Tag Archives: Westport Country Playhouse

Playhouse Appoints New Chair; Plans Campaign To Save Historic Theater

Ania Czekaj-Farber is no longer chair of the Westport Country Playhouse board of trustees.

After a week of questions about the future of the 91-year-old theater — which just a week earlier earned “Literary Landmark” status — newly elected chair Athena Adamson says:

Since the day our barn doors opened in 1931, the Westport Country Playhouse has been graced by the brightest of stars — heroes of the theater like Liza Minnelli, Eartha Kitt, Jessica Tandy, Henry Fonda, Gene Wilder, Olivia de Havilland, James Earl Jones, and Eva Gabor.

Under the guidance of Playhouse founder Lawrence Langner and legends like Joanne Woodward and Paul Newman, we have stayed true to our mission, yet continually evolved.

Paul Newman and Joanne Woodward helped save the Westport Country Playhouse in the early 2000s. Their production of “Our Town” soon moved to Broadway.

I personally am forever grateful to Ania Czekaj-Farber, Mark Lamos, and all the Playhouse leaders, past and present, who believe in the power of live performance and cherish this special place.

Earlier this week, the board of trustees elected me, a new vice chair, and executive committee members to pursue a clear objective: fill this Playhouse and fulfill its mission.

I know it won’t be easy. The past few years have been a rocky time for theaters nationwide.

Pandemic shutdowns, streaming media, and younger generations’ entertainment preferences present real challenges. The costs of first-rate productions have skyrocketed, and ticket revenue has not kept pace. As attendance drops and audience connection frays, engagement and donations wane.

For several years, the Westport Country Playhouse has struggled to fill its famed seats.

Unfortunately, our community is not immune. Our Playhouse is in a tenuous
financial position.

But as I introduce myself to you, I am full of constructive optimism. Despite the changing landscape and challenges we face, I’m confident that together we will manage through this crisis and emerge stronger.

I say that because I know 2 things to be true:

  • People of every generation live fuller, more joyful lives when they connect in person through live performances, artistry, and the exchange of ideas.
  • Our community rallies when it matters.

Our plan is to make this your Playhouse. We envision a place for Westport and its neighboring communities to gather and enjoy world-class live performance – from theater, music, dance and comedy, to a speaker series with artists, thought-leaders, athletes and industry titans.

If you love the shows and programming we’re delivering, you’ll come and you’ll want to come back.

You’ll buy tickets, you’ll invite your friends, you’ll get involved, you’ll donate, and you’ll help us grow.

We will soon launch a fundraising campaign to save and transform the Playhouse. With your input and support, the board and our wonderful staff will deliver exciting and educational programming to engage every generation.

We ask you to join us, come to our beautiful theater, and help us ensure that the Westport Country Playhouse lives up to its legacy and flourishes for generations to come.

A new beginning for the Westport Country Playhouse? (Photo/Molly Alger)

 

Westport Country Playhouse: Preparing, Adapting, Re-envisioning

On Monday, “06880” ran a story on the future of the Westport Country Playhouse.

The board of directors says:

For the past several months, the board at the Westport Country Playhouse has been preparing for a leadership transition, and adapting to the new financial reality facing professional regional theaters.

We are in a difficult situation, yet singularly focused on our responsibility to ensure that the Playhouse not only survives but thrives.

To do so, we are re-envisioning a Playhouse that celebrates its proud heritage of producing first-rate theater, and presents a wide array of programming to engage audiences new and old.

Westport Country Playhouse. (Photo/Lynn Untermeyer Miller)

As part of a cohesive plan, in the coming months and years our Playhouse will welcome musical artists, concerts, speaker series, holiday and youth programs, writers’ festivals, film screenings, stand-up comedy acts, and touring musical productions.

We are currently evaluating proposed visions for our new artistic direction, and plan to announce new leadership soon. We are also exploring strategic partnerships with local organizations and national theater companies to expand programming at the Playhouse.

