Tag Archives: Oscars

You Float At iFloat

From the Peace Corps to teaching advanced biology to recent immigrant teenagers at the Brooklyn International School, David Conneely has spent his working life helping others grow and reach their potential.

Now he wants people to float in warm water in a dark, insulated private room. It’s a relaxing, rejuvenating experience — and one that, in its own way, encourages people to grow and reach their potential.

Floating in Westport.

Floating in Westport.

David’s path to iFloat — on Main Street above Oscar’s, it’s the only 4-room float center east of Arizona — was an outgrowth of his own desire to understand how to harness the mind’s shifting patterns.

David first floated — in warm water with 1000 pounds of Epsom salt, no light and almost no sound; the incredibly relaxing experience calms the nervous system, amplifies slow brain waves that are the source of creativity and insight, and stimulates dopamine — about 5 years ago.

Inspired and enlightened, he bought a float tank for his own New York apartment. He taught workshops. Last summer, a colleague offered to invest, if David wanted to expand.

Andrew Shinn and David  Conneely.

Andrew Shinn and David Conneely.

He loved teaching, but sensed the time was right to make a move. Andrew Shinn, his partner in a long-distance relationship, lived in Cambridge. They decided to open a float tank in Boston, and gave themselves a year to get ready.

Through Google, Andrew stumbled on iFloat, an existing business in Westport. Driving to Brooklyn to visit David, he stopped in.

No one was there. Andrew learned the former owner had basically abandoned it 2 months earlier. Two days from then, workers would rip out the float tanks, and turn it into a chiropractor’s office.

Lee Papageorge, Oscar’s owner and iFloat’s landlord, saw Andrew’s concern. Lee said the iFloat owner might sell his business to Andrew.

After poring over spreadsheets and talking with lawyers, David and Andrew made an offer. Nine months earlier than they expected — and 160 miles south — they owned a suite of float tanks.

iFloat logoThey opened on January 8, part time. David took an early leave from his teaching job, and moved here in March. Andrew joined him in April. iFloat was now a full-time operation.

Though they did not choose Westport — “it chose us,” David says — the choice worked out well.

The owners have done plenty of community outreach. Artists receive 3 complimentary floats, in exchange for providing float-inspired works. Teachers, students, public employees and nurses get discounts.

A monthly wellness event (with free food and drinks) is a popular attraction. Courses and lectures on improving brain patterns and communication are good draws too.

David and Andrew love those crowds. But they also appreciate serving as sounding boards for people after their hour in the float tank.

A glass brain sits in the iFloat conference room.

A glass brain sits in the iFloat conference room.

“Things pop into your mind while you’re suspended there,” David explains. “You’re isolated from all stimuli. You just rest, reduce stress, and concentrate on healing your body and mind.” iFloat’s lounge (with tea) is a good place to re-acclimate.

As a long-time teacher, David enjoys educating Westporters about the float experience.

“We want this to be a place were people can come, slow down, reflect, and leave in a better state of mind.”

Not The Same Ol’ Fine Arts Festival

Tons of people — Westporters and outlanders — love the Westport Fine Arts Festival.

Party-poopers complain about the heat.

The Westport Downtown Merchants Association heard you. This Saturday’s event (July 21) runs from 10 a.m. to 7 p.m. (Sunday hours are still 10 a.m. to 5 p.m.)

A small scene from last year’s Arts Festival.

Next excuse?

“It’s always the same stuff.”

Bunnies (and a carrot) by the banks of the Saugatuck.

Hah! This weekend — for the 1st time in 39 years — there are new categories: digital art, wood, jewelry, glass, ceramics and fiber.

So you not only have the usual art show — 140 booths featuring original drawing, mixed media, painting, photography, printmaking, sculpture and watercolor — but you can take care of all your fiber needs too.

Take that, New York street fairs!

Several years ago, the Downtown Merchants moved Westport’s show from an actual street (Main) to a parking lot (Parker Harding) and island (Gorham). The move was controversial — some store owners thought they lost business — but we’ve still got “street” performers (everyone’s talking about the mime).

Children’s activities include a balloon artist and face painter.

Art — or a human being? You decide.

Music ranges from a steel band, jazz and local hotshot Dylan Connor to a sneak preview of the Staples Players’ summer production “Willy Wonka, the Musical.”

