Tag Archives: Lynsey Addario

Lynsey Addario: A Pregnant Photographer Covers War, Famine, Other Horrors

Lynsey Addario — New York Times photojournalist, Pulitzer Prize winner, MacArthur fellowship recipient, Westport native and Staples grad — has written a fascinating book. “It’s What I Do: A Photographer’s Life of Love and War” provides great insight into what it’s like to cover war, famine and horror — and how being a woman has impacted every aspect of her professional and personal life.

This coming Sunday’s Times Magazine includes a long, compelling excerpt from the book. It begins with the harrowing account of being captured — along with fellow Staples grad and Times photographer Tyler Hicks — in 2011, by forces loyal to Muammar el-Qaddafi:

You have two options when you approach a hostile checkpoint in a war zone, and each is a gamble. The first is to stop and identify yourself as a journalist and hope that you are respected as a neutral observer. The second is to blow past the checkpoint and hope the soldiers guarding it don’t open fire on you.

The group’s young driver tried to avoid capture by yelling “Media!” It did not work.

Three weeks before her capture, Lynsey Addario photographed children amid the ruins of Benghazi. (Photo/Lynsey Addario for the New York Times)

Two weeks before her capture, Lynsey Addario photographed children amid the ruins of Benghazi. (Photo/Lynsey Addario for the New York Times)

After providing harrowing details about their captivity, Lynsey describes the agonizing pull she felt between doing what she felt was her life’s mission, and her responsibility to her loved ones:

I had imposed unspeakable worry on my husband, Paul de Bendern, on more occasions than I could count. And Anthony [Shadid] and Steve [Farrell] each had infants at home. Yet as guilty as we felt, and as terrified as we were, only Steve sounded convinced by his own declaration that he would no longer cover war. Each one of us knew that this work was an intrinsic part of who we were: It was what we believed in; it governed our lives.

“We need to get to Tripoli,” Anthony said. “We will never get released if we don’t get to Tripoli. We will probably survive, it will be difficult, but we might live if we get there.”

“If we do, I am going to be so fat in nine months!” I cried out suddenly.

After more than a decade of feeling ambivalent about having a child, I knew that if we made it out of Libya alive, I would finally give Paul what he had been wanting since we married: a baby.

Later, she digs deeper into the lives of war correspondents:

Lynsey Addario

Lynsey Addario

There was a lot of cheating in war zones, a lot of love and a lot of mistaking loneliness for love. But the reality was different for men and women. Most male war correspondents had wives or girlfriends waiting at home while they fooled around on assignment. Most female war correspondents and photographers remained single, searching fruitlessly for someone who would accept our devotion to our work.

My romantic life was colorful but difficult: I had an affair with a Cuban diplomat in New York, fell in love with an artist in Mexico City and had a relationship with an Iranian actor in Tehran, whom I could rarely get a visa to visit. But I gave only a finite part of myself to each of these men; work remained my priority, keeping me on the road 280 days a year. I began to assume that my relationships would end in affairs and heartbreak.

After meeting her husband, marrying, getting captured and then pregnant, Lynsey continued to work:

At four and a half months, Doctors Without Borders sent me to photograph its medical outreach for victims of the drought in the Horn of Africa, from the Turkana region to the Somali refugee camps at Dadaab in Kenya. Part way through the assignment, working in remote African villages, I could no longer button my pants. I was 20 weeks pregnant. The nausea and exhaustion were gone, my energy had returned and I was eating regularly, though careful to avoid harmful bacteria, which meant a diet of bread, rice, bananas and protein bars that I carried from home.

She continued on to Mogadishu, where the situation was far worse than even Kenya. She knew that if anything happened to her — 5 months pregnant — her editors and peers would write her off as “crazy and irresponsible.” But, she says, “I couldn’t leave that story of starvation untold.” She traveled on:

Something strange happened then: the baby that I had imagined as a pea or an avocado pit for weeks and weeks started kicking. He came to life inside me as I entered Somalia, a place where so many people were dying.

Lynsey Addario was pregnant while photographing a child dying from malnutrition in Mogadishu, in August 2011. (Photo/New York Times)

Lynsey Addario was pregnant while photographing a child dying from malnutrition in Mogadishu, in August 2011. (Photo/New York Times)

Working quickly — and trying to avoid kidnapping — she photographed the death of a 1 1/2-year-old boy from malnutrition.

