad.

Here’s the result, on Greens Farms’ Rustic Lane:

(Photo/Peter Salwin)

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Despite yesterday’s snow and cold, Deadman Brook is not frozen over.

That was good news for these guys — the subject of today’s “Westport … Naturally” feature photo:

(Photo/Greg Rosen)

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And finally … we opened today’s Roundup with a tribute to Rev. Dr. Martin Luther King Jr. And we’ll close it another.

The message of this simple, stirring song is as important to heed today, as it was when Sam Cooke wrote it over 60 years ago, in 1963.

Unfortunately.