Remembering Sybil Steinberg

Sybil Steinberg — a longtime Westporter, noted Publishers Weekly editor, beloved Westport Library “Sybil’s List” curator, and mother of State Representative Jonathan Steinberg — died yesterday in Florida.

She retired from Publishers Weekly in 2001, but continued as a contributing editor for 20 more years. When the magazine celebrated its 150th anniversary in April of 2022, she was hailed as an editor who was “a significant force in the industry.”

In November of 2022, “06880” honored Sybil as an Unsung Hero. Here is that story;

Hard to believe, but “06880” has never hailed Sybil Steinberg as an Unsung Hero.

The contributing editor and — for many years — book review section editor for Publishers Weekly is a well known and beloved Westport Library treasure.

Her curated recommended reading recommendations — called simply “Sybil’s List” — have entertained, inspired and kept local readers busy for years. A number of Westporters will not read a book unless it’s been vetted by Sybil.

During COVID, she took her talks to Zoom. Suddenly her grateful audience expanded far beyond her hometown.

Now she’s back live, at the Trefz Forum. Happily, the Library films her talks.

A gifted interviewer for Publishers Weekly, Sybil does the same when writers visit the Westport Library.

Sybil and her late husband, the equally well respected Dr. Steinberg, moved here in 1960. (The last name is familiar for another reason: Their son Jonathan has served as Westport’s representative for 7 terms.)

Now well into her 80s, Sybil Steinberg shows no sign of slowing down. She’s got many more books to read, and recommend, in her role as the town’s literary guru.

And — stopping only briefly for kudos — as our “06880” Unsung Hero of the Week.

Sybil Steinberg

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In 1995, Publisher’s Weekly flew Sybil to London, to interview Salman Rushdie.

The author was in hiding; the Ayatollah Khomeini had issued a fatwa calling for his execution. In August 2022 — a week after Rushdie was stabbed during a talk in upstate New York — Sybil described that interview with him, for “06880.”

At the time I was editor of the book review section, for which PW is renowned. Pantheon was about to publish his first collection of stories, titled “East, West.” They wanted to assure the US publishing industry that Rushdie was still writing, and at the top of his form.

Security was tight. A cab with shades drawn picked me up at my hotel, and drove me to the Random House offices in London.

I entered through a side door. Two security people examined me, and my tape recorder and notebook. I had to assure them that I hadn’t told anyone abut my mission.

Salman Rushdie/© Beowulf Sheehan http://www.beowulfsheehan.com

They led me to a private office, and locked me in. About 10 minutes later, there was a clatter in the hallway. Rushdie arrived, accompanied by his own security team.

Rushdie’s serious expression had led many to misread his personality. He proved to be a delightful interviewee: genial, forthcoming, and a great raconteur.

Because Rushdie was of great interest to the publishing industry, PW gave me 3 pages for the interview — a privilege never granted before or since.

The headline read: “Six years into the fatwa, the resourceful writer discusses his new book and his determination ‘not to be beaten.’”

Here’s an excerpt: “While he doesn’t deny that the death sentence cast a cloak of terror over his existence, Rushdie is eager to plead the this audience not read his life into his work.”

There’s a bitter irony that Salman Rushdie was attacked as he was about to address the audience at Chautauqua about America’s role as a safe haven for authors.

New Playhouse Director’s Past Propels Its Future

Moments before Mark Shanahan made his acting debut at the Westport Country Playhouse, Joanne Woodward told him to put both feet on a special spot backstage.

It was 2005, and the historic theater had just undergone a multimillion-dollar renovation. Several boards from the original 1931 stage had been incorporated into the new one.

Shanahan — a young actor being directed by the legendary star in “David Copperfield” — reverently stood where hundreds of legends, from Henry Fonda and Olivia de Havilland to Paul Newman and Woodward herself once walked.

Mark Shanahan, as David Copperfield.

Last year, as incoming artistic director, Shanahan watched other actors stand there.

This month, as he takes the reins as artistic director, he looks forward to watching many more do the same.

