Licensing Connecticut: “State Of Innovation”

Tomorrow, a record 10,000 folks will flood the Westport Library and Jesup Green. The 5th annual Mini Maker Faire (10 a.m. to 4 p.m.) is a showcase for creativity, energy, and way cool geekitude. Every year it attracts tech enthusiasts, crafters, educators, tinkerers, artists, hobbyists, engineers, scientists, students, teachers, food artisans and exhibitors.

It’s innovation at its best.

Founder and co-chair Mark Mathias has been a tireless advocate for the Mini Maker Faire. Now he wants everyone to know just how innovative the Library, Westport — and all of Connecticut — are.

He sold the Department of Motor Vehicles on the idea for a new license plate. It says “Connecticut: State of Innovation.” A cute little robot-type figure perches in the corner.

Connecticut innovation license plate

A minimum of 400 people must sign up for the plate to be manufactured.

Tomorrow, you can be one of them. Just stop by the Mini Maker Faire’s Remarkable STEAM booth, for more information.

Sure, license plates are pretty low-tech for the Mini Maker Faire. But odds are good you’ll see some very intriguing ideas for vehicles tomorrow, too.

You might even call them “innovative.”

Hilla von Rebay: Westport’s Other Baroness

Gabriele von Langendorff — the subject of a recent “06880” story — is not Westport’s only baroness.

Lrt’s not forget Hilla von Rebay.

According to the German website Spiegel, she was “an obsessed patron of art, and the long-time girlfriend of one of the United States’ richest men.”

She also inspired the Guggenheim Museum.

Hilla von Rebay, around 1915.

Hilla von Rebay, around 1915.

Von Rebay was born in Alsace in 1890. Her father was a Prussian general. She attended a private school in Paris, then “dove head first into the bohemian lifestyles of Munich, Berlin, and sometimes Paris, before spending time with the Dadaists in Zurich.” She had “numerous affairs,” including one with Hans Arp.

In 1926, she came to the US. She was soon known as “one of the most powerful but also most eccentric women in the art world.”

She met Solomon Guggenheim — who was 30 years older — and one of America’s wealthiest men. She inspired his interest in art, and advised him on what became his noted and extensive collection,

The pair — with Guggenheim’s “querulous looking wife” — traveled throughout Europe. They met “young and wild” people like Marc Chagall, Paul Klee and Piet Mondrian, and bought hundreds of pieces of art.

Guggenheim and von Rebay rented an apartment at New York’s Plaza Hotel, and put on art exhibits there. They formed the Solomon R. Guggenheim Foundation in 1939, and planned a new building on Central Park.

The baroness was influential in selecting Frank Lloyd Wright (who called her a “superwoman”) to design what became the Guggenheim Museum. It took nearly 2 decades to complete, due to problems with finding a proper site, revisions of plans, and material and labor shortages during and after World War II.

Hilla von Rebay with a model of the proposed Guggenheim Museum, 1946.

Hilla von Rebay with a model of the proposed Guggenheim Museum, 1946.

During the process, von Rebay had a falling-out with the Guggenheim family. “My aunt was a difficult person who liked writing nasty letters,” said her nephew Roland von Rebay. Three years after Guggenheim died in 1949, the family ousted her from the museum’s board of directors.

She was not invited to the opening of the new Upper East Side building in 1959. In fact, she never set foot in it.

That chill thawed in the 2000s. A Guggenheim exhibit showcased “this extremely independent woman.” A book and documentary honored her life and work.

So what’s the Westport connection?

Baroness von Rebay owned an estate at 83 Morningside Drive South, called Franton Court. She bought it in 1937 and retreated there after battling the Guggenheim family, finding solace in her lawns and gardens. Every year, tulips were shipped from the Netherlands.

Hilla von Rebay in Westport in the 1940s, with Rudolf Bauer, Fernand Legerand and others.

Hilla von Rebay in Westport in the 1940s, with Rudolf Bauer, Fernand Legerand and others.

Former Westporter Vivianne Pommier remembers her well. The house was filled with “millions and millions of dollars of art.”

“We would be invited over for lunch or dinner,” Pommier recalls. “She would pull Klees and Kandinskys from behind the toilets. Amazing paintings were crammed into every place possible — on walls, and behind things.”

Hilla von Rebay: a self-portrait.

Hilla von Rebay: a self-portrait.

The Westport Historical Society featured her in a 2005 exhibit. It included her paintings and pochoirs, and works of artists she promoted like Vasily Kandinsky, Rudolph Bauer and Alexander Calder.

