Category Archives: Looking back

Happy (Belated) 100th Birthday, Greens Farms El!

Uh oh — we missed it!

Last year, Greens Farms Elementary School turned 100 years old. That’s quite a milestone.

The original school.

Fortunately, Suzanne Sherman Propp was on it.

The longtime (and much loved) GFS music teacher commemorated the centennial with a small book of history. And, of course, songs.

Published privately, it honors the tens of thousands of students and teachers who have passed through its classic halls.

Suzanne Sherman Propp’s book. 

Propp’s book will be on display today, in the auditorium.

Westport’s elementary schools are celebrating Culture & International Day. With the theme “Together We Belong,” GFS students and staff are invited to bring a poster or artifacts representing their background.

Propp will present a slide show, with info from her book. (Culture & International Day continues this evening, for parents and families.)

Bulletin board display, for today’s event.

Here’s some of what students and others will learn: The school was built on land originally occupied by the Paugussett Native American tribe. It later became the Bumblebee Hill onion farm.

From 1713 to 1905, a small school sat on that site, or nearby.

All of the land in the area became the property of John Green — hence the area’s name, Green’s Farms.

(Propp notes that there is “much debate about the appropriateness of the apostrophe.” Interestingly, she calls it Green’s Farms School — but the Westport Public Schools website refers to Greens Farms Elementary School.)

The main part of the building was designed by architect Charles Cutler, in a Tudor Revival style. Built to accommodate 200 students, the original entrance was the brick arched doorway facing the Post Road and softball field.

The original entrance.

In 1935 — 10 years after the school opened — artist Robert Garrett Thew crated artwork, to enhance the entrance.

With Works Progress Administration (WPA) money, he designed a fountain, with a bronze statue of his daughter Robin dipping her foot in the water, and metal gulls flying overhead. Today, that area is called “the Fountain Room.”

The fountain area, today.

In 1950 — as Westport’s post-war population boom began — the school was renovated to serve many more students and staff. The entrance was moved to the current site, facing Morningside Drive South.

In 1983 — as the student population plummeted — Greens Farms was closed. Two much newer elementary schools — Burr Farms (built in 1957) and Hillspoint (1960) were also shuttered.

In 1986, GFS was repurposed as the Westport Arts Center. Classrooms became studios for dozens of painters, sculptors and musicians.

The gym was turned into a state-of-the-art auditorium, dedicated to pianist Heida Hermanns by her husband, Artur Holde.

In 1991, the building was listed on the National Register of Historic Places.

Six years later, with enrollment rising, the town reclaimed the building as a school. Artists — unhappy at losing their studios — moved the WAC to Riverside Avenue.

In 1999, the “new” Greens Farms opened. Renovations included 25 new classrooms, an auditorium, gym, art room, music rooms, offices and meeting spaces. Students came from the Long Lots and Kings Highway districts.

Greens Farms Elementary School, today.

Propp — who was hired by principal Angela Wormser, after a long career in the music industry, when she answered a request to write a school song, then performed it in the pouring rain — includes that tune, and others, in her book.

The reopening was a chance for the school to create new traditions. They created a new mascot: a giraffe. (Surprise! Many people expected a bee, in honor of “Bumblebee Hill.”)

Suzanne Sherman Propp.

Traditions are important, Propp says. There were 400 students that first “new” year; every fall, 80 new ones enter.

All 2,500 youngsters since 1999 have learned the Greens Farms school song (“Plant the Seed”); the “GFS Rules!” tune; “Patches” (about the mascot, who took an imaginary trip around the world); “Kindness” (written by students with their music teacher, to celebrate the life of a teacher who died shortly after retiring), and “In Wonderful Westport” (composed by 2nd graders studying the town’s history).

Suzanne Sherman Propp (center, in back) with young Greens Farms Elementary School singers, in 2018.

Greens Farms students also learn “It Makes a Difference.” That song, celebrating diversity and empathy, was written for Diversity Day at the request of late assistant principal Beth Heroux.

The “new” Greens Farms Elementary School — now 27 years old — already has plenty of traditions.

They build on a 101-year legacy.

EXTRA CREDITPropp dedicated her book to the Greens Farms principals who, since the reopening, have “helped students navigate their young lives, as they pass through the hallways”: Angie Wormser, Dan Sullivan, John Bayers, Kevin Cazzetta and Brian Byrne. She also honors all those who came before.

