Yearly Archives: 2017

Staples Players’ Summer Musical “Working”: A Perfect Day Off For Audiences

When the school year ends, David Roth and Kerry Long don’t stop working.

After directing Staples Players’ 2 mainstage productions and a host of Black Box Theater shows, they turn their attention to the very popular summer musical.

This year marks the 10th anniversary of the directors’ summer show. For the hard-working, very creative Roth and Long — and the equally hard-working and very talented Staples Players cast and crew — the selection is appropriate:

“Working.”

On July 20, 21 and 22, more than 50 students — from recent alumni to rising freshmen — will stage the sprawling, toe-tapping adaptation of Studs Terkel’s 1972 book. Stephen Schwartz (“Wicked,” “Godspell,” “Pippin”), James Taylor and Lin-Manuel Miranda contributed the music.

Using real words of actual people, the production takes an intimate look at the struggles and joys of a variety of Americans: factory workers, millworkers, project managers, cleaning ladies, masons, stay-at-home moms. Using a style similar to “A Chorus Line,” “Working” weaves together the stories of nearly 40 laborers over the course of one workday.

Rising freshman Samantha Webster and Staples 2016 grad Samantha Chachra rehearse Lin Manuel-Miranda’s “A Very Good Day.” (Photo/Kerry Long)

It’s a fascinating show, and it resonates for many reasons.

For one, it’s timely. As America debates all aspects of work — lost mining jobs, jobs moved overseas, how to prepare for jobs that don’t yet exist, gender stereotypes and roles, you name it — Miranda’s latest revision is compellingly relevant. As much as we talk about work, we seldom explore the meaning we get from whatever we do.

For another, Roth has wanted to direct the show since he was 16. He was a junior at Staples, and applied to present it as a studio production. Al Pia chose a senior’s project instead.

More than 30 years later, Roth gets his chance to work on “Working.”

For a third, it’s a musical that engages the 55 actors and 20 tech members. Freed from the pressures of schoolwork, they’re spending this summer totally devoted to something they love.

Summer shows draw together a wider range of ages than school-year productions. During the month of rehearsals and set construction they form strong bonds — essential to an ensemble work like “Working.”

Younger ones learn what it means to be a Staples Player. Older ones mentor them.

Christian Melhuish graduated last year, and is studying musical theater at Temple University. June graduate Jacob Leaf is headed to Northwestern. Both have roles onstage, and help Roth and Long as acting coaches.

Rising junior Antonio Antonelli, with alum Christian Melhuish in Staples Players’ production of “Working.” (Photo/Kerry Long)

For hours every day since school ended, dozens of teenagers have been hard at work. Their job: producing a show that seems effortless, while offering insights, inspiration, and tons of entertainment.

They’ve done it all for free. After all, they’re Staples Players.

But if they were getting paid, everyone would deserve a huge raise.

(“Working” will be performed Thursday, July 20; Friday, July 21 and Saturday, July 22 at 7:30 p.m., with a 3 p.m. matinee on Saturday, July 22, in the Staples High School auditorium. Click here for tickets. Tickets may also be available at the door 30 minutes prior to each show.)

Pic Of The Day #85

Reflections in a Saugatuck Shores house (Photo/Gene Borio)

BREAKING NEWS: Marpe Tells State: Don’t Fund Cribari Bridge Replacement

Moments ago, 1st Selectman Jim Marpe spoke to State Transportation Improvement Program officials.

For the first time, he explicitly asked them to remove funding for final design and construction projects related to the William Cribari (Bridge Street) bridge.

That throws the municipal government’s weight behind a strong citizens’ effort opposing major rehabilitation or replacement of the 133-year-old historic span.

Here are Marpe’s full remarks:

We recognize that it is important to support on-going maintenance of the bridge; to maintain it in a state of good repair, and that there are elements of the bridge that need some maintenance attention. However, my residents and I are seriously concerned about the potential consequences of a major rehabilitation or replacement.