Von Rebay died in 1967. She left much of her personal collection to the Guggenheim.

Two acres of her estate — including her home and outbuildings — were sold. Four other acres became building lots.

But 8 1/2 acres of Franton Court are now part of the  Aspetuck Land Trust. Those gardens, specimen trees, wooded wetlands and trails are preserved as a nature and wildlife sanctuary — and are open to the public.

You won’t see any art there. But you will feel connected to one more rich — if long-forgotten — piece of royal Westport history.

Part of the Hilla von Rebay collection.

Part of the Hilla von Rebay Arboretum.

 

Save This Post For Next January

(Photo/Fred Cantor)

Pasacreta Park

Click on or hover over photo to enlarge (Photo/Fred Cantor)

Click on or hover over photo to enlarge (Photos/Fred Cantor)

All That Jazz!

Greg Wall — the “jazz rabbi” — just celebrated his 1st year at 323. Most Thursdays, he and an ever-changing virtuoso cast entertains diners, drinkers and music fans at the North Main Street restaurant.

There’s only one problem: Their piano is not up to the job.

It’s a fine instrument for a casual home player. But it can’t sustain the constant playing of 323’s featured artists.

Fortunately, a fine 1937 Steinway “M” piano — from New York’s legendary Village Gate — is available. For several decades beginning in 1958, it was played by many jazz greats: Bill Evans, Ahmad Jamal, McCoy Tyner, Erroll Garner, Sun Ra and more.

A plaque on the Village Gate piano describes its vaunted history.

A plaque on the Village Gate piano describes its vaunted history.

The piano was featured on recordings by Thelonious Monk, John Coltrane and Nina Simone, and used for the original perfomances of “Jacques Brel is Alive and Well and Living in Paris.”

The 323 crew hopes to raise $10,000 to buy the instrument. They’re starting a non-profit — The Jazz Society of Fairfield County — to ensure the piano will support jazz performances throughout the area.

They’ve got a week to pull off the deal. So they offer these premiums:

  • Donate $3,000 or more, and the Greg Wall Quartet will perform in your home, or for a private function.
  • Donate $1,000, and you’ll be treated to a night of solo piano by one of 323’s featured artists.
  • For $500 or more, you can dedicate an upcoming 323 performance in honor of a friend or loved one, or for a special occasion.

If the Jazz Society can’t purchase the piano, all donations will be returned. If they surpass their goal, excess funds will be used for regular maintenance, tuning and regulation, and the purchase of a humidity control device.

Let the music play!

(To contribute via PayPal, click here. To make other arrangements, email JazzRabbi@gmail.com)

Among the 323 regulars are saxophonist Greg Wall and pianist Chris Coogan.

Among the 323 regulars are saxophonist Greg Wall and pianist Chris Coogan.

 

Happy Arbor Day!

It’s not exactly Christmas, or the 4th of July.

But Arbor Day is tomorrow. And Westport won’t let the holiday pass unnoticed.

From 2-5 p.m. (Friday, April 29), the Westport Tree Board will (wo)man a table at the new (and very beautiful) Lillian Wadsworth Arboretum (corner of Stonybrook Road and Woodside Avenue). Tree warden Bruce Lindsay will hand out seedlings: 200 flowering dogwood, 100 Norway spruce and 100 river birch. Planting instructions are included.

It’s first-come, first-serve. But don’t worry about waiting in line. There’s plenty of shade.

(Thanks to Eversource Energy, for making Friday’s seedling giveaway possible.)

Staples High School students recently helped maintain the trails -- and trees at the Lillian Wadsworth Arboretum.

Staples High School students recently helped maintain the trails — and trees at the Lillian Wadsworth Arboretum.

Serena & Lily Opens; Downtown Streetscape Changes

Two years ago, when Bedford Square developer David Waldman proposed a deal to save Kemper-Gunn — moving the 1889 Queen Anne Victorian house from Church Lane to the Baldwin parking lot — the town imposed several conditions.

One was that he could not rent to a retail tenant operating more than 5 stores.

Serena & Lily — a California-based lifestyle and home decor brand with branches in the Hamptons, San Francisco and Los Angeles — was interested.

Serena and Lily

Aaron Mutscheller flew east from Sausalito headquarters. His first impression of Westport — driving over the Saugatuck River bridge — was great.

Then he saw the building.

“It was dark and smelly,” he recalls. “There was a dropped ceiling, falling plaster and rotten shag rugs. It hadn’t been touched in years.”

But Mutscheller is not the chief creative officer for nothing. He poked around the old house. He traveled around Westport. Gradually, he realized that Serena & Lily could make the property as unique — and different — as its other 3.

