Tag Archives: Staples High School

School Happens

An alert “06880” reader remembered a long-ago post about the beginning of school.  She liked it then — but her kid was a toddler.

Now he’s all grown up — 5! — and ready to start school.  She asked for a copy of the story.  Here it is:  For parents of new students, old students, students themselves, and anyone else who has ever gone to school.

Summer vacation ends with a thud this week (we hope).  Each year it’s the same:  One day a kid’s free as a cat; the next he’s trapped, chained to the rhythm of the school calendar for 10 long months.

Some youngsters love this time of year; they’re eager to greet old friends, and meet new ones.  Or they can’t wait for the smell of newly waxed floors, the security of assigned seats, the praise they know will be lavished on them day after day.

Others abhor it.  The thought of entering a strange building filled with strange faces, or trying to be part of a group of peers who won’t accept them, or sitting for hours at a time, doing work they can’t stand, is excruciating — even physically sickening.

Around this time each year, I think about the entire school experience.  I wonder which kindergartner will hate school for the rest of the year because his teacher makes a face the morning he throws up in front of everyone, and which will love school because an aide congratulates her the afternoon she almost puts on her coat all by herself.

Which 1st grader will invent any excuse not to go to gym because he can’t throw a ball, and which will get through the school day only because he knows gym is coming soon?

Which 4th grader will walk meekly into class each morning with just 1 ambition — to get through the day without anyone noticing how ugly, or stupid, or poorly dressed she is — and which will look back on 4th grade as a turning point in her life because a guidance counselor took the time to talk to her, to show her how to comb her hair better, to make her feel good about herself?

Which 5th grader will have a teacher who does nothing when she catches him cheating on a test — too much effort to raise such a touchy issue — and which will have a teacher who scares him so much when he’s caught that he vows to never cheat in school again?

Which 6th grader will enter middle school intent on making a name for himself as the best fighter in his class, and which with the aim of never getting a grade lower than an A?  Which 6th grader’s ambition will change, and which will remain the same?

Which 9th grader will temper his fledgling interest in current events with the feeling “it’s retarded; no one else in class cares,” and which will visit the New York Times website every day because her class is working on “this really neat project”?

Which 10th grader will hate English because all she does is read stupid books assigned by the stupid teacher from some stupid list, and which will go to Barnes & Noble on his own for the first time because his teacher suggests there are more books by the same author he might enjoy?

Which 12th grader will have the brains to apply to 3 Ivy League schools, but lack the common courtesy to thank a teacher who wrote glowing recommendation to all of them?  And which will slip a note in a teacher’s box the morning of graduation that says, “Thanks.  I’m really glad I had you this year”?

It’s easy to wrap our school years in nostalgic gauze, or try to stuff the bad memories down our mental garbage disposals.

We also tend not to think in concrete terms about what goes on inside school walls every day.  Learning, we assume, happens.  Kids read, write, use computers, draw, eat and see their friends.

We seldom realize how much of an impact this institution we call “school” has on our kids.  Or how much it has had on us.

Remembering Dave Goby

David Goby — a longtime science teacher at Staples High School and Bedford Junior High — died yesterday.  The cause was complications of lymphoma treatment, many years ago.

Dave Goby, in the 1970s. He thought this was a hilarious photo.

After retiring from Staples, Dave taught at Ezra Academy in Woodbridge.  He also founded Merkaz, a community high school for Judaic studies in Bridgeport, and served as director there for 12 years.

He is survived by Ilene, his wife of 43 years; sons Jonathan of Fairfield and Adam of Florida; daughter Robyn of North Carolina, and 4 grandchildren.

Services are tomorrow (Tuesday), 2 p.m. at Congregation B’nai Israel, 2710 Park Avenue in Bridgeport.

Contributions may be made to the David Goby Merkaz Fund, c/o Merkaz, 4200 Park Ave. Bridgeport, CT 06604.

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Starting in 1975, Dave taught in Staples’ Alternatives program.  An interdisciplinary project that reached out to alienated, disaffected youngsters, it lasted only a few years.

However,  its impact on the students — and teachers — who participated was enormous.   In 2004, I interviewed Dave about Alternatives for my book “Staples High School:  120 Years of A+ Education.”

Dave said:

There were so many disenfranchised kids who were not functioning well in school, because of emotional, family or learning problems.  Every school deals with those kids in a different way.  A lot of schools give them detentions or suspend them, but that doesn’t solve the underlying problem.