Refreshments are provided by Blue Lemon, Oscar’s Du Soleil Catering, Rita’s Italian Ice, Everybody Scream Ice Cream, and J&D Kettle Corn.

There’s also ice cold beer — and, new this year, wine.

If wine doesn’t say “Westport Downtown Arts Festival” — well, every party has its pooper.

(Added bonus: The Westport Library‘s annual book sale takes places a few yards away. The highest-priced item ever is on sale — a signed Andy Warhol volume, for $1,000 — but most books, CDs, etc. are $1 to $5. )

Blake, Ryan, Suzanne, Martha, Paul And Oscar

Suzanne Sherman Propp — no slouch in the talent department herself — was in Oscar’s yesterday afternoon.

Sitting a few feet away were Ryan Reynolds and his Gossip Girl, Blake Lively. Bedford, New York — where they just moved — may have Martha Stewart, but it lacks a good deli.

“Thank you, Paul Newman, for training us Westporters to be calm, cool and collected during celebrity sightings,” Suzanne says.

Blake Lively and Ryan Reynolds (not at Oscar’s, and not at the Oscars).

Harvey’s Oscar

Weston’s Christopher Plummer got some well-deserved honors at last night’s Oscars.

So did “The Artist.” It snagged 5 “bests”: picture, directing, costume design, original music score and actor.

Harvey Weinstein

None of it, though, might have happened without the backstage direction of one man: Westport’s Harvey Weinstein.

The longtime movie industry mover and shaker — and co-founder of Miramax Films — created a marketing plan for the silent, black-and-white French film that may have been, in CNN’s words, “a triumph of marketing over art.”

In a long piece today, CNN.com‘s Nick Thompson writes:

For many, the film’s triumph at the Oscars was a foregone conclusion, the result of a marketing process set in motion months ago by movie mogul Harvey Weinstein, who snapped up the U.S. distribution rights before anyone at the Cannes film festival had a chance to swoon over the French film last year.

“There wasn’t any doubt when it came to the top awards who the winners were going to be,” Total Film deputy editor Jamie Graham told CNN. “Harvey is the best in the business at getting that awards attention, and it became clear with ‘The Artist’ two months ago that this was the film that had caught the tailwind.”

The mercurial movie promoter and co-founder of Miramax Films, credited for discovering “Pulp Fiction” director Quentin Tarantino and a string of commercial and critical successes including “The English Patient,” “Shakespeare in Love” and last year’s “The King’s Speech,” is famous for harnessing the momentum of his films at the right time and riding waves of publicity to wins at the podium and at the box office.

No sooner had Jean Dujardin taken the top actor award for his portrayal of silent film star George Valentin at Cannes than Weinstein had the film’s stars and directors hitting the award campaign circuit to capitalize on its surprise success….

Empire magazine’s Ian Nathan says that by the time the Golden Globe Award nominations came around, the race for Oscar glory had narrowed to a two-horse race between George Clooney’s “The Descendants” and “The Artist” — a race Weinstein’s relentless campaign strategy began to win by the end of last year.

“Something about what Harvey managed to do — getting these three very charming leads and the director out there, getting the dog out there, screening it to everyone who mattered, milking the nostalgia and old Hollywoodness of it — lifted it from the competitor to the favorite long before the show came around,” he told CNN.

“Once one film has a foothold — once it’s become the thing like ‘The King’s Speech’ did last year — then even Clooney can’t compete,” he said.

Weinstein’s strength, says Nathan, lies in his ability to catch a “middle-brow” film right before it becomes popular and turn it into the frontrunner.

Nathan told CNN: “He’s very good at picking the middle-brow films… and the Oscars are a mainstream event which celebrates the best of the middle. Harvey’s been a very wily player in that, and you have to give him that credit, he knows how to map that out over a year.”…

While the money may not follow, Nathan says one thing seems certain — after a relatively dry decade, the back-to-back successes of “The King’s Speech” and “The Artist” means Harvey Weinstein is back in business.

“Harvey’s come out of his fallow years as the guy to beat at the Oscars,” he said. “It’s a bit of a second coming — clearly he’s still got a little bit of that magic.”

Who Knew?

It’s nice when non-profits ask local businesses for help, and merchants say “sure!”

It’s even nicer — spectacular, even — when a store owner sees a need, finds a solution, and offers aid without being asked.

That’s exactly what Lee Papageorge, owner of Oscar’s Deli, has done for Homes With Hope.