Part of his job is to attract those actors to the 93-year-old Playhouse. How well he does it — along with the shows he selects, and other programming he develops — will go a long way to determining how successful one of the nation’s premier regional theaters will be, at a time when even the biggest ones face tough times.

Less than a year after the Westport Country Playhouse came within days of closing forever, the future seems bright.

And different.

Mark Shanahan, at the Playhouse. (Photo/Dan Woog)

The decades during which the Playhouse served as the town’s summer entertainment center, a lucrative destination for the biggest names, and a launching pad for Broadway shows, is long gone.

It took Playhouse employees and board members a long time to realize how vastly things have changed. But a firm change of direction — including more diverse offerings, outreach to new audiences, and a shift in the mainstage calendar from summer to other months — has positioned the Playhouse for a new role, a new image, and chances for new success.

Shanahan was both a safe and bold choice. A near 20-year Playhouse veteran — as an actor, curator of its Script in Hand play reading series, and creator of the Westport Country Playhouse Radio Theater — he has also worked at enough other places, in enough diverse roles, to know that doing things the same way they were always done would not work in the post-pandemic, streaming-filled, zillion-option world of today.

The New York City native discovered acting in high school, thanks to an inspirational teacher. (“I had terrible stage fright,” Shanahan confesses.)

He studied theater and American civilization at Brown University, earned a master’s degree at Fordham, then did “a little bit of everything” — acting, directing, producing — around the country.

Noble Shropshire — one of several mentors — recommended him to the Playhouse. He knew it vaguely; when he was younger, his parents took him to plays there.

The Westport Country Playhouse — founded in 1931 — is one of America’s legendary regional theaters.

Shanahan did 2 shows in ’05 — “Journey’s End,” then “Copperfield” — and found it to be a “very warm, welcoming place. Woodward and her co-director Anne Keefe drew him in.

He worked other places. But he never really left.

Shanahan met his wife at the Westport Country Playhouse. He learned he would be a father when he was there. He became friends with countless Playhouse actors: men and women who shared his reverence for the history of the place, and honored all those who came before them.

“My experiences here have been personal,” Shanahan says. “I’ve worked at a lot of big theaters. But there is nothing like this place. It’s an institution, but its importance comes from its people.”

Shanahan has read about founder Lawrence Langner, and longtime executive producer Jim McKenzie. He knows how hard they worked — and the obstacles they faced, trying to create and maintain a summer theater.

The Playhouse’s early days. (Photo/Wells Studio)

Challenges included a depression, a world war, and television. They had to find the right shows and actors (plus costume and set designers, stagehands and musicians, apprentices and ushers); sell tickets; stick to budgets; keep actors and audiences happy — and much, much more.

“It’s hard,” Shanahan notes. “There’s a lot of pressure.

“Audiences are demanding. And they should be. But the people who love this work, work hard to make it happen.”

At the Westport Country Playhouse, they’re working harder than ever. Drastic cost-cutting measures last spring — when bankruptcy seemed near, and closing was a real possibility — included the elimination of more than half of all staff positions.

The small workforce now does more than ever. Shanahan’s “small but mighty” staff is “working their tails off” looking for and creating new programming, finding new sources of funding, marketing it all in new ways.

Early reviews are encouraging.

Recognizing that the theater was dark too many days, Shanahan and his deputies, managing director Beth Huisking and production manager Matthew Melchiorre are booking concerts, readings, films, special events and short runs to draw people in.

And, hopefully, give them reasons to return.

Mark Shanahan and Beth Huisking, in the Playhouse’s famous seats.

In February, 575 teenagers, and preteens and their parents came to a show featuring Taylor Swift songs.

Three nights later, a sellout crowd heard a Script in Hand reading of a show about football coach Vince Lombardi.

Five days after that, multiple Tony Award winner Audra McDonald drew a full house.

Each audience was different. Each night, many attendees said, “I haven’t been here in ages.” Or, “I’ve never been here.”

Other successful shows include an Ella Fitzgerald tribute, and 9 performances of Shanahan’s “A Sherlock Carol.”

“This theater can be anything, for anyone,” Shanahan says. “We just have to figure out what that can be. And who knows what it can be, unless we try?”