His skeletal chest pumped up and down as he labored to breathe. His eyes rolled back into his head and then forward again as he focused on his mother. I knelt down beside the two women, introduced myself as a journalist and asked permission to photograph. They agreed. I began shooting as the two women put their hands on Abbas’s tiny frame and then onto his face. Each time that his eyes rolled back into his head, the women thought he was dead. To my horror, they began closing his tiny mouth with their hands, a premature death ritual. They were covering his eyes and closing his mouth. As I photographed, I felt my own baby inside of me, kicking and twisting.

In Gaza — caught in the frenzy of a prisoner exchange — Lynsey started to panic.

In the Muslim world, women and children are put on a protected pedestal, and pregnant women are slightly higher up on that pedestal. Naturally, no pregnant woman in Gaza would voluntarily be in that mix of madness, but it was too late to lament my stupidity. I had an idea: I threw my arms up in the air and screamed, “Baby!” and pointed down at my very round stomach with my index fingers on both hands. “Baby!” I screamed again, pointing down.

Lynsey Addario was 27 months pregnant in October 2010, when she photographed children in the Gaza Strip. (Photo/New York Times)

Lynsey Addario was 7 months pregnant in October 2010, when she photographed children in the Gaza Strip. (Photo/New York Times)

All the men around me momentarily paused. They looked at my face and then down at my stomach, and the seas parted. Spontaneously, they made a human gate around me, cocooning me from the crowd. And I continued shooting with my new bodyguards keeping watch over my unborn son and me.

Lukas Simon de Bendern was born perfectly healthy on Dec. 28, 2011, at St. Mary’s Hospital in London.

There is much, much more in this fascinating excerpt from an important book. To read the entire Times story, click here.

Lynsey Addario: Working Mom

Today’s New York Times Lens” section examines the difficulty of being (female, of course) overseas photographers who are also raising young children.

The story focuses in part on Lynsey Addario. The MacArthur “Genius Grant”-winning/Times staffer/Staples graduate has a 2-year-old son, Lukas.

Lynsey Addario

Lynsey Addario

She describes her husband Paul de Bendern, a former Reuters correspondent, as “Unbelievable. Spectacular. Hands on. Good father. Understanding. Patient.”

But, “Lens” says, before they met she “had difficulty sustaining a long-term relationship and her career.”

Lynsey says:

Before I got married it was almost impossible to be in a successful relationship because no man wants to hear, ‘Hey, I’m going away for a month, I’ll see you when I get back. I was fully committed to my work. You can’t ask someone to be fully committed to you when you’re not fully committed to them.

Lukas has already traveled with her to Mississippi, and Lynsey takes him to speaking engagements. But, “Lens” says, he usually remains in London with her husband and nanny.

Lynsey has been captured by forces loyal to Qaddafi in Libya. Since becoming a mother, “Lens” says, she takes fewer risks — “not only because she is a parent, but also because she has lost friends and colleagues.”

“Before I had Lukas I thought, ‘Well, it is very possible that I might get injured or killed in the line of work,’ and I just accepted that as part of what I do,” she notes. “Now that I have a child I’m much more conscious of my mortality. I have to stay alive because I’m responsible for someone else.”

Lynsey Addario photographed this young girl, who died delivering twins. The Sierra Leonean wanted to earn a degree, but at 14 was forced into marriage. (Photo/Lynsey Addario for NPR)

Lynsey Addario photographed this young Sierra Leone girl, who died delivering twins. She was forced to marry at 14. (Photo/Lynsey Addario for NPR)

Lynsey Addario Honors International Day Of The Girl

Today is the International Day of the Girl Child. In honor of the UN-sponsored event, NPR asked 5 photographers — all renowned for documenting the lives of global girls — to share photos with special significance.

Though known as a public radio network, NPR’s website is robust and thought-provoking.

Lynsey Addario — the MacArthur “Genius Grant”-winning/world famous photographer/Staples graduate — does not disappoint. Her photos include a 13-year-old Syrian girl at her engagement party, and another young teenager from Sierra Leone who died delivering twins.

Check out Lynsey’s haunting photos — and many others — at the NPR website.