Several months ago, realizing that folks who use the Gillespie Center food pantry received non-perishable items — but not fresh food — he offered to include a coupon for a dozen fresh eggs, a gallon of milk, a loaf of bread or lettuce and tomatoes in every bag of food given out at the Gillespie Center.

Every bag!

For over 2 decades, hungry men and women have found sustenance at Westport’s food pantry.

Since January, they’re eating even more healthfully.

That’s community outreach — and spirit — at its quietest.  Its most efficient.  Its most generous.

And its best.

Three faces of Oscar's: a welcoming front patio; a mural honoring patrons; fine deli food. (Photo/Videler Photography)

An Oscars Shout-Out To Nick Ordway

It wasn’t Best Picture, Best Director, or even Best Actress in a Supporting Role.

It was “only” Best Short Film, Live Action (“The God of Love,” a romance about a lounge-singing darts champion — why not?).

But the blogosphere was alive this morning, burbling that writer/director/star Luke Matheny gave the best acceptance speech all night.

He joked that he should have gotten a haircut (his hair is huge).  He made a pitch for his special film niche, and hailed “the great state of Delaware.”

And he thanked — by name — his 1st assistant director, Nick Ordway.

Nick Ordway

Nick — a 1998 Staples alum who was very active in Staples Players — is a 2009 NYU Tisch School of the Arts graduate.

Befitting someone involved in an Oscar-winning short film, he’s had a storied career.  Nick studied literature and theatre at Princeton University, then taught English at Chiang Mai University in Thailand.

His films have played at Lincoln Center and on the web.  In addition to directing, Nick freelances as a sound recordist, and teaches film at the School of Cinema and Performing Arts.

We knew  there’d be at least one Westport-themed story from last night’s Oscars.

Any others we missed?

Oscar, Oscar!

When America watches the Oscars tomorrow, at least 3 Westporters will have more than a casual interest.

Neil Katz and Andy Sawyer are executive producers of “The Kids Are All Right.”

The film — about 2 kids conceived by artificial insemination, who bring their birth family into their family’s life — has been nominated for 4 Academy Awards.  Three are pretty random (for example, “Best Writing, Screenplay Written Directly for the Screen”), but 1 is the biggie:  “Best Motion Picture.”

“The Kids Are All Right” has already won a Golden Globe for “Best Motion Picture, Musical or Comedy.”

Of course, feature films are not the only Oscar nominees.  Less heralded, but equally important (at least to the makers’ friends and family) documentaries have their own categories.  “The Warriors of Qiugang” — about Chinese villagers who take on a chemical company that’s poisoning their air and water — is up for “Best Documentary Short Subject.”

Staples grad Brian Keane composed the haunting music.  A multiple Grammy, Emmy and Peabody Award winner, Brian is also a noted producer, working with artists as diverse as Pete Seeger, Linda Ronstadt and the London Symphony Orchestra.

We’re sure there are Oscar-related Westporters we’ve missed.  Click “Comments” — and help make tomorrow night in California even more intriguing for those of us home in Connecticut.

Homeless In Westport

We’ve all seen her around Westport:  the woman with the limp.  We see her on the Post Road; at the Y; in the library.  Some of us wonder if she’s homeless; others of us can’t imagine that anyone here does not have a home.

Some of us think about her after our eyes lock for a few seconds.  Others of us try to forget.

An “06880” reader thinks about her — and more.  He’s spoken with her a few times; now he writes eloquently about her.  Here’s what he says:

Her name is Tina.  She has long, graying blonde hair in a neat bun on the top of her head.  “It keeps me warm at night,” she says.  “I don’t need a hat.”

Her eyes are brown, flirting with too many questions but clear and precise at the conveyance of a $20 bill.  She wears 5 layers of clothing in the cold, and shows off her leather coat insulated by rabbit fur.

“It’s new, too.  Nobody else has owned it,” she remarks proudly.  “I bought it when I had money.”

She wears sandals with several socks.  “The boot place down there,” she points aimlessly in the direction of Main Street, “promised me some boots when it snows.”

Tina has no money, no address, no driver’s license and no home.  “I had an apartment last winter but I don’t trust any of the landlords in this town,” she confides.

Where does she live?  “Oh, I can’t tell you that,” she says in an upbeat mood.  “That is where I keep all my stuff.”  Malone Refuse workers have found her sleeping in their dumpsters.

