Tag Archives: Duane Cohen

Online Art Gallery #260

Every week, it seems, we welcome a new artist.

Today it’s Jack Stein. If the last name is familiar: He’s the brother of Steve Stein, a regular watercolor contributor.

Jack works in a different medium. Enjoy!

As always, we invite submissions from all “06880” readers (and siblings). No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone can contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Spring Has Sprong” (Bob Weingarten)

Untitled — burl wood cut and beach stone bird (Dorothy Robertshaw)

“The Road Less Traveled” (Patricia McMahon)

“Recently Unemployed” — Ken Runkel calls this “a tribute to the thousands of federal civil service employees that are losing their jobs right now.”

“The Boys” — wood cut ink block print (Jack Stein)

“What is Earth’s Future?” — acrylic pour (Amy Schneider)

“The White Nosed Twins” (Tom Doran)

“Lazy Summer Daze” (Duane Cohen)

“Seaweed Washed up After a Storm at Compo Beach” (Kathleen Burke)

“A Ketch with No Name” — Photographer Peter Barlow says, “The great designer Nathaniel Herreshoff did not favor the ketch rig, but his son L. Francis Herreshoff made it his specialty, often on a double- ended boat.”

Photographer Jerry Kuyper shot these 2 scenes a few hours apart, on Rayfield Road.

“Cape Cod Summer Rental: Water View, Cozy, Rustic Woodwork, Excellent Ventilation” (Mike Hibbard)

“She Ain’t What She Used To Be” — watercolor and charcoal (Steve Stein)

“I Didn’t Believe it Myself” (Martin Ripchick)

“Hilltop Town” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #259

“06880” is “where Westport meets the world.”

And today’s online art gallery resembles (as it often does) a globe.

With artwork inspired by Alaska, Japan, China — and of course Westport — we hope to inspire all of our readers.

Wherever you are.

We hope our gallery inspires your inner artist too. We invite submissions from all “06880” readers. No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone can contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“O-torri Gate in Miyajima, Japan” (Caroline Walshon)

 

“Thank You, Beavers!” — Alaska (Mike Hibbard)

“Ned Dimes Marina” — watercolor (Kathleen Burke)

Photographer Peter Barlow says of this house at Avery Point, Connecticut: “Built starting in 1902, and still there. It was the home of Morton F. Plant, one of the good guys among millionaires, when he wasn’t out in one of his 100-foot schooners.”

“Male Black Winged Red Bishop” — pencil and watercolor (Steve Stein)

“Spring is Here” (June Rose Whittaker)

“Spring-y” — encaustic wax (Dorothy Robertshaw)

“The Rainbow Mountains of Gansu Province, China” — oil on canvas (Mary Madelyn Attanasio)

“Imagining a Place to Love, Far From Here” (Tom Doran)

“Irresistible Grace” (Patricia McMahon)

Unttitled (Duane Cohen)

“Lt. Gen. Thomas H. Miller (USMC) and Senator John Glenn” (Steven Parton)

Untitled (Martin Ripchick)

“The Collector” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #258

Today’s online art gallery marks 2 milestones.

We’re beginning our 6th year of this feature. It started in the very early days of COVID. The goal was to encourage homebound residents a chance to paint, draw or photograph their feelings about the pandemic.

It quickly evolved into a gallery for art of all themes, and all genres. Submissios poured in, from Westporters and “06880” readers far away.

When the immediate crisis eased, we kept going.

Now — 5 years later — today’s edition includes the most number of works ever: 17.

Thanks to all who are represented today. And all who have helped make this a valued and much-anticipated feature of “06880,” every Saturday morning since March of 2020.

So, to reiterate: We invite submissions from all “06880” readers. No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone can contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Go Outside and Play!” — digital illustration (Ken Runkel)

“Take Down These Barriers and Get Out of My Way!” (Mike Hibbard)

“Psychedelic Seahorse” — abstract acrylic (Patricia McMahon)

“A Helpful Friend’s Golden Retriever” (Eric Bosch)

“We the People” — fluorescent paint on canvas (Dorothy Robertshaw)

“Sheep Waiting for Spring” (Laurie Sorensen)

“First Signs of Spring” (Fred Cantor)

“In Your Easter Bonnet” (Ellin Spadone)

“Town Hall Steps” (Michael Chait)

“Cannonball at Keeler Tavern” (Amy Schneider)

“House at Avery Point” (Peter Barlow)

Untitled (Duane Cohen)

Untitled (Tom Doran)

“Dinner Time” — etching (Franklin Lockenour)

“The Lonely Lightouse” — pencil and watercolor (Steve Stein)

Untitled (Martin Ripchick)

“Four Hands” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

 

Online Art Gallery #257

Home is where this week’s heart is. We lead off our online art gallery with a couple of intriguing visions of “home.”

Of course as always, we invited submissions from all “06880” readers. No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Weir Farm National Park” — watercolor (Kathleen Burke)

“There’s a Red House Over Yonder” (Patricia McMahon)

“Spring Has Sprung” (Dorothy Robertshaw)

Untitled — acrylic paint and pastels on watercolor paper (Carol D’Amico)

Untitled (Duane Cohen)

“Little Vigilant” — Photographer Peter Barlow describes it as “a 70-foot steel-hulled motor sailer, said to have the lines of a Maine sardine carrier. Note: ‘sailer’ is spelled with an ‘e’ when it’s a boat.”

“Mother and Child” — Carrera marble (Alan Goldberg)

“More of Those Dang Drones!” (Mike Hibbard)

“Gentoo and Chinstrap Porpoising” (William Strittmatter)

 

“Out of the Shadows” (Lawrence Weisman)

“David’s Flower: Keeping Freedom Alive!” — watercolor and pencil (Steve Stein)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #256

The doors are open — as they are each week — to our online art gallery.

Scroll down, to stroll around. Take your time. Enjoy the show!

As always, we invited submissions from all “06880” readers. No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Madonna and Child” — oil on canvas (Mary Madelyn Attanasio)

“A Spectrum of Colors” — watercolor (Steve Stein)

Untitled (Duane Cohen)

“The Curl” (Tom Doran)

“Late Sun and Shadows Bring Out the Design in this Building” (Peter Barlow)

Untitled (June Rose Whittaker)

“Rubin and Cherise” (Patricia McMahon)

“Snoopy’s Doghouse, and/or Woodstock’s Birdhouse?” — oak, pine, copper and oil paint (Eric Bosch)

“If You Sat on this Rock for 5,000 years, You’d be Gnarly Too!” —Bryce Canyon National Park (Mike Hibbard)

“Woman in Deep Thought” — crayon (Ron Henkin)

“Bernie” (Lawrence Weisman)

 

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #255

A couple of dogs, a couple of walks, a first-ever horse conch — and more — make up this week’s online art gallery.

No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“Like a Walk in the Park” (Duane Cohen)

“The Walk” (Tom Doran)

“Kinda Blue” — acrylic (Patricia McMahon)

“A Touch of Spring” — watercolor (Dorothy Robertshaw)

“Showing Appreciation” — watercolor (Steve Stein)

“Delivery Man” (Lawrence Weisman)

“Horse Conch” — oil on canvas (Werner Liepolt)

Untitled (June Rose Whittaker)

“Hunting Dog Scene” — acrylic (Missy Greenberg)

“I Love You” (Martin Ripchick)

“Fishing Boat Sashimi — The Dream of All Seagulls!” (Mike Hibbard)

“The Cast Applauds the Audience for ‘Billy Elliot: The Musical’ at Warwick, Rhode Island” (Peter Barlow)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #254

As winter staggers to a close, our online art gallery features … not one seasonal submission.

Perhaps we’re all too weary of snow and slush. Even in the hands of the most talented artists, it’s a subject we’re ready to move on from.

Instead, we’ve got a boat, a beach, hand-holding, abstract art and more.

No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

Untitled (Patricia McMahon)

Untitled (Dorothy Robertshaw)

“Underwater Surprise” — acrylic and resin (Amy Schneider)

“This Night Visitor is not the Tooth Fairy!” (Mike Hibbard)

“White Birches at Sherwood Island” (Michael Tomashefsky)

Untitled (Duane Cohen)

“Compo Beach” — construction paper cut-out (Will Luedke)

“Ketch Pantouf on Fishers Island Sound” — acrylic painting (Peter Barlow)

“City” (Tom Doran)

Untitled (Martin Ripchick)

“Como Padre, Como Hijo — Nuestro Amigos!” (Steve Stein)

“Holding Hands” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

Online Art Gallery #253

Happy Valentine’s Weekend!

And winter still lingers.

We’re celebrating both in our online art gallery this week. But no matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

“A Burst of Love” — acrylic impasto (Dorothy Robertshaw)

Untitled (Rowene Weems)

Untitled (Duane Cohen)

“Pier-ing Through” (Patricia McMahon)

“Kuhli Moo” — digital illustration (Ken Runkel)

“Cooper, A Beloved Pet” (Roseann Spengler)

“Bull Chasing Bitcoin” — oil on canvas, at Westport River Gallery (Mona)

Mike Hibbard’s caption: “When you have a long, wet tongue, you don’t need a tissue.”

“My Kitchen Drawer” (Jo Ann Davidson)

“Turning Yellow” (Jerry Kuyper)

“Collected Images” (Peter Barlow)

“Automation and AI — Humans Need Not Apply!” — watercolor (Steve Stein)

Untitled (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)

[OPINION] Westport Veteran Says: Protect Civil Service Protections!

Duane Cohen is a native Westporter. He still lives here. He writes:

With the recent dismantling of government agencies by the Trump administration, I felt compelled to dig up a memory I would rather keep buried.

However, my story is important to recognize the progress we have made, understand how far we have come, and realize how scary it is to have Trump dismantling our protections.

In December 1970, at age 17, I enlisted in the US Navy. At age 18 while on active duty, I was injured when I fell 10 feet on my back during a storm that also caused our ammunition ship to lose its radar antenna, and crack the hull.

Duane Cohen, in the Navy.

When we returned to the States, I sought medical treatment. It was determined I had hearniated a disc in my lower back. I still have it, 50 years later.

The disability was determined to be 10% disabling. With therapy and exercises I gained and maintained work to support myself and my family.

In the early ’70s, returning veterans were able to take a Post Office entrance exam at any time, and were given a preference for hiring.

I took the entrance exam. I was hired in a probationary job, loading and unloading trucks at the Danbury Post office for 90 days.

At the end of the probationary period, I was offered a position as a mail carrier in Norwalk.

I accepted the position, and was hired by the Norwalk postmaster on a Friday afternoon. I was told begin work on Monday morning.

When I reported for work on Monday, I was told to leave. I did not have a job. The medical examiner (who never examined me) said I was “not a candidate” because of my disability.

I was told I had no recourse, because there were no laws against discriminating against a disabled person

Duane Cohen, then …

I had nowhere to go, no one to help. I wrote letters. I went to the VA, Disabled American Veterans, and many military and legal organizations. I was told every time, “If the PO won’t hire you, it’s for your own good. You can’t do the job. Find something else.”

But I knew they were wrong. That is when I found someone at legal services in Norwalk who took my case for free.

My doctor and I certified that I could do what was required, carrying up to 35 pounds of mail.

Somehow, the story was picked up by the New Canaan newspaper. After the article came out, people started helping.

Letters were sent to Rosalynn Carter, the president’s wife, who was advocating for disabled veterans.

I received a letter from Senator Ribicoff, who asked to meet with me in his office. He arranged for me to be examined by the Post Office medical dxaminer, for the first time. I passed the exam.

My case went before a judge. It was determined that the Norwalk Post Office had hired me, and was now discriminating against a disabled employee by not allowing me to do my job. It was determined the postmaster had hired me before the chief medical officer was able to determine his discrimination, which he would have gotten away with. If the postmaster had not hired me, in those days they could have discriminated against me for being a disabled person, let alone a Vietnam veteran.

I won the case with all my back pay, night differential, and all benefits from the day I was hired,  including seniority.

… and now.

When I was asked where I would like to work, I wanted to be as far away from the Norwalk postmaster as I could be. I elected to work in Stamford.

Within a few months, the Norwalk postmaster was promoted. He became the Stamford postmaster, in charge of Darien, Westport and Greenwich.

He then unjustly fired me twice. He had to rehire me both times, with back pay. Fortunately, as a civil servant I was protected by the Equal Opportunity Commission and the Merit Systems Protection Board.

The EEOC and many other agencies in place to protect us from bullies like the postmaster are being eliminated by Trump.

That is why I dusted off this  memory. We cannot go back!

(“06880″‘s “Opinion” pages provide local perspectives on a wide variety of issues. If you appreciate this — or any other feature — of Westport’s premier blog, please click here to support us. Thanks!)

Online Art Gallery #252

Surprisingly, there are no real Valentine’s Day submissions for this week’s online art gallery. (Though one work is titled “Love Birds.”)

So just a reminder: Presidents Day is next.

No matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.

This feature is open to all. Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.

Just email a jpeg to 06880blog@gmail.com. And please include the medium you’re working in — art lovers want to know.

Untitled — impasto; silver, copper and gold paints (Dorothy Robertshaw)

“Head Gardener” — digital illustration (Ken Runkel)

Untitled (Duane Cohen)

“A Treat for Brandi” — oil on canvas (Mary Madelyn Attanasio)

“Love Birds” (Martin Ripchick)

“Catboat ‘Katerina'” (Peter Barlow)

“The Lion of Judah with 10 Commandments” — watercolor (Steve Stein)

“Taking a Breather” (Lawrence Weisman)

(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)