Unsung Heroes #131

The other day, Saugatuck Rowing Club marketing director Diana Kuen noticed there are a lot of kids in the youth program — but very few teachers.

She figured one reason might be cost.

That’s an easy solve. So now the Riverside Avenue facility — which includes a state-of-the-art fitness center — offers half-price off memberships.

But Kuen did not stop there. She realized there are other town employees to honor too. So the Saugatuck Rowing Club offer is extended to Westport police officers, firefighters, EMTs and other first responders.

Best of all: This is not a one-shot, take-advantage-of-the-January-slump kind of deal. It’s good all the time, all year long.

The Saugatuck Rowing Club wins plenty of trophies on the water. Now they’re winners on land too.

Saugatuck Rowing Club (Drone photo/Ward French)

Erasing History?

I did not think I’d be posting another story on the Westport Museum for History & Culture’s decision to replace the name of the Sheffer Gallery (honoring a family with a long history of philanthropy and volunteerism) with that of Daniel Offutt (whose trust recently gave a large gift).

However, a number of “06880” readers remarked on the irony of a “historical society” turning its back on history.

Now, it appears the exhibition space is not the only place they’re doing that.

For years, the website (interestingly, it’s www.westporthistory.org) included information about many previous exhibits. One reader — who recalls that it went back to 2000 or so — found the descriptions and photos very useful when he was pitching his own exhibit idea, and again in the planning stages once it was accepted.

Now, the “Exhibits” page shows only 3. All were mounted under the current executive director and her staff.

In addition, the “Media” tab shows articles only since December 27, 2017. That one — the oldest — is headlined “Historical Society Names New Executive Director.”

The Westport Historical Society received excellent press coverage over many years. You wouldn’t know it, though, by looking at the website. That history is gone.

Also gone: a list of advisory council members. It was there Tuesday.

In addition, the list of board members on the same page was substantially shorter than the day before.

Yesterday, what appeared to be a link to the advisory council was no longer working. Like the organization’s history prior to 2018, the advisory council too is now invisible.

NOTE: Some readers have wondered why they have not heard the Westport Museum’s side of the story. No one has responded to the Comments section in an official — or even unofficial — capacity. And not a single staff member has contacted me, on or off the record.

Youth Concert Brings China To Westport

Years ago, the Westport Youth Concert began as an opportunity to enrich students’ cultural awareness, through music.

As the school district’s emphasis on global understanding has grown, so has the Youth Concert. It’s evolved into a cross-cultural, collaborative event involving not only music, but Westport Public Schools’ visual arts and world language departments.

Outside organizations like the Westport Library, Westport Public Art Collections and PTA Cultural Arts have signed on as community partners.

A scene from last year’s Youth Concert.

This year’s event exemplifies the music department’s mission. “Music of China” features Staples High School musicians, the award-winning Middle School Percussion Ensemble, and guest artists from the New York Chinese Cultural Center. They’ll perform a lion dance and musical piece using a pipa, guzheng and erhu — with mini-lessons about each instrument.

The feature performance is Tuesday, February 4 (7 p.m., Staples auditorium). On that day, and February 6, in-school educational concerts for 3rd through 6th graders will complement the public concert.

It’s a huge undertaking. Youth Concert planning begins at the start of the school year. Coordinator Candi Innaco creates a classroom guide. It introduces the theme, and includes links to resources and classroom instruction.

Leading up to the event, teachers at Greens Farms, Long Lots and Saugatuck Elementary School had students design China-related art: hanging lanterns, wish kites, brush paintings, Ming Dynasty vases and the like.

Westport student art: Ming Dynasty vases.

All elementary music instructors are teaching the tune and lyrics to “Jasmine Flower.” At the concert, students will sing it from the audience — led by Staples’ Orphenians.

Staples’ world language department is involved too. Mandarin students will emcee the concert, and photos taken by teacher Chris Fray on his recent visit to China will be shown.

WestPAC, meanwhile, is displaying art and photography from China at their traveling pop-up galleries, at every school.

In March, the Westport Library will bring the same guest artists from the New York China Cultural Center, to perform again.

China lion dance, performed by members of the New York Chinese Cultural Center.

The public is invited to the free February 4 evening performance. For more information about this event and the Westport music program, click here.