Lynsey says of this 13-year-old girl, photographed at her engagement party at a camp in Jordan: "Syrian refugees typically marry young. It's been exacerbated by the war. Families are scared something might happen to their daughter. They prefer to marry them earlier so they're under the protection of a husband." (Photo/Lynsey Addario for NPR)

Lynsey says of this 13-year-old girl, photographed at her engagement party at a camp in Jordan: “Syrian refugees typically marry young. It’s been exacerbated by the war. Families are scared something might happen to their daughter. They prefer to marry them earlier so they’re under the protection of a husband.” (Photo/Lynsey Addario for NPR)

Lynsey Addario photographed this young girl, who died delivering twins. The Sierra Leonean wanted to earn a degree, but at 14 was forced into marriage. (Photo/Lynsey Addario for NPR)

Lynsey Addario photographed this young girl, who died delivering twins. The Sierra Leonean wanted to earn a degree, but at 14 was forced into marriage. (Photo/Lynsey Addario for NPR)

(Hat tip to Siobhan Crise)

 

Tyler Hicks and Lynsey Addario: Four Of A Kind

Today’s New York Times Sunday Review section is devoted almost entirely to the “Year in Pictures.”

And of the 40 or so images the editors have chosen to define 2013 — mostly, unfortunately, of war, devastation and suffering — 4 are by Staples High School graduates. Both are award-winning Times photographers.

Tyler Hicks’ dramatic shot of a plainclothes officer searching Nairobi’s Westgate mall for gunmen after a militant attack killed scores of civilians takes up the entire front page:

Tyler Hicks - New Years

(Tyler Hicks for the New York Times)

Tyler has 3 other photos in the section, both from that same Kenyan violence.

Lynsey’s photo — on page 2 — shows a 15-year-old and her baby brother. They and nearly a dozen other relatives share a tent after an explosion hear her Syrian home partially blinded her.

(Lynsey Addario for the New York Times)

(Lynsey Addario for the New York Times)

The online version of “Year in Pictures” features 80 photos, including more from Tyler and Lynsey. Click here to see the entire slideshow.

It was quite a year. And 2 talented Westporters were there to capture very tragic — but important — parts of it.

Lynsey Addario’s “Proof”

Lynsey Addario — the MacArthur “Genius Grant”-winning/world famous photographer/Staples graduate — is one of the 1st people to get “Proof.”

“Proof” is National Geographic’s new online photography experience. Its aim is to start intriguing conversations about photography, art and journalism. It features selections from the magazine and other publications, books, and galleries, plus behind-the-scenes looks at the National Geographic storytelling process.

Lynsey Addario

Lynsey Addario

In a compelling video interview, Lynsey talks about what it is like to take photos during war, as “the life drains out” of someone.

“It’s easy to live in your own world or shell, and be very comfortable” she says. “I like to make people feel uncomfortable every so often, and realize what they have.”

She describes 20-hour days, “coming back 10 times to get the right frame.”

She’s “alone a lot,” she says, “doing stuff you don’t want to do.”

But, she knows, “I have a voice.” She speaks for others.

And, she concludes, “I can do this for the rest of my life.”

(For the full “Proof” video interview, click here.)

It's very rare that a Westerner can photograph an Afghan wedding. Lynsey Addario had that opportunity. (Photo/Lynsey Addario for National Geographic)

It’s very rare that a Westerner can photograph an Afghan wedding. Lynsey Addario had that opportunity. (Photo/Lynsey Addario for National Geographic)

World Economic Forum Honors Lynsey Addario

What do Nate Silver, Chelsea Clinton, will.i.am and Lynsey Addario have in common?

All were just named Young Global Leaders by the World Economic Forum.

Lynsey Addario

Lynsey Addario

The 199 honorees from 70 countries —  ranging across business, arts, academia, government, media and non-profits — will be closely involved in the meetings, research and initiatives of the World Economic Forum. They’ll represent the views and interests of “the next generation of leaders.”

All are under 40 years old.

Lynsey — a New York Times Pulitzer Prize-winning photojournalist who has covered everything from the war in Afghanistan and drought in Africa to poverty in Mississippi and sex trafficking in New York — is passionately committed to documenting, and improving, our planet.

She started doing it right here in Westport. Lynsey is a proud graduate of the Staples High School Class of 1999 1991.

And her hometown is rightfully proud of the World Economic Forum’s newest Young Global Leader.

(Click here if your browser does not link directly to YouTube.)

Tyler Hicks And Anthony Shadid

Westport native Tyler Hicks was with Anthony Shadid yesterday, when the New York Times correspondent suffered a fatal asthma attack in Syria.

Hicks — like Shadid, a Pulitzer Prize winner — administered CPR for half an hour. He then carried Shadid’s body across the border to Turkey, according to a story in today’s Times.