Serena herself — Dugan, co-founder and chief design officer — was not so sure. She thought it was haunted.

But she trusted Mutscheller. The deal was done.

Now — 23 months later — the public is about to see what Mutscheller and Dugan have done.

It’s pretty impressive.

Serena & Lily, ready to open on Elm Street.

Serena & Lily, ready to open on Elm Street.

The duo (and their team) have turned a 19th-century house into a 21st century design destination.

Mutscheller calls the building “our way of saying ‘we get Westport. Here’s our version of it.'”

Which means what, exactly?

“Westport doesn’t feel like the West Coast perspective of Connecticut,” he explains. “It’s not a hedge fund town. It’s really an eclectic mix of lively, creative people.”

Mutscheller hopes that Westporters see the repurposed old house — now a bright, fun retail store — and realize they can update their own living space.

“Change happens. But it doesn’t have to involve demolition,” Mutscheller says. “You can do a 2.0 version, without tearing everything down to the ground.”

Dugan adds, “We’ve paid a lot of respect to the original architecture. But we’ve made it applicable to today’s living. We’ve tried to show we can blur the lines and evolve, in an honest way.”

A fireplace and mantel in the Kemper-Gunn House has been beautifully preserved.

A fireplace and mantel in the Kemper-Gunn House has been beautifully preserved.

The Serena & Lily renovation was complete, and careful. Stained glass windows and casework were preserved, beams uncovered. Crown molding shows off the hand-carved center staircase. Rooms were opened up, creating a fresh, clean look — without sacrificing the building’s great old bones.

The store’s products — bedding, bath, furniture, fabric, rugs, lighting, nursery and art — are shown in actual settings like a dining room, living room and bedroom.

The 1st floor features a kitchen and nook. A swatch-filled design shop on the 2nd floor is where designers work with customers. The 3rd floor — formerly an unused attic — was transformed into a dramatic “kids’ space,” filled with funky delights.

The original windows enhance the new Serena & Lily.

The original windows enhance the new Serena & Lily.

Serena & Lily enjoys a unique position in town. They occupy prime downtown real estate. They’re the 1st tenants of Bedford Square (sort of). They bridge old Westport, and new.

They take that role seriously. They’re sponsoring an artist for next month’s Art About Town. They’ll contribute to organizations like Near & Far Aid (15% of all sales this weekend), Project Return and Pink Aid.

Before that though, they’ll welcome Westporters. The official opening is tomorrow (Friday, April 29). There’s a ribbon-cutting (9:30 a.m.), and a weekend filled with balloons and face painting, coffee and treats from SoNo Baking, a gelato cart and more.

Westport watched warily as the Kemper-Gunn House was saved.  We watched with wonder as it was moved into the parking lot. We worried what would come next.

Now we know.

But don’t take my word for it. Check out the old/new building for yourself. See what a bit of vision and creativity can do to a place that — just a couple of years ago — seemed not only doomed, but haunted.

Golf Can Really Tee You Off

Spotted on the Longshore course:

Longshore sign

Charlie Colasurdo’s Vietnam

Charlie Colasurdo is a Staples High School sophomore. He’s a longtime Wakeman Town Farm volunteer, online features editor for the school newspaper Inklings, and a talented photographer.

Last week I posted a story on Nora Kubach, a Staples grad finishing up a film about Americans whose fathers were killed in action there, and children of North Vietnamese and Viet Cong who died in the same war.

Charlie read it, and emailed me — from Vietnam.

That’s where he was spending April break. I invited him to share his unique vacation with “06880” readers when he returned. Here’s what he wrote — along with photographs he took.

I was incredibly fortunate and excited to spend 10 days in Saigon (Ho Chi Minh City), Vietnam. Because I visited a family of expats who had lived there for 5 years, I got to explore and experience Saigon in a very nontraditional way, and to photographically document the people, places and rich culture that the city boasts.

Charlie Colasurdo, and Ho Chi Minh.

Charlie Colasurdo, and Ho Chi Minh.

Just weeks before I left, I watched “Last Days in Vietnam” in Mr. Drew Coyne’s US History Honors class. The movie showed Saigon at the end of the war, as Americans and their South Vietnamese allies were evacuating from the besieged city. Mr. Coyne and I agreed that revisiting those scenes on the historic avenues of Saigon was an excellent way to connect my trip to what I learned in Westport.

I found the city itself to be stunning — a unique juxtaposition of traditional Chinese, colonial French, and high-rise, modern architecture sprawling over several districts, or “quậns.”

The streets are overrun with motorbikes (almost 6 million!), which makes for interesting street crossing!

Venturing away from the more touristy areas of downtown, we took self-guided walking tours of the crisscrossing alleyways of Chợ Lớn, Saigon’s Chinatown. It’s where the majority of the working-class Saigonese live, away from the noisy main streets. Tucked away down these narrow alleys, vibrant markets sell everything from towers of just-picked coconut, purple basil and mint, and freshly picked mangoes to still-swimming fish to sweet sticky rice balls, which you can buy for 20,000 dong apiece (90 cents). It was a far cry from the Westport Farmers’ Market!

Charlie Colasurdo - Vietnam 3

Learning about the Vietnam War from the comfort of Westport, I was never able to get a complete idea of its scale and effects on a country 9,000 miles away. The War Remnants Museum was a necessary but difficult stop, featuring disturbing photo galleries of the atrocities of the war (or as it is referred to there, the “American War”). Despite this one reminder of a darker time, the Vietnamese people I encountered were cheerful and friendly to me as an American, and clearly desired to move on towards a brighter future.

Another highlight of the trip was a photography tour of Saigon’s hidden gems with Tanya Olander, who created the fantastic daily photoblog “Somewhere in Saigon,” featuring street photography throughout the city. My favorite stop was at Tao Dan Park’s “Bird Café,” where Vietnamese hang up songbirds in ornate cages and enjoy the morning songs with a coffee or cigarette.

Charlie Colasurdo - Vietnam 2

While there, I discovered how much more a vacation could offer than sitting on a beach or skiing down a mountain. In Saigon I was able to eat like a local, ride motorbikes through the city’s narrow alleys, and meet wonderfully interesting and colorful people, like the market vendors who had very little, and yet nearly always wore smiles.

Charlie Colasurdo - Vietnam 1

(Photos/Charlie Colasurdo)

(Photos/Charlie Colasurdo)

Y I Was Wrong

For years  — during the decade-long rumble over the Westport Weston Family YMCA‘s proposed move — I stood firmly in the stay-home camp.

I was convinced the Y belonged where it had been for 8 decades: downtown. Losing such a vital organization, I thought, would be as mortal a blow to Main Street as the closing of the Fine Arts movie theaters had been a few years earlier.

I dreaded the traffic jams I “knew” would clog Wilton Road. I freaked out about cars backed up all the way to Kings Highway, all hours of the day.

I thought the Mahackeno property — wooded, beautiful, on the banks of the Saugatuck River — would be cut, leveled, ruined forever.

I was convinced the Y should stay downtown -- its home since 1923.

I was convinced the Y should stay downtown — its home since 1923.

The new Y has been open for a year and a half. And guess what?

I love it.

The building is as beautiful as a Y can be. It complements the woods. Inside, it’s bright, airy and welcoming. The views from the fitness center are stunning. The halls are wide. Even the locker rooms — the major design mistake — have been improved.

Traffic is no problem. In fact, the new location — snuggled up against Merritt Parkway exit 41 — has goosed membership nicely. Plenty of new users don’t live in Westport or Weston. They’re commuters, popping in and out on their way to or from work. It’s great to have them (and their membership dollars).

As for downtown: Bedford Square will add more to downtown than the Y did (at least, in its later years). The retail/residential complex promises to bring new folks, new life — even new traffic patterns and perspectives — to a somewhat tired, but still vital, part of Westport.

The view from the Y's fitness center is pretty spectacular.

The view from the Y’s fitness center is pretty spectacular.

No, the Y did not put me up to this. They have no idea I’m writing it.

I just thought about how wrong I’d been the other day, when I finished my workout, walked past the new cafe and kids’ club, outside by the blooming trees and bushes, into the spacious parking lot. The old Y had none of that.

So yeah, I was totally, completely wrong. My bad.

Now how about you?

If there’s a Westport issue or controversy that today — in retrospect — you’ve changed your tune about, click “Comments” to share.

I can’t be the only guy in town who ever made a mistake.

Rock The Vote. Or Not.

Presidential elections are filled with passion and politics.

Presidential primaries, apparently, are not.

This was the scene a couple of hours ago outside the Westport Library, one of our town’s polling places:

Election Day 2016

Several things were noticeably lacking:

  • Candidate signs
  • Candidates (or at least their surrogates)
  • Bake sales
  • Uncertainty.

If pre-primary polling (and our very unscientific “06880” poll) hold up, Hillary Clinton and Donald Trump should pad their delegate leads nicely, thanks to voters throughout the state — and in Westport.

Wherever they are.