Category Archives: Entertainment

“Chorus Line” Kicks Off; 1 More Performance Added

Opening night for “A Chorus Line” is not until Friday.

But the Staples Players show has created such a buzz in town, they’ve already added an extra performance.

A 3 p.m. matinee on Saturday, March 23 joins shows set for this weekend and next; a matinee this Sunday, and a Thursday evening performance on March 21.

The extra date is vital. Ticket sales for the dance-and-music spectacular have been as hot as — well, for the original Broadway run.

Tyler Jent can do that. (Photo by Kerry Long)

Tyler Jent can do that. (Photo by Kerry Long)

Since 1958, Westporters have flocked to Players productions. Audiences include proud parents and classmates, sure, but also tons of alumni, parents of alums, families of future Players, and many others with no connection whatsoever to Staples. All appreciate professional-style shows — acting, dancing, singing, sets, costumes, lighting and the pit — right here in their hometown.

“A Chorus Line” will sell 7,000 tickets during its 2-week run.

As the added matinee indicates, they’re going fast.

(“A Chorus Line” performances are set for Friday and Saturday, March 15, 16, 22 and 23, at 7:30 p.m.; matinees Saturday, March 23 and Sunday, March 17 at 3 p.m., and Thursday, March 21 at 7 p.m. Click here for tickets, and more information.)
Staples Players: one singular sensation. (Photo by Kerry Long)

Staples Players: one singular sensation. (Photo by Kerry Long)

Michael Sixsmith, one of many talented actors and dancers in "A Chorus Line." (Photo by Kerry Long)

Michael Sixsmith, one of many talented actors and dancers in “A Chorus Line.” (Photo by Kerry Long)

"A Chorus Line" - Staples Players

Baayork Lee Helps Staples Players At The Ballet

Staples Players strives to offer audiences Broadway-quality productions.

To do that, director David Roth gives his actors Broadway-quality experiences.

Two years ago, before “Curtains,” Tony Award-winner Rupert Holmes told the cast how he wrote the play.

Last year, for “Into the Woods,” Tony winner Joanna Gleason described her role in that Stephen Sondheim show.

Last week — with rehearsals for “A Chorus Line” kicking into high gear — Roth welcomed Baayork Lee to the stage.

Talk about one singular sensation!

Baayork Lee, hard at work with the Staples Players. (Photo by Kerry Long)

Baayork Lee, hard at work with the Staples Players. (Photo by Kerry Long)

Lee first danced professionally at age 5, in Yul Brynner’s “The King and I.” She gained fame in “Flower Drum Song,” “Golden Boy” and “Promises, Promises.”

But “A Chorus Line” was — and still is — her true love. She was assistant choreographer to Michael Bennett; he based the character of Connie Wong on her, after she participated in the development workshops.

Lee danced in the original Broadway company — where she met Bradley Jones, the 1975 Staples grad who co-choreographs Players’ current spectacular production. She also toured with it, in Europe and South America.

In the high school auditorium last week, she sat with the cast and crew to talk about the show that remains so dear to her heart.

Baayork Lee (center), surrounded by appreciative and enthralled Staples Players. (Photo by Kerry Long)

Baayork Lee (center), surrounded by appreciative and enthralled Staples Players. Bradley Jones kneels in front, next to her. (Photo by Kerry Long)

“I care deeply about passing along the ‘Chorus Line’ tradition, with integrity, passion and care,” she told 100 or so high school students

“You are a very special group. This show changed the face of theater. Now you too will be able to pass on Michael Bennett’s legacy, to a new generation that watches you perform.”

Lee told the teenagers about the New York of the 1970s — the cradle from which “Chorus Line” grew. She described the 2 taping sessions Bennett held, gathering tales of 52 prospective dancers.

She talked about disco dancing every night, then coming back with new steps to incorporate into the show.

It took a lot of hard work — but “A Chorus Line” made history.

If your browser does not link directly to the YouTube video below, click here.)

Before dancing with the cast on stage — and giving them Broadway-and-Bennett-style critiques — Lee told the enthralled teenagers:

“When you’re a pioneer, you don’t know you’re blazing a trail. At the time, we did not realize the difference we made in theater.

“Appreciate everything you do,” Lee concluded. “Appreciate the moment you are in. You never know when it will end.”