  • A significantly modified or reconstructed bridge will offer the opportunity for increased through traffic using this route as an attractive alternative when I-95 is backed-up. This introduces a major safety issue to our Saugatuck neighborhood as well as Green’s Farms Road as 18-wheel tractor trailers see the opportunity to use this route. Modifying, or replacing, the bridge so that it can accommodate trucks designed to travel our highways, and not our byways, will place pedestrians and cyclists who travel on surface roads such as Green’s Farms at greater risk of harm. This type of heavy commercial vehicular traffic is utterly incompatible with our suburban and residential community. In addition, this has the potential to add traffic and related pollution to our already congested neighborhood and frequently congested roadway.

William Cribari (Bridge Street) Bridge (Photo/Patricia McMahon)

  • Secondly, the Cribari Bridge contributes to the historic character and culture of our Saugatuck neighborhood, which is undergoing a renaissance and revitalization if its own. The bridge itself is considered historic, but regardless, any significant change will have an impact on the preservation of one of the oldest residential neighborhoods in Westport.
  • Lastly, I cannot even contemplate supporting the set aside of $40 million in construction costs without a clearer understanding of the intentions of this project. As you noted, we are at least a year away from completing the Environmental Assessment. Until that has been completed and until the public has been heard, I cannot support the set aside of over $40 million for a project where we have no understanding of the scope and impact of the potential design.

To repeat, my fellow residents and I have many concerns about the possible change to the Saugatuck swing bridge that will come from these design efforts. They have the potential to impact traffic safety if additional traffic, particularly 18-wheel trucks, are allowed to be introduced to our local roadways that are also highly traveled bicycle and pedestrian routes in residential neighborhoods. An already congested neighborhood will become even more gridlocked. And a bridge whose historic look and feel has helped define the character of our historic Saugatuck neighborhood will be lost.

I ask that you remove the line items related to State Project No. 158-0214 from the proposed STIP. The time to consider the final design and construction costs should be after the Environmental Assessment is completed and we can assess the real project that reflects local needs and safety requirements.

I am prepared if necessary to vote “NO” on these line items at the MPO level, to instruct my Town Engineer to do so as well, and to encourage my fellow chief elected officers to do the same. Please spare us that process and debate and remove the line items until the Environmental Assessment is completed and we can fully understand the State’s intention for the bridge.

Another view of the historic span. (Photo/Dave Curtis)

It Takes A Village To Make A Book Sale

It takes a village to raise a child.

And it takes a small city — well, 300 to 400 people anyway — to run the Westport Library’s annual Book Sale.

The tents are already up for the July 15-18 event. That’s done professionally.

A typical scene at the Westport Library Book Sale. (Photo/Westport Library)

But nearly everything else — hauling boxes, unboxing books, shelving, signage, on-site help, line control, security, checkout, cleanup and takedown — is done by volunteers.

They converge on Jesup Green from all corners of town (and beyond). They come in all shapes and sizes (and ages). They represent the Y’s Men, Staples Service League of Boys, National Charity League, the Gillespie Center and a local addiction recovery house.

Some are giving back to their community. Some are performing court-ordered community service. Some love the library, or books in general. Some welcome a chance to socialize.

All are welcome.

One of the book sale’s many volunteers.

Mimi Greenlee is the longtime c0-chair of the Book Sale. She’s also one of those uber-volunteers who epitomize the saying, “If you need something done, ask a busy person.”

Since moving here in 1971 with her husband Chuck, Mimi has raised 4 kids; taught at Burr Farms Elementary School; served with the Westport Young Woman’s League, United Way, Westport Soccer Association and a slew of PTAs, and run the Westport Downtown Merchants Association art show.

Still, the Book Sale is special. It’s a true community event, with that huge volunteer/collaborative component.

“It’s like a puzzle. I love watching the pieces come together,” Mimi says. “And every piece is a person.”