(“06880” regularly covers Westport schools, history and residents — and, like today, their intersection. If you enjoy stories like this, please click here to support our work. Thank you!)

Staples Players Rewind: “Beauty & The Beast”

In the fall of 2007, Staples Players produced “Beauty & the Beast.”

Directors David Roth and Kerry Long’s adaptation of the beloved fairy tale musical is this week’s “nutshell” — a 17-minute highlight reel filmed and edited by former media teacher Jim Honeycutt.

Click here or below to enjoy:

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!) 

“Then & Now”: #10

This week’s edition of yesterday and today — Dave Matlow’s photos of Westport homes pre-teardown, and their replacements — continues in the North Avenue/ Long Lots Road neighborhood.

Plunkett Place, March 2005 …

… and April 2026,

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Burr Farms Road, January 2020 …

… and April 2026.

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Adams Farm Road, September 2006 …

… and April 2026.

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Fresenius Road, August 2018 …

… and April 2026. (All photos/Dave Matlow)

(“06880” regularly covers Westport real estate, history … and much more. If you enjoy features like this, please click here to support our work.)

Staples Players Rewind: “Urinetown”

Whether you enjoyed Staples Players’ recent production of “Urinetown,” or missed it, here’s a chance to see it again.

Well, not exactly. This is the spring 2006 version.

Each week, “06880” is presenting a series of “nutshells” — highlights from the esteemed high school troupe’s show, filmed and edited by former media teacher Jim Honeycutt.

Directors David Roth and Kerry Long have inspired many cast and crew members to go on to lives in the theater. Here, from the 2006 “Urinetown,” are a few examples:

Adam Kaplan was most recently seen as Gary on the new Max series “The Girls on the Bus.” He starred on Broadway in “A Bronx Tale,” directed by Robert De Niro. Other Broadway and national tours include “Kinky Boots,” “Newsies” and “Show Boat.” He has also been in “The Big Leap,” “Chad in Up Here,” “Elsbeth,” “Somewhere In Queens” and “Deception.” 

Mia Gentile is a singer, actor and writer. She appeared in “Kinky Boots” on Broadway, impersonated many divas in “Forbidden Broadway,” created music as part of MISSYFIT, and starred in the hilarious viral video “The Stanley Steemer Variations (by Mia)” which got her on “Good Morning America.”

Tyler Paul co-founded the innovative Northeast Children’s Theatre Company, while still in college. He is now head of people and talent at Paravision, a leader in computer vision and biometrics identity solutions.

Hannah Dubner is a Chicago-based actor, writer and movement artist seen on TV series (“Don’t Schmuck It Up” and “How Did That Happen?!” (2018), and short films (“Return to Sender.”

Jacob Heimer is an actor, singer and dancer. He has an extensive resumé in TV (“Law And Order”), film (“Gold Star,” and Broadway “Beautiful.”

Anna Slate is a singer, actor, writer, performance artist and educator. Her credits include “Indecent,” “Natasha, Pierre & The Great Comet of 1812,” “Romeo & Juliet,” “Handle with Care,” “The Fantasticks,” “A Little Night Music” and “Alice Unwrapped.”

Megan Wttl is a commercial voice actor.

Nick Boak is an entertainment executive “Batman v Superman: Dawn of Justice,” “Warcraft” and “American Hustle.”

Scott Weinstein is an award winning director, creative director and producer of new and existing work for theatre and live events.

Taber Onthank is a musician, songwriter and former actor (“Amy and Peter Are Getting Divorced”). He is the husband of actress Britt (Baron) Uomoleale (“Glow”), his former high school sweetheart.

Brittany (Baron) Uomoleale is an actress known for “Glow,” “The Thing About Harry” and “Into the Dark.”

Britt Hennemuth is senior vice president of production for Universal Pictures. He is known for “Break a Hip,” “John Proctor Is the Villain” and
“Untitled Archie Comics Movie.”

Sally Eidman is an actress, singer/songwriter and creator. Her credits nclude “Torch,” “Beauty Queen” and “James,” along with many shorts and national commercials.

Chris McNiff is an actor, singer and dancer. He has been in “Irving Berlin’s White Christmas,” “Young Frankenstein,” “Who’s Got Me?,” “Mary Poppins” and “Elf: The Musical.”