Most of what we tried to do involving traditional academics didn’t work.  So we had to be creative, to disguise the social studies, English, science or math, and teach it through the back door.  We didn’t necessarily work on each discipline each day.

It wasn’t easy.  We were really looked down on – not by the faculty; they said they admired what we were doing, and couldn’t do it themselves – but by the other kids.  They thought our kids were the dregs of the school.

We were very successful, but we became the dumping ground for all kids who had any problems.  We didn’t solve problems overnight.  It took a lot of hard work, a long time for kids to settle down.

It didn’t last long, in part because so many kids had emotional and special ed issues.  Then the state mandates for special education were handed down, and more and more kids suddenly became officially mandated to the special ed program.

Our program decreased in direct proportion to the rise in special education.  We saw that special ed would eventually absorb our kids, so rather than die a slow death, we decided to end it on our terms.  We died a graceful death, with dignity.

But the program worked.  So many kids came back later, and said it kept them in school.  They may not have loved Alternatives, but they liked it better than the rest of school.

And they told us it looked like we really cared. We gave them a lot of individual attention.  We had community meetings, and we met individually with them a lot. We learned a lot about kids that way.

It was absolutely right for the times.  And today — if you’re diagnosed with a special ed condition, you’re covered.  But if you’re just a troubled kid who could fall through the cracks, there’s still a need for an alternative school.  Kids haven’t changed that much.

Ch-Ch-Ch-Changes

A recent post highlighting one former Westporter’s disillusionment with what his former hometown lit a (predictable) fire in the “06880” comments section.

In response, someone who grew up here in the 1960s — then returned to Westport 10 years ago to live — offered these thoughts on positive changes in over the decades.

For example:

Staples.  “What a magnificent facility this is now,” the writer says.  “It reminds me of a modern college complex.  And while going to classes back in the ’60s via outdoor walkways was great on beautiful fall and spring days, it was a pain in the neck in the winter and during downpours.

The fieldhouse and pool, the returnee adds, represent much-improved athletic facilities.  They’re used often, by people of all ages.

The Staples High School of yesteryear looked nothing like this.

Levitt Pavilion.  “We had nothing like this growing up.  A true cultural and entertainment jewel.”

Toquet Hall.  “There was no teen center when we grew up,” the “06880” reader notes.

Senior Center.  “Was there anything like this back in the day?”  No way.

Library.  The writer says there is “absolutely no comparison between the old cramped Post Road building and the current location.  Besides the far greater offering of books and periodicals, the present-day library is much more of a community center in so many ways.  The hours are also much more extensive now.”

The Library looks a lot different from its previous, cramped quarters.

Speaking of hours, stores are open far longer than in the past.  This is a function of the repeal of Connecticut’s blue laws, but it’s a change for the better, the reader says.

Restaurants offer a “much greater choice today (and I’m sure most people would add, a great choice of high quality).”

Longshore, including the building housing the tennis pro shop, lockers and food concession, is “a beautifully designed gateway to that section of the club, far superior to the prior run-down building.”  Much of the rest of Longshore — the pool, inn, golf course and marina — is also vastly improved.

The person who responded served up this challenge:  “If you’ve got a Westport connection going back at least 20 years, what else is better now?”

I’ll start it off:  We never had local blogs 🙂

To add your own thoughts, click the “Comments” link.

Sheila Murphy’s Magnificent Post Office

When the post office moves into its new Playhouse Square digs a few months from now, it will likely be without fanfare.

They’re downsizing, after all; you don’t cut a ribbon at some spare, utilitarian space.

It’s a far cry from 1936, when Westport’s shining “new” post office opened on (appropriately) the Post Road.

Sheila Murphy remembers that ceremony like it was yesterday.  She should:  She cut the ribbon.

Sheila Murphy

Sheila was back in town the other day.  She’s lived in Florida since graduating from Staples in 1948 — but she’s 82 years young, and still loves Westport.

Her roots are deep.  Her own mother Mary is a Staples grad — in fact, Sheila says, Mary helped develop the school lunch program, and came up with the name “Inklings” for the school newspaper.

Sheila’s father John commuted to New York City for his job as an accountant with American Standard.  He had 3 children, and when his wife got sick he needed a job closer to Westport.

John Murphy was active in Democratic politics — locally and nationally — and knew Postmaster General James Farley.  Soon, President Roosevelt appointed Murphy as Westport’s postmaster.

“It was a plum job,” Sheila says.