We are deeply grateful for the dedication and support we receive from people and communities from New York to New Haven, and we know we can’t do this alone. Your participation as audience members, volunteer leaders, donors, and advocates is fundamental to our success.

With your continued commitment, the Westport Country Playhouse will emerge stronger than ever as a proud symbol of our town, and a place where we all belong.

The next production at the Playhouse is “Dial M for Murder” (July 11-29). Click here for more information, and tickets.

Westport Country Playhouse: Next Act — Or Final Curtain?

For over 90 years the Westport Country Playhouse has entertained, inspired and awed theatergoers.

From the opening curtain in a converted tannery through the rest of the 20th century, “the Playhouse” became a launch pad for Broadway shows, an important stop for hundreds of actors, and an iconic Westport jewel.

Now, in its 92nd year, the Westport Country Playhouse is limping through a truncated season.

It might not make it to 93.

Classic shot of a classic theater.

I love the Playhouse. I was introduced to live theater there, through children’s shows. I’ve seen countless productions, plus concerts like Arlo Guthrie.

A highlight of my life was performing on its stage – the same one used by Henry Fonda, Paul Robeson, Helen Hayes, Eartha Kitt and James Earl Jones – for a “Moth” taping 3 years ago.

It is painful to write this story.

It would be more painful to lose the Playhouse entirely. But that may very well happen.

And it could happen very, very soon.

The Westport Country Playhouse is on precarious footing. The last 2 shows of its planned 5-play 2023 season have already been canceled. The third is in jeopardy.

In recent years, not enough seats have been filled. (Photo/Robert Benson)

Attendance has plummeted; so has the subscriber base.

As the core audience aged, there was little outreach to younger and newer residents. The Playhouse has virtually no social marketing – the best way to create buzz, and reach today’s theater-goers.

Artistic director Mark Lamos’ selection of plays failed to resonate with patrons. Now he’s departing, leaving no one at the helm.

If the theater goes dark, it will be almost impossible to put the lights back on.

All is not lost, however. A rescue plan has been floated.

As in past crises – most recently the early 2000s, when Paul Newman and Joanne Woodward rode to the rescue – this one has quintessential Westport roots.

Andrew Wilk, in the “Live From Lincoln Center” production truck.

Andrew Wilk is a 5-time Emmy-winning executive producer and director of television programming (and a renowned playwright, director and symphony conductor).

He moved to Westport 17 years ago, attracted in large part by the town’s support for the arts.

Wilk produced PBS’ legendary “Live from Lincoln Center” series for many years; served as chief creative officer for Sony Music Entertainment, and executive vice president for the National Geographic Channel (among many other accomplishments).

He created and developed last year’s 3-part PBS entertainment specials, shot at the Playhouse. (He worked on that project for almost 2 years – pro bono.)

Wilk spent months developing a new business strategy and turnaround plan. Covering everything from programming to union contracts, it outlines a path toward recovery and sustainability for an institution that for years has spent more than ticket sales, donors and grants bring in.

Wilk devised the plan on his own time. He’s willing to oversee it in the coming months – gratis.

So far, the Playhouse board has not accepted his broad, generous offer. Perhaps they think they must “save” the Playhouse, before creating a new artistic model.

Wilk proposes to save the Playhouse by reimagining it. First, a transitional season would begin rebuilding the audience through a robust season of well-known musical titles “In Concert.” They’d be headlined by a small number of Broadway stars, with an orchestra.  Concerts include evenings of Andrew Lloyd Webber, Stephen Sondheim, Stephen Schwartz, Jerry Herman, Rodgers & Hammerstein and others.

Those concert productions would be augmented by smaller, fully professional productions of recognizable shows, like “The Fantasticks” and “I Do! I Do!,” as well as classic comedies and dramas.

Back in the day, crowds lined up for comedies, dramas — and shows that were headed to Broadway. (Photo/Wells Studio)

There would be student productions too, with actors from Staples and area high schools and colleges, of shows like “Rent,” “Little Shop of Horrors” and “Falsettos,” plus “Jesus Christ Superstar” using local community groups, and Broadway stars in a few primary roles (thanks to Wilk’s extensive contacts).