Drew Angus is a recording artist. His albums include “Late For the Party,” “You And Me,” “Under Covers Deluxe” and “Hold Onto Something.”

And now … on with the show!

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“Then & Now”: #9

Several side streets on a small stretch off North Avenue have seen big changes in the past 2 decades.

Today’s edition of “Then & Now” — photographer Dave Matlow’s series of teardowns, and the homes that replaced them — concentrates on those roads, a few yards from Bedford Middle School.

Melon Patch Lane, March 2015 …

… and April 2026.

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Peach Lot Place, October 2012 …

… and April 2026.

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Pleasant Valley Lane, June 2006 …

… and April 2026.

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Reimer Road, January 2010 …

… and April 2026.

(“06880” regularly covers Westport real estate, history … and much more. If you enjoy features like this, please click here to support our work.)

Remembering Joy Harmon

Joy Harmon died Tuesday at her Los Angeles home. She was 87.

Hers is not a household name.

She was Groucho Marx’s assistant on a 1961 game show, and appeared in classic ’60s-era TV: “The Beverly Hillbillies,” “My Three Sons,” “Gidget,” “Batman,” “Bewitched,” “The Monkees” and “The Odd Couple.”

But those were not her most famous roles.

It was a brief — but memorable — appearance in “Cool Hand Luke” that seared her into the American (male) consciousness.

Harmon was, in the Hollywood Reporter‘s words, “the young woman who provocatively washes a car with lots of soapy water as overheated prisoners in the chain gang look on.”

Still, it’s not that scene — with, of course, Westport’s own Paul Newman in the title role — that earns her an “06880” obituary.

She was also a Staples High School graduate.

Eleven years before that legendary film, her 1956 yearbook writeup hinted at  things to come. (She was just 16 when she graduated. She skipped 2 grades during Westport elementary school.)

Yet her time in the limelight did not last long.

After being a “pin-up girl” in the late 1960s and early ’70s, Harmon retired from acting, married and had a family.

Baking was always a favorite pastime. She started Aunt Joy’s Cakes, and ran a wholesale bakery in Burbank, California.

Joy Harmon, in a screenshot from a video about Aunt Joy’s Cakes.

Westporters recall 1950s Staples graduates Mariette Hartley and Christopher Lloyd, who went on to movie and TV fame. We claim Michael Douglas too, even though he was shipped off to boarding school after Bedford Junior High.

We never remembered Joy Harmon.

Though — as Paul Newman and the other men working on the chain gang quickly realized — it was hard to forget her. (Hat tip: Christian Hunter)

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ENCORE!

So how did Joy Harmon’s most famous role come about?

The Hollywood Reporter says: In an interview with author Tom Lisanti for his 2007 book Glamour Girls of Sixties Hollywood, Harmon said her agent told her that she should wear a bikini to her “Cool Hand Luke” audition for Newman and director Stuart Rosenberg, so she did.

“I remember Paul Newman said to me, ‘Gosh, you have the bluest eyes!’ she recalled.

‘They just talked to me, and that was it. It was a small part with no lines, but I wanted to work with Newman, so when they offered it to me I accepted.”

Joy Harmon, in “Cool Hand Luke.” (Photo courtesy of The Hollywood Reporter)

“Stuart was very specific and knew exactly what he wanted,” she told Lisanti. “I guess you can tell that by the way the scene comes off — but I didn’t realize it. And I don’t think I even realized it right after I did it.

“There were a lot of things he made me do a certain way — soaping the windows, holding the hose — that had a two-way meaning. He would tell me to look different ways, and we kept shooting it over and over again. I just figured I was washing the car. I’ve always been naïve and innocent. I was acting and not trying to be sexy.

“I never had any inclination that this would be such a memorable role. Except for being in a movie with Paul Newman, I never expected this part to be so notable and get the reaction it did. After seeing it at the premiere, I was a bit embarrassed. Of all the things I’ve done, people know me most from this film.”

(Click here for the full Hollywood Reporter story.)

(“06880” is “Where Westport meets the world.” We often go behind the story — digging deeper and more broadly than any other local media. If you appreciate our work, please click here to support us.)

Staples Players Rewind: “Beauty & The Beast”

Our trip down Staples Players’ memory lane continues with “Beauty & the Beast.”

