Monthly Archives: November 2010

Giving Gets Going

A few days ago, “06880” highlighted the work of Westport’s Human Services department.

It’s a 24/7/365 organization — but business is never stronger than now through New Year’s.

As the holidays loom, hundreds of children, families and seniors wonder how they’ll cope.

A little gift goes a long way.

Many turn to Human Services’ Holiday Giving Program.  It’s a great, confidential way for Westporters to provide gifts for kids — and ease the financial burden on entire families.

Last year, 463 individuals — including 259 Westport children — were helped by donors.  That was a 10% increase over 2008 — and the numbers are sure to rise this season.

“This unbelievable program enabled us as a family to breathe a little easier, knowing our child could have some fun and joy in life,” one grateful recipient wrote.

Another said:  “I am overwhelmed by the generosity of the community.  It is a truly humbling experience.”

Contributions come from individuals, as well as garden and book clubs, scout troops, schools, churches and businesses.

“Families range in size, so we can accommodate any level of tax-deductible donation,” Holiday Giving Program coordinator Patty Haberstroh says.

Her “very rough guideline” suggests an expenditure of $100 per family member.  Interested donors should contact her by email (hsyouth@westportct.gov) or phone (203-341-1069).  She’ll then mail or fax actual gift requests, (including sizes) that have been submitted.  Unwrapped purchases are delivered to Human Services at Town Hall no later than the week of December 6-10.

Donors can also purchase gift cards to places like Stop & Shop, CVS, Wal-Mart, Old Navy, Marshall’s and TJ Maxx.  Those cards can be mailed to Human Services, 110 Myrtle Ave., Westport, CT 06880 at any time.

But why wait?

Killing Trees, Part II

Last summer, “06880” reader Mary McGee complained about the ridiculous practice of dumping phone books underneath mailboxes.  They’re unsightly, she said — and besides, who uses phone books these days?

Almost 2 dozen folks commented, agreeing wholeheartedly.

Now, alert reader Jennifer Jackson sends along this info:  According to Yahoo! News, regulators are allowing telecommunications companies to stop mass-printing residential phone books.

Recently, New York, Florida and Pennsylvania approved Verizon’s request to not distribute white pages.  Virginia is considering a similar move.

Nearly a dozen other states have enacted or are debating similar legislation.

The list includes such forward-looking, business-interfering states as Alabama, Oklahoma and Texas.

But not Connecticut.

Alwyn The Organist

Alert “06880” reader Sandie Cole — a former Westporter now living in Virginia — was at Lincoln Center’s Performing Arts Library the other day.

A small business card caught her eye.  It read:

Alwyn T. Nikolais
Organist
Present SOLIST of the
Fine Arts Theatre
Westport, Ct.

It wasn’t the misspelling of “soloist” that she noticed.

It was the reference to Westport’s Fine Arts Theatre — the movie theater that opened in 1916, 11 years before the 1st talkie movie.

(New to town?  Think of Restoration Hardware; envision the theater’s doors and interior there.)

Sandie looked closely at printed information next to the card.  It read:

Nikolais was born in Southington, CT on November 25, 1910.  He studied piano and, as a teenager, put that training to use by playing the organ in the Westport Connecticut Movie House during the waning days of silent film.

While seated in the orchestra pit below the movie screen, he could not discern characters and action distinctly, but by interpeting the dynamics and timing  of shadowy forms above him, he was able to improvise appropriate music for romance, mystery, fright , chase scenes, etc.

Nearly a century ago, there was plenty of great, vivid cinematic entertainment in downtown Westport.

Now we trudge off to Norwalk, Fairfield or Bridgeport.

Ah, progress.

The Fine Arts Theatre in its early days -- the Alwyn Nikolais era. (Photo provided by Miggs Burroughs)

Costumes And “Curtains”

There are many reasons to see Staples Players’ production of “Curtains” tomorrow or Saturday.

There’s the usual, of course:  Great acting, fantastic music, compelling choreography, Broadway-caliber sets.

And one that’s little-mentioned, but key to any show:  costumes.

The cast is big:  around 60.

But the costumes are even bigger.  Director David Roth estimates there are 400 different costumes in the black comedy/murder mystery/show-within-a-show.

“It’s the biggest costume show we’ve ever done,” he says — and that’s saying something.

Carmen Bernstein (played by Eva Hendricks) sings "It's a Business" -- and so is costuming the cast of "Curtains." (Photo by Kerry Long)

Though seldom noticed, costumes are vital to a show.  “Performing is about taking an audience to a completely different world,” Roth says.  “Costumes do that.”

It’s not just audiences though.  Roth sees a major transformation when actors finally put costumes on.

“They walk and move differently,” the veteran director explains.  “They even think differently, based on what they’re wearing.”