 

Mark Shanahan plans to use the Lucille Lortel Barn, adjacent to the main theater, for innovative, intimate programs. (Photo/Dan Woog)

The artistic director says proudly, “I’m meeting people on the porch whose grandparents brought them to the Playhouse, and people who have never been here before.

“That mix keeps me up at night. I’m thinking about what we can show them, and how we can give them a good reason to come back.

“I know we can’t please everybody. But there is a large audience that’s hungry to come together.

“Theaters are closing for many reasons. This is the last un-downloadable thing they can do. And they can do it with other people. It’s even more special than when I was a kid.

“We have a great board at the Playhouse. There are new, young people, and others on it a long time who are really energized. All of us are committed to giving people a great night out.”

And to ensuring that backstage, every actor — well known now, or will be in the future — has a chance to put their feet on the boards from that original 1931 stage, close their eyes, and think about everyone who also stood on the same stage.

And then walk out, and keep the magic of the Westport Country Playhouse alive for generations to come.

(“06880” is “Where Westport meets the world” — for arts, entertainment, history and more. Please click here to support our hyper-local work. Thank you!)

Pics Of The Day #2525

Albion Vu is a multi-disciplinary artist, based in New York, Martha’s Vineyard and Miami.

The other day, he visited Westport for the first time. He found beauty and inspiration all around town, in a variety of angles and shapes. Here is some of what he saw:

Saugatuck Congregational Church

Serena & Lily

Jesup Road rainbow crosswalk

Burying Hill Beach (Photos/Albion Vu)

Photo Challenge #481

Westporters of a certain age remember Allen’s Clam House.

The the Hillspoint Road restaurant on the edge of Sherwood Mill Pond attracted generations of diners for 2 reasons: its seafood, and the view.

It fell into disrepair, was demolished, and now only memories remain. In its place, the Sherwood Mill Pond Preserve offers a spot for contemplation, bird- and nature-watching, and kayak launching.

It’s a hidden gem, in a well-traveled part of town.

How hidden? Only 3 readers — Andrew Colabella, Seth Braunstein, Jonathan McClure and Courtney McMahon — recognized the “Entrance” sign, for the small parking lot that was last week’s Photo Challenge. (Click here to see.)

It’s worth a visit, any time of year. But don’t tell anyone.

It’s our little secret.

What about this week’s challenge? If you know where in Westport you’d see this, click “Comments” below.

(Photo/Pat Saviano)

(If you enjoy our weekly Photo Challenge, please click here to support “06880” with a tax-deductible donation. Thank you!)

Roundup: Shearwater, STG Fun Run, MoCA Carnival …

Shearwater Coffee Bar– the Westport outpost of the Fairfield shop, in what was formerly Bertucci’s and, long before that, the Clam Box — closed permanently yesterday.

Word on the street is that it will be replaced by Greenology, a New Canaan vegan spot.

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Staples Tuition Grants helps hundreds of graduates each year.

Now some Staples students want to help too.

The 1st annual Staples Tuition Grants Fun Run — for youngsters in grades 3 through 5 — is set for April 6 (8 to 10 a.m., Paul Lane Field at Staples). Registration is just $25.

All proceeds benefit STG. Last year the organization awarded $407,000 to 116 students, in grants ranging from $1,000 to $7,500.

The morning includes races, a bounce house, face painting, temporary tattoos, a bake sale and raffle.

Medals will be awarded to winners at each age level.

The STG Fun Run is the brainchild of Staples junior Alexis Krenzer. She wanted to do something good and fun for her community, with a theme of “kids helping kids.”

Alexis got Sara Hollard Sports to coordinate the races, and rallied other students to help. Over 30 volunteers will work with the children that day. Others have been involved, for example creating the logo.

Staples cheerleaders will lend their support too, while and SCI mentors — a group encouraging kids to learn about science — lead the bake sale.

Click here to register for the run. Information can be found on Instagram (@stgfunrun).

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Frederic Chiu — Westport’s favorite internationally know pianist — comes “home” to MoCA next Saturday (March 23, 4 p.m.).