The cast of the fall 2007 production, directed by David Roth and Kerry Long, included several actors who went on to professional careers.

  • Adam Kaplan (Cogsworth) starred in “Newsies” and “A Bronx Tale” on Broadway.
  • Hannah Dubner (Belle) has performed in many shows, including “Hamlet” and “My Big Gay Italian Wedding.”
  • Andy Friedland (The Beast)  had a part in the series “The Marvelous Mrs. Maisel.” He is now executive director of Hiller International.
  • Dan Shure (Belle’s father) is a recording artist in Charley Bliss, with Players actress Eva Hendricks.

Now … sit back and enjoy the show!

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!)  

“Then & Now”: #8

Today’s edition of Westport homes — teardowns, and their replacements, courtesy of photographer Dave Matlow’s archives and follow-up — takes us to the Compo and Old Mill Beach neighborhoods.

Those areas have seen more changes than many in town. Among them:

Sterling Drive, July 2011 …

… and April 2026.

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Sherwood Drive, August 2014 …

… and April 2026.

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Buena Vista Drive, December 2018 …

… and April 2026.

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Soundview Drive, March 2016 …

… and April 2026.

(“06880” regularly covers Westport real estate, history … and much more. If you enjoy features like this, please click here to support our work.)

[OPINION] “Westport Music Teachers Changed My Life”

Darin Brunstad grew up in Westport, and graduated from Staples High School in 1985. He and his husband David are raising 4 children in upstate Connecticut. Darin writes: 

Whitely, Lipson, Weigle: Westport music teachers who saved me.

I think of them often these days, as my own young kids wend their ways through public school music education: choir, sax, clarinet and trumpet.

I started out labeled “gifted” — an early program which sent us to help classmates learn skills we had already mastered.

I liked helping. But by 3rd grade my life settled into the reality of a bad check- writing, alcoholic, unemployed stepfather; a clinically depressed grandmother caretaker, and a mother who was gone 12 hours a day beating her head bloody against the glass ceiling on Madison Avenue.

I changed elementary schools 6 times (including Kings Highway, Saugatuck, Coleytown and Burr Farms). Each was a progression of barely tolerable experiences, save the last one, which was more “Lord of the Flies” than anything else.

Burr Farms was one of Darin Brunstad’s several elementary schools. (Computer image by Steve Katz)

I was chubby, dirty and unkempt. I combed my hair and saw fleas stuck between the teeth. I was afraid of bathrooms because of The Terrible Thing that happened in one. So much shame and fear to keep locked away.

I also had more concussions than a child is supposed to have. (Shoutout to the Assumption kids — that was me who starred the windshield when my Grandma hit your school bus head on).

This probably fried my brain a bit. But I think most of my academic apocalypse had to do with being the new kid too many times.

Mrs. Whitely was the music teacher at my last elementary school. She had long gray hair she wore up, and glasses on a chain. I don’t think I ever saw her smile.

She was mocked and derided by students, yet somehow managed to expose us to such amazing things: outdoor winter concerts, fiery depictions of “Night on Bald Mountain,” barbershop quartets. She pulled off an excellent performance of “Solomon Grundy,” with the composer in attendance.

My first time on stage singing in her choir, watching her hands guide us along with such intensity, changed me.

The rest of the world disappeared. There was only that moment of creation — something I didn’t quite understand yet, but enjoyed immensely.

I was a boy soprano who could sing higher than any girl. Taunts of “faggot,” plus recess bullying, made me quit. I withdrew further, and spent recess volunteering in the cafeteria.

Three years of a music desert followed, as things got worse both at home and school. Even my main tormentor started feeling sorry for me, knitting his brows and saying, “Are you depressed? You seem depressed!”

By Long Lots Junior High I was too skinny, and desperately tried to make my increasingly tall and lanky body fold into itself to remain completely unnoticed.

But into a cramped basement music room with arena seating, all the way in the dark back corner of our school, came Alice Lipson. She was petite, and had hair all the way down to her waist.

Alice Lipson (Photo/Lynn Untermeyer Miller)

She tried diligently to teach us heathens about music theory, using Mozart’s “Symphony #40 in G Minor” to illustrate codas, themes and whatnot. There were even handouts. None of that made much sense to me, but the music — the music — grabbed at me.