Wilk estimated costs for every show, right down to transportation and rights fees. He’s addressed the thorny question of union contracts, and even figured out rehearsal schedules.

His plan appears to be the only one addressing the theater’s many urgent challenges.

The Westport Country Playhouse has been on the brink of disaster before. They’ve always pulled rabbits out of the hat (and, in the case of Newman and Woodward, conjured up a production that – harkening back to the Playhouse’s mid-20th century heyday – moved on to Broadway).

The world has changed since then. It’s changed even since Newman and Woodward’s “Our Town.”

This is our Westport Country Playhouse. It is our town.

But unless the people in charge of our town’s historic gem act quickly, decisively and creatively, the theater that last week was honored as a Literary Landmark may soon become just one more theatrical memory.

(The Westport Country Playhouse was asked to comment on its future. Board chair Anna Czekaj-Farber said: “Nothing new at the moment. We are getting ready for our New Works reading (Monday, June 5) our next Script in Hand on June 12, and Patti LuPone’s  great evening June 15.”)

Twenty years ago, Paul Newman helped save the Westport Country Playhouse. Can it be saved again?

Pic Of The Day #2157

By mid-afternoon, Westport had gotten very little snow. But the Westport Country Playhouse sure looked pretty. (Photo/Patricia McMahon)

Playhouse Scales Back ’23 Season

COVID impacted every aspect of American society. Live theater was among the hardest hit.

No stage was immune. Locally, Westport Country Playhouse — the historic summer theater where everyone from Peter Fonda to Paul Newman performed (and Stephen Sondheim interned — canceled its entire 2020 schedule.

The 2021 season was all virtual. The Playhouse finally returned last year, with 5 well-produced, powerful shows.

Clay Singer and Mia Dillon starred in last summer’s “4000 Miles.” (Photo/Carol Rosegg)

But the effects of the virus still linger.

Yesterday, officials announced that the 2023 season will be pared down to 3 productions, from the previously announced 5.

“The change reflects the impact that COVID has had, and continues to have, on the Playhouse and the performing arts community nationwide,” said the board and leaders.

Though the Playhouse safely navigated the challenges of COVID — not one performance of the 4 plays and 1 musical was canceled due to illness — “audiences are coming back slowly,” said Gretchen Wright, director of development and interim managing director.

“We have yet to reach pre-pandemic levels of participation.”

The 92-year-old Westport Country Playhouse.

The Playhouse “finished with low ticket revenue and a significant deficit – a fate similar to many other theaters in Connecticut,” Wright said.

Even in the best of times, ticket sales cover only 40% of a show’s cost. And — despite eagerness among some theater-goers to return — last year was hardly the best of times.

“The board of trustees have been very engaged in supporting the theater and all the changes, proactively leading the Playhouse to brighter future,” said Anna Czekaj-Farber, chair of the Playhouse board.

“We are an agile organization, and we are trying to adjust to ensure the longevity and health of this important institution that has been a part of our community for more than 90 years.

“We are confident that we are making the prudent decision that would allow us to prosper as we have many exciting plans for the future of this wonderful theater.”

The historic Westport Country Playhouse. (Photo/Robert Benson)

 The revised 2023 season will include 3 previously announced productions, each running 3 weeks: “Ain’t Misbehavin'” (April 11 through April 29); “Dial ‘M’ for Murder” (July 11-July 29), and “School Girls; or, The African Mean Girls Play” (October 24 through November 11).

 The goal is to “focus on broadly appealing and revenue-positive programming, and on building deeper community partnerships,” the Playhouse said.

Additional events will be announced soon. For several years, special programming has augmented the main musical and play offerings.

Current 2023 season ticket holders have been contacted by the box office on how to claim the value of the canceled tickets by gift certificate, refund or donation.

Click here for more information on the Playhouse, and the 2023 season.

Friday Flashback #317

Most old Westport Country Playhouse photos show the famed “summer theater” during that season. Trees obscure the handsome one-time tannery.

