Alert — and preservation-minded — “06880” reader Bill Kutik writes:
Every house in Westport has a history. I’ve been lucky enough to learn about mine from a man who grew up in it — 91-year-old Peter Barlow.
It’s already somewhat famous as the “Gerber Baby” house off Sylvan Road North, though we never think of it that way. We already knew it was built in 1927 by an original New Yorker cover artist and cartoonist, Perry Barlow. Many of his colleagues settled in Westport in the 1920s and ’30s because they had to go into New York only once a week to show their work to the magazine’s art editor. Back then, many considered Westport too far to commute on a daily basis. Imagine that?
Perry Barlow (self-portrait).
Barlow’s wife, artist Dorothy Hope Smith, had a sideline to her book illustrating and advertising work: doing oil paintings of friends’ children. In 1928, Gerber held a contest to find a face for its new baby food. Dorothy sent a simple charcoal sketch of a neighbor’s baby, and offered to paint an oil.
The marketing execs loved the sketch, paid her $250 (in 1929 dollars), and starting in 1931 the Gerber Baby turned into the longest running advertising symbol in American history – 90 years and counting. Imagine, if instead, they had given her a small payment every time they used it?!
Dorothy Hope Smith’s “Gerber baby” sketch.
After buying the Barlow House in 1998, my then wife and I dithered over its 2 painting studios. The larger one is part of the house with a 2-story ceiling, a huge north-facing window made of 77 individual panes of glass, and a soaring brick fireplace. The other is a separate building with much the same (including a bathroom and kitchen), but a smaller north window with 25 panes.
We needed historical precedent: Which artist used which one?
I opened the Westport phonebook (remember those?), and found Peter listed. He cheerfully answered my question: “My mother used the studio in the house.”
It became my office, where I have been delighted to work at such a historic intersection of art and commerce. After 30 years in the software industry – as columnist, consultant and impresario – I am close to finishing my first book. It was written largely in Dorothy’s studio.
Bill Kutik, at work in Dorothy Hope Smith’s former studio. (Photo/Nancy Moon)
My wife Nancy Breakstone has made Perry’s former studio into her photography studio. She frames and displays incredible photos of abstract patterns she finds everywhere: in the volcanic sand of Costa Rica’s Pacific beaches, in coral and even in modernist buildings like the TWA Hotel at JFK. You may have seen them at one of the 50+ local art shows she exhibits in every year, or online.
Perry Barlow’s studio is now used by Nancy Breakstone Photography.
So the “artists’ studio” tradition of the Barlow House continues.
I lost touch with Peter when he left Westport after 70-plus years to move closer to his daughter Dorrie Barlow Thomas in Pawcatuck. But I thought of him when I contacted Bob Weingarten, house historian and plaque coordinator since 2003 for the Westport Historical Society (now the Westport Museum for History & Culture). He immediately did an incredible deep dive into historical research. and determined the Barlow House qualified.
Happily I saw Peter commenting on a blog in “06880.” I answered his comment with my email address, and began a voluminous correspondence. We found half a dozen things in common over the 20 years separating us, including boating and typography. That’s in addition to his childhood home, which we both love.
Peter has been a professional marine photographer his entire working life. He shot editorial and advertising pictures for leading magazines, including Yachting and Motor Boating, which also published his 1973 book The Marine Photography of Peter Barlow (still available). For 17 years, he created his own 2-page spread of photos and copy every month in Soundings.
Peter was involved in every step of the plaque approval process. When COVID restrictions eased and spring weather arrived, Dorrie drove them both 90 minutes to Westport. We spent a great few hours together touring the house and studio, hearing how everything used to be, having lunch outside, and hanging the plaque together.
(From left) Nancy Breakstone, Bill Kutik, Peter Barlow and Dorrie Barlow Thomas, with the newly hung plaque at the Sylvan Road North home.
But first we recreated what he most enjoyed as a teenager: driving at top speed the original and still-unpaved uphill driveway to the house. It sits on top of what I’ve been told is the second highest hill in Westport. Peter confirmed that 85 years ago, you could see Long Island Sound from his 2nd-floor bedroom. How can I start a deforestation program to my south? I drove us up the driveway at reckless teenage speeds. He roared with delight — and told me I should have gone faster.
Teardowns gets tons of publicity. The loss of familiar streetscapes — and their replacement by (often) bigger, more modern homes — is hard to miss.
Renovations are harder to see. Much of that work goes on inside. But they’re an important part of Westport life too.
Tracey Ialeggio Kelly was born and raised in Westport. Her father Tony Ialeggio — an architect for over 40 years — instilled in her a love for historic houses.
She graduated from Staples High School in 1991. Nineteen years later, she purchased a 1927 home on Colonial Road that was a prime candidate for demolition.
She restored it beautifully. In 2012 the Historic District Commission honored her with a Westport Preservation Award. It noted her sensitivity to the mass and scale of the historic Greens Farms Congregational Church neighborhood.
Tracey Ialeggio Kelly’s Colonial Road home … (Photo/Bob Weingarten)
“It is an example of how a small, modest house can be successfully preserved, expanded and adapted to the needs of a modern family on a small parcel of land,” the award said.
But Tracey was not through. Last July, she bought another historic house, on Sylvan Road North.
She asked Westport Museum of History & Culture house historian Bob Weingarten to research it. He found that the property was purchased by Charles and Frederick Fable — brothers who created Fable Funeral Home — in 1939, from Edward Nash.
… and her house on North Sylvan. (Photo/Megan Kelly)
Frederick died a few months later. His son — also named Frederick — continued to build the house, with his uncle Charles. It remained in the family until 1985.
Tracey’s friend Andy Dehler surprised her on Christmas with a historic house plaque. It’s one of many that remind everyone who passes that history continues to live in town.
We just have to know where to look.
Tracey Ialeggio Kelly, with her historic home plaque. (Photo/Megan Kelly)
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