Nothing ever rattles Mimi Greenlee — not even the controlled chaos of the Westport Library Book Sale.

As the book sale grew — from one tiny table in the McManus Room, to an outdoor tent, to the many tents now on Jesup Green — so did the need for help.

Suzy Hooper gets the volunteers for the 9 days it takes to set up, run and take down the event.

There’s a job for everyone. Some of it is very physical. (“Those Y’s Men put me to shame,” Mimi marvels.)

Some can be done sitting down — even in a wheelchair.

Mimi, Suzy and the library staff have it all down to a science. Last year, it took just one hour from the end of the sale Tuesday, until everything was packed away.

“We get everyone,” Mimi says. There’s a man from New Canaan who arranges his travel schedule every year to do this. There are people who volunteered when they were living in the homeless shelter just across the way. Now they’ve got housing, but they still want to help.”

Mimi invites everyone to the book sale. It starts Saturday, July 15 (9 a.m. to 5 p.m.); continues Sunday, July 16 (10 a.m. to 5 p.m.), Monday, July 17 (9 a.m. to 5 p.m., half-price day), and ends Tuesday, July 18 (9 a.m. to 1 p.m.; everything is free, but contributions are welcome).

And if you’d like to volunteer on the sale days — or help with the book sorting process throughout the year — just email shooper@westportlibrary.org, or click here.

Pic Of The Day #84

Sherwood Mill Pond Preserve (Photo/Katherine Bruan)

3.454M

In a town filled with random, seldom-observed signs — “No Right Turn”; “Speed Limit 25 MPH”; “”1 Hour Parking, Violators Will Be Towed” — it takes a lot to stand out.

This one did.

Spotted by alert “06880” reader JP Vellotti on South Compo Road, near the railroad underpass headed toward town, it raised a host of questions.

3.454 meters is not 11’8″, JP notes. It’s just under 11’4.” So that’s not what it means.

It make take 3.454 seconds to go from the sign to the bridge, but JP figures that’s not it either.

Perhaps it’s left over from a recent road race — or jUNe Day?

If you know what this random — yet very precise — sign means, click “Comments” below.

Beneath Playhouse Stage, A Hallway Of History

The list of actors who have graced the Westport Country Playhouse stage is long and luminous.

Alan Alda. Tallulah Bankhead. Richard Dreyfuss. Joel Grey. June Havoc. Helen Hayes. James Earl Jones. Liza Minelli. And of course our own Paul Newman and Joanne Woodward.

Their head shots line the walls beneath the famous stage. Before every performance, actors in the current production walk out of their dressing rooms, past those photos.

Westport Country Playhouse company manager Bruce Miller, with some of the head shots near the dressing rooms underneath the stage.

Many of the 500 head shots show less famous actors. They too are part of the Playhouse’s wonderful history of 87 years, and more than 800 shows.

But on one wall — at the end of a hallway — hang 25 images. They are men and women who appeared at least once on the stage above.

The unidentified photos hang at the end of a hall.

They have no tags. Their names have been lost to the ages.

Yet one by one, company manager Bruce Miller is figuring out who they are.

The story begins with that very 1st show in 1931:”The Streets of New York.” Dorothy Gish’s photo went up in the wood-paneled lobby. For more than 70 years, dozens of other head shots joined hers.

For the 2003 renovation, Playhouse officials cleared the catacombs of photos, programs and other records. About 20% were moldy; they were thrown out.

The rest were stored off-site, in Bridgeport. When a sprinkler head bust, half of those items were lost.

Do you know this man …

During the renovation, someone decided to switch the locations of the head shots and the posters advertising previous shows. The idea was that the actors would appreciate seeing photos of their predecessors right outside the dressing rooms; theatergoers, meanwhile, would want to see the posters.

Now — thanks largely to those patrons — the gaps in the Playhouse’s history are being filled in.

Once a month, Miller says, someone calls or emails with something like this: “We were cleaning out my grandmother’s attic. We found a poster for this old show. Do you want it?”

