Tag Archives: Miles Davis

Charlie Hall Salutes Miles Davis — A Couple Of Miles From Home

Charlie Hall says, “We’re all drummers. It’s a way we organize time and sound, to signify an event or convey an emotion.”

That may be true.

But very few of us can drum as well as Hall.

The 1992 Greens Farms Academy graduate and Wilton native has spent his professional life as a drummer. (Plus, he’s a songwriter, producer and multi-instrument performer.)

Hall is a longtime percussionist with the Grammy Award-winning band The War on Drugs. He releases his own music too.

He’s produced 3 Christmas LPs with Patti LaBelle, Stevie Nicks (and the Philadelphia Eagles).

Charlie Hall

Hall is also a founder of Get Up With It. Since the late 1990s, the project has explored and performed the groundbreaking 1969-1975 era of Miles Davis’ electric music.

On May 24 (7 p.m.), Hall and Get Up With It kick off the Levitt Pavilion’s 53rd season — and celebrate the centennial of Davis’ birth — with a special concert.

The ensemble will focus on 3 of the trumpeter’s most influential albums: 1969’s visionary and transcendental “In a Silent Way” the 1970 magnum opus “Bitches Brew,” and 1971’s “Jack Johnson.”

Hall began drumming at age 3, when his grandmother bought him a tin Muppets set.

By 6, he had a set of Ludwigs.

His brother — older by 9 years — introduced Hall to ’70s rock legends like the Rolling Stones, the Who and Led Zeppelin. In high school he listened to WLIR, and was introduced to the Pretenders, Talking Heads and U2.

“Drums were the way I met people and built relationships,” Hall recalls.

A special relationship was with Jean Rabin, owner of Record & Tape of Westport. He was there at least weekly. She encouraged his love of music. His room was plastered with posters she saved for  him. “I wish I could thank her for all she did,” he says.

(Courtesy of Christopher Maroc)

GFA dean of students/registrar/math teacher Ed Denes was another important influence.

“He was larger than life — literally and figuratively,” Hall says.

Denes organized school talent shows. Hall always had a band. “It was a way I could bring people together,” he notes. “I still do that today.”

After the College of William & Mary — where he majored in music and psychology (and met his wife) — he moved to San Francisco, then Philadelphia.

He’s been there ever since. He joined The War on Drugs — a Philly-based rock band — in 2014.

Hall’s upcoming Levitt gig has roots in his 1990s California days. Playing “straight-ahead jazz,” he and fellow musicians put together Get Up With It, a 10-piece group to explore the “Afro-futuristic space rock” canon of Davis’ music.

When Hall and some of the others moved to Philadelphia and New York, they formed an East Coast version.

“Miles painted with a palette of rhythms,” Hall explains. “It’s a gift for me to play this music, with these people.”

Get Up With It includes guitars, woodwinds, keyboards, brass — and a trio of percussionists.

Get Up With It, in action.

What will it be like for Hall to pay tribute to Miles Davis, just a couple of miles from where he himself grew up?

“It will be pretty emotional,” the drummer admits.

“I think so fondly on my first 18 years of life around there … all the bands I’ve seen, and the experiences I’ve had. To bring my gang here will be fun.”

Doors open at 6 p.m., for the Levitt Pavilion’s May 24 kickoff concert, Charlie Hall’s Get Up With It: A Miles Davis Centennial Celebration. Click here for tickets, and more information. 

(“06880” reports regularly on Westport’s entertainment scene — including local and national artists. If you enjoy our coverage, please click here to support our work. Thank you!)

The Levitt Pavilion kicks off its 53rd season on May 24. (Photo/Susan Garment)

Catching Up With Harvey Brooks

What do Bob Dylan, Miles Davis, the Doors, Jimi Hendrix, Richie Havens, Stephen Stills, John Sebastian, Seals & Crofts, Boz Scaggs, Judy Collins, Loudon Wainright III, Phoebe Snow, John Cale, Phil Ochs, the Fabulous Rhinestones and Fontella Bass have in common?

Harvey Brooks.

Harvey Brooks (left) and Mike Bloomfield in Electric Flag.

Anyone who has read a liner note knows the name.  The gifted bassist laid down some of the most famous lines in music history, including “Like a Rolling Stone.”  His work was the hook on the Doors’ “Touch Me.”

Brooks — Davis’s 1st electric bassist — played on “Bitches Brew,” the best-selling jazz album of all time.

And, for many years, Harvey Brooks lived on North Compo Road, right here in Westport.

He and his wife Bonnie Behar have moved to Israel — that’s a whole other story — but he’s still in the news.  The International Guitar Hall of Fame recently inducted Brooks.  He joins legends like Muddy Waters, Willie Nelson, and Westonites Keith Richards and Jose Feliciano.

Bass Musician Magazine also featured Brooks.  After showcasing his career — his big break at age 20, when his friend Al Kooper hooked him up with Dylan; his iconic playing in rock, folk and jazz for over 4 decades; his new life in Israel — the interview included these tidbits:

I had an apartment on Thompson Street and the Au Go Go was around the corner on Bleecker Street, and I became the house bass player there.  I would play with whoever was on the bill that evening, with no rehearsal and just a quick run-through backstage.  [To] be a musician in Greenwich Village in the mid-sixties…was AMAZING!

Monterey Pop was [Electric Flag’s] 1st gig.  We were pumped.  [Mike] Bloomfield kept using the word “groovy” in all its variations, in his excitement to describe the scene that was set out before us.  We played in the afternoon so we able to see people dancing and the expressions on their faces as we played.  Their feedback was amazing.  The band was nervous and tense, but once we started performing and the audience accepted us we relaxed enough to play a decent set.

When I began to do session work after the Highway 61 Dylan album, I was expected to read music on some of the more structured sessions.  I could read chord charts but not bass clef, so I had to learn to read.  I began to acquire books on rhythm, scales, chords, composing, ear training and method books, and all kinds of fakebooks (books of tunes).

At the same time that this literary musical awakening was going on, I was getting all kinds of sessions that were pure instinct, demanding only my heart and soul.  No problem– I have always been a melodic player who could at the same time “keep it simple.”

Over the years my ability to hear the music has evolved and my technique has grown to accommodate what I’m hearing.  I’ve learned enough guitar and piano to harmonize the music and bass parts I compose.  I’ve also been blessed with the most wonderful wife and partner Bonnie, who inspires me to create and continue to grow.

As for Israel:  Brooks — who was born Harvey Goldstein — “caught the Zionist bug” from Bonnie, who for years took her daughters backpacking there.  In 2009, the couple moved permanently.

Harvey Brooks

“I’m very relaxed here.  I’m with my people,” Brooks told the Arizona Jewish Post.

Though not religious, Brooks says he “feels spiritually connected to Judaism” after long years in which music was his “only religion.”  He’s gotten into the Israeli music scene, and performs at local clubs.

He continues to write and record, too.

Who knows?  The multi-talented Harvey Brooks might soon add bass lines to klezmer music.

It couldn’t hurt.