Pic Of The Day #1002

Only 335 shopping days until Christmas, at CVS. (Photo/Dan Woog)

Stand Cafe Attracts Hard-Core Vegans — And Many More

Jenna Jacobs McPartland did not plan on opening a vegan restaurant.

She grew up in suburban Minnesota; moved to New York at 20 to study at a conservatory; acted off-Broadway, got married; got pregnant.

Her husband was killed on 9/11. Six days later, their son was born.

Jenna was lifted by the kindness of friends, and strangers. After hand-writing 1,200 notes — and realizing how many people did not have the support she did, after her husband died very publicly — she helped start September Smiles, a non-profit to help non-9/11 widows deal with tragedy.

Jenna Jacobs McPartland

Jenna remarried, and moved to her husband’s home in Weston. She finally reached Broadway — with a walk-on role in “Oklahoma!” for one night, 3 days before it closed.

She divorced, and married her “third and final” husband. Jenna now lives in Westport, with her blended family.

A few years ago she read “Eating Animals,” by Jonathan Safran Foer. She had already given up red meat, but now went fully vegan. As part of “learning how to really cook,” she attended New York’s Natural Gourmet Center. She graduated in 2015.

Jenna began looking for Westport locations, to start a vegan restaurant. Last year she bought the Stand Juice Bar at Fairfield’s Sportsplex. It was the right opportunity — she would not have to build a customer base from scratch.

Now called the Stand Vegan Café — with a full menu — she’s made it her own. She believes in “whole, organic, non-GMO, local plant foods for the planet, the animals, our bodies, and our spirits.” (She also believes “a yummy cookie is totally worth it once in a while!”)

Jenna calls her menu “very comfort food-y.” Breakfast (served all day) ranges from tofu broccoli quiche and ancient grain oatmeal to Belgian waffles and a very popular Seitan bagel sandwich.

Lunch includes soups, a hummus plate, sandwiches and wraps, cauliflower-based mac and cheese, salads and toasts. There’s a full bakery, and of course juices and smoothies. Many of the dishes can be made gluten-free.

Stand Cafe, where the food is as good as it looks …

“It’s a gentle introduction to veganism,” Jenna explains. She realizes non-vegans resent being called “unethical or wrong” for their diets.

Jenna is proud that “a lot of non-vegans come in and love what we serve.” She’s threading the needle, with food that’s “interesting enough for hard-core vegans, but approachable enough for skeptics.”

Good food, she says, is “all about high-quality ingredients, with high-quality techniques.”

The Stand Café is “almost a zero-waste establishment.” A farmer collects all her scraps for his fields. Nearly all material is compostable.

She pays her employees above standard restaurant rates. “We’re a family,” Jenna says.

… including dessert!

That’s not entire selfless, of course. With 6 children ages 21 to 9 in her blended family, she needs “a life outside my restaurant. Everyone who works here loves what we do. We feel like we’re achieving something together. We all look out for each other, and cover each other.”

Besides her “Oklahoma” walk-on role, Jenna Jacobs McPartland did not make it to Broadway. But her Stand Café is now a shining star.

(Jenna also supports local artists. Every 3 months, she features someone different on her walls. Next up: Westport artist Lisa Stretton.)

 

Pic Of The Day #1001

View from the Deadman Brook bridge (Photo/Lynn Untermeyer Miller)

[OPINION] Eve Potts: Another Former WHS Board Member Speaks Out

Among the many longtime Westporters — and Westport Historical Society volunteers — who are saddened, distressed and/or outraged by the recent decision of the newly rechristened Westport Museum for History & Culture to remove the Sheffer name from the exhibition gallery to accommodate a new donation, it’s hard to find one with a deeper, stronger connection than Eve Potts.

She joined the WHS board in the 1970s. Here are her thoughts on the changes at the downtown institution, whose own history dates back to 1889.

Eve writes: 

This is a sad, sad story. The present Westport Museum for History & Culture embarked on making a transformational change without the benefit of any knowledge of its own history.

Mollie Donovan was, like many other Westporters, a longtime Historical Society volunteer with an interest in the arts.