For Staples Players, the moment begins March 15. It ends March 23.

But thanks to people like Baayork Lee and Bradley Jones, they’ll carry “A Chorus Line” with them the rest of their lives.

Their audiences will, too.

(“A Chorus Line” shows are Friday and Saturday, March 15, 16, 22 and 23, at 7:30 p.m.; Sunday, March 17 at 3 p.m., and Thursday, March 21 at 7 p.m. Click here for tickets and more information.)

Ben Zawacki: Professional Draper

For over 50 years, Staples Players has served as a pre-professional launching pad. Hundreds of alums have gone on to rewarding, highly regarded — and sometimes even lucrative — careers in acting, directing, dancing, lighting and set design.

Now, add costuming to the list.

As a child growing up in Westport, Ben Zawacki was inspired by Broadway shows, Lincoln Center ballets, and of course Players productions.

He did not want to act. He played in the pit orchestra as a freshman, but the next year discovered the costume crew.

Ben Zawacki, hard at work.

Ben Zawacki, hard at work.

Dee Alexander — who designed costumes for all of director David Roth’s shows — took Ben under her wing. Working on Players shows — as well as her New Canaan High productions — Ben learned the craft quickly, and well.

The summer before senior year, he did an 8-week program at Carnegie Mellon. He studied scene and lighting design, painting,  carpentry, and costume technology.

That last course opened up a new world. Costume technology became Ben’s major at the University of North Carolina School of the Arts. He learned everything from basic sewing skills to pattern making, advanced draping and tailoring.

From his first moment there, Ben wanted to become a professional draper in a costume shop.

A draper takes a costume designer’s rendering, and brings it to a wearable form. He creates all the patterns, and does all the costume fitting — while managing the team that cuts and stitches the fabric. They’re always on deadline.

Over 5 summers at Williamstown Theatre Festival, Ben worked his way up from intern to head draper. Now he’s assistant draper at Tricorne LLC, building costumes for Broadway, TV, film, opera and dance.

These bias cut dresses for "Ten Cents a Dance" at the Williamstown Theatre Festival were made of very fine fabrics -- and they had to be completed in a tight time frame. It was one of Ben Zawacki's toughest assignments.

These bias cut dresses for “Ten Cents a Dance” at the Williamstown Theatre Festival were made of very fine fabrics — and they had to be completed in a tight time frame. It was one of Ben Zawacki’s toughest assignments.

“I love the magic of watching a designer’s sketch become a 3-D work of art that can withstand 8 shows a week,” Ben says.

A good draper needs a good sense of math — and a good sense of the human form.

“I went to school with self-taught sewing skills, and only able to read a commercial pattern,” Ben explains.

“Now I can hard-tailor a man’s coat, make bias cut and period gowns, all while creating my own patterns.” He is detail-oriented — not just about what the audience sees, but how a garment is finished on the inside. “We don’t take any shortcuts,” Ben says.

He certainly has not taken any shortcuts in his career — though he’s made a big impression, in a brief time.

And he makes it look sew easy.

Ann Royal Nicholas Mines Westport For “The Muffia”

Madelyn Scott-Crane is a smart, 42-year-old professional and single mom. After 22 months of self-imposed abstinence, she’s having the best sex of her life — thanks to her all-female book club (The Muffia), and their latest read.

But on their 2nd date, as Maddie and her mysterious Israeli heartthrob Udi come together (so to speak), Udi collapses on top of her. Dead.

That’s the start of The Muffia, Ann Royal Nicholas’ latest book.

And because “06880″ is more than a blog about suburban women and gratuitous sex, here’s the local angle: The author grew up in Westport.

Anna Royal Nicholas

Ann Royal Nicholas

And her real Los Angeles women’s book club (“think ‘Sex and the City’ meets Jane Austen,” she says) evolved out of a group in New York, in the early 1980s. It was filled with post-grad women from Westport.

Ann/Annie (as she was known then) loved growing up here — though, like many, she did not realize it until she left. She hung out at Compo Beach and Klein’s. Her teenage years were “filled with longing for love,” starting with Jim Ainsworth as he sang “Something” at a Long Lots Junior High 8th grade dance.

An avid reader who became an actor, playwright, screenwriter, journalist, essayist and finally novelist, Ann loves fiction because she “writes for one person at a time.”

