Tag Archives: David Roth

Staples Players Rewind: “City Of Angels”

In the spring of 2004, Staples Players brought “City of Angels” to the stage.

Former media teacher Jim Honeycutt taped the Tony Award-winning musical, with dual story lines — and all of directors David Roth and Kerry Long’s shows.

This week, in our chronological look back at highlights of past productions — called “nutshells” –Spri we bring you back to that show about a Hollywood screenwriter, and his detective creation.

Click here or below to see.

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!)

Staples Players Rewind: “Oliver!”

In the fall of 2003, Staples Players brought “Oliver!” to the stage.

Former media teacher Jim Honeycutt taped it — and all of director David Roth’s shows.

This week, in our chronological look back at highlights of past productions, we bring you that memorable “Oliver!” Click here or below to see.

And “consider yourself” lucky to be entertained so well!

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!)

Staples Players Rewind: “Merrily We Roll Along”

Stephen Sondheim is a David Roth favorite.

So it was natural for the Staples Players director to choose “Merrily We Roll Along” as the spring 2003 production.

Former media teacher Jim Honeycutt taped it — and all of Roth’s shows.

This week, in our chronological look back at highlights of past productions, we bring you that memorable “Merrily.” Click here or below to see.

PS: This year’s spring show — “Urinetown” — debuts Thursday (March 12, 7 p.m.). It runs Friday and Saturday (March 13 and 14) at 7 p.m., and Saturday and Sunday (March 14 and 15) at 2 p.m. Click here for tickets, and more information. 

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!)

“Urinetown”: Staples Players Present “Pee-G” Show

Big corporations are not charging us to take a leak — yet.

But the way things are going, you never know.

That dystopian — dysto-pee-an? — premise is the heart of “Urinetown.”

The curtain rises next week on Staples Players’ production of the Tony Award-winning satirical musical. There are 5 performances only: Thursday, March 12 (7 p.m.); Friday and Saturday, March 13 and 14 (7:30 p.m.), and Saturday and Sunday, March 14 and 15 (2 p.m.).

Grayson Jandora (center) as Officer Lockstock, with the ensemble of “Urinetown.”

This marks the third time that Players directors David Roth and Kerry Long have staged the darkly humorous show.

As with all Players revivals, there are important differences. The show is set in no specific time period. The first 2 times, Roth and Kerry imagined it in the 1940s. This time around, it’s a time “adjacent” to ours.

For the first time, there will be port-a-potties on stage.

And — in a nod both to “Urinetown’s” winking references to “Les Misérables,” and Players’ stunning production of that show last fall — Colin Walker, Jordan Janota and his tech crew have built a barricade out of toilet paper.

“Audiences who saw ‘Les Mis’ will definitely get the reference,” Long says.

She and Roth are as excited about this version as they were the first two.

“It’s very funny. The music and characters are great,” Roth says.

“And it’s really relevant today — the whole idea of big corporations taking advantage of poor people, and resources drying up.” (A 20-year drought has caused a government ban on private toilets; a single company now owns all the paid public toilets.)

Cat Betit (Penelope Pennywise) with Harry McLaughlin (Old Man Strong), and the ensemble. (Photos/Kerry Long)

The directors know that a show called “Urinetown” may cause parents with children to hesitate.

“It’s very appropriate for younger kids,” Roth says. “If your kids talk about peeing, this is fine for them.”

“Children will get the potty humor,” Long adds. “But adults understand the bigger themes — and they’re not as silly.”

As always, Players will collect donations for a good, theme-related cause. This time it’s a UNICEF’s Safe Water for Every Child Fund.

In a special twist, actors will be stationed at restroom doors during intermission. They won’t charge audience members to go — but they will have buckets for cash.

(Tickets are on sale now for “Urinetown.” Click here to purchase, and for more information.)

Staples Players Rewind: “Hello, Dolly!”

Who doesn’t love “Hello, Dolly!”?

Staples Players sure did. The cast and crew dove into the 1964 musical rom-com, when they staged it as their fall 2002 production.

Former SHS media teacher Jim Honeycutt taped that, and all of Players director David Roth’s shows.