Priscilla Stampa and Marjorie Watt adjust Michelle Pauker's headpiece. (Photo by Kerry Long)

For the past several years, Players has been blessed to have had 2 superb costume designers.  Marjorie Watt and Priscilla Stampa — parents of former Players — spend countless hours most of their lives helping students create costumes for each show.

“Create costumes” does not do the process justice.  They find impossible-to-procure items.  They sew, alter, trim.  They accessorize, adding scarves, hats, ties and wigs.  They even make sure married characters wear wedding rings.

“Unless it’s a really splashy show like ‘Beauty and the Beast,’ audiences are not always aware of costumes,” Roth notes.

“And audiences definitely don’t appreciate the incredible amount of work that goes into making costumes.”

When you see “Curtains” this weekend, enjoy the acting.  Applaud the musicians and dancers.  Gawk at the set.  See if you can figure out who killed Jessica Cranshaw.

But don’t forget the costumes.  The designers, costume mistress Kathryn Durkin and her crew will not take a bow.

But “Curtains” would never open without them.

(“Curtains” concludes its run this Friday and Saturday [Nov. 19 and 20] at 7:30 p.m.  For ticket information, click here.  Tickets will also be sold this Wednesday, Thursday and Friday at Staples’ main entrance, from 12:30-2 p.m.  For more details, call 203-341-1310.)

The cast sings "Thataway" -- in one of their many costume changes. (Photo by Kerry Long)

The White Stripes

The White Stripes are is an American rock duo.

White stripes is are also something Westporters expect to see soon, on newly paved roads — but may not.

Alert “06880” reader Joyce Gemperlein was reading the Orange County Register online — hey, why not? — and saw a story out of San Juan Capistrano that may be hard to swallow.  But it has important implications.

Turns out there’s a nationwide shortage of street paint.

Who knew?

The culprit is a lack of 2 key ingredients. 

One is methyl methacrylate, which as everyone knows is an acrylic base that binds paint together.

The other is titanium dioxide, the recently classified “possible carcinogen” that puts the “white” in white stripes.

The reasons for the shortage:  decreased production of the ingredients due to a slowdown in the construction market, and an export moratorium by the Chinese government on titanium dioxide.

Until the street painting materials arrive, “06880” has a few simple words of advice to Westport drivers:   Slow down.  Be courteous.  Drive safely.

Yeah, right.

Without street paint, drivers may not know where to drive -- or pedestrians where to cross.

Human Services, 2010-Style

In the past year, Westport’s Department of Human Services has helped 200 new clients.

That makes at least 1200 households that need financial aid or referral information.

And more and more of them are “showing up in suits and ties,” says longtime director Barbara Butler.

These are the new faces of Westporters needing help.  “They have reduced income, or they’re unemployed,” Butler explains.

“They can pay their mortgage or rent, but they can’t do anything extra — no car repairs or school expenses.”

Sometimes the aid is emotional.

Barbara Butler

“Even if we can’t do a lot, they appreciate they can talk to us,” Butler says.  “They realize they’re not the only ones.”

Sometimes, she adds, clients need help accessing resources like food stamps, prescription drug assistance or children’s Husky health insurance.

Butler’s office also connects Westporters with services like the Woman’s Club Food Closet.

“We’ve seen retired captains of industry come in with Medicare Part D forms,” Butler notes.  “They’ve never had to deal with this, or figure out choices.”

As the holidays approach, Butler’s focus turns to the “Families in Need” fund.  Thanks to donations from individuals and organizations, Human Services pays up to about $400 or so per household, to cover emergency needs like rent, utility bills or food.  Last year, the fund paid out approximately $30,000, to over 68 families.

“Westport is great,” Butler says.  “No other town around supports social services like we do.”

And, in 2010, no town is immune to that need.

(Want to help?  Checks made out to the “Families in Need” fund can be sent to:  Department of Human Services, 110 Myrtle Ave., Westport, CT 06880.  “The fund is almost rock-bottom now,” Butler says.)

Arrividerci, Palmieri

“We had Italy right here in Westport,” Mary Palmieri Gai recalls of her youth in the 1950s and ’60s.

“We made our own sausage.  We had chickens.  My mother had 6 kids, and all the laundry was there on a clothesline.  I can’t imagine how my parents were perceived.”

It didn’t matter — and her parents didn’t care.  For decades, they had carved out their own lives in Westport.  For decades more, they continued.

Mary’s father, Filomeno, was born and raised in Fondola, Italy.  In 1928 — age 13 — he came to Westport.  His parents had paisans here.

On Filomeno’s 1st day of school, he was ridiculed for the dressy jacket his mother made him wear.  He never returned.  He enrolled in night school instead, where he learned English.