Throughout her life, she says, “I’ve been lucky to find tribes of incredible women.” After college, she landed in New York “to begin an unsuccessful modeling career.” She reconnected with a group of girls from Westport. Calling themselves the Borneo Society, they met once a month to share stories and food from a country one of them had visited (or wanted to).

Years later, in LA, she and a friend formed the Muffia. (This was “long before promoters of lesbian porn and militant English mums got hold of the name.”) Their gatherings are “always X-rated, and fantastically fun.”

Anna royal Nicholas book coverAt one point, she asked if anyone minded if she wrote about the group. She promised to change names and other sensitive information. The result, 5 years later: The Muffia.

Like any good writer, Ann mines her entire life for material. Mrs. Sperry — her 2nd grade instructor at Burr Farms Elementary — is the face Ann sees when she writes about a teacher.

“I think of Remarkable Book Shop even when I’m writing about Book Soup on Sunset Boulevard,” she says. “I have no idea if there was an erotica section at Remarkable. Was there?”

The Muffia is about “the sexy, funny women in my book club,” Ann adds. “They are very much like my friends from Westport, and women everywhere.”

The book was also written for those women. Her typical reader is “approaching middle age — if not already there — with loads of life left.

“She could be married, but not necessarily. She’s smart, likes sex — quite a bit, actually — but can live without it.

“And she likes to read, often choosing a book and a ‘toy’ over yet another internet date.”

A few of Anna Nicholas' readers.

A few of Ann Royal Nicholas’ readers.

Ann says that those women are “huge in number, but underserved. Women like me tend not to be the ones novels are written about. Usually we’re relegated to supporting roles.”

The Muffia, she says, “makes us heroes.”

She herself is a hero. She will donate 10% of all profits to girls’ and women’s charities.

Ann is already at work on Muffia II. She’s also started a new series of books.

“I can’t reveal much,” she says. “But they’re part 50 Shades of Gray, set in exotic locations. And part personal experience.”

Which no doubt makes her Westport friends — and many worldwide readers — quiver with anticipation.

Sunday Morning With Linda Hunt

Every week, another person tells me to watch “CBS Sunday Morning.” Every week, it seems, there’s some great interview, story or factoid.

If I had watched this morning, for example, I would have seen an intriguing interview with Linda Hunt.

And buried there, halfway through the piece, was this: the 67-year-old, 4-foot-9 star of “NCIS: Los Angeles,” 1984 Oscar winner for “The Year of Living Dangerously,” and (of course) narrator in the God of War video franchise grew up in Westport.

Linda Hunt

Linda Hunt

“Everybody either wanted to take care of me or push me around,” the woman born Lydia Susanna Hunter told Lee Cowan. “I was teased a lot…. Fourth grade, fifth grade, sixth grade, everybody was taking their spurts except me. I was not growing up.”

A form of dwarfism stunted her growth, “Sunday Morning” said. But when her parents took her to her first Broadway show — a production of “Peter Pan” — Hunt realized the stage was a place where she might feel taller. There, she could pretend to be anything.

Wikipedia says that Linda’s mother, Elsie Doying Hunter, taught piano at the Westport School of Music, and accompanied the Saugatuck Congregational Church choir.

Yahoo! Movies  says she “took her first stab at acting at age 12 while performing in a production of ‘Flibbertigibbet’ at Westport’s famed Silver Nutmeg Theater.”

Linda attended the Interlochen Arts Academy– s0 it appears she’s not a Staples grad — and the Goodman School of Drama in Chicago.

In 1969 she returned to Westport to study acting with Robert Lewis at Bambi Lynn’s studio, TCM.com says. The next year her career took off. She played Joan of Arc in a 1-woman show at Long Wharf.

Linda Hunt, with her Oscar.

Linda Hunt, with her Oscar.

Since then she’s been a 2-time Obie winner, and a Tony nominee. She played alongside Arnold Schwarzenegger — as opposite from her as anyone can be — in “Kindergarten Cop.”

She’s been in a 26-year relationship with Karen Klein. They married in 2008.

And now?

Her current contract will take her into her 70s. “CBS This Morning” concluded:

Not bad for a woman whose own parents feared might be too small to stand out on stage. Half a century later, their small wonder still has audiences looking up.