The Playhouse season now begins earlier, and ends later. As they prepare for “From the Mississippi Delta” — their final production of 2022 — here’s a fascinating look, with the trees bare.

The photo is undated. But the Westport Country Playhouse is timeless. If you’ve got a Playhouse memory, click “Comments” below.

(Photo courtesy of Bill Stanton)

(Like the Playhouse, “06880” depends on local support. Please click here to help.)

Next Acts: Playhouse Announces ’23 Schedule

Westport Country Playhouse theater-goers have enjoyed one of the most entertaining, thought-provoking and exciting seasons ever. One more production remains: “From the Mississippi Delta,” next month.

But the creative team is already looking ahead to 2023. The 5-show season — the historic Playhouse’s 93rd — includes a musical, a thriller, a comedy and a classic.

The season — which returns to 3-week runs after a condensed 2-week schedule this year, and with more 7 p.m. curtains — opens April 11 with “Ain’t Misbehavin’.” The sassy song-and-dance tribute to jazz great Fats Waller won 5 Tony Awards in 1978.

Then comes a reimagining of “Dial ‘M’ for Murder,” with even more surprises and twists than in the legendary Alfred Hitchcock film of blackmail and revenge.

A world premiere modern translation and adaptation of “Antigone” follows. Especially resonant today, the drama explores the nature of power and resistance, as a determined young woman defies a tyrannical king.

The season concludes with “School Girls, or, The African Mean Girls Play.” It’s a comedy about the universal similarities — and glaring differences — faced by teenage girls around the globe.

A fifth production has not yet been finalized.

Ticket information will be available soon at the Playhouse website.

The historic curtain rises next spring, on the 2023 season.. (Photo/Robert Benson)

Photo Challenge #395

For a couple of years, a “Pride Bench” — decked out in rainbow colors — sat in front of Mystic Market. Everyone traveling past, on heavily trafficked Charles Street, saw it and smiled.

When the store closed in May, Westport Country Playhouse company manager, Bruce Miller thought that — given their close ties to the LGBTQ community — the Playhouse could make a good next home.

The Mystic Market folks agreed. The “Pride Bench” now sits proudly in front of the Sheffer Studio.

Fred Cantor, Lynn Untermeyer Miller, Amy Schneider and Jonathan Prager all knew the new location of the bench. Susan Iseman, Nancy Vener and Celeste Champagne, meanwhile, recognized it from its previous location. (Click here to see the photo.)

This week’s Photo Challenge is less colorful — but very interesting. If you know where in Westport you’d see this, click “Comments” below.

(Photo/Johanna Keyser Rossi)

Westport’s Korean Convenience Store Heads West

People are talking about “Kim’s Convenience.”

The Westport Country Playhouse production has audiences buzzing. The acting, dialogue, casting; the up-front stereotypes and recognition of universal family themes — they love it all.

They particularly love the set.

Designed by You-Shin Chen, it recreates a Korean-owned convenience store in Toronto — right there on the 91-year-old Playhouse stage.

We’re not talking a shelf or two. This is aisle upon aisle of candy, chips, cigarettes, paper towels — exactly what you’d find in a store like that.

Plus fully stocked coolers, a sign demanding legal ID — even fluorescent lights and heating vents.

David Shih, Eric R. Williams, and the “Kim’s Convenience” set, at the Westport Country Playhouse. (Photo/CarolRoseggt

It’s a shame to think of striking the set when the show ends on Sunday.

Happily, it won’t be.

Instead, the fully stocked “store” will be packed up, and moved to California. In September, the entire set and most props will wow audiences at the Laguna Playhouse production of “Kim’s Convenience.”

The only items not going are the beverages in the coolers, and bread. The candy will be shipped separately, to avoid melting in the hot truck.

A professional transfer company is handling the arrangements. Chin will help.

RJ Romeo, the Playhouse’s technical director, heads to Laguna this fall. He’ll assist the production crew there with installation.

But that’s not the only rental. After the California run, the set will be shipped again — to TheatreSquared in Fayetteville, Arkansas, for their January production.

