Category Archives: Entertainment

Oldtime Newcomer: Art, Marketing Still Thrive Here

Westport may no longer be chockablock with illustrators.

And we’re certainly no longer the Marketing Capital of the World.

But artists and marketers still work here. Sometimes, they’re the same person.

You just have to know where to look.

Elliot Gerard is still young. He was raised on the Upper East Side. But he remembers the Westport of “old.”

Elliot Gerard

His grandparents Philip and Lillian Gerard had a summer place here. His uncle and aunt, Darko and Jena Maric, are longtime residents. His parents were married here. Gerard spent plenty of time in Westport, and loved it.

After graduating from Pratt Institute, he worked in design for a gaming company.

He loved the New York Knicks. They loved his freelance artwork about the team. So did players, who reposted it on their personal social media accounts.

ESPN called. Then CBS, Vice Sports, Bleacher Report and Major League Soccer.

A Major League Baseball illustration by Elliot Gerard, for Vice Sports.

Soon, Gerard was creating animations for the Madison Square Garden Jumbotron.

As LeBron James led the Cleveland Cavaliers to the playoffs, Gerard designed a digital magazine cover that perfectly captured the star’s kinetic energy. James used the artwork on his social media.

LeBron James, by Elliot Gerard

“That put me on the map,” Gerard says.

When the Cavs won the NBA title, he was a natural choice to design the team’s enormous mural. It was displayed at their arena.

Elliot Gerard, with his Cleveland Cavaliers’ mural.

That helped land Gerard a job with MKTG. The marketing firm has over 2 dozen offices worldwide. Most are in major cities.

But there’s one in an office park on Greens Farms Road. Over 100 people work there.

As vice president, creative director he works with corporate partners like IBM and AT&T. He’s involved in events like the Super Bowl.

Gerard is well aware of the links between his current job, and Westport’s arts and marketing heritage.

Now he’s a Westporter too. He and his wife Meredith recently moved here, with their young daughter and son.

“I’m a city kid,” Gerard says of his new hometown. “But I played in my uncle and aunt’s backyard. Now my kids play in their own.”

Elliot Gerard’s poster for last summer’s MLS All-Star game.

Own A Bit Of Zsa Zsa And Eva Gabor

Growing up on Clifford Lane in the 1960s, Joan Wright remembers stories about the pink interior at nearby #5.

The home off Old Hill was owned by Jolie Gabor. Throughout the 1950s and ’60s, her daughters Zsa Zsa, Eva and Magda visited often.

Eva — who acted at the Westport Country Playhouse — wed her 3rd husband, plastic surgeon John Williams, there. The marriage (one of Eva’s 5) lasted just 11 months.

The Gabor house on Clifford Lane.

The house is now on the market. Built in 1951 on 1.25 acres, it’s 4,235 square feet — large for that time — and includes 5 bedrooms, 5 bathrooms and a pool.

And the listing realtor is … Joan Wright.

Sounds like a neat little plot twist.

(To see the full listing, click here.)

The Gabor family

Bambi Linn’s Broadway

Bambi Linn left Westport years ago. But when she lived here, she was one of our legendary arts icons: a former Broadway dancer who as a 16-year-old joined the chorus of “Oklahoma!”, and 3 years later played Louise — Billy Bigelow’s daughter — in the original 1945 production of “Carousel.”

She starred on Broadway for 17 more years. Her last show was “I Can Get it For You Wholesale.”

Bambi Linn is now 92. The New Yorker magazine caught up with her recently, at the “Carousel” revival. It opens next Thursday (April 12).

She attended a preview matinee with her husband, former ballroom dancer Joe De Jesus. (He taught countless Westport teenagers how to dance.)

Bambi Linn (right) as Louise, and Jan Clayton (Julie Jordan) in the 1945 production of “Carousel.” John Raitt played Billy Bigelow.

The New Yorker “Talk of the Town” story called Bambi Linn “petite and zesty.” It described her encounters with Renée Fleming, who now sings “You’ll Never Walk Alone,” and Brittany Pollack, the current Louise.

It zips through Bambi Linn’s past (at age 6 she studied with Agnes de Mille; during “Carousel” she had enough downtime to go across the street to watch Ethel Merman in the 1st act of “Annie Get Your Gun”), and touches on the different ways in which the 2 productions — nearly 75 years apart — treat Billy’s beating of his wife Julie, and slapping of his daughter.

