In many communities, no one wants to live next to the railroad station.
Westport is not “many communities.” Here, Stony Point is one of the most desirable spots in town.
Ann Sheffer — a longtime resident of that winding, riverfront peninsula whose entrance is directly off the train station parking lot — sent along a Westport News clipping that tells the fascinating back story of Stony Point.
Written in 1977 by Shirley Land — who knew everything about everything — it describes a New York banker, his wife and 2 daughters. They lived in a handsome Victorian mansion with “turrets and filigree curlicues.” The grounds included an enormous carriage house, gardener’s cottage, barn and hothouse.
It was the Cockeroft family’s country home, built around 1890. They traveled there by steam launch from New York City, tying up at a Stony Point boathouse.
The Cockerofts’ was one of “the 3 great showplaces” in Westport. The other 2 were the Hockanum mansion on Cross Highway, and the Meads’ estate on Hillspoint.
After the daughters inherited the home, the New York, New Haven & Hartford railroad inquired about purchasing some of the land for a new train station. (The original one was on the other side of the river.)
The sisters agreed, but only if the railroad built a solid brick wall, 1675 feet long, to provide privacy and quiet.
When the 2nd daughter died, she bequeathed the estate to the Hospital for the Crippled and Ruptured (whose name was later changed, mercifully, to the New York Hospital for Special Surgery).
But the property fell into disuse. Eventually the hospital sold Stony Point to Birmingham and Asti, real estate developers.
Around 1950, Lawrence Langner of the Theatre Guild, Lincoln Kirstein of Lincoln Center and arts patron Joseph Verner Reed tried to build an American Shakespeare Theatre and Academy there. Proximity to the train station was a major piece of the plan.
The price for all 21 acres: $200,000.
But, Land wrote, “the hand of fate and the town fathers combined to defeat the efforts of the theatre people.” Many residents objected. There were also concerns that it would draw audiences away from the Westport Country Playhouse. (Others argued that a Shakespeare Theatre would enhance the town’s reputation as an arts community.)
The theater was never built in Westport. It opened in the aptly named town of Stratford, Connecticut in 1955, and was moderately successful until ceasing operations 30 years later.
In Westport, the Cockeroft estate remained empty.
In 1956 Westporters Leo Nevas and Nat Greenberg, along with Hartford’s Louis Fox, bought the property for residential development. Before they could start, however, vandals attacked the main house. They ripped out bathtubs, hacked up fireplaces, and smashed mirrors and statues. The developers asked the fire department to burn what remained to the ground.
All that remains of the original estate, Land wrote, is “the charming gate house, an immaculate gray and white Victorian structure just inside the gate; a pair of antique marble urns on the site of the old mansion where a newer home now stands; and the fine carriage house-garage, remodeled to be sure, but bearing the visible imprint of bygone grandeur.”
Oh, and a few small doors set into the long brick wall. Once upon a time, they must have provided an amazing view.