This week, in our chronological look back at highlights of past shows, we bring you that memorable “Dolly.” Click here or below to see.

(If you like these nutshells — or any other “06880” feature — please click here to support our work. Thank you!)

Staples Players Rewind: “The Music Man”

In 2001, David Roth kicked off his second year as Staples Players director with a surefire favorite: “The Music Man.”

His troupe did not disappoint. Today “06880” offers our audience — those who saw it, those who missed it, those who were not here and those who were not yet born — a chance to relive its high-energy magic.

Former Staples High School media teacher Jim Honeycutt taped all of Roth’s shows. Now, he’s selecting highlights to share with our readers.

Click here or below, for “Trouble in River City,” “76 Trombones,” “Lida Rose and more.

Staples Players Rewind: “The Mystery of Edwin Drood”

Last week, “06880” introduced a new feature: a video look back at Staples Players’ productions.

Staples High School media teacher Jim Honeycutt started taping shows when David Roth became director, in 2000. His first — and Honeycutt’s first “nutshell” highlight video — was “Guys & Dolls.”

Today we rewind back to Roth’s second musical: Rupert Holmes’ “The Mystery of Edwin Drood,” the show-within-a-show based on Charles Dickens’ unfinished novel.

Click here or below, to see 9 minutes from the spring 2001 show.

Staples Players Rewind: “Guys & Dolls”

During his 3 decades teaching at Staples High School, Jim Honeycutt helped develop the Media Lab.

It grew from radio and television production into a full-fledged, versatile studio.

Jim and his students recorded TV shows, Candlelight Concerts, and many Staples Players productions.

For several months, Jim — now retired — has been creating “nutshells” from the archives. They’re brief (10 minutes or so) highlights of every show, beginning with director David Roth’s first one in 2000.

It was “Guys and Dolls.”

Jim is sending these nutshells to “06880.” He hopes readers enjoy the shows — whether they were there then or not. Click here or below, for “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” and many more classics.

 

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“Les Miserables”: Staples Players Bring It Home

Throughout its near-70-year history, Staples Players has staged many Broadway blockbusters.

“Mamma Mia!” “West Side Story.” “Cabaret.” The list is long, and impressive.

But this month’s fall production may be the most blockbuster-est of all.

The curtain rises November 13 on “Les Misérables.”

Audiences know and love the second-longest running musical in the world: the non-stop songs, compelling story, complex staging and elaborate costumes.

Not many high school troupes would tackle it.

Then again, not many high school troupes are Staples Players.

Seamus Brannigan (center), with revolutionary students. 

“We wanted to pick a show that would not only be a big community event for Westport, but also excite the students,” says Kerry Long, co-director with David Roth.

“They’ve been interested in doing it for years. We have a great group of upperclassmen, and knew they could handle the challenge of such an epic show.”

Players last staged “Les Mis” as a 2008 summer show. Long and Roth have been waiting ever since for the right group to produce it as a fall mainstage.

The cast and crew are excited. Many have read Victor Hugo’s 1862 novel. They know the characters, and the history of “Les Mis”‘s different productions.

“They were thrilled to be given the opportunity to take on these characters,” says Long. “The enthusiasm has carried the show throughout the rehearsal process.”

The “Lovely Ladies” with Fantine (Cat Betit). 

With so many moving parts — all the characters, all that music — there is a lot to learn. “They have risen to the challenge tenfold,” Long praises. “But they’ve definitely worked hard to do so.”

There are a lot of cast members working hard: 74. That’s larger than nearly any other Players production.

“It’s a huge undertaking,” Long notes. A mechanized turntable helps crew members move from scene to scene.

Roth and Long say that show will appeal to families. The student edition is 45 minutes shorter than the 3-hour Broadway version (without intermission). But it retains all the action and memorable songs from the original. “You won’t know what’s missing,” Long promises.

She adds that although non-stop action will engage young audience members, because there are gun battles and deaths, it is not aimed at very young children.

Cooper Gusick in “Master of the House.” (All photos/Kerry Long)

Though most of those in the Staples auditorium are familiar with “Les Mis,” anyone who is not will marvel at how the themes of a story written over 160 years ago can be so fresh today.