“I never thought of it as domestic violence,” Bambi Linn says. “I never thought of Julie as a put-upon woman. She loved him, so she was willing to accept it. But I come from an era way back.”

It’s a typical New Yorker “Talk of the Town” piece. You’re never sure what the point is, or why it’s there in the first place.

But it gets you thinking about something — or someone — you haven’t thought about in a long time.

Like one of Westport’s most famous Broadway stars, of all time.

(For the full New Yorker story, click here. Registration may be required.)

Tim Jackson’s “Chappaquiddick”

Tim Jackson is a man of many talents. And many stories.

He sat behind the Nixon daughters when the Beatles appeared on “Ed Sullivan” in 1964 — an event that launched his musical career.

He got kicked out of the Staples High School orchestra for “not being serious.” His band, The Loved Ones, opened for the Rascals at Staples.

Jackson majored in drama at Ithaca College. He went on to play drums in several bands (and open for Bruce Springsteen).

He toured with Tom Rush and LaVern Baker, and recorded often. His ’60s band — The Band That Time Forgot — has performed for over 30 years.

Jackson earned a master’s in education, and taught film history and production. He’s making a film about Westport poet and author Joan Walsh Anglund.

Joan Walsh Anglund and Tim Jackson. (Photo/Ted Horowitz)

He’s acted in enough plays, films and commercials to get — and keep — his SAG and AFTRA cards. “I’ve been in nothing you’ve ever heard of,” he says.

But you’ve heard of his latest gig. “Chappaquiddick” opened a couple of days ago. The movie explores the 1969 story of Ted Kennedy. The Massachusetts senator drove his car off a narrow bridge on an island off Martha’s Vineyard, killing Mary Jo Kopechne, a 28-year-old former campaign worker of his slain brother Bobby, with whom he had been partying all night.

Jackson plays Kopechne’s father, Joe. He’s seen at her funeral; dismissing Kennedy’s cousin and confidante Joe Gargan, in order to talk to the senator; and watching Kennedy’s nationally televised speech a few days after the accident.

Tim Jackson (center) and his screen wife at their daughter Mary Jo Kopechne’s funeral, in “Chappaquiddick.” He says he got the role because of his “mournful countenance.” (Photo courtesy of Dennis Jackson)

“I spent all day watching a fake TV, looking depressed with the woman who plays my wife,” Jackson says about that scene.

All afternoon he puffed on a cigarette that emitted plenty of smoke (but had no tobacco). He prepared by channeling his mother, a chain smoker. The cameraman wore a gas mask.

Director John Curran’s former art teacher was cast as Kopechne’s neighbor. He and his screen “wife” deliver a casserole to the Kopechnes, who shoo them away. The teacher was nervous, but Jackson — a longtime drama teacher — reassured him: “Don’t act. Just be the neighbors.”

Tim Jackson (2nd from right), and (right) his movie wife, Gwen Kopechne. The couple on the left play the Kopechnes’ neighbors in “Chappaquiddick.”

Jackson calls the film “a dark comedy of manners. It’s not absolutely accusatory about Kennedy’s criminal act. It just shows him in a situation that raises a lot of questions, in a family with a lot of questionable dealings. It doesn’t go for the jugular. It’s ambivalent.”

One of Jackson’s previous roles was in “Unsolved Mysteries.”

Sounds like a perfect description of “Chappaquiddick” — the movie, and the real life story.

(Jackson shares many more insights about the film on the Arts Fuse blog. Hat tip: Peter Gambaccini)

Eric Roberts, Sandy Dennis, And Westport’s Cat House

Vanity Fair recently ran a long story on Eric Roberts. In a career spanning over 40 years, he’s amassed more than 400 credits. No wonder the magazine calls him “the hardest-working man in Hollywood.”

Back in the day, he worked pretty hard in Westport too. The article describes what happened in 1966 when Sandy Dennis — nearly 20 years his senior — first saw him. She thought he could be the Next Big Thing. 

Vanity Fair says: 

What first impressed Eric when he walked into Sandy Dennis’s house in Westport, Connecticut, was her 2,500-book library. Even when he was a boy, disappearing into books was one way Eric handled his social isolation.