And — thanks to a show nearly everyone but me seems to watch — looking back on a career that began 55 years ago, right here in Westport.

(Click here for a great WestportNow.com photo of Linda Hunt as a Saugatuck Elementary School 1st grader — standing next to future first selectman Gordon Joseloff.)

George Balanchine “And The Others”: The Westport Years

In the early 1950s, according to Barry Katz’s Weston Arabesque,  an “unimposing cottage” at 10 Ridge Road in Weston became, “in a quiet way, the center of the ballet world.” It was home to George Balanchine, perhaps the greatest choreographer of the 20th century.

In 1946 Balanchine had purchased 7 acres of land there, for $8,500. After he married ballerina Tanaquil Le Clercq — she was his 4th or 5th wife, depending on how you count — “they began the arduous task of taming the wildly overgrown property,” Katz writes.

George Balanchine

George Balanchine

“Later that same year they put up a house. It was a modest, one story pre-fab – all they could afford at the time – but it suited their needs exactly. Weston proved to be the ideal retreat from the pressures of the city, and the couple spent as much time there as they could.”

They gardened together, and Balanchine built a tool shed with his own hands. “He was an avid and ambitious gourmet cook, and even enjoyed doing laundry,” Katz says.

“Part of his time in Weston was devoted to reading scores…. And he created new ballets in his head while breathing the fragrant country air.”

In 1956, on a New York City Ballet tour of Europe, Le Clercq contracted polio. She spent the last 45 years of her life in a wheelchair.

Balanchine added a ramp to their Weston house. He did not work for a year after her diagnosis, caring for her himself.

In 1969 the couple divorced. Balanchine had fallen in love with a new ballerina, Suzanne Farrell. But, Katz says, he “always remained deeply concerned for her welfare and stayed in close touch. In fact, he remained close with all his ex-wives.”

That intriguing bit of Balanchiniana is relevant now — 40 years later — because tickets go on sale this week for a new play, Nikolai and the Others. Commissioned by Lincoln Center Theater — with previews beginning April 4 — it takes place in 1948.

And the setting is Westport.

Nikolai and the Others

In Richard Nelson’s play at the Mitzi E. Newhouse Theater, a close-knit group of Russian emigres — including Balanchine, composer Igor Stravinsky, his wife Vera, conductor Serge Koussevitsky, and composer Nikolai Nabokov — eat, drink and talk.

Playwright Nelson imagines the relationships between Balanchine and Stravinsky — and their friends, lovers, wives, ex-wives, partners, supporters and dancers — while the duo collaborates on their historic ballet Orpheus.

The play also examines American art and institutions as the Cold War began, and the State Department’s subtle role in that era’s cultural scene.

While Balanchine spent many years in this area, I’m not sure about Stravinsky, Koussevitsky, or “Nikolai and the others.”

But I remember that Deathtrapthe longest-running comedy-thriller on Broadway — was set in Westport.

Here’s wishing that same luck — удача — to Nikolai and the Others.

Mike Kulich Comes Through

Poor Earlie Johnson.

The 43-year-old Muskegon, Michigan man lost 3 flat screen TVs in a robbery Tuesday afternoon.

Plus his entire porn collection.

And not just any porn collection.

Earlie had “every African American that’s ever been in porn, from the 70s up until now,” he claimed.

His collection was “the best in Michigan.” And that just wasn’t the proud porn owner talking. “A guy in Connecticut told me that,” Earlie said.

But that’s not the “06880″ tie-in. Oh, no. It goes far deeper than that.

Mike Kulich

Mike Kulich

Mike Kulich — Staples Class of 2004, now owner and CEO of Monarchy Distribution, one of the nation’s leading distributors of adult DVDs and a 15-time nominee for industry awards — rode to the rescue.

Mike offered Earlie one copy of every title Monarchy has ever released. Monarchy distributes 40 titles a month, so that’s more XXX material than even Hugh Hefner can handle.

But wait! There’s more! Monarchy also sent Earlie 2 free passes to the AVN Adult Entertainment Expo next year.

Mike Kulich to the rescue.

Mike Kulich to the rescue.

CNN, Fox, the Huffington Post and TMZ have all covered this story — Earlie’s loss, and Mike’s gift.

“We were extremely saddened to hear about Earlie’s misfortune,” Mike said.

