There’s always something new in our online art gallery.
This week: a couple of new mediums.
But no matter what style or subject you choose — and whether you’re a first-timer or old-timer — we welcome your submissions. Watercolors, oils, charcoal, pen-and-ink, acrylics, digital, lithographs, collages, macramé, jewelry, sculpture, decoupage, needlepoint — we want whatever you’ve got.
Age, level of experience, subject matter — there are no restrictions. Everyone is invited to contribute.
Email a jpeg to 06880blog@gmail.com. And remember: Please include the medium you’re working in — art lovers want to know.
Untitled (Lawrence Weisman)
“Dear, I Love You More Than All the Red Leaves on all the Japanese Maple Trees in the Whole World!” (Mike Hibbard)
Untitled — eastern side of the Fairfield mill pond — watercolor (Kathleen Burke)
“Squash & Squalls” — oil on linen (Werner Liepolt)
“A Bench with a View” (Fred Cantor)
“The Queen Mary” — Carl Addison Swanson says, “It took 2 cranes $10,000 to move this from next door when Joey Karmonsky (Staples High School Class of 1941) died.”
Untitled (Duane Cohen)
“Boat Contrasts” — a 61-foot Army Q boat built in 1918 by Luders Marine in Stamford, and an inflatable Zodiac runabout (Peter Barlow)
“Homes” — wood (Tom Feeley)
“Bright Light” — impasto acrylic gold leaf (Dorothy Robertshaw)
“Time’s Up” — digital compounding (Tom Doran)
Acrylic dot art mandala (Faith Vicinanza)
“Is it Pop Art or Kindergarten/Refrigerator Art?” — watercolor (Steve Stein)
“They’re Almost Gone!” (Karen Weingarten)
(Entrance is free to our online art gallery. But please consider a donation! Just click here — and thank you!)
Good show this week! Right off the bat I liked Lawrence Weisman’s “Untitled”. No title needed – the tear in the eye and the jagged crown tell it all. I also liked Dorothy Robertson’s “Bright Light” which is very three-dimensional.