The homeless in Westport do not look like this. They are much more invisible.

When you first meet this 50-something lady, she is shy and removed.  She continues to walk past you, head to the ground, limping on her right leg.  When you mention money, her mood changes and she talks a blue line.

“I used to live in Hawaii, then California and well . . . all over, you might say.”  She is coherent, with no smell of alcohol on her breath.  Tina says she grew up here, and was a member of the Staples Class of ’71.  The yearbook does not substantiate her claim.

“I went to the old Staples,” she says, “when it was down by the water.”  The dates are wrong.  You don’t correct her.

Her luck turned bad when her brother and mother died, according to her story.  One tries not to judge, but her saga is full of contradictions.  At our second meeting, a long coat and fur hat I found in the basement are rejected.

“If I walk into Oscar’s in that hat, they’ll throw me out and that coat has a satin lining.  No way, brother!”  We talk more.

What about the shelter?  “I have a cat.  They won’t allow me to stay there with my cat.”  There is no evidence of a pet, but that is her story.

“I’m afraid of when the snow comes,” she smiles.  “I don’t mind the cold.  It’s the snow that gets you.”

You mean like dying?  “Yeah.  That’s crossed my mind,” she says.  A rasp accompanies her chuckle.

A call to Town Hall reveals true compassion.  “We know about her,” says coordinator Terry Giegengack. “But we really can’t go into the particulars for privacy reasons.”

The woods beyond the Westport Library riverwalk -- behind the Levitt Paviliion -- is a popular spot for Westport's homeless people. It's a lot less comfortable in December than other times of year.

There is a place for her to stay.  “Tina doesn’t want any part of the indoors.  They’re called ‘campers’,” Terry explains. “They like their lifestyle.  They don’t like to be confined.”

When Tina is told that the Town of Westport has a place for her to live, she replies:  “What, in a insane asylum?”  I assure her it is not.  “Then I should check it out.  Next week maybe.”

When the topic of homeless Tina is brought up at a dinner party where lobster is served the following night,  the reaction is mixed.  Two seem uncomfortable with the topic.  One asks:  “What’s wrong with her?”  I have no answer.  Interest fades.

An elderly woman comments, “it’s sad that in Westport we have this problem.”  My first reaction is that homelessness is only a “problem” for those without a home, but I stuff another bite of lobster down without comment.

Tracy says there are only “4 or 5” people like Tina, who have no place to live in this town.  She uses the word “campers” again, like they’ve lost their RV.

I see Tina a 3rd time —  sneaking out of the YMCA.  “You know sometimes, they let me take a shower there,” she says proudly.

It was cold last night — in the 20s.  I keep the conversation moving as, for some strange reason, I feel uncomfortable around this woman.

“I do okay.  The wind died down.  I’m okay.”  It’s supposed to snow tonight, I say.

“Oh, my, then, I need to get over to Town Hall, shouldn’t I?” she remembers.

I hand her a $20 bill.  “Thank you, I’m starving.  I’m going to Oscar’s to get something to eat.”

But she walks the opposite way.

How’s Business?

Bill Brown and his cronies were trying to guess the oldest surviving business in town.

Bill guessed Beacon Electronics — but then realized it closed last year after a 60-year run.

Someone suggested Carvel — definitely a cool choice.

Boccanfuso has been around since 1957, though not at the same Post Road East location (near, coincidentally, Carvel).

Bill — who worked at the Westport Food Center on Main Street in the 1960s, which most definitely is not still in business — asked “06880” to name the oldest surviving business in town.

We punted.

What does “oldest surviving business in town” mean?

Is it the place that’s been in one spot the longest?  If so, the answer is probably a gas station.

Is it the place that’s been in one spot the longest — with the same owner?  That might be Westport Pizzeria or Mario’s?

What about Oscar’s, which is almost where it started in the 1950s — just a few doors down?

While Mitchells is in its 3rd location, it’s still on the Post Road.  And it’s on its 3rd generation of owners — that counts for something, right?

Does the Red Barn count?  It’s served diners on Wilton Road for over 50 years — but didn’t it close briefly before the Nisticos took over?

Feel free to nominate your own “oldest surviving business in town.”  Clink the “Comments” link at the top or bottom of this post — and include your definition of the term.

The Red Barn seems to have been around since before there were cameras. (Drawing by Sascha Maurer/Courtesy of CardCow.com)