Unfortunately a huge vacuum, left by the deaths of an incredible number of faithful, knowledgeable unpaid volunteers like Barbara Raymond, Katie Chase, Susan Wynkoop, Mollie Donovan, Barbara Van Orden and Maggie Fesko, enabled a strategic plan to be put into place that changed the focus of the Society and decommissioned the period rooms, to make way for “museum quality programs and exhibits.”

And now, the announcement that the Sheffer Gallery will be erased and replaced by a name that is totally unknown to most Westporters: the Offutt Gallery.

I have been on the board of the Westport Historical Society since the late 1970s, when we used the home across the street as our headquarters and looked longingly at handsome Wheeler House, then occupied by the elderly Mrs. Avery.

At the time, Betty Sheffer (Ann Sheffer’s mother) and Shirley Land curated the costume collection. They spent many hours conserving and documenting the vintage materials.

The Sheffers, from the very start, were totally supportive, and financially available to help achieve the goals of the Historical Society (as well as every other non-profit organization in Westport).

Ann has always had a world-view vision, and a hands-on ability to bring together diverse factions to reach the goals we all were striving to meet. For Ann, Bill and her family to be handled in such a thoughtless and cavalier fashion by the present board is simply not in the tradition of the stated mission of the Westport Historical Society.

When Mrs. Avery died, I went over to Town Hall to check out the Probate Court records. I discovered that the house had been left to Christ & Holy Trinity Episcopal Church.

Along with Eleanor Street, Joan Dickinson, Barbara Elmer, Bob Gault, Peggy Henkle, Mollie Donovan, Fran Thomas, Barbara Van Orden and a group of other active unpaid volunteers, we worked with the church to put together a plan to purchase the house.

Our goal was $300,000. Through massive fundraising events — and the support of Paul Newman and Joanne Woodward, and the combined fundraising efforts of Jo Fuchs, Connie Anstett and many willing volunteers — we managed to come up with the funds, as well as the expertise to refurbish the house to its Victorian era splendor.

Wheeler House, on Avery Place.

In 1987 I wrote the book, “Westport…A Special Place,” with Howard Munce as its graphic designer. All of our efforts and expenses were totally without charge to the Society. In addition, we contributed all funds (well over $100,000) from that effort to the WHS, to support future publications to benefit the Society.

Those funds have supported the publication of a whole string of other important historical publications and videos. [NOTE: The Eve Potts Book Fund supported publication of my own book, “Staples High School: 120 Years of A+ Education.” — Dan Woog]

In 2014, with incredible support from then-president Dorothy Curran and the board, we mounted a very successful exhibit. “Cover Story” (in the Sheffer Gallery!) was admired by Fiona and  Andrew Bentley, along with thousands of visitors.

So intrigued were Andrew and Fiona with the artistic New Yorker history of Westport that Andrew got in touch with me. We collaborated on a book about the New Yorker covers.

The cover of Eve Potts and Andrew Bentley’s book.

Thanks to the vision of Ed Gerber, who was president at the time, the book — “The New Yorker in Westport” — was published without cost to the WHS, with funds from the Bentleys and from the Potts Book Fund.

All funds raised from the sale of that publication have gone directly to the Society’s regular yearly budget. They were desperately needed at that time for necessary repairs, including a roof, new furnace and lighting system. The book continues to sell well, and funds continue to go to the WHS annual budget.

It is pitiful to see how all the hard work of so many dedicated Westport volunteers over so many years has been totally disregarded in a determined effort to erase the past by the unwitting actions of the present Westport Museum hierarchy.

Remembering Sally Deegan

Sally Deegan — for many years the secretary to the principal of Staples High School, and part of a long-time, well known Westport family — died earlier this month. She was 93. Her family writes:

Our mother, Sally J. Deegan, passed away after a valiant battle with old age.

She was born May 28, 1926 in Ridgefield, to Marion Wakeman and Sereno Thorp Jacob. Her dad was a pioneer aviator who flew in The Lafayette Escadrille during World War I.

As a child, Sally battled numerous life-threatening illnesses and missed a lot of school. However, her determination to succeed at everything she did, saw her through. She graduated from Ridgefield High School as class valedictorian.

A child of the Great Depression, after high school she went right to New York City, and was hired as secretary to the president of Faberge Perfumes. Fable has it she was taking dictation while watching a plane crash into the Empire State Building.