He’ll join with funky family-friendly poet David Gonzalez, to give Camille Saint-Saëns’ “The Carnival of the Animals” a new twist.

The Tortoise, The Swan, Wild Horses and the rest of the musical menagerie will be “reborn” with the duo’s performance.

The work includes 14 separate pieces, each  suggesting a particular animal. It often serves as an introduction for young audiences to classical music.

Click here for tickets, and more information.

Frederic Chiu (Photo/Dan Woog)

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Earthplace’s 3rd annual Beer Garden & Tasting is not just for adults.

The Arbor Day “Toast to the Trees” event (April 27, 4 to 6 p.m.) includes sparkling beverages and arts and crafts for kids, and beer tastings for those over 21, along a self-guided trail walk.

Then everyone gathers in the Beer Garden for s’mores, lawn games, food trucks, and beers for purchase.

Click here for tickets, and more information.

 

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Fred Cantor is a man of many interests.

And many talents.

The Staples High School Class of 1971 graduate is an attorney, theatrical producer (“All Good Things”) and short film producer.

The High School That Rocked!” explored the magical years when great bands — The Doors, Yardbirds, Cream, Remains — played at Staples.

Cantor’s latest documentary is “It’s a Hollywood Life!” The half-hour film focuses on longtime Westport resisdent Susan Granger’s 80-plus years connected to the movie business. (Spoiler alert: She started in childhood,  appearing with some of the biggest stars during the Golden Age of Hollywood.)

The Ridgefield Independent Film Festival will screen Cantor’s movie May 18. Immediately after, there’s a Q-and-A with Granger, Keir Dullea, Mia Dillon, and directors, Laurie Valentina Gomez Acosta and Maya Weldon-Lagrimas.

Click here for more information.

Susan Granger on set with Wallace Beery and her father, director Sylvan Simon, in a still from Fred Cantor’s documentary.

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Today’s very cool “Westport … Naturally” photo shows the unnatural shape of Compo Beach sand.

It’s been prepped for the summer months. Soon the trucks and tire treads will be gone. And all will be “natural” again.

(Photo/June Rose Whittaker)

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And finally … here’s a toast to today!

(Speaking of green … “06880” relies on reader support. Please click here to donate to your hyper-local blog. Thank you!)

The Blondinit: Long-Awaited Israeli Restaurant Opens Thursday

It took 11 months longer than expected for The Blondinit to open.

But when the first diners arrive on Thursday (March 21), they’ll know it was worth the wait.

A preview of the Israeli restaurant on Saturday showcased the ultra-fresh, ultra-good food.

And the very cool décor, handsome marble bar, and attentive wait staff.

Guests and staff at the Blondinit bar. (Photo/Dan Woog)

Owners Solomon and Inda Sade run several other businesses. But the attention they’ve given their newest venture is clear.

The former Manna Toast has been completely renovated. Brunch, lunch and dinner menus include salatim (salads, with a twist), nish nush (snacks), bowls, pita sandwiches, platters, skewers, specialty dishes and sides.

The Sades are particularly proud of their baklava pancakes, mafrum (potato, ground beef, lamb, spiced tomato sauce, couscous) and chraime (fish of the day, spicy tomato sauce, blistered tomatoes).

Despite a reliance on meats and salads, Israeli cuisine is not exactly the same as Middle Eastern, Mediterranean or Greek, Solomon notes.

Shakshuka features eggs poached in a sauce of tomatoes, with Israeli cheese and spices. It’s served with charred pita bread.

Two examples: there is no pork. The seasonings are different.

And this: the Bulgarian cheese Israelis use is soaked in brine, rather than fresh water.

The wine list includes many from Israel. Cocktails feature herbs, spices and fruits, like The Blondinit (Gregy Goose, feta brine, feta olives), Ya-Rok margarita (Tito’s Handmade Vodka, espresso, cinnamon and cardamom) and Boker Tov (Herradura Silver, s’chug, agave, egg white, sumac).

All food is scratch made. Ingredients are delivered fresh daily. The Sades will not use freezers or microwaves — “nothing out of a box,” Solomon says.

Leftover food will be donated to pantries and food rescue organizations.