Mary’s mother, Josephine Pagliaro, was born in the hamlet next to Filomeno.  The families’ 2 sisters and 1 brother married 2 brothers and 1 sister, so Mary now has 3 sets of double cousins.

Filomeno Palmieri

Filomeno (“Phil”) had many jobs.  He dug graves, and worked at the Richmondville mill and the hat factory in East Norwalk.  “He was a maniac,” Mary says.  “He worked faster and smarter than anyone else.”

Filomeno and Josephine saved enough money — with a Christmas Club account — to buy an acre-plus property at the northeast end of Main Street (near Weston Road) in the mid-1940s.  They paid $800 for what was a gravel pit.

Filomeno loved real estate.  “He flipped houses when no one knew what that was,” Mary says.  “He was a very forward-thinking guy.  And even though he spoke very  broken English, he didn’t care.  He had no sense of inferiority.”

Mary’s father imparted those “guts” to his children.  “We got the sense we could do the impossible,” she says.  To this day, she is a very confident realtor.

Phil bought and sold many properties, but the Main Street lot was his anchor.  He built a house there, and opened a high-end landscaping business.  One of his customers was Milton Green, landlord to an actress named Marilyn Monroe.

Phil added nursery stock to his Main Street land.  Business boomed.  In the 1960s, the Planning and Zoning Commission told him he could not keep trucks — or even run a business there.

Daybreak Nursery next door was okay, they said — it was grandfathered in.  But Phil had established his business a year before Daybreak.  He fought the ruling in court.  A jury found for him, on the basis of discrimination.

Eventually Phil retired from landscaping, and built up his nursery business.  “It was a true mom-and-pop place,” Mary says.  “They really worked together.”

Josephine Palmieri

Josephine trusted customers to fill out their own invoices.  When she died, Mary heard stories of how many people her mother had helped.

“You went in there and got your heart mended, your soul tended, and your plants,” she says.  “Sometimes you even got fed.”

Phil died in 1992.  Mary’s brother Frank took over the nursery, and developed his own devout following.

But food stores like Stew Leonard’s and Stop & Shop started selling plants; so did retailers like Home Depot.  They priced smaller places like Palmieri’s out of the market.

The Palmieri family just sold the property.  The good news:  New owner Tony Palmer is Mary’s 1st cousin — and, with a degree in landscape design, he’s keeping it as a nursery.  Anthony’s Nursery, he’ll call it.

“He’ll do just fine,” Mary says.  “He’s got a huge base of loyal followers.”

The move from Palmieri to Palmer comes at a fitting time.  Josephine’s last surviving sibling — a sister — died recently.  She was 102.

“My parents and their relatives did amazing things,” Mary Palmieri Gai says.  “I grew up there, and I lived through it, but at the time I didn’t understand what they did, and how they did it.  Now I think I have a better appreciation for all that.”

Grazie, Filomena and Josephine!

Staples Players: The Drama Never Ends

There’s something about opening night and Staples Players.

Last fall, director David Roth’s daughter Lucy was born 17 minutes after the curtain rose on “Guys and Dolls.”  That wouldn’t have been so bad — except associate director Kerry Long is David’s wife (and Lucy’s mother).

This year’s fall production is “Curtains.”  Everyone was excited about last Friday’s opening night (and Lucy’s 1st birthday the next day).  Rehearsals had gone well; music, costumes and choreography clicked; tickets sold briskly.

But right after Thursday’s preview, Eva Hendricks — who plays Carmen Bernstein, a leading role in the clever show-within-a-show — had bad stomach pains.

She saw a doctor on Friday.  He sent her right to the emergency room, with possible appendicitis.

Roth and Long got the news at 3:30 p.m. — 4 hours before “Curtains'” curtain.  They quickly called the other actors in to rehearse scenes with Eva’s understudy, Sydney Robinson.

Make that, freshman Sydney Robinson.

Sydney Robinson (Carmen Bernstein) and Max Samuels (Lt. Frank Cioffi) in "Curtains." (Photo by Kerry Long)

Fortunately, Sydney had done her understudy homework.  She knew virtually all of her lines, blocking and choreography.

“That was a major feat,” Long says. “She had never really rehearsed her role before — there isn’t time to do that with understudies.  They’re responsible for knowing their own lines and blocking.

“Usually, understudies just fill in if an actor is out sick during rehearsals.  This was remarkable.”

Last-minute craziness included alterations to Eva’s many costumes, and some minor changes to blocking.

But Sydney stepped up and into the role, big-time.  She wowed the audience — and her fellow actors.

She had help, of course.  Actors Max Samuels, Matt Van Gessel and Ryan Shea supported Sydney by helping with a line or two, and guiding her around the stage when she was unsure of what to do.

Assistant director Gwen Beal assisted Sydney with each entrance backstage.

Still, it was Sydney’s role — and she nailed it.