In 1946 she married our dad, Donald B. Kellogg. They lived at Compo Beach. Don passed away several years after their 4th child was born, leaving Mom a young widow with 4 kids under the age of 13. She drew on her warrior spirit, doing what she had to to keep a roof over our heads and food on the table.

Not long after she met the love of her life, William F. Deegan. They married in 1962. He had the courage to take on 4 kids, and survived our teenage years. Bill was a crack golfer so Mom, drawing again upon her tenacious spirit, learned how to play.

Sally Deegan

After summers spent on Fairfield Beach, they pursued their dream of having a home in Vermont. They joined the Woodstock Country Club, where Mom won the club championship and chaired the women’s golf committee.

Before moving to Vermont permanently, Mom was secretary to several principals at Staples High School in Westport. No student wanted to be confronted by her.

She also formed the union for public school staff that provided health insurance benefits. She was brilliant at reading fine print, and learning the ins and outs of the insurance industry, which served her for the rest of her life.

Bill and Mom enjoyed many years in Woodstock. They played lots of golf, and made many friends. Bill passed away in 1997.

Before moving to Naples, Florida in 2001, Mom worked at The Bank of Woodstock, and was a part-time realtor.

Mom loved her hard-earned retirement years in Naples. She enjoyed lots golf, tennis, bridge, and many new friends. She played golf just before her 90th birthday, and had a wicked short game. However, old age crept up. Her final years were spent at Aston Gardens Senior Living, where she made even more friends.

Our mom was a Valkyrie. She had gumption and grit. She was smarter than most, and her intuition never failed her. Saint Peter better have his office in order, because she will see to it that his filing system is in order, and his desk clean.

She is survived by her brother, Merritt W. B. Jacob of Hendersonville, North Carolina; children Sally Kellogg (Bruce Tansey) of Naples, Florida, William Bradley Kellogg of Fairfield, Hope Kellogg Kokas (Dan) of Holderness, New Hampshire, and Donald B. Kellogg, Jr. (Anthony Arguelles) of Providence, Rhode Island, and step-daughter Sharon Deegan.

She will be missed as well by her 5 grandchildren  and 7 great-grandsons. She was Aunt Sally to the Jacob girls, residing in Connecticut and Newport, and their brother. Finally, she will be missed by her beloved cat Casper.

We will be forever grateful to Jessica Anderson for her dedication to Mom’s comfort and care for the past 6 months; the folks at AVOW Hospice, and all the staff at The Inn at Aston Gardens.

Internment will take place in Westport. In lieu of flowers, please send a donation to The Humane Society of Naples or The First Tee Naples/Collier.

[OPINION] Dorothy Curran: Westport History Museum Broke Faith

Dorothy E. Curran has lived in Westport since 1977. She has served on the boards of the Westport Library (trustee; co-chair, River of Names community capital campaign) and Westport Woman’s Club (past president, chair/co-chair, many Yankee Doodle Fairs).

Dorothy Curran

She is also — most importantly for this story — a Westport Historical Society past president, chair or co-chair of 5 Holiday House Tours, and co-curator of multiple exhibits, including the original “Cover Story: The New Yorker in Westport.”

This morning, Dorothy reacts to the news that the Westport Museum for History & Culture — formerly the Westport Historical Society — changed the name of its main gallery. It previously honored the Sheffer Family, for their contributions of funds and time. It is now named for a new donor, Daniel Offutt. Dorothy writes:

No one needs to be a member of a historical society, pay annual dues, contribute to annual giving, volunteer to support its educational work, catalog its collections, staff its fundraisers, buy tickets to those same fundraisers, or then buy back donated auction items.

Yet in Westport for more than a century, many have done just that, and some have done even more: leaving substantial bequests to the Westport Historical Society’s modest endowment in their wills or contributing major capital to the campaigns that purchased the historic Bradley-Wheeler property, restored the rare heptagonal cobblestone barn, refurbished (what used to be) the period rooms, built the underground climate-controlled archive and constructed the exhibit gallery addition.

The Westport Historical Society was a people-friendly place with a devoted shoestring staff and intelligent, enthusiastic members and volunteers who contained the costs and raised the funds to keep it going. Most of them grew up somewhere else, but after moving here (Joanne Woodward and Paul Newman among them) were drawn to the WHS by the energy, camaraderie and front-row seats to the remarkable story of how this amazing little (population 25,000) coastal 06880 Zip Code came to be.