“Our fans and customers keep us in business. DVD is tough nowadays because of the internet and tube sites, and people like Earlie are few and far between.

“We felt it was our civic responsibility to offer to help him replenish his collection.”

Just one more story of a former Westporter, lending a helping hand to a man in need.

Harlem Shake (And Westport Too!)

First there was “Call Me Maybe.”

Next came “Gangnam Style.”

The latest dance craze video to sweep the world — inspiring a universe of responses, parodies and parodies-of-parodies, ranging from amateurish and juvenile through interesting and amusing, on up to awesome and hilarious — is “Harlem Shake.”

It is so not my cup of tea, I’ll leave it to that great website Pitchfork to explain:

The irresistible appeal of “Harlem Shake” owes almost everything to the type of menacing, world-smashing bassline that would cause even the Cloverfield monster to shudder in his gills. Along with this purely visceral pleasure, it’s hard not to marvel at how awesome those growling-lion samples sound.

This would normally make me fear for the future of our planet.

But — as every “06880″ reader knows — everything on our planet has about two degrees of connection to Westport.

Or, in the case of “Harlem Shake,” one.

The song that’s heard in “all 40 million videos” (ABC News may or may not be exaggerating) comes from a Brooklyn-based producer named Baauer.

And Baauer is Harry Rodrigues.

Westport’s Harry Rodrigues.

Baauer, aka Harry Rodrigues

Baauer, aka Harry Rodrigues

His mother — Celia Neiman Rodrigues — graduated from Staples in 1977. Harry would have graduated from there too, in 2007, but he did his senior year at the American School of London.

According to Wikipedia — in prose less breathless than Pitchfork — Harry

produces trap and bass music. He has been producing dance music from the age of 13, mostly making house music and electro. He previously produced a track under the name Captain Harry, which was played by Kissy Sell Out on BBC Radio 1…. Baauer has produced remixes for Nero, The Prodigy, Flosstradamus and No Doubt.

No doubt, that last sentence means he is quite The Dude (in certain circles). In any event, “Harlem Shake” is the #1 dance song in the country right now.

But back to ABC News, which knows as squat I do about Harlem Shake, Baauer and Flosstradamus, but apparently put a 21-year-old intern on the story and then ran it past a 52-year-old editor:

The “craze” (again, oof) has even made it onto Today. Whenever something that originated on the internet makes it onto a morning show, it is sure to become: 1. increasingly ubiquitous and annoying in a very short amount of time, 2. until it implodes and disappears, making way for whatever we’re going to become obsessed with next.

That’s today’s modern culture report. But “06880″ is a full-service blog, so — courtesy of ABC News — here are a few Baauer/Harry Rodrigues’ “Harlem Shake” videos, for your enjoyment/amusement/horror:

The University of Georgia men’s swim and dive team do it underwater:

Portuguese TV does it awkwardly:

Firefighters do it heroically:

Extra, Extra! Adam Kaplan Joins “Newsies”!

When Adam Kaplan was 6 years old, his parents took him to see Staples Players‘ production of “West Side Story.”

The high school troupe is often praised for its “Broadway-quality” work. As a toddler, Adam didn’t know it from Broadway.

But he was inspired by the acting, singing and dancing. A decade later at Staples, he earned high marks for his own roles in shows like “Romeo and Juliet,” “Children of Eden” and “Diary of Anne Frank.”

Adam Kaplan

Adam Kaplan

After graduating from Elon University as a music theater major last spring, Adam embarked on an endless round of New York auditions.

Next Tuesday — less than a year out of college — Adam makes his Broadway debut. He’s both Morris Delancey and a newsboy — and the understudy for Jack Kelly, the lead — in “Newsies.”

Before Elon, Adam had not danced much. But in musical theater, he learned how to dance. He also took classical voice courses, plus contemporary and pop music.

Thanks to Elon’s emphasis on building contacts and relationships, Adam spent 2 summers with the Flat Rock Playhouse, a professional equity theater in North Carolina. The 1st year he had ensemble roles; the next, he had a lead in the vocally demanding, dance-heavy “Hairspray.”

Last summer, Adam got his Equity card at the prestigious Music Theatre of Wichita. Doing 5 shows in 10 weeks, working alongside “unbelievable people,” hearing great stories and keeping his eyes wide open, Adam grew tremendously.

