Tag Archives: Caley Baretta

Now Starring …

The other day, Playbill ran a story about “Broadway Senior.”

The program — a counterpart to Broadway Junior, which adapts and licenses shows for middle schools, in age-appropriate ways —  offers opportunities for people 60 and older to perform shows like “Guys and Dolls” and “Into the Woods.”

Why do they need to be adapted? In some cases, references to youth don’t work for older actors. Other times, they can’t exactly sing and dance as if they were 20.

The article — highlighting a production at Lenox Hill Neighborhood House in Manhattan — was moderately interesting. (Best line: “This is a ‘Guys and Dolls’ where, if you need help standing back up after sitting down and rockin’ the boat, a stage manager will be there to assist.” (Click here to read the full piece.)

But what caught my eye, in a Facebook post about the show, was that it was directed by Isabel Perry.

Isabel Perry

A 2015 graduate of Staples High School, where she was a key member of the Players drama troupe, she’s now a Brooklyn-based director of theatre and film. She has worked at La MaMa, Lucille Lortel, Lincoln Center and Second Stage.

Isabel is also a script reader for The Playwrights Realm, a member of Roundabout Director Group, and an instructor at The Lee Strasberg Theatre & Film Institute. At Northwestern University she studied theatre and Asian American studies, and directed “The Dolphin Show,” the largest entirely student-produced theatrical production in the country.

Which got me thinking: What are other Staples alums doing, in the entertainment world?

Plenty.

Players directors David Roth and Kerry Long keep close tabs on their grads. Here is a partial — but very wide-ranging — list of what their (and our) “kids” are up to.

(We apologize in advance for any names we’ve omitted. Click “Comments” to add other great Players’ alumni achievements.)

Justin Paul (Class of 2003) got an Emmy nomination for his music in “Only Murders in the Building.”

In addition, Justin and Caley Beretta (2010) spent the past 3 weeks in London workshopping a new musical.

Justin Paul has not forgotten his Staples Players roots. In March, he joined directors Kerry Long and David Roth to discuss “James and the Giant Peach” — a show he co-wrote — prior to Players’ production of it. (Photo/Dan Woog)

Whitney Andrews (2010) graduated from the David Geffen School of Drama at Yale University, with an MFA in acting.

Clay Singer (2013) is playing Perchik in “Fiddler on the Roof” at The Muny in St. Louis.

Samuel Adelmann (2014) is also playing Perchik, in a different production of “Fiddler on the Roof”: at Valley Opera and Performing Arts in California.

Christian Melhuish (2016) is in “Legally Blonde” at the John W. Engeman Theatre at Northport, New York.

Jack Baylis (2015) is playing Warner in “Legally Blonde” at Theatre Aspen.

Zoe Mezoff (2017) is playing Hodel in “Fiddler on the Roof” at the Lexington Theatre Company in Kentucky.

Nick Rossi (2019) is performing in “Jersey Boys” and “La Cage Aux Folles” at the Lake Winnipesaukee Playhouse.

Georgia Wright (2019) played a show of her songs at the Brooklyn Music Kitchen. She was booked for the gig by talent agent Cara McNiff (2014),

Sophie Rossman (2021) is studying at NYU Tisch’s International Theatre Workshop in Amsterdam.

Cameron Mann (2024) starred in the movie “Greg’s Going to Rehab,” shot in St. Louis in June.

This is not Cameron Mann’s real hair. Then again, is not in rehab in real life, either.

Cooper Sadler (2024): in the ensemble of “Mary Poppins” at The Summer Theatre of New Canaan.

As for Players co-director Kerry Long — a 1997 Staples grad — she and Players set designer Jordan Janota worked on the film “Miracle on 74th Street.” It was shot in Manhattan in June.

(“06880” is proud to cover the accomplishments of Staples graduates — and everyone else in Westport — in every area of life. Please click here to support our work. Thank you!)

 

Gwen Beal: From Almost Nothing To “Almost, Maine”

On her 1st day of school 4 years ago, Gwen Beal auditioned for Staples Players’ fall show, “How to Succeed in Business Without Really Trying.”

She didn’t get a role.

But instead of marking the end of her Players career, it was the beginning.

Assistant director Caley Baretta asked Gwen to sit in on a rehearsal. Though intimidated — Caley was a well-known junior — Gwen said “sure.”

She was hooked.

She interned with Caley for the spring production of “Twelve Angry Men.” She continued to work with — and learn from — Caley as a sophomore.

As a junior, Gwen was on her own.

Gwen Beal, working hard on the set of “Almost, Maine.”

Now — less than a month from graduation — she’s reached the end of a very enjoyable and creative 4-year Staples Players career. “Almost, Maine” — a serio-comic collection of whimsical tales about the joys and perils of romance in a small Maine town — is set for this Thursday, Friday and Saturday (May 24, 25 and 26) in the Black Box Theatre.

It’s a clever, intriguing play — one of those you-may-not-know-it-but-you’ll love-it shows. It’s also a fitting capstone for Gwen’s career.

“To think that I saw maybe 2 Players productions before I got here. And now it’s become the biggest part of my life,” she marvels.

Actors get all the props applause, but a role like Gwen’s is crucial to any play’s success.

“It’s so rewarding to watch a scene grow,” she says. “We shape it the way we want. It really is ours. Mr. Roth (David, the director) oversees things, but in a lot of ways we’re really on our own.”

Michelle Pauker and Bryan Gannon, two of the stars in “Almost, Maine.” (Photo/Kerry Long)

From casting suggestions to helping block and run scenes — plus nitty-gritty but very necessary work like handling dinner — an assistant director can make or break a show.

Gwen learned her role by “stalking Caley. I saw everything she did. There’s no textbook to read. Everything is trial and error.”

Once, Gwen forget an important binder. She got yelled at — and never made the same mistake again.

She’s excited about “Almost, Maine” because the cast and staging are so intimate. “Everyone has a story to tell, but the scenes are short. You don’t have much time to get the whole character across.”

Everett Sussman (left) and Clay Singer discuss the world in “Almost, Maine.” (Photo/Kerry Long)

It’s not easy for a high school actor to play an adult going through a divorce. “That’s so beyond our experience,” Gwen says. “But it’s so rewarding to figure out how to do it, and do it right.”

Some days are blissful. Others are freak-outs. Yet, Gwen notes, “when you figure everything out, there’s no feeling like it.”

Right now, she feels “bittersweet. I’m totally in denial that on Saturday, I’ll be all done with Players. This experience has really shaped me as a person. I’ve learned to talk to adults, technicians, older Players and peers. I’ve learned so much about people.

“My entire high school experience would have been different without Players.”

And all because an older student asked casually, can you give me a hand?

(“Almost, Maine” will be produced in the Staples Black Box Theatre this Thursday, Friday and Saturday, May 24, 25 and 26, at 7 p.m. Tickets are $15 for adults, $10 for senior citizens and students. There is also a 4 p.m. performance on Saturday, May 26; tickets are $5 for senior citizens and students. Click here for reserved seats.)
 
Click the YouTube arrow below for an “Almost, Maine” trailer: