the my baby boom generation is so obnoxiously self-important — and because we still cling to control of much of the media — throughout this decade we will insist on foisting 50-year anniversary stories about a mind-numbing number of 1960s events on the rest of the country.
We’ve remembered John Glenn’s orbit of the earth and John Kennedy’s assassination. Next month is the Beatles’ 1st trip to America. On the horizon: the Gulf of Tonkin incident, and Soupy Sales’ “The Mouse.”
So — as Martin Luther King Day nears — this is a good time to remember another 50th anniversary: the night Leonard Bernstein and Isaac Stern played together for the 1st time in public.
It was half a century ago this August. It was a benefit for the Student Nonviolent Coordinating Committee. And it happened in the Staples High School auditorium.
According to the New York Times of August 31, 1964, the concert’s genesis came from Tracy Sugarman. The Westport artist and civil rights activist — who died a year ago, the day before Martin Luther King Day — described his recent “Mississippi Summer” work in Ruleville, Mississippi to Frank Brieff, conductor of the New Haven Symphony.
Brieff called Bernstein, who called Stern. The 2 had played piano and violin together for pleasure, but had never performed in public together.
They were joined by 4 other Fairfield county musicians. The concert sold out, at prices from $3 to $35. That raised $8,250 bringing Westport’s 1964 contributions to the Mississippi Project to $29,000. Previous fundraisers for the NAACP and National Council of Churches included a townwide solicitation, and a small gathering at the home of attorney Alan Nevas. He had just returned from Mississippi where, the Times said, he provided “legal counsel to Negroes.”
Nevas’ son Bernard — age 20 — was one of 6 “freedom workers” honored at the Bernstein/Stern concert. Five were from Westport: Nevas; John Friedland, 22; Martha Honey, 19; Deborah Rand, 20, and John Suter, 19.
Another guest introduced at the concert was Charles McLaurin. Just a few days earlier, he was a member of the controversial Mississippi Freedom Party at the Democratic National Convention in Atlantic City.
Also at the concert, Sugarman displayed 43 pen-and-ink drawings of Mississippi, and 6 photos used by SNCC. He called the involvement of youths like the ones from Westport courageous.
“They went there afraid, lived there afraid and worked there afraid,” Sugarman said.
But, the Times noted, “the experience has affected some so deeply…they are torn between resuming their college careers and going back to Mississippi.”
(Hat tip to Fred Cantor for research.)