The article noted:

The assignment in Syria, which Mr. Shadid arranged through a network of smugglers, was fraught with dangers, not the least of which was discovery by the pro-government authorities in Syria. The journey into the country required both Mr. Shadid and Mr. Hicks to travel at night to a mountainous border area in Turkey adjoining Syria’s Idlib Province, where the demarcation line is a barbed-wire fence. Mr. Hicks said they squeezed through the fence’s lower portion by pulling the wires apart, and guides on horseback met them on the other side. It was on that first night, Mr. Hicks said, that Mr. Shadid suffered an initial bout of asthma, apparently set off by an allergy to the horses, but he recovered after resting.

On the way out a week later, however, Mr. Shadid suffered a more severe attack — again apparently set off by proximity to the horses of the guides, Mr. Hicks said, as they were walking toward the border. Short of breath, Mr. Shadid leaned against a rock with both hands.

“I stood next to him and asked if he was O.K., and then he collapsed,” Mr. Hicks said. “He was not conscious and his breathing was very faint and very shallow.” After a few minutes, he said, “I could see he was no longer breathing.”

Mr. Hicks said he administered cardiopulmonary resuscitation for 30 minutes but was unable to revive Mr. Shadid.

Shadid and Hicks were in the international spotlight last March, when they and 2 other Times journalists — including Westport native and fellow Staples grad Lynsey Addario, a photographer — were arrested by pro-government militias during the conflict in Libya. During a week in captivity, all were physically abused.

Lleft to right: New York Times journalists Stephen Farrell, Tyler Hicks, Ambassdor Levent Sahinkaya, Lynsey Addario and Anthony Shadid at the Turkish Embassy in Tripoli, Libya, shortly after their release from captivity last year. (AP Photo/Turkish Ministry of Foreign Affairs)

Israel Apologizes To Lynsey Addario

Today’s New York Times “The Lede” blog contains this story about Lynsey Addario — a Westport native and Staples graduate:

Israel’s Defense Ministry apologized on Monday for forcing a pregnant New York Times photographer to remove her clothes and submit to a physical search after she had already passed through an X-ray machine three times at a checkpoint in Gaza last month.

The photographer, Lynsey Addario, is a Pulitzer Prize-winning war photographer who was one of four Times journalists subjected to brutal treatment in March after being captured by Libyan government forces and held for six days.

Lynsey Addario

In a letter to the Israeli ministry last month, Ms. Addario wrote that soldiers at the Erez Crossing in northern Gaza had treated her with “blatant cruelty” when she arrived there on Oct. 24 and asked not to have to pass through the X-ray machine. Because she was seven months pregnant at the time, she had been advised by her obstetrician to avoid exposure to radiation.

Ms. Addario had phoned an official at the border crossing in advance to make her request and had been assured that there would be no problem. When she arrived at checkpoint, however, she was told that if she did not pass through the X-ray machine, she would have to remove all of her clothes down to her underwear for a search. To “avoid the humiliation,” Ms. Addario decided to pass through the X-ray machine.

“As I passed through,” she wrote, “a handful of soldiers watched from the glass above the machine smiling triumphantly. They proceeded to say there was a ‘problem’ with the initial scan, and made me pass through two additional times as they watched and laughed from above. I expressed each time that I was concerned with the effect the radiation would have on my pregnancy.”

She added:

After three passes through the X-ray, I was then brought into a room where a woman proceeded to ask me to take off my pants. She [asked me to lift] up my shirt to expose my entire body while I stood in my underwear. I asked if this was necessary after the three machine checks, and she told me it was “procedure” – which I am quite sure it is not. They were unprofessional for soldiers from any nation.

In an e-mail to the head of Israel’s government press office on Monday, the Defense Ministry wrote that, after “a deep and serious investigation into the matter of Ms. Addario’s security check last month,” it had concluded that her request to avoid the machine had not been passed on to the security officials at the checkpoint because of “faulty coordination between the parties involved.”

Lynsey Addario at work

Although the statement said, “We would like to apologize for this particular mishap in coordination and any trouble it may subsequently have caused to those involved,” the ministry dismissed Ms. Addario’s concern about radiation. “The relevant machine is situated at numerous borders and airports across the world and presents no danger for those who use it,” the statement said.

The ministry added that although the search “was carried out according to the accepted security procedure,” officials have “decided to hone the procedure for foreign journalists.”