… or this woman?

Playhouse staffers help too.

John Mosele was intrigued by the photo of an unknown mustached man. Working only with a partial name and Google, Mosele found the name “Emil Bundesmann” on a Spanish website.

Bundesmann turned out to be a member of the Playhouse’s original repertory company. He appeared in — and served as stage manager for — that 1st-ever show, “The Streets of New York.”

Anton Bundesmann, looking very suave.

After staging 3 plays in New York, Bundesmann was hired by David O. Selznick as a casting director — supervising screen tests for “Gone With the Wind.”

Under the name “Anthony Mann,” Bundesmann then directed films for Paramount, RKO and MGM, including 7 with James Stewart. His final 3 films were “Cimarron,” “El Cid” and “The Fall of the Roman Empire.”

Meanwhile, for years the only thing anyone at the Playhouse knew about the 1934 production of “The Virginian” was that Henry Fonda was in it. One day, Miller’s wife was talking to someone, when the Playhouse was mentioned. The woman said her mother had acted in “The Virginian.” She gave Miller her mother’s head shot. It now hangs near Fonda’s.

A young Henry Fonda.

But what about those photos the Playhouse has always had — yet remain unidentified?

Each year during the springtime open house, someone peers closely and says, “Oh, that’s so-and-so.” Miller searches online to confirm. Often, he can match the actor to the show.

Surprisingly, Miller says, the folks who know these long-ago actors are baby boomers — even millennials. They recognize the faces from movies — not plays.

A few of the identifications come from older actors. No one, however, has yet identified him or herself.

That would be a great plot twist.

Pic Of The Day #83

Boating off Compo Beach. (Photo/Dave Dellinger)

Photo Challenge #132

For the 2nd week in a row, the photo challenge showed something on the side of a building.

This time, it was a silhouette of 5 guys playing music.

Not only did 10 readers know that the image was from 323 — across from Coffe An’. But many also knew that the reason the musicians are there on the restaurant wall is because every Thursday night, there’s live jazz by the bar.

Readers also noted that before it was 323 — named for its Main Street address — the restaurant had also been Bogey’s, Oliver’s, Crossroads and Stone’s Throw.

And probably others.

Congratulations to Fred Cantor, Robert Mitchell, Jeff Jacobs, Jane Nordli, Seth Braunstein, Lance B. Lundberg, Karen Wambach, Linda Amos, Joan Kern Soboslai and Joyce Losen. (For the photo and all comments, click here.)

Here’s the newest challenge. If you think you know where in Westport this is, click “Comments” below.

(Photo/Richard Hyman)

 

FAA Pilots A Drone Course

One of the highlights of last April’s Maker Faire came when a Federal Aviation Administration official awarded Staples High School sophomore/aspiring drone operator Ryan Felner his Remote Pilot Airman certificate. (For the back story on how it happened — after Ryan thought his life was ruined — click here.)

This month, Westport is once again on the FAA’s radar.

From July 24-28, the agency will help sponsor the nation’s 1st-ever Unmanned Aircraft Systems Aviation Career Education Academy.

That’s ACE for short. And “Unmanned Aircraft Systems” is government-speak for “drones.”

Brandon Malin’s drone view of the Staples High School pops concert at Levitt Pavilion.

The course is designed for 16-20-year-olds. Students will learn how to safely fly a drone, through hands-on instruction and more.

Hopefully, they’ll then pass the FAA Remote Pilot Certification test (July 31 and August 1).

The course will be held at Staples High School. Tuition of $200 covers all materials. The certification test is an additional $150.

And no, you do not have to own your own drone. They’re provided.

For more information or to sign up, click here; call Mark Mathias at 203-226-1791 or email mark@remarkablesteam.org.

(In addition to the FAA, the course is co-sponsored by the Academy of Model Aeronautics, Remarkable STEAM, Westport Public Schools and the Westport Library.)

David Pogue’s drone.