“Les Misérables” is sure to join the list of epic Staples Players productions.

And, like so many others, there’s more to the story than just what’s on stage.

At another time of upheaval in history, Players is conducting a food drive for Westport’s Homes with Hope, and Bridgeport’s Community Food Pantry.

There will be collection boxes in the lobby for non-perishable food items, and personal care goods like shampoo, toiletries and feminine hygiene products.

(“Les Misérables” will be performed November 13, 14, 20 and 21 at 7 p.m.; November 15 and 22 at 7:30 p.m., and November 15, 16, 22 and 23 at 2:30 p.m. Click here for tickets, and more information.)

(“06880” regularly covers Staples Players — and the rest of Westport’s arts and entertainment scene. If you appreciate stories like this, please click here to support our work. Thank you!)

“Diary Of Anne Frank”: Timely Drama Set For Staples Stage

Published more than 70 years ago, “The Diary of Anne Frank” teaches crucial lessons about hatred, authoritarianism, perseverance, the human spirit and hope.

A subsequent theatrical production brought the Dutch teenager’s story to the stage, dramatizing visually for audiences the horrors and toll that two years of hiding takes on a family.

In that sense, “The Diary of Anne Frank” is timeless.

But theater is never static. When Staples Players presents their production later this month, it will look different from the one they staged 19 years ago.

David Roth and Kerry Long directed that version too. This one is shorter — 80 minutes — and includes new text, in an adaptation by the playwright.

Sara Stanley, as Anne Frank, writes in her diary. (Photo/Kerry Long)

It is at least as relevant now as it was 2 decades ago, the directors say. And not just because so many Holocaust survivors have died since then.

“With the rise of hatred around the world, this is a good time to tell the story of what happens when it goes unchecked,” Long says.

“The Franks were an educated, well-to-do family. And if this could happen to them …”

“This is not a play about evil, though,” Roth notes. “It’s about surviving in the face of evil. We’ve emphasized with the actors that this is a story of resilience, of people coming together in adversity. There is something in these characters that everyone can relate to.”

“Anne Frank” actors, in the annex. (Photo/Kerry Long)

Despite being one of the most powerful stories in modern history, many students today are only vaguely familiar with Anne Frank, Roth says.

Eighth graders in Westport study the Holocaust. They read “Night,” by Elie Wiesel. But not Frank’s diary.

(Thanks to a collaboration between Players and Bedford and Coleytown Middle School, all 8th graders will attend special in-school performances of the show.)

Roth and Long’s actors have been surprised to find that a teenager not so different from them could live in an attic for more than two years.

And do more than just survive. Anne Frank also fell in love.

As part of their preparation, the directors took the cast to an Anne Frank exhibit at New York’s Center for Jewish History. It includes a full-scale replica of the annex.

“It was so powerful for the kids to walk through,” Long says. “They got a much better understanding of Holland during the war, and what the Franks went through.

“A lot of them bought the exhibit book. One of them said it was the best museum they’d ever been to.”

Staples Players, at the Center for Jewish History. David Roth and Kerry Long are standing, 3rd and 4th from left.

Though being quarantined for long periods of time with their family during COVID was nowhere near the scale of horror the Franks endured, the young actors do bring that perspective to their characters.

But they also realize that the show will have special resonance for older audience members.

Players’ previous performance of “Anne Frank,” in 2006, drew more people with direct knowledge of the Holocaust — as survivors, or their relatives — than this one will.

However, at least one survivor will see this show. Now 89 years old, they’ll do a talkback after the May 22 perfromance.

When he published his daughter’s diary, Anne Frank’s father Otto said he wanted her story to be read by as many people as possible all over the world.

Anne Frank’s dream was to be a famous writer. In death, she is.

Roth, Long, and the talented teenagers of Staples Players,  are keeping her dream, and her father’s wishes, alive and strong.

(“The Diary of Anne Frank” is recommended for ages 10 and up. It will be performed on May 21, 22, 23 and 24 at 7 p.m., and May 24 at 3 p.m., in the Staples High School Black Box. Tickets, double cast lists and more information is avaiable here.)