“We are incredibly proud of how everyone banded together to make it work.  It’s a real testament to the organization, and to the ability of these kids to roll with the punches like pros,” Long says.

Roth and Long have had understudies for roles that are single-cast — but no one has actually ever had to go on.

Eva Hendricks and Max Samuels in the same roles. (Photo by Kerry Long)

“It was exciting for the kids to see that being an understudy is serious business,” Long says.  “It’s not something you can just blow off.”

Roth made a rare about Sydney announcement before the show.  During final bows the audience responded with a well-deserved standing ovation — and the cast responded with equally rare applause of their own.

Fortunately for Eva, she does not have appendicitis.  She returned Saturday night, and wowed the crowd.

This coming weekend, Sydney Robinson is once again an understudy.  But she — and every Staples Player — now knows that, whatever it takes, the show must go on.

Even with Fortunately with, a freshman taking the lead.

(“Curtains” concludes its run this Friday and Saturday [Nov. 19 and 20] at 7:30 p.m.  For ticket information, click here.  Tickets will also be sold this Wednesday, Thursday and Friday at Staples’ main entrance, from 12:30-2 p.m.  For more details, call 203-341-1310.)

Wrecker Radio Rocks

Anyone who has listened to WWPT-FM broadcast a Staples soccer, football or basketball game knows:  It’s like no other high school radio station in the nation.

Now the rest of the country knows it too.

Yesterday, at the John Drury Awards in Illinois, “Wrecker Radio” earned several huge honors.

DJ Sixsmith’s sportstalk show was named the best in the US.  So was his daily sports update show, in the “Best Sportscast” category.

There were 3 individual 2nd place finishes:  Eric Gallanty for “Best Public Affairs Program”; Sixsmith, Ben Meyers and Jake Chernok for “Best Sports Play by Play,” and Gallanty for his sportscast.

Finishing 3rd were Gallanty and Sixsmith –twice.  One award was for their play-by-play of last Thanksgiving’s Staples-Greenwich football game; the other, for their sportstalk show.

Brendan Rand was a finalist for 2 separate newscasts.

And The Big One, for which the entire staff (and school)  should be proud:  WWPT-FM was named the 2nd Best High School Radio Station in the Country.

You won’t hear a lot of chest-thumping about those awards on Wrecker Radio.  The high school students are too professional for that.

So we’ll do it for them.  

As your motto says:  Don’t stop the music.

Or the sports.  Or news.

Congratulations to all at WWPT-FM!

Celebrating yesterday at the John Drury Awards ceremony (from left): Mike Zito, Eric Gallanty, DJ Sixsmith, Brendan Rand and Jake Chernok.






Lot F

James Wormser and Kate Ostreicher dated at Staples.  They graduated from college a year ago.  Now they run an art gallery — Lot F — out of their Boston loft.

Yesterday, the Boston Globe ran a long story on their work getting “edgy, street-inspired artists noticed.”

The article called the loft’s monthly party “a must.”

Kate Ostreicher and James Wormser

James — an Emerson College grad — is described as “an unlikely orchestrator, the anti-curator…. (His) object is to sell art, of course, but he calls his approach ‘laid-back.’  He doesn’t speak in terms of aesthetics or visual styles, but favors words like ‘sick’ and ‘insane’ to describe the work he displays.

“Much of it is street-art inspired.  Some of the artists are best known by their graffiti tags, others have MFAs.  In Wormser’s vernacular, as long as they ‘kill it,’ they have Lot F cred.”

The Globe said that James “is pedaling [sic] a sensibility, the idea that collecting art is as accessible and viable as collecting limited-edition sneakers or skateboards — if not exactly the same thing.

“While works have sold for several thousand dollars, $400 to $500 is the average price. And barely a year since its launch last September, the Lot F ethos extends far beyond the walls of his loft.”

James works with bars, restaurants and stores all over Boston to promote and display his artists, the Globe says.

Through Karmaloop, an online streetwear site, he has sold his artists’ work to customers in Italy, Australia and Korea.

Yesterday's Boston Globe story.

Karl Baehr, one of James’ professors at Emerson College, calls him “serious…. He’s not above getting out there and doing it.  You can sit around and dream up dreams all day long.  Entrepreneurs have to make things happen.’’

James comes by his creativity naturally.  His mother — Westport native Liz Milwe — is a noted choreographer.  His father — Peter Wormser — is an architect who designed New York’s Vietnam Veterans.

Just as his parents influenced him, James Wormser is now nurturing a new generation of artists.

“I have someone constantly looking out for opportunities for me,’’ praises neo-graffiti artist Todd Robertson.  “I can focus on what I’m doing artistically now that I have James to help me out in a business sense.  He’s built a home we all live in.’’

Right there in a funky — and very popular — Boston loft.