Ethan Bronner, the Jerusalem bureau chief of The Times, said in response to the statement:

The Times remains shocked at the treatment Lynsey Addario received and shocked at how long the investigation has taken since our complaint was lodged a month ago. The careless and mocking way in which she was handled should not be considered accepted security procedure. We welcome the announcement by the Defense Ministry of plans to hone that procedure.

In a message posted on Twitter on Monday night, Ms. Addario’s husband, Paul de Bendern, referred to the incident as one of “terrible humiliation for my pregnant wife.”

Ms. Addario’s experience came nine months after a pregnant Arab-Israeli journalist working for Al Jazeera was denied entry to a cocktail party hosted by the Israeli government because she agreed to take off some of her clothes for a security check but refused to remove her bra. Before the same event, other journalists, including the bureau chief of The Wall Street Journal, were also strip-searched.

Bill Keller Focuses On Lynsey Addario

The sexual pawing of New York Times photographer (and Staples graduate) Lynsey Addario in Libya earlier this year focused a lens on the role of photographers — particularly females — in war zones.

Lynsey Addario

From the national airwaves to the comments section of “06880,” Americans debated the perils — and positives — of putting people in harm’s way, just to get a picture.  (Or — put another way — in the service of history and humanity).

Now Times executive editor Bill Keller has weighed in.

Writing in last Sunday’s Magazine, Keller discussed in broad strokes the imperatives and moral burdens of wartime photography.

Toward the end, he addressed Addario and other female photographers’ specific situation:

(Some) critics demanded to know how we could justify sending women into places where the threat of bombs and bullets is compounded by the threat of sexual violence.   On that question, I defer to some of the intrepid Times women who have distinguished themselves in a field that is mostly populated by men — war journalists like Carlotta Gall, Alissa Rubin, Sabrina Tavernise or Lynsey herself, who says that compared with the beatings her male colleagues suffered during six days in Libyan captivity, “I felt like I got off easy.”  The women who do this work will tell you that the question is patronizing, that they are capable of making their own choices and that, importantly, they have access to stories that men do not.

Lynsey recalls covering sexual assault as a weapon of war in Congo and in Darfur.  The victims were more comfortable entrusting their stories and showing their wounds to a woman.  In Muslim societies, Lynsey points out, female reporters and photographers have access to homes, to women and girls, that would be off-limits to any man who was not part of the family.

Keller concluded with a strong endorsement of female photographers:

For a sample of what you’d be missing if Lynsey Addario worked only in safe places, visit her 2010 portfolio of women in Afghanistan, who, in despair over brutal marriages or ostracism, set themselves on fire.

Lynsey Addario — and other photographers, like fellow Timesman and Westporter Tyler Hicks — travel to the danger zones of the world.  Their courageous work enhances our understanding of the world, even as it raises new questions about it.

As Lynsey’s boss notes, it is a mission they — and he — take with their eyes wide open.

And, thankfully, their cameras too.

Lynsey Addario, Tyler Hicks On Anderson Cooper, NPR

One of the most extensive interviews with Lynsey Addario and Tyler Hicks took place last night on Anderson Cooper’s “360” show. The CNN journalist interviewed the Westport natives — both New York Times photographersand their 2 reporter colleagues.  All were held in captivity for a week in Libya.

Lynsey and Tyler described the initial chaos of a “no-win” situation, and their certainty that they would be killed by pro-Gaddafi forces.  “Once we got on our stomachs, we thought it was all over,” Tyler said.

Lynsey described being constantly groped — the first time that happened to her in 11 years covering the Muslim world.

A soldier caressed her hair and face in a “sick, tender way,” she said.  All the while he was proclaiming in Arabic, “You will die tonight.”

The Anderson Cooper interviewed lasted nearly an hour.  Only 10 minutes were shown last night.  More will be shown tonight (10 p.m., CNN) and next week.  Other material is available on his website.

Lynsey was also heard this morning on NPR’s “Morning Edition.”  It was an extensive interview.  She spoke of the effects of captivity on her family:

I think the hardest part of this job is what you do to the people who love you.  When something like this happens to me, I can get through it. But it’s traumatic for my parents, for my husband, for my sisters.

As for the future, Lynsey said:

I believe very strongly that the world needs to see what’s happening.  I will try as best as I know how to be cautious, and to not let this happen again.  But am I going to stop being a photojournalist? No.

Click here to listen, and here to read about the interview on NPR.org.