Westport Country Playhouse is nationally known for the hundreds of famed actors who starred here.

Now we’ll be known — in Southern California and Arkansas, anyway — for the Toronto Korean convenience store that once graced our stage.

(“Kim’s Convenience” runs through this Sunday, July 17. Click here for tickets, and more information.)

(“06880” relies on support from readers like you. Please click here to help.)

Westport Country Playhouse: 91 Years Young Today

On June 29, 1931, the curtain rose for the first time at the Westport Country Playhouse.

It ushered in a new chapter in town history — and the theater world nationally.

By 1930, Lawrence Langner and his wife Armina Marshall had achieved remarkable success as theater producers. The Theatre Guild — which Langner co-founded — had become perhaps the most prolific and influential producer on Broadway, and the leading producer of touring productions throughout the country.

Residents of Weston, the Langners wanted to establish a resident acting company, and experiment with new plays and reinterpretations of classics. But it had to be away from the spotlight of New York.

In the winter of 1930 they saw an old barn in an apple orchard near downtown Westport. The town was already popular with Broadway’s theatrical community.

It was exactly what they were looking for. They bought the property, with an assessed value of $14,000.

The 1930 barn.

Cleon Throckmorton — a respected Broadway set designer who had also designed the Cape Playhouse in Dennis, Massachusetts — was hired to transform the 1835 tannery into a theater.

The first production — “The Streets of New York” — opened 91 years ago today.

It was called Woodland Theatre. On opening day, Langner changed the name, to Country Playhouse.

The Westport Playhouse has seen countless highlights since then. Among them:

1933: “Present Laughter” is directed by Antoinette Perry. The Tony Awards are now named for her.

1935: Langner purchases 3.5 more acres, at $2,000 an acre, to expand the facilities. Extensions to the theater and construction of a scene shop and offices cost $25,000; a refreshment stand is $225.

1939: An unknown Gene Kelly dances in a musical revue. with a pair of new composers/performers named Betty Comden and Adolph Green.

1940: Oklahoma!” was never performed on the Playhouse stage, yet it plays a critical role in its genesis. A 1940 production of Lynn Riggs’ Green Grow the Lilacs incorporates turn-of-the-century folk songs, and a square dance scene. Langner invites Fairfield resident Richard Rodgers to see a performance. Three years later the Theatre Guild produces Oklahoma! on Broadway.

An early audience outside the Playhouse.

1941: Tallulah Bankhead adds drama to Her Cardboard Lover by taking her bows carrying a lion cub in her arms. It’s such a hit, she does it every night.

1941: Lee Strasberg directs Tyrone Power in Liliom, which later becomes Carousel on Broadway. Power is ready to open at the Playhouse when Daryl Zanuck, head of 20th Century Fox, demands he return to Hollywood to re-shoot movie scenes. Playhouse attorney Kenneth Bradley invokes a 300-year-old Connecticut blue law to keep Power here.

1942-45: For 4 seasons during World War II, when gas rationing prevents audiences from getting to the theater, there are no productions. The next season closure occurs 75 years later, during COVID..

1946: Just before Olivia de Havilland takes the stage on opening night of What Every Woman Knows, she marries novelist and journalist Marcus Goodrich at Langner’s Weston home.

1946: The apprentice system begins. Over the years, summer interns include Stephen Sondheim (1950) and Tammy Grimes (1954). Today the Playhouse hosts the Woodward Internship Program, a national program for emerging theater professionals. It is named for longtime Playhouse supporter Joanne Woodward.

Stephen Sondheim (crouching, top of photo), during his 1950 apprenticeship. The photo was taken at the Jolly Fisherman restaurant. Also in the photo: future film director Frank Perry (front row, left) and Richard Rodgers’ daughter Mary (2nd row, 4th from left).

1949: Helen Hayes performs with her 19-year-old daughter, Mary MacArthur, in Good Housekeeping. Mary becomes ill the day after closing, and dies of polio one week later.