The job was even better because a new post office was about to be dedicated. The WPA project replaced what Sheila calls a “ratty building” across the street.

“It was the middle of the Depression,” she recalls.  “Things were bad.  Having the government build a new building was good.  Thank heaven for the WPA.”

So one day in 1936, 7-year-old Sheila stood on the broad steps of the “magnificent edifice” and cut the ceremonial ribbon.  Well, she tried to — the oversized scissors were too big, so her father the postmaster finished the job.

He had a lot to do besides pose for photos.  Mail was delivered twice a day back then.  Westporters — many of whom did not have telephones —  communicated with friends by mailing postcards back and forth, one delivery following the next.

The Westport Post Office today. Trees now obscure the front of the WPA-era building.

John lived only a couple of more years.  He died very young — as did his wife.  From age 9 on, Sheila was raised by her aunt.

Sheila remembers her Imperial Avenue home — near the intersection with Bridge Street — as a wonderful former onion barn.  There was sledding in winter, and playing on a nearby 10-acre estate.  Owner Rose O’Neill had already earned fame as the creator of the Kewpie doll.

In town, Sheila took dance lessons at what is now Toquet Hall.

Though she stayed in Florida after college, Sheila returned regularly to Westport — with her 3 sons.

Sheila Murphy outside the Postmaster's office. It probably looked the same when her father had the job.

On her most recent visit, she stopped by the post office she dedicated 75 years ago.

How did she feel when she heard the building has been sold — taking with it three-quarters of a century of Westport history?

“I felt bad,” she says.  “It still looks like a beautiful building.

“But it’s old,” she admits.  “Maybe it’s too expensive to renovate.”

The clerks — and postmaster — may move to Playhouse Square.  But one thing will never change, Sheila Murphy insists.

“It’s always been my post office.”

Graduation Day 2011

Congratulations, Staples High School Class of 2011!

Soon-to-be grads gather before marching into the fieldhouse.

TV production teacher Mike Zito at the controls of the broadcast. Principal John Dodig is on the monitors.

The Staples "S" adorns the mortarboards of over 400 graduates.

The traditional photo-taking -- the capstone of every graduation.

Assistant principal Jim Farnen -- whose responsibilities included the Class of 2011 -- poses with just-graduated Devin Skolnick.

They Do Grow Up

In May of 1999, 23 little boys and girls were part of Mrs.  Wahnquist’s kindergarten class at Long Lots.

Someone painted a mural of them, on the wall outside the gym.

Thirteen years later, those boys and girls are much bigger.  Most of them probably tower over Mrs. Wahnquist.

They’ve traveled from elementary school into middle school, then all the way through high school.

Many of those former kindergarteners are still in town.

In less than 2 weeks they graduate from Staples.  Then off they go, into the wide world beyond Westport.

Next fall — right on schedule — a new crop of 5-year-olds will enter Long Lots.

They’ll begin their long, exciting, wondrous journey to the Class of 2025.

And every day they’ll pass the mural of Mrs. Wahnquist’s kindergarten class of 1999 — folks so old they were born when Bill Clinton was president.

You know — way back in the last century.

Tanglewood Comes To The Courtyard

It wasn’t the Berkshires — just the Staples High School courtyard.

But several hundred music lovers packed picnic dinners, lugged lawn chairs, and enjoyed a (free) evening of a cappella, jazz and symphonic music, played by scores of talented Staples musicians, at tonight’s 1st-ever Outdoor Pops Concert.

The courtyard has lots of concrete.  But there are plenty of plants too, and the atmosphere was warm in every sense of the word.

Kudos to Carrie Mascaro, Adele Valovich, Justin Miller and Nick Mariconda for using the space — and their students — so creatively.

A small portion of the large courtyard crowd.

The jazz band kicks it at the Staples Pops Concert.

For a YouTube video of the Symphonic and Freshman Orchestras in action, click below:

Haris Durrani’s Takeaway

Haris Durrani did not attend Tuesday night’s Staples High School awards ceremony.

The soon-to-graduate senior was in a different auditorium:  Carnegie Hall.  He was accepting a Scholastic Art and Writing Award gold medal, for his portfolio of work.

This is a biggie.  Previous winners include Joyce Carol Oates, Truman Capote and Andy Warhol.

Out of 185,000 writing and art entries, Haris received — in addition to his portfolio gold — a gold medal for short story, a gold medal for memoir, and a gold medal for Best in Grade.   He earned $10,500 in scholarships for his efforts.