Eric Roberts (Photo/Sam Jones for Vanity Fair)

“So I go over to Sandy’s house and we start talking about books. After about a month, I’m over there in the afternoon, just me and her in the house, and we’re having a talk about cats. How many cats on this property? She goes, Probably 30. And her house had 12 rooms, so you didn’t feel cats were an issue. So I was fine with it. And I’m a cat person anyway. . . . The next thing I know we were rolling around together.”

They began “this little book affair,” which turned into a 4-year relationship, from 1980 to 1983. It almost ended, Eric says, after he had a brief relationship with another actress while Dennis was on the road doing a play. Sandy found out and forgave him, but there was another problem: “Too many cats. By now there’s a hundred cats. Not 30, there’s 100,” Eric recalls.

Sandy Dennis

He offered to start an animal shelter if she would agree to keep just 10 or 12, but Sandy refused. Neither would budge, so Eric asked for his engagement ring back. Over the years he had bought her an antique jewelry box and a lot of jewelry, but he wanted her to return only the ring.

“Sandy went upstairs and stood at the top of the winding staircase,” Eric recalls. “Here’s your engagement ring,” she said as she hurled the jewelry box and it crashed to the floor, smashing into pieces.

He never saw her again. (She died in 1992.)

In fact, she died right here in Westport, of complications from ovarian cancer. She was just 54.

(To read the full Vanity Fair story, click here. Hat tip: Susan Iseman)

 

 

Michael Martins’ College: The Last Frontier

Parents, teachers and counselors always tell teenagers: “Don’t worry. There’s a college for everyone. You’ll do fine.”

It’s true. Just ask Michael Martins.

You can find him at the University of Alaska.

At Staples High School, he served on the WWPT-FM board. For his Eagle Scout project he worked with alumni, bands and DJs to make the radio station’s 40th anniversary fundraiser a success.

But during his college search — ranging from upstate New York to the far west — there was no place he truly wanted to go.

“I love learning,” Michael says. ” I wanted to do college the right way.”

After graduating in 2016, he did not go directly to school. He kept searching, and found the Fairbanks campus online.

He’d never been to Alaska. He knew no one in the entire vast state. It was isolated, different and a challenge. Michael liked that.

The nation’s “northernmost land, sea and space grant university and international research center” is a global leader in studying climate change. Michael could use his math skills in Arctic research — in the Arctic itself.

And because his mother is a veteran, tuition in that military-friendly state is less than what he’d pay at the University of Connecticut, Michael says.

He’d seen photos of UAF online. But when he stepped off the plane, it finally hit him. “I’m in Alaska!” Michael thought.

Friends and family members have many misperceptions. They picture tundra and igloos. They ask if he has Wi-Fi.

Sure, the temperature reaches 40 below. But in many ways, UAF is a normal college campus.

Michael Martins on campus. “If it’s snowing, it can’t be that cold,” he says.

It has normal college problems. Like not enough pianos.

Michael has played for 3 years. He doesn’t take music courses — he’s a math major, and French minor — so he couldn’t just play whenever he wanted to.

He picked his residence — Bartlett Hall — because it was the only one with a piano. But the instrument was in an out-of-the-way place, and not well tuned.

So one of the first things Michael did after arriving was organize a piano fundraiser. He brought the piano into a common area. He asked musicians to play for an hour each night — with a tip jar. He set up online donations too.

Michael Martins, at the Bartlett Hall piano.

The Fairbanks Daily News-Miner picked up the story. Immediately, 6 people in Fairbanks — a city of 32,000 — called to donate pianos to residence halls.

The goal was $300. Michael raised twice that amount. The extra funds will go toward appraising, tuning and transporting the pianos.

But that’s not the only way Michael has reached out to others. For spring break he decided to help people he didn’t know, in (another) place he didn’t know.

So he spent a week in Houston, helping victims of Hurricane Harvey rebuild their lives. It was far from Alaska — and far from the wild spring break experiences of some college students.

Michael Martins doing mold prevention work in Houston.

Michael loved Houston. He was also glad to get back to Fairbanks.

“I’m thriving here,” he reports. “There’s a great attitude of ‘let’s make it happen.’ And tons of support.”

He calls himself lucky: to have gone to Staples, to have had the idea to apply to the University of Alaska, and now to go there. “I love where I am,” he says.

He has a message to Staples students: “There are a lot of places where you can feel important, and make a difference.”

It’s something parents, teachers and counselors say all the time here to teenagers.

Perhaps it will have impact coming from someone else who knows Westport well, now thriving thousands of miles away.

Michael Martins, in front of typical Inuit art. Over 20% of the more than 8,000 graduates are of Alaska Native or American Indian descent.

Nile Rodgers’ Journey: From Disco To Abbey Road

Nile Rodgers seems to have done it all.

The 65-year-old Westporter/musician/ producer/ composer/arranger  has performed or produced for everyone from Sister Sledge (“We Are Family”) to Duran Duran, David Bowie, Madonna and Britney Spears.

He’s earned Grammys for Record of the Year and Album of the Year (for Daft Punk’s “Random Access Memories”).

Those of us a bit older remember his guitar work with Chic (“Le Freak”).  Nearly 40 years later, he played at President Obama’s final White House party. It lasted until 6 a.m.

Nile Rodgers has even been honored as the Westport Library’s “Booked for the Evening” star.

But now he’s got a new gig: chief creative advisor at Abbey Road.

The legendary artist joins the most legendary studio on the planet. He’ll record rock and pop stars, while also mentoring up-and-coming performers.

Rodgers — who told the BBC he dreamed of working at Abbey Road ever since he heard “I Want to Hold Your Hand” — says that every day at work, he sees people recreating the road-crossing made famous on the Beatles’ eponymous album.

But, he adds, the studio remains cutting-edge. “I’m an audio fanatic. I want my new stuff to sound amazing.”

He’s already worked with Bruno Mars there.

It really must be “Something” to watch the 2 stars “Come Together.”

(For more details on Nile Rodgers’ new project, click here. Hat tip: Alan Hodge.)

Nile Rodgers outside Abbey Road Studios. (Photo/Jill Furmanovsky for BBC)

Bedford Musicians, Sean O’Loughlin: An Innovative Collaboration

At a time when arts education is under siege nationally — forget the frills! teach engineering and coding! — Westport is offering its students something else.

A chance to compose music with Sean O’Loughlin.

Sean O’Loughlin

The award-winning composer/arranger/conductor — he’s got over 200 compositions to his credit, and has collaborated with Adele, Josh Groban, Itzhak Perlman, Pentatonix, Kelly Clarkson and others — is in the midst of a unique project. His collaborators: 6th, 7th and 8th orchestra students at Bedford Middle School.

A Westport Public Schools Innovation Grant funds the effort. The grants give students and staff the chance to think outside the box, using creative new ideas.

The relationship began last year, when the 6th grade orchestra Skyped with O’Loughlin during rehearsals of one of his pieces.

Last summer, BMS music teachers Michele Anderson and Anthony Granata asked the composer to continue the connection. He was happy to oblige.

This past November, string students explored the music-writing process. They looked at tempo, mood, style, even titles for future pieces.

Next — via multiple Skype sessions — they offered O’Loughlin suggestions for key and time signatures, bowing styles and advanced techniques. Afterwards, students discussed and wrote about those interactions.

Michele Anderson rehearses her Bedford students. Composer Sean O’Loughlin watches in the background, via Skype.

Based on their input, O’Laughlin then created 3 unique pieces.

In early January, he sent his original compositions to the very excited Bedford students.

Since then — again by Skype — the youngsters and O’Loughlin rehearsed together. As they did, they asked questions and shared ideas.

On Monday, the musicians met O’Loughlin in real time. He came to Bedford from California, as a composer/conductor in residence. He rehearsed the students, and gave a presentation.

After an exciting day, all orchestra students gathered for a performance conducted by O’Loughlin. Music educators were invited to watch the creative process in action.

Sean O’Loughlin conducts the Bedford orchestra.

“Because these pieces are brand new, our BMS orchestra students were the first ones to interpret the music in their very own way,” Anderson notes.

“There was no recording to listen to. The music came from them.”

The process is working well. And in May, the middle schoolers will share their work with the public.