The Westport Museum for History & Culture — formerly the Westport Historical Society — on Avery Place.

How was it that Westport grew from the Pre-Contact era through the Puritan Colonial era, the farming, fishing and maritime commerce eras, the American Revolution, the War of 1812 embargo, the rise of small manufacturing, the market boat (local produce to NYC) era, the 1835 formation of the town, the building of the Maine to Georgia (and, in particular, the last piece: New York to New Haven) railroad, the onion (supplying Grant’s troops during the Civil War) and apple farming eras, the 20th century arrival of the nation’s leading artists, illustrators, writers, actors and performing artists, the 20th century leadership in breaking “the gentleman’s agreement” and other discriminatory practices, the building of Westport’s link in I-95 (Maine to Florida), the welcoming of the (United Nations) world through “jUNe Day,” ground-breaking models (like Save the Children and Newman’s Own) for social entrepreneurship, and now, in the 21st century, to providing a base for everyone from hedge fund managers to a burgeoning farmer’s market, from a humongous annual Maker Faire to Interfaith Housing and Homes With Hope, from the Westport Country Playhouse to pop-up art shows, from early adopters of front-line climate change resistance technology to the vigilant volunteers who staff the Historic District Commission?

It’s an amazing saga for a small, but nationally and globally influential town, and the primary place for the public to access this story, told in “chapters,” through exhibits and programs, has long been the Sheffer Gallery of the Westport Historical Society. When the WHS membership purchased the Italianate (built over the original saltbox) Bradley-Wheeler House, it had very limited exhibit and gathering space, and the financial burden of acquiring and refurbishing the antique home for WHS use had left many wallets thin.

The Sheffer family was in a position to help with a major, restricted gift: If the WHS accepts our capital, the new construction will be named, in perpetuity, “The Sheffer Gallery.”

An action that relies on a promise is a contract.

The Westport Historical Society gratefully agreed.

The organization’s recent name change does not give it license to break faith with its past contracts, nor would that be a wise choice for an institution committed, through the benevolence of donors, to preserving the memory of how today’s Westport came to be.

Westport History Museum Removes Historic Name

Ann Sheffer is a native Westporter. The Staples High School Class of 1966 graduate’s family arrived here nearly a century ago.

Her father Ralph served on the RTM for 16 years, 10 as moderator. He chaired the Nike Site Committee, which managed the difficult task of bringing two military facilities to town, on North Avenue and Bayberry Lane. As chief fundraiser for the Westport Library, he helped spearhead the move from the Post Road to its present location.

Ann’s mother Betty was an active town volunteer. After her death at a young age, the Betty R. Sheffer Foundation provided major funding for arts, education, health care and history projects.

Ann Sheffer

Ann has carried on the family tradition. She is involved in literally dozens of town committees and events, including arts, education, history and culture.

For many years, the main exhibition space at the Westport Historical Society was called the Sheffer Gallery.

The institution’s name change — it is now the Westport Museum for History & Culture — as well as new leadership has brought many changes. Among them: The Sheffer Gallery will now be called the Daniel E. Offutt III Exhibition Hall.

A number of Westporters who were long associated with the WHS have expressed dismay at the changes — including the renaming of the Sheffer Gallery. Ann Sheffer is among them. She sent this open letter to the Westport History Museum:

Last week I drove by Wheeler House. I was pleased to see that the bricks that I bought to commemorate my family’s tenure in Westport are still there (and my husband Bill’s name is now spelled correctly), as are Miss Liberty and Uncle Sam, who have graced the porch or lawn of the house since we donated them in 2000 as part of the Millennium celebration.

Bricks bought by Ann Sheffer and her husband Bill Scheffler, honoring the extended Sheffer family.

As the bricks note, my family has been part of Westport since 1930, and also very involved with the Westport Historical Society. I don’t want to recite all of the volunteer positions we’ve held, contributions to the archives we’ve made, and most significantly, the major contribution to the expansion of the building, which resulted in the naming of the Exhibition Hall in honor of my parents.