At Carnegie Hall, he hung out with Mayor Bloomberg.  Professional actors read his words.

And he was interviewed for NPR’s “The Takeaway.”

For nearly 10 minutes, Haris talked easily with John Hockenberry about his life — literary and otherwise.

The son of a Dominican mother and Pakistani father, Haris grew up Muslim in a post-9/11 world.  Feeling a duty to represent himself and his communities well, Haris writes about diversity and social justice with insight and perception.

Writing allows Haris to try to figure out who he is — while challenging readers’ preconceptions and assumptions.  One of his stories about racial profiling explores a policeman’s misjudgment of an Asian/Hispanic woman.

But, Hockenberry noted, Haris also shows sympathy for the cop.

“We’re all on the good guys’ side,” the young author explains.  His feelings about diversity and human rights derive, he says, “from growing up in America.”

Hockenberry got Haris to reveal that one of his early influences was Isaac Asimov.  What the interviewer did not say — and may not have known — is that besides being a national award-winning writer (with Scholastic Gold Key honors for memoir and short story, along with his portfolio), Haris is also captain of Staples’ robotics team.

That is, Staples’ world champion robotics team.

You can’t make this stuff up.

Only Haris Durrani could.

To read NPR’s Takeaway story on Haris, click here.  To view a video of Reg E. Cathey from “The Wire” reading Haris’ “Jedi Night,” click below:

To hear the Takeaway interview, click the arrow below:   

Kids These Days

If you think today’s teenagers spend all their time listening to crappy music, getting drunk and high, having sex and pulling up their saggy jeans — think again.

Staples assistant principal Rich Franzis asked club advisors for a quick list of accomplishments this year.  He got hundreds.  Even on the limitless internet, I don’t have space for all.

Here are just a few.  Keep in mind:  This is what Westport teenagers did outside the classroom.  On their own time.  And at their own initiative.

Staples Junior State of America raised thousands of dollars for Nothing But Nets, to stem the tide of malaria in Africa.  They also wrote letters to soldiers in Afghanistan.

Heart and Soul volunteered at events led by Operation Hope, the Courage to Speak Foundation, Christian Community Action of Norwalk, and Project Return.  They collected toys for Goodwill, and prom dresses for the Norwalk YMCA Prom Dress Extravaganza.

The World Wildlife Club raised funds, then donated money and supplies to Wildlife in Crisis, the Elephant Sanctuary, the National Wildlife Federation and the Westport Humane Society.

The Digital Photography Club created a spectacular exhibit at the Westport Arts Center.  “Dog Show” featured intimate portraits of dogs at the Bridgeport Animal Shelter, and inspired many donations of food and treats.

Club Green is gearing up for EcoFest (June 11, Levitt pavilion).  They expect over 2,000 attendees, and more than 40 vendors.

Culinary Arts Club made meals from scratch for the Gillespie Center, and helped make food for other charitable organizations.

The Gay-Straight Alliance raised awareness of the rash of suicides by gay youths, and took students from surrounding towns with them to the annual True Colors conference at the University of Connecticut.

All-Around Helpers raised money for gifts, supplies, children’s toys and diapers for the Westport Department of Human Services.

Teen Awareness Group sponsored Homecoming and prom assemblies to raise awareness of drinking; led a don’t-text-and-drive campaign, and sponsored a showing of the “Race to Nowhere” documentary.

African Refugees donated more than $1,000 in clothing to an orphanage.

Jewelry Club created 100 necklaces, part of a care package given to victims of domestic violence.

The Global Friendship Club raised over $2,000 for Save the Children.

Service League of Boys worked on 17 construction, landscaping and painting projects for social service agencies.

Students Supporting AIDS Awareness raised over $1,000 towards research, and participated in the annual AIDS Walk New York.

Best Buddies raked leaves for the CLASP home; baked pies for the ABC House and Project Return; raised over $2,000 for Best Buddies Connecticut; hosted a prom for students with disabilities at several local high schools, and met regularly for outings with area youngsters.

That’s just a small sampling of what Staples students did this year.  Most groups did far more than I’ve mentioned — and I omitted plenty of clubs too.

I did not include classroom activities, like world language, English, and anatomy and physiology mentorships with younger students, or bread-baking for the Farmer’s Market.

I didn’t list community service by athletic teams — for example, the boys soccer program collected winter coats for Mercy Learning Center, and in June will run the Fairfield 5K and Half-Marathon races to raise funds for the Hole in the Wall Gang Camp.