The Blondinit owners Inda and Solomon Sade flank 1st Selectwoman Jen Tooker. (Photo/Dan Woog)

“We want people to feel like they’re a family, coming to dinner,” Inda says.

It felt that way Saturday. The “family” that filled the new restaurant came from all over Westport. They left smiling — and very well fed.

The Blondinit a great complement to 2 other very different restaurants, directly across the street: Spotted Horse and Pink Sumo.

So what’s with the name?

“Blondinit means ‘female blonde’ in Hebrew,” Solomon explains.

“It’s named for my wife.”

PS: How’s this for a delicious twist? The new Israeli restaurant is located on Church Lane.

(The Blondinit will be open Tuesdays through Fridays from 11 a.m. to 10 p.m.; Saturdays and Sundays from 10 a.m. to 10 p.m. It will be closed Mondays.)

Bourekas are a puff pastry, stuffed with Israeli cheese, meat or potatoes. They’re served with a dipping sauce.

Cory Stalling Needs A Vehicle

Cory Stalling was born and raised in Missoula, Montana.

But you may have met the 23-year-old, swimming or kayaking in Long Island Sound, or zipping around downtown Westport in his wheelchair while visiting family here.

Cory Stalling

If you lived in Westport between 1956 (when Cory’s grandparents Ed Sr. and Barbara bought a house on Hickory Drive) and 2015 (when Barbara passed away), you likely knew a Stalling or two.

Maybe all 7.

Ed Sr., who died in 2003, was scoutmaster of Troop 36 for more than 30 years, and a popular boat guard at Compo’s Ned Dimes Marina, where he enjoyed telling a lifetime’s worth of fishing stories. There is a plaque at the marina in his honor.

He and Barbara, a longtime Post Office employee, raised 5 children here. All graduated from Staples High School: Susan (Class of 1974), Ed Jr. (’76), Bob (’78), Dave (’79) and Tim (’85).

After serving in a Marine Corps Force Recon Unit, Dave Stalling moved to Montana. He married Christine Trimp. In 2000 they had a son, Cory.

“In December 2008, when Cory was 8, I took him skiing for his last time,” Dave recalls. “Prior to that he loved it. But that day he kept falling, got frustrated and wanted to stop. His legs no longer held him up.”

Soon after he was diagnosed with Duchenne Muscular Dystrophy, a genetic, fatal, muscular degenerative disease for which there is no cure.

He is on medication that slows the disease’s progression. More treatments are being developed now. There is hope a cure may be found soon.

Cory Stalling and friend.

In the meantime, Dave says, “he lives life to the fullest. He’s grown into an amazing young man – smart, happy, fun, adventurous, and more independent than his mom and I could ever have hoped for.

“He goes to the University of Montana. He studies environmental science, he drives, lives in an apartment, loves to canoe, camp, fish, cook and write poetry. We couldn’t be more proud of him.”

Of course, living independently with DMD isn’t easy.

“It can be difficult to adjust to things without my parents at school, but I have people who can help when I need it,” says Cory.

Cory Stalling, enjoying Montana’s Big Sky Country.

A major challenge as he navigates an independent life is transportation. The Stalling family does not have an appropriate vehicle to rely on for visiting each other, attending medical appointments, or transporting Cory during daily activities. Cory’s parents must lift him in and out of their car, then take apart his manual wheelchair to fit into their vehicle. That is not safe, as his power chair provides more stability and independence.

“I’m often late to appointments or have to reschedule them because I don’t have the correct transportation,” Cory says. “School is very important to me, so having a safe, reliable way of getting to and from campus would help my family a lot.”

Accessible vehicles are not cheap. Even used ones cost $60,000 to $70,000. Recently, Cory applied for and received a competitive award from the nonprofit Jett Foundation. The Accessible Vehicle Fund branch of the Jett Giving Fund will match half the cost of an accessible vehicle — if Cory raises the other half.

Cory is working to raise $33,500. You can help him attain freedom and independence by clicking here.

Cory has created a Facebook page to keep people updated on his efforts. Click here to see.

Cory Stalling with his dad Dave, at last year’s Missoula Pride Festival.