The prestigious Carl Fischer music company will publish the compositions. They’ll be available to schools across the globe.

Bedford’s spring concerts — when they’ll debut the O’Laughlin pieces — are set for May 1 (grade 6), May 3 (grade 7) and May 14 (grade 8). They begin at 7 p.m. in the school auditorium, and are free.

Justin Paul’s Lin Manuel Miranda Moment

Justin Paul. Lin Manuel Miranda. Ben Platt. The March For Our Lives.

That’s quite a combination.

Yesterday, the 4th #Hamiltondrop video was released. The series features monthly “Hamilton”-inspired mashups, combined with other well-known songs.

The one mixes “Hamilton”‘s “Story of Tonight” with “You Will Be Found,” from “Dear Evan Hansen.” That tune was written by Staples High School graduate Justin Paul, and his songwriting partner Benj Pasek.

The mashup is sung by Miranda and Ben Platt, a Tony Award winner for his portrayal of the “Hansen” title character. Broadway.com says it may be the best of the entire series.

The video includes quick shots of Justin, sitting on a couch watching the recording. It was made just a couple of hours after he visited Staples High and Coleytown Middle Schools. He was exhausted, but excited.

Proceeds from downloads (click here) go to this weekend’s march, organized by teenagers to draw attention to gun violence and political inaction.

Emma Gonzalez — a Parkland High School student, political activist and march leader — tweeted: “I just listened to it and I can’t stop crying. I’m gonna listen to this forever holy heck.”

“Merrily” Broadway Star Boosts Staples Players’ Show

It wasn’t easy.

Serial snowstorms knocked out crucial rehearsals. Plus there were the normal teenage challenges of putting on a complex show, alongside the usual demands of school, family and social life.

But Staples Players has scored another success with “Merrily We Roll Along.” Opening weekend audiences loved the troupe’s interpretation of the 1981 Stephen Sondheim musical — based on a 1934 play of the same name by George S. Kaufman and Moss Hart — that Players first staged in 2003.

Senior Charlie Zuckerman plays Charley, a Pulitzer Prize-winning writer and former best friend of Frank (the lead character, played by Nick Rossi).

Charlie Zuckerman, Avery Mendillo and Nick Rossi perform “Old Friends” in “Merrily We Roll Along.” (Photo/Kerry Long)

Lonny Price originated the role of Charley on Broadway. It ran for only 16 performances, and 52 previews. But “Merrily” has since taken on a life of its own. Audiences have learned to love its intricacies.

And in 2016 Price directed “Best Worst Thing That Ever Could Have Happened,” a documentary about “Merrily”‘s original Broadway production, and the hopeful young performers whose lives were transformed by it.

Price’s documentary was named one of the New York Times’ top 10 films of 2016.

Lonny Price, Ann Morrison, and Jim Walton in “Merrily We Roll Along,” and today. (Right photo/ Martha Swope; left picture/Bruce David Klein)

Price will be in the audience for this Friday’s Staples production (March 23, 7:30 p.m.). Afterward, he’ll lead Players’ first-ever talkback. Audience members are encouraged to stay, and enjoy insights from the Broadway icon.

In addition to his “Merrily” and “Best Worst Thing” credits, Price directed Glenn Close in “Sunset Boulevard,” “Audra McDonald in “110 in the Shade,” and Danny Glover in “‘Master Harold’ … and the Boys.” He’s a 3-time Emmy winner.

Price also collaborated with Westporter Andrew Wilk — executive producer of “Live From Lincoln Center” — on broadcasts of “Camelot,” “Candide” and “Sweeney Todd.” For years, he has heard Wilk rave about the high quality of Players’ productions.

Now he’ll see for himself.

“Andrew has excellent taste,” Price says. “So when he asked me to check out their production of ‘Merrily,’ I was eager to see their take on a show that has meant so much to me for the last 37 years.”

You’ll be inspired by “Merrily We Roll Along.” You’ll love Lonny Price’s talkback.

And if you want to get the most out of both, you can watch “Best Worst Thing That Ever Could Have Happened” on Netflix — or right here:

(“Merrily We Roll Along” will be performed on Friday and Saturday, March 23 and 24, 7:30 p.m. Click here for tickets. A few tickets may be available in the lobby at 7 p.m.)