So I was dismayed to receive a letter from your board president, Sara Krasne, with the following vague, disingenuous “notice” that the Westport History Museum had received “a significant donation for the purpose of upgrading the exhibition hall to a modern, state-of-the-art standard in return for naming the hall after the donor.”

First, it’s very unprofessional of you to send me a letter rather than speaking to me in person — and trying to understate the fact that you are taking my parents’ names off of the Exhibition Hall. I’m disappointed that you don’t value our history of support for the organization enough to be honest about what you are doing.

Second, it is a fairly serious breach of faith and fiduciary responsibility to remove a donor’s name from a building without having the courtesy to ask their permission.

“Uncle Sam” and “Miss Liberty” — donated to the Westport Historical Society in 2000 by Ann Sheffer and Bill Scheffler — were almost sold last year. They still remain at what is now the Westport Museum for History & Culture. (Photo/Lynn U. Miller)

I would note that my family’s contributions are recognized by a number of other cultural organizations in town, most notably the Westport Library — whose director, Bill Harmer, called me as soon as the plans for the recent renovation were announced, to discuss how we would like our family’s name to be displayed in the new design.  Not only were we delighted to be consulted, but his approach resulted in our making additional contributions.

I’m very disappointed that an organization that is ostensibly dedicated to preserving and celebrating the history of Westport would be so insensitive and dismissive of the historical contributions that have insured their existence.

I have no interest in any further discussion with you. But I sincerely hope that you will not treat other donors in such a dismissive fashion, and that you will make an effort to honor the founding principles of the Westport Historical Society despite your name change.

Westport is, as we often say, a special place, with a long history worth celebrating — and the Westport History Museum has a responsibility to preserve that history in an ethical and professional manner.

 I asked executive director Ramin Ganeshram to respond. She emailed back: “Please find the official press release regarding the exciting opportunity to upgrade the Exhibition Hall in order to continue the Museum’s transformative path toward excellence in providing world class exhibits in the tradition of our award-winning ‘Remembered: The History of African Americans in Westport.'”

Here is that press release, dated Friday, January 10 but suddenly sent yesterday morning:

Westport Museum (formerly Westport Historical Society) is honored to announce that it will be naming its main exhibit hall after local philanthropist Daniel E. Offutt, III following a significant donation from the Daniel E. Offutt, III Charitable Trust. Mr. Offutt, who lived in Weston, was a generous donor to many local nonprofits both during his lifetime and via his estate.

The gift is the largest single donation ever received by the Museum. The main exhibit hall was formerly named after Ralph & Betty Sheffer, longtime supporters of the Museum who provided the major funding to complete the space in 2002.

“We are thrilled to be able to name this significant cultural resource after Mr. Offutt who was a generous and active member in the local community. His interest and support has helped many cultural organizations here and around the nation,” says Ramin Ganeshram, Executive Director of Westport Museum. “I only wish Mr. Offutt were with us to see the value his good work will bring to this and surrounding communities.”

Daniel Offutt had a lifetime interest in history and in art as both a collector and an artist. A self-described “farmer,” he was more aptly described as a “Renaissance Man”: a tennis player, traveler, sailor, metal sculptor, wood worker, fixer of anything, collector of everything, lover of projects, stock market investor, and a good friend. Mr. Offutt lived for more than 30 years in Weston, Connecticut in a house that he built himself.

The gift from Mr. Offutt’s Trust will enable Westport Museum to make much needed upgrades to its main exhibit hall, in keeping with national museum standards to provide quality experiences with universal access to the widest audience. The goal of upgrading exhibit spaces at the Museum is part of a multi-year strategic initiative to create a world class regional Museum in Westport.

“As Trustee, I am pleased to support the growth and improvement envisioned for the Museum,” said Richard H. Orenstein. “Working with Ramin has been an easy and creative endeavor.”

“Thanks to this significant gift we will be able to create our next ground-breaking exhibit with the highest standards in mind,” said Ganeshram. The first exhibit to open in the newly remodeled space will be in late 2020 about Westport’s indigenous people who inhabited the town and surrounds for 7500 years before European colonization.

While the name change is effective immediately, a plaque will be formally installed to rename the gallery “The Daniel E. Offutt III Exhibition Hall at Westport Museum” at a ceremony to take place at the opening of the 2020 indigenous people’s exhibit in November.