Pic Of The Day #2524

Can teenagers still have fun without a smartphone? Sure, if they’re at Compo Beach, and feeling creative! (Photo/Lauri Weiser)

Roundup: School Bus App, Dante & Brian Keane, St. Patrick’s & VFW …

The first year with First Student — Westport’s new school bus company — has gone well.

Now, the long-awaited bus tracking app is live. FirstView can be downloaded on any smartphone, desktop or laptop.

The app lets families track the location and direction of their child’s bus. Other features include customizable bus proximity notifications; custom alerts and messages, and multi-stop views.

Click here to get started. Questions? Call 888-889-8920, weekdays from 7 a.m. to 5 p.m., or email support@firstviewapp.com.

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You may come to “Dante: Inferno to Paradise” for the subject.

You’ll stay for the music.

Ric Burns’ new 2-part series on the 14th-century poet airs this Monday and Tuesday (March 18 and 19) on PBS. Dante’s “Divine Comedy” — his account of a life-changing journey through Hell, Purgatory and Paradise — is one of the greatest works of art in Western history.

The 4-hour show was filmed across 6 years in Italy, England and the US. it includes paintings, drawings, manuscripts, frescoes, and interviews with scholars, writers, poets, politicians, clergy and historians.

But the 4-hour show soars on the beautiful, deeply moving soundtrack. It was composed by Burns’ long-time collaborator, veteran Grammy, Oscar and Peabody Award winner Brian Keane.

The very accomplished composer/musician is a 1971 graduate of Staples High School.

Brian Keane

Keane’s hauntingly beautiful score brings alive Dante’s life and work, in a hallucinatory, almost cinematically vivid way. It captures the depth and breadth of Dante’s experiences in the 3 realms of the afterlife.

“Dante” will stream for free on PBS for 2 weeks after the broadcast. It will then go to PBS subscription, and eventually pay-per-view.

Excerpts of the music score ere premiered at the Westport Library Orchestra Lumos concert earlier this month. 

The single will be released March 22. The album follows a week later.

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St. Patrick’s Day is tomorrow.

But the VFW Joseph J. Clinton Post 399 celebration begins soon: Noon today (Saturday, March 16).

It includes an all-you-can-eat feast, featuring (of course) corned beef and cabbage; $3 green beer, $4 Space Cat and $5 Guinness specials.

The $25 ticket includes lunch/dinner.

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There is a new date for the fundraiser to provide new AEDs in all fire, police and Emergency Medical Service vehicles in town.

Automated External Defibrillators are portable devices that deliver electric shocks to the heart during cardiac arrest. The current ones are reaching the ends of their useful lives.

On April 24 (5:30 to 10 p.m., Autostrada), the Westport Firefighters Charitable Foundation hosts its 2nd annual Whiskey Tasting.

The evening includes drinks, light bites, and a silent auction. The target is $75,000.

Many of us know people whose lives have been saved by AEDs. Any of us could be next.

Click here for tickets, and more information.

AEDs — with clear instructions on how to use them — save lives.

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When Amazon Fresh planned to open in the old Barnes & Noble — that’s the long-vacant store in the Angelina’s Pizza plaza, for you newcomers — they ran into some issues with their sign.

Last year, they bailed. The site became a “zombie store” — one of a number of Amazon Freshes nationwide that were abandoned, after being announced with great fanfare.

Now, Big Y is poised to take over the spot (which, intriguingly, started life as a supermarket — Waldbaum’s).

Their request for signage will be heard at Tuesday’s Architectural Review Board meeting (7:30 p.m.; Zoom).

There is no indication that there will be any issues with this proposal.

And — unlike Amazon Fresh — it looks like this store will actually open.

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Speaking of the VFW (as we were above): The John Lamb Show runs there every Sunday, from 6 to 8 p.m. And it’s free!

The Staples graduate plays jazz, Paula Gallo sings pop numbers, and there’s comedy (Stephanie Bass appears tomorrow), a trivia game, and a raffle.

The weekly series debuted last month, and is quickly gaining a devoted following.

Click here for more information. Questions? Want to donate raffle prizes? Email JohnLambMusic@aol.com.