1951: A world premiere comedy by Noël Coward, Island Fling, stars Claudette Colbert. Post-performance visitors to Colbert’s dressing room include Marlene Dietrich, Danny Kaye, Richard Rodgers and Otto Preminger.

 1952: Alan Jay Lerner and Frederick Loewe, who had achieved great success with Brigadoon and Paint Your Wagon, struggle to create a musical from Shaw’s Pygmalion. Lerner sees it on the Playhouse stage. Four years later My Fair Lady becomes a smash on Broadway.

1954: ApprenticeTammy Grimes is fired from the box office in her first week because she is unable to make correct change. She is transferred backstage, where she irons actor Richard Kiley’s pants.

1954: A restaurant is built adjacent to the Playhouse: Players Tavern.

The iconic red Westport Country Playhouse.

1954: Christopher Plummer makes his American stage debut in Home Is the Hero. Years later, he joins the Playhouse board of trustees.

1955: The Empress includes apprentice Sally Jessy. She later earns fame as talk show host Sally Jessy Raphael.

1956: The big concern every day is how much ice to order. The theater is cooled by fans blowing over ice. Vintage posters in the lobby boast, “Air-cooled.”

Westport Country Playhouse in 1960 (Photo courtesy of Paul Ehrismann)

1957: Eartha Kitt stars in Mrs. Patterson, a Tony-nominated role she originated on Broadway. Fifty years later, now a Weston resident, she returns to the Playhouse stage in All About Us, a new musical by Kander and Ebb opening the 2007 season.

1958: Hugh O’Brian, popular star of television’s “Wyatt Earp,” causes a box office frenzy as the leading man in Picnic. It is a vivid illustration of the new power of television.

1958: Hume Cronyn and Jessica Tandy star in Triple Play.

1960: With a film career still in the future, Jane Fonda, age 23, stars in No Concern of Mine. Her father, Henry, had appeared in The Virginian at the Playhouse in 1937, the year his daughter was born.

1964: 18-year-old Liza Minnelli receives her Equity card, appearing with Elliott Gould in The Fantasticks. On opening night, according to a Playhouse brochure, “the rather gawky teenager…received a standing ovation.”

1969: Butterflies Are Free premieres with Blythe Danner and Keir Dullea. The comedy transfers to Broadway where it runs over 3 years, earning Danner a Tony Award. The  play — one of 36 that made the leap from Westport to Broadway — is reprised as a reading for the Playhouse’s 80th anniversary in 2010, with its original stars –Danner as the mother, Dullea as the evening’s host.

1973: The Connecticut Theatre Foundation is created to operate the Playhouse as a not-for-profit.

1974: In his playbill letter for Hair, Jim McKenzie, executive producer, says, “Open your mind, open your heart and prepare for the theatrical experience of a lifetime.”

1977: Absent Friends, a Playhouse co-production plan with the John F. Kennedy Center for the Performing Arts, opens in Washington, following its Westport run. On the same evening, The Master Builder opens in Westport, following its engagement in DC.

1978: A fall and winter film and play series begins with the movie Gone with the Wind, plus a big barbecue hosted by Colonel Sanders himself.

1981: Eva Le Gallienne makes her last appearance at the Playhouse 45 seasons after her first, with many roles in between. Today, the Playhouse’s Green Room is named in her honor, and contains memorabilia from her career.

The green room. Think of all the legendary names that have passed through there.

1985: Philip Langner, son of founders Lawrence Langner and Armine Marshall, receives an offer of $1.2 million for the Playhouse property from Playhouse Square, the adjacent shopping center. The Connecticut Theatre Foundation, current lessee, has a right to match the offer. The Playhouse Limited Partnership, a group of 27 ardent theater supporters, is formed to purchase the property.

1985: A fall season includes A Bill of Divorcement starring Christopher Walken and Katharine Houghton, who recreates the role in which her aunt, Katharine Hepburn, made her film debut in 1932. Hepburn is in the audience.

1987: The Playhouse makes a major change: from producing 12 plays in 12 weeks to producing 6 in 12. Subscriptions spike. Seeing a show every other week is more convenient to many than committing to a weekly schedule.