This fall in New York, he auditioned up to 4 times a day.

“I told myself I wouldn’t pass up any opportunity to be seen by anyone,” Adam says.

He also took classes with casting directors. “There’s always more to learn,”Adam notes. “Theater is constantly evolving and changing.”

Newsies logoIn September, he saw “Newsies.” The musical — about early 20th century newsboys — captivated him. He loved Jack — the tour de force lead, with powerful songs — and admired the ensemble, filled with “ridiculously talented boys who’ve been dancing since they were 2.”

One recent Friday, Adam went to a chorus call for the show. Called back for an appointment 4 days later, he sang Jack’s big number, “Santa Fe.” The room was filled with the director and Disney producers. They were looking for an understudy for Jack.

The next day, Adam returned. This time he was asked to tap dance to another show-stopper.

Each step of the process, he fell more in love with the show.

His final callback was that Thursday. It won him the job.

He calls his dual roles — the authority figure Morris, and a rabble-rousing newsboy — “the best of both worlds.”

Being Jack’s understudy is icing on the cake.

The "Newsies" cast. Adam Kaplan joins them next Tuesday.

The “Newsies” cast. Adam Kaplan joins them next Tuesday.

Adam has been watching shows, taking notes, then learning his roles during intense rehearsals. The cast has embraced him.

So has the show’s rabid fan base. Even before the official announcement, Twitter and Tumblr were filled with posts about Adam.

Next Tuesday (February 19) at 7:30 p.m., as the Nederlander Theatre curtain rises, Adam Kaplan makes his Broadway debut.

He’ll be nervous, he admits. But he’s sure the adrenaline will kick in too.

“I know it will be emotional,” he says. “This is something I’ve wanted for so long. I still haven’t processed it all.”

He’ll be buoyed by the support of family and friends.

“I grew up just an hour away,” Adam notes. “It’s so great, having everyone so near.”

His road to Broadway began 16 years ago in the Staples auditorium, watching “West Side Story.” It wound through Players, on to North Carolina and Wichita.

But Adam Kaplan is definitely not in Kansas anymore.

24 Hours To Showtime

At Staples, Ari Edelson spent months putting on shows. Whether acting or directing in Players, the 1994 grad learned to do theater the way  professionals do.

Now — as a professional “director/ producer/ multiple hat-wearer” with successes on 2 continents — Ari understands more than ever the importance of organization, planning and preparation.

Except when he’s putting on a musical in just 24 hours.

Ari Edelson, doing an interview for "24-Hour Musicals." (Photo by Kerry Long)

Ari Edelson, doing an interview for “24-Hour Musicals.” (Photo by Kerry Long)

From start — casting, writing songs and dialogue, staging, rehearsing and opening — to finish.

Poof! Like Brigadoon, the moment the curtain falls on a performance that did not exist one day earlier, it’s gone forever.

24-Hour Musicals,” they’re called. Ari has organized them at New York’s Gramercy Theatre since 2008.

Now they’ve become a little less ephemeral. A documentary crew has produced a film about the event. “One Night Stand” — which earned great reviews at festivals around the country — will open nationally in hundreds of theaters on Wednesday, January 30.

Fittingly, it will play for one night only. The closest Connecticut sites are Milford and Danbury.

Ben Pasek (left) and Justin Paul, deep into their "24-Hour Musical." (Photo by Kerry Long)

Ben Pasek (left) and Justin Paul, deep into their “24-Hour Musical.” (Photo by Kerry Long)

This being Westport, there’s more than one connection to the film. Staples 2003 grad Justin Paul and his writing partner, Benj Pasek — who most recently wrote the Broadway smash “A Christmas Story, The Musical” — participated in the 2009 24-Hour Musical, which the filmmakers followed. Ari, Justin and Ben are featured prominently in the movie.

Ari calls each exhausting, exhilarating 24-Hour Musical “an Ironman for the theater.”

The New York Times says the film “borrows from the frenzied, ticking-clock world of reality television.”

Describing the final product, Ari says, “Part of the fun is when people forget their lines. The audience loves seeing blood on the floor.”

There’s an even better line in the movie. Near the beginning, actress Tamara Tunie proclaims, “I’m excited and I’m terrified. It is kind of like sex.”

One Night Stand