John Lamb

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Next month, astronomy buffs across the world head to Texas. That’s where, on April 8, they can see a total eclipse along the totality line.

But Westport will be part of the event too.

The Westport Astronomical Society and its amateur radio station club (K1WAS) — along with other amateur radio operators and balloon enthusiasts — will help launch high-altitude balloons with cameras, sensors and radio transmitters, to capture the eclipse from a vantage point high above the Earth’s surface.

The WAS project is a collaboration with the University of Bridgeport and the University of New Haven, through the Nationwide Eclipse Ballooning Project.

“We are thrilled to contribute to the scientific community’s understanding of this celestial event,” says WAS board member. Dan Wright. “These high altitude balloon missions will offer a perspective of the eclipse that is both breathtaking and informative, helping researchers study the Sun’s corona and the Earth’s atmosphere in new and exciting ways.”

Amateur radio operators and astronomy enthusiasts can follow the balloon’s location, and participate in related events and discussions. Details will be posted soon on the Westport Astronomical Society website.

The total solar eclipse, a rare event in which the moon passes between the Earth and the sun, will be visible across parts of North America. The sun is only 90% obscured in Westport and much of New England.

But the WAS will host a “watch party” at the Westport Library (April 8, 2 to 4 p.m.).

In Connecticut, the next partial solar eclipse is not until 2028. It will not obscure the sun anywhere near what we’ll see in April, though.

For that, you have to wait until May 1, 2079.

Mark your calendars now!

Here’s what the April 8 eclipse will look like. You saw it here first!

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Jolantha does not sound like an Irish name.

But Weston’s favorite pig is all decked for St. Patrick’s Day.

Swing by 70 Kellogg Hill Road Say hi. She’ll bring you luck!

(Photo/Hans Wilhelm)

One more sign that spring is near:

(Photo/Ben Gosseen)

Ivy Gosseen’s husband spotted today’s “Westport … Naturally” feature in their Regents Park yard.

She writes: “I love that there are clovers nearby, because we are just shy of St. Patty’s day!”

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And finally … in honor of next month’s Westport Astronomical Society event (story above):

(Today — and every day — “06880” serves up a potpourri of news, information and “stuff.” But we couldn’t do it without reader support. Please click here to help.  Thank you!)

Online Art Gallery #205

Welcome to Year 5 of our online art gallery!

We began this feature in the early days of the 2020 pandemic. It served a few purposes — for instance, a chance for people, stuck home for a long time, to be creative.

And with actual galleries closed, it was a way for artists to showcase their work.

Plus, it provided a bit of inspiration and joy to all of us, during a frightening, miserable time. (Click here to see that very first online art gallery.)

I thought the online art gallery would be something fun, for a few weeks. But the submissions kept coming. The range of themes widened; so did the mediums.

So — like COVID — the online art gallery is here to stay.

Unlike the coronavirus though, we’re happy it’s hanging around.

So remember: No matter what your theme, or medium — and whether you’re a first-timer or oldtimer: We welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Email it to 06880blog@gmail.com. Please include the medium you’re working in — art lovers want to know.

“Curtain Twitcher.” Artist Ken Runkel says: “It was inspired by one of my Nextdoor followers, who shared his story of a ‘curtain twitcher’ he remembered as a kid. I took it from there, and created this in the style of Norman Rockwell.”

“Imagine” (Patricia McMahon)

“Spring is Coming” (Ellen Wentworth)

 “Sunset” (Karen Weingarten)

“Cousins House” (E. Bruce Borner)

“Another Red Barn” — artist Steve Stein says: “The reason barns are red is because early farmers painted them with a protective coating of linseed oil mixed with animal blood or ferrous oxide, to prevent weathering and the growth of mold and fungus.”

“The Koi Pond Getting Ready to Surface” (Dorothy Robertshaw)

Untitled (Tom Doran)

“Schooner in the Jungle” — acrylic painting (Peter Barlow)

 

“Let the Sleeping Cat Lie — You Can’t Run Fast Enough” (Mike Hibbard)

“A Hard Day on the Front Line in Ukraine” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)