Tag Archives: Westport Historical Society

Back To Bohemia On Hidden Garden Tour

Day by day, bit by bit, wrecking ball by wrecker ball, Westport’s artistic and “bohemian” past is disappearing.

Fortunately, pockets remain. You just have to know where to look.

This Sunday (June 10, 11 a.m. to 4 p.m.), a secret gem takes the spotlight. The Blau Home and Gardens is one of 4 properties featured in the Westport Historical Society’s 27th annual Hidden Garden Tour.

One view of the Blau garden …

Designed by Broadway theater designer Ralph Alswang, the home is rustic and glamorous. From salvaged exposed heavy barn timber beams — uncommon in modern homes of the mid-20th century — to a Romeo and Juliet bedroom balcony window opening to the living room, and a dramatic main staircase, the house off Bayberry Lane was owned by advertising mogul Barry Blau.

Both he and Alswang journeyed from poor, urban roots to the then-freewheeling arts colony of Westport.

The garden — like its owner and designer — is informal and unconventional. It features massive rhododendron groves, towering oaks, antique sculptures, paths, benches, ornamental gates and stunning stone walls.

Blau’s widow is almost 90. The WHS says she and her family want to preserve the home and property. Welcoming Hidden Garden Tour visitors is one way to see it.

… and another.

The tour also includes an English rose garden with Italian fountain; a meticulously restored 1820s onion barn with post-and-beam construction, original stone foundations and antique farm equipment, surrounded by woodland gardens, and a 225-year-old colonial farmhouse in Weston, with 30 varieties of peonies and exotic specimen trees.

In addition to Sunday’s tour, unique items for gardeners and garden lovers from local artisans and businesses are available for sale on the Historical Society’s front lawn (25 Avery Place, 9 a.m.  to 4 p.m.).

That front lawn is well-known, and very visible. To see those 4 hidden gardens though, you need a ticket.

(Click here for tickets: $50 for Westport Historical Society members, $60 for non-members, $75 the day of the tour. Click here for more information.) 

Westport Historical Society Mystery Item #2

Over the next year, the Westport Historical Society is presenting “The History of Westport in 100 Objects.”

The exhibit changes every 2 weeks. Each time, there’s a new “mystery” item. The winner — chosen from all correct guesses — gets an item from the gift shop.

The 2nd object was this:

If you guessed “grain flail” — you’re right!

I’m not sure how many people did. But Eric Davré is the winner.

And if you’re wondering, a grain flail is

an agricultural tool used to separate grains from their husk. A flail is made from 2 or more large sticks attached by a short chain or strip of leather so it may swing down onto grain piles to thrash or beat out grain from the husk. Flails fell into disuse when the original combine harvester, pulled by horses, was invented. But flails have survived the test of time. In Minnesota, wild rice of the Ojibwe people can only be legally harvested from canoes using this method.

(For more information on the “100 Objects” exhibit, click here.)

Westport’s African American History: Long Overlooked, At Last Remembered

The history of Westport was written by white men and women. This was — and continues to be — a predominantly white town.

But African Americans have a long history here.

From 1742 to 1822 the logbook of Greens Farms Congregational Church recorded the births, deaths, marriages and baptisms of nearly 300 black Westporters.

More than 240 were slaves. Their forced labor helped build our town’s prosperous farms and shipping businesses.

They fought in the Revolutionary War — on both sides. Some hoped for freedom in return for their service. Others departed with the British at war’s end.

Connecticut struggled with its place in the slave trade. It banned the importation of enslaved people, and very gradually — from 1784 to 1848 — abolished slavery.

Newly freed African Americans searched for a place in the community. Henry Munro — the first black landholder in Westport — built a house on Cross Highway in 1806. His family lived there for nearly 100 years — and the dwelling still stands.

The Munro house at 108 Cross Highway, today.

Others found work only a step above what they endured as slaves. They were laborers, domestic servants and farmhands. Some suffered from assault, false imprisonment, arson and murder.

But they persevered. They became educators, freedom fighters, artists, patriots and respected citizens.

Their stories are not well known. Later this month, the Westport Historical Society finally shines a light on the lives and contributions of these overlooked Westporters.

“Remembered: The History of African Americans in Westport” opens May 11. It’s an opportunity to rectify the myths about our town, state and New England, says WHS executive director Ramin Ganeshram. She hopes visitors will leave enlightened, and eager to learn more.

The interactive exhibit — created by Broadway set designer Jordan Janota — includes objects and artifacts from the 1700s through the civil rights era. There are slave documents; details about 22 1/2 Main Street, the alley boardinghouse for black families that mysteriously burned to the ground around 1950; material relating to Rev. Martin Luther King’s 1964 visit to Westport, and original artwork by Tracy Sugarman, an important figure during the Freedom Summer.

This newspaper clipping from 1964 — part of the Westport Historical Society exhibit — shows Rev. Martin Luther King at Temple Israel. He’s flanked by Rabbi Byron T. Rubenstein (left) and congregation president Dan Rodgers.

TEAM Westport — the town’s multicultural commission — partnered with WHS throughout the research, planning and installation of the exhibit.

“The generally accepted narrative is that the history and legacy of African Americans in Westport span the range of little to none,” says TEAM Westport chair Harold Bailey.

“This exhibit turns that narrative on its head. For the town of Westport, it adds profound dimensions to where we’ve been, who we are, and where we can go in the future.”