Mrs. Lipson corralled a gaggle of reluctant 9th graders, and built an immense choir with an ambitious repertoire.

We were rowdy and disobedient, but somehow she coaxed amazing sound out of us. Some teachers in the audience at our concert actually cried. This thing we were doing not only centered me in my chaotic world, but it could affect others too?

By 10th grade at Staples I was fiercely hiding in the closet, and numbing myself regularly with alcohol. I skipped school, lied a lot, and barely passed anything.

Darin Brunstad, sophomore year.

But high school brought George Weigle — an exacting and immensely gifted choir director.

We sang double choir magnificats, spirituals, and put on huge holiday productions. We sang in Latin, Hebrew, German. The professionalism he required of us made us capable musicians, and better people.

Dr. Weigle was nearing the end of his career. He had little patience for nonsense, and famously less for “mediocrity.”

Dr. George Weigle (Photo/Lynn Untermeyer Miller)

But you’d be wrong to mistake his constant look of intensity and focus as a scowl, even as he looked down at us over his glasses.

In December of sophomore year I came to school late, after a young man I knew took his life. I had spent the previous night trying my best to comfort his mother, and had helped clean up the mess so she wouldn’t have to see it when she returned from the hospital.

I wandered into his choir room and just stood there, still in shock. George Weigle quietly dismissed the 108-voice group and led me into his office. I think he talked to me for an hour.

1984-85 Orphenians.

More than anyone, George Weigle taught me the beauty of that intense moment of silence, after the conductor makes eye contact and right before he raises his baton.

Discipline, focus, intention. Then the sharp intake of breath as he raises it up.

What happens after is always a blur to me. After hours of rehearsals I get lost in the music, barely remembering anything before the final sweeping cutoff motion.

Lost in a beautiful way, though. I just go somewhere else. Somewhere happy.

Darin Brunstad’s senior portrait …

What would I have had if I hadn’t been given this gift of music by these teachers? What would have become of me? Yet my love of music endures, and is integral to my mental health. I can’t imagine life without it.

My husband and I adopted our kids from foster care later in life. l’ve witnessed how music smooths the rough places for them, but those will be their own stories to tell someday.

,,, and today, with a flower he found on the sidewalk.

So to all the beloved music teachers: If you see a kid who is struggling, music may be the answer. Maybe there’s a kid who acts out because they can’t read music and is embarrassed. That was me.

Don’t give up on them. Everything you do is important. It can even be life-saving. Every beginning squeak, scratchy string or flat note can lead to something profound and permanent.

Thank you Mrs. Whitely, Mrs. Lipson, and Dr. Weigle.

George Weigle conducts the 1984 Candlelight concert production number. Darin Brunstad is in the center; he played the father in “Yes Virginia, There is a Santa Claus.”

(“06880″s Opinion pages are open to all. Email submissions to 06880blog@gmail.com. To support this hyper-local blog with a tax-deductible contribution, please click here.)

Staples Players Rewind: “The Mystery Of Edwin Drood”

Spring of 2007 brought Staples Players’ production of “The Mystery of Edwin Drood.”

The Tony Award-winning musical by Rupert Holmes — based on Charles Dickens’ unfinished novel — is notable for its interactive, “solve-it-yourself” format.

Notable too was that Holmes himself came to the high school, and met with the cast and crew during rehearsals.

Click here or below for highlights of that show. Thanks, as always, to Jim Honeycutt. As Staples media teacher, he filmed the production.

Now, in retirement, he’s producing these weekly nutshells.

Several “Drood” actors went on to careers in entertainment, including:

  • Hannah Dubne (Ms. Rosa Bud): “Hamlet,” “The Big Gay Italian Wedding”)
  • Zoe Apoian (Helena Landless)
  • Britt Hennemuth (Reverand Chrisparkle): Senior vice president of production development and special projects, Universal Pictures
  • Drew Angus (Horace): recording artist
  • Brittany Uomoleale (now Baron): “Glow,” “Final Fantasy VII Remake.”

ENCORE! To promote the show, Players filmed a series of videos. 

This one features Mia Gentile, who played Princess Puffer. She went on to a Broadway career, including “Kinky Boots.”

Here’s another, with Tyler Paul (who went on to make his mark in children’s theater), and the late Joe Ziegahn, Players’ longtime and much-loved technical director.

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!)