I said nothing about the Staples Players and music program’s constant charity involvement at shows and concerts.

And I did not include individual student efforts.  Every day, Stapleites volunteer at animal shelters, collect used musical instruments, provide sports instruction to inner-city kids — the list goes on and on and on and on.

Do Staples students listen to bad music?  Sure.  Didn’t you?

Do they party?  You bet.  You did too.

Do they wear saggy pants?  Yeah, and they look like idiots.

But don’t ever say Westport teenagers don’t care about others.  They do — here in town, throughout the state and country, and around the world.

The future is in good hands.

A lot goes on every day -- and after school -- at Staples.

Happy Birthday, Vivien Testa

In 1936, Vivien Testa began teaching art at Bedford Junior High School (now King’s Highway Elementary).

She moved to Staples (now Saugatuck Elementary) in 1948.

Vivien Testa

Ten years after that, she was part of the new high school campus on North Avenue.  (In fact — having minored in architecture — she helped design the place.  She has an enormous slide collection from that time, which she will donate to the Westport Library.)

Vivien Testa chaired the art department through the 1970s.

Today she celebrates her 99th birthday.

She is as sharp as  when she ruled the 4 Building.

“I do a lot of reading,” she says.  “People come to visit.  Other than that, I sit in my chair.”

Does she have a birthday message for her many fans and former students?

“Tell them I enjoyed them all,” she says.  “And they’re welcome to visit any time.”

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Several years ago, while writing my book Staples High School: 120 Years of A+ Education, I found an interview Vivien Testa had recorded for the Westport Historical Society oral history projectHere is an excerpt:

My family spent summers in Westport, so I knew the town in 1936 when I came to teach art at Bedford Junior High School.  It was the Depression, and my father said I was taking a job away from a man who needed one.

In 1936 the school had a place in the life of the community.  Teachers knew what they were expected to do and not do.  For example, teachers were not supposed to smoke.  But the faculty played basketball against the youngsters, and put on plays for them.  There was a feeling we were all growing and learning together.

When Mrs. Holden, the arts supervisor, left in 1948, I took over.  We had a lovely art room in the building on Riverside Avenue.  It was good size, and well lit.  There were 15 to 20 students in a class, and I taught 4 or 5 classes a day. Westport was growing as an arts colony.

I still carried nearly a full teaching load, but I was given one or two afternoons a week to supervise.  There were three townwide directors in art, music and physical education.  Those were considered special subjects, and the principals were not trained in them.  But the Board of Education members and superintendent really knew teachers.  They came into the classroom all the time.

Pop Amundsen was the custodian, and his wife ran the cafeteria.  They set the tone for Staples.  If they saw youngsters doing anything out of line, they let them know.  Students respected them just as much as the principal.

Everything was in apple pie order.  No one dared mark a desk.  We were a small family.  Education at that time was a family business.  Teachers and students and parents all felt responsible for what was happening.  There was no closing eyes to what was going on.  Everyone respected what was happening.

We got help from a lot of places.  The Westport Women’s Club had a $350 art competition, and when Famous Artists School came in they gave scholarships.  Al Dorne [a founder of Famous Schools] always helped.  He’d produce booklets for new teachers or students. He underwrote hundreds of dollars.

I was involved in the plans for the North Avenue building.  I worked with the architects, Sherwood, Mills and Smith.  I minored in architecture, so I was able to lay out my ideas about what I wanted to have.  It worked nicely for me, except when they cut this, that and the other thing, and we ended up with just a mishmash.  That was kind of too bad.  But it was still better than you would find in many places.

The "new" Staples, circa 1959. The auditorium (center left) and gym (largest building in the rear) are the only original structures that remain today.

There were many bugs in the building that had to be taken care of.  A 3rd art room was cut out of the original plan, and a wing in the auditorium was cut.  We had to put all the crafts stuff – kilns, etc. – in 2 rooms designed for 2-D stuff.  Then when they added Building 9 a few years later, they added a 3-D room, and extended the stage.

Before they did that, a ballet company came to use the stage.  The stage had only been planned for lectures and assemblies, not theater – there was no room for stage sets.  As you face the stage, there was a brick wall on the right, and a passageway and electric panel on the left.  A handsome male dancer ran right into the brick wall.  Performers had to dress in the art rooms, too.  It was quite a mess.

There was one boys’ and one girls’ bathroom – none for the faculty.  I learned a great deal about youth by using that bathroom.  But we always took an interest in keeping our building beautiful, because art is beauty.