1989: With the Playhouse in arrears on its mortgage and taxes, and facing major expenses to meet fire and safety codes, it asks local developer Ceruzzi Mack Properties to make good the debt, assume the mortgage, and renovate and lease back the theater for $1 a year, in return for property ownership and construction of commercial rental space on the Playhouse campus. The Planning & Zoning Commission turns down the application.

1990: The Playhouse is entered on the Connecticut State Register of Historic Places.

1991: 30-year-old Aaron Sorkin visits the Playhouse to see a production of his play A Few Good Men.

1999: Groucho: A Life in Revue is taped at the Playhouse for PBS.

2000: A campaign begins to renovate the Playhouse, and transition from summer stock to a year-round theater. Connecticut Theatre Foundation becomes owner of the Playhouse and adjacent restaurant. Contributions, bolstered by a $5 million state grant from the State of Connecticut, help reach the $30.6 million goal by the end of 2005.

The Westport Country Playhouse teoday.

2000: A 2-week run of Ancestral Voices by A. R. Gurney features a different stellar cast each week. Among them: Jane Curtin, Neil Patrick Harris, Joanne Woodward, Paul Newman, Paul Rudd, Swoosie Kurtz, James Naughton.

2001: Joanne Woodward is named artistic director. She directs 3 plays and appears in several productions, including Love Letters with Paul Newman, and a Script in Hand reading of Arsenic and Old Lace with Christopher Walken. Newman also appears in Ancestral Voices, Trumbo, and a revival of Thornton Wilder’s Our Town, which transfers to Broadway.

2002: Gene Wilder stars in Don’t Make Me Laugh. It’s his 4th appearance at the Playhouse, but first in a feature role. He performed here with Walter Pidgeon, Helen Hayes, and Carol Channing, “but nobody knew who I was then.”

2002: The Playhouse’s 2002 production of Our Town transfers to Broadway for a limited run, playing to full houses. The play airs on Showtime and PBS’ “Masterpiece Theatre.” Newman receives Tony and Emmy Award nominations for his performance as Stage Manager.

Local residents Jim Naughton, Joanne Woodward and Paul Newman, at the Westport Country Playhouse in 2002.

2003: During a regional power outage, the Playhouse is in the middle of Arthur Miller’s All My Sons with Richard Dreyfuss and Jill Clayburgh. Most actors live in New York and cannot travel to Westport. The performance is canceled.  However, Dreyfuss is in Westport. He drives to the theater and shakes hands with whoever arrives.

2003 and 2004: Fundraising galas support the Playhouse’s planned renovation with performances by Carole King, Robin Williams, Paul Newman, Robert Redford and Harry Connick, Jr. hosted by Brian Williams.

2005: May 23, 2005 marks the re-opening of Westport Country Playhouse and its 75th anniversary season, following a major multi-million dollar renovation.

2005: The Lucille Lortel Foundation awards a $2 million grant to establish The Lucille Lortel White Barn Center at the Playhouse.

2006: Paul Newman and Chef Michel Nischan open the Dressing Room restaurant next door.

2006: Stephen Sondheim returns to the Playhouse for the first time since his 1950 apprenticeship. He is saluted on the Playhouse stage with performances by Laura Benanti, Kristin Chenoweth, Barbara Cook, and Patti LuPone.

2006: James Earl Jones appears as Thurgood Marshall in the world premiere of Thurgood. He later joins the Playhouse board of trustees. 

2008: The popular Script in Hand play reading series begins.

2009: Stephen Sondheim presents a tribute to Mary Rodgers Guettel at the annual gala, An Enchanted Evening: The Music of Richard Rodgers. Sondheim and Rodgers Guettel are former Playhouse apprentices.

2021: During its 90th anniversary — and the pandemic, the Playhouse pivots to an all-virtual season. It’s available on-demand, with captions in Spanish.

After 91 years, the view has changed little. (Photo/Robert Benson)

(Like the Westport Country Playhouse, “06880” relies on contributions for support. Please click here to help.)