A corollary exhibit — entitled “Rights for All?” — explores the effect of Connecticut’s 1818 constitution on emancipation, enfranchisement and civil liberties.

Judson’s store stood near today’s Beachside Avenue. This 1801 ledger entry — part of the WHS exhibit — gives credit to a free African American man. Many African Americans in the area were still slaves.

National attention has focused recently on important new institutions, like the Smithsonian National Museum of African American History and Culture, and the just-opened memorial in Montgomery, Alabama dedicated to thousands of lynching victims.

Soon — in our own way — Westport joins those efforts. It’s an exhibit that everyone in town should  — no, must — see.

(“Remembered: The History of African Americans in Westport” opens with a free reception on Friday, May 11, from 5 to 7 p.m.)

Westport Historical Society Mystery Item #1

For the next year, the Westport Historical Society is presenting “The History of Westport in 100 Objects.”

The exhibit changes every 2 weeks. Each time, there’s a new “mystery” item. The winner — chosen from all correct guesses — gets an item from the gift shop.

The first object was this:

If you guessed “ice shaver” — which I did not — you might have won.

It looks a bit different than today’s ice shavers. But that’s why it’s at the Westport Historical Society, not your kitchen.

(For more information on the “100 Objects” exhibit, click here.)

Friday Flashback #88

If you were a 2nd grader in Westport between 1959 and the early 1970s, you remember the Jennings Trail field trip.

Bessie Jennings (Courtesy of Greens Farms Living magazine)

Bessie Jennings — a native Westporter who traced her ancestry here to the 1650s — conceived, developed and led the tour after retiring as a history, government and civics teacher at Roger Ludlowe High School.

It included the Beachside Avenue site of the 5 founding Bankside Farmers; the Machamux boulder; the old Greens Farms Church meeting house; the Compo Cove tide mill; the Minute Man monument, and the Compo cannons, among many others.

She told stories about the Sherwood triplets, the tar rock signals sent when the British landed, and much more.

After Bessie Jennings died in 1972, the Westport Young Women’s Woman’s League worked with the Westport Historical Society to create 23 markers, at historic sites throughout town.

Of course, it was called the Jennings Trail.

One of the plaques on the Jennings Trail marks the Elmstead Lane home where Bessie Jennings was born, and died. (Photo courtesy of Greens Farms Living magazine)

(Hat tip to Bob Weingarten, Westport Historical Society house historian, who published a longer version of this information in Greens Farms Living magazine.)

Westport’s History, In 100 Objects

The Westport Historical Society has a history of mounting fascinating exhibits.

Subjects have ranged from Saugatuck and famous artists to rock ‘n’ roll and our town 50 years from now.

But while the Sheffer Gallery in the back pulses with life, the front of 223-year-old Wheeler House on Avery Place has been oddly shut.

Now the WHS has opened its Victorian front door to visitors. And — just inside — a long-neglected display case offers an intriguing look into Westport’s past.

“The History of Westport in 100 Objects” opens tomorrow (Monday, April 16). Every 2 weeks for the next year, the items will change. They’ll start with the original settlers in 1637, and work up to today.

Kewpie dolls will be on display later this year. In 1909, Westport illustrator Rose O’Neill created the characters.

Artifacts include books, land deeds, farming tools, clothing, toys, a railroad tie — anything that helped make this town what it is.

Each display will include a “mystery object” (though not necessarily from the era depicted). Visitors can guess its identity. One — drawn from all correct answers — will win an item from the gift shop.

A passport/online check-in will help children record their visits. After coming enough times, they’ll get scrip for gift store purchases.

An 1882 shipping book includes the noted Westport name “Wakeman.”

As each case changes, its items will be archived in a digital exhibit on the WHS website.

The Historical Society has plenty of objects. But they’d love more. If you have an item that might work for the exhibit, email 100Objects@westporthistory.org.

(“The History of Westport in 100 Objects” opens tomorrow — Monday, April 16 — with a 4 p.m. reception focused on 5th through 8th graders.)

Another artifact: part of Westport artist Stevan Dohanos’ 1950s watercolor of our Memorial Day parade.

Needed: African American Artifacts

In May, the Westport Historical Society will sponsor an exhibit about African American heritage in history here, and the surrounding region.

It should be educational, inspirational and fascinating.

It won’t happen, though, without actual stuff to show.

There is good material in the archives. But the WHS is seeking more documents and objects. They’re especially interested in original artifacts, from the earliest settlement of town to the present.

If you’ve got anything — letters, artwork, photos, property information, newspaper clippings, video or tape recordings, or anything else — please send an image and brief description to executivedirector@westporthistory.org.

And if you have any contact information for anyone who would know anything about Westport’s African American past, please send that along too.

A photo of the maids at the Laurence family home, around 1880. Part of the Laurence estate later became Longshore. The back of the photo identifies 5 white people who could possibly be in the photo — but does not even attempt to identify the black woman.

Memorial Set For Ed Vebell

Friends and fans are invited to pay tribute to Ed Vebell — noted military veteran, illustrator and raconteur — this Saturday (February 17, 2 to 5 p.m., Westport Historical Society). The Vebell family will be there.

It’s a fitting venue. The WHS is currently showing “The Curious Case of Ed Vebell,” a retrospective of the longtime Westporter’s life and times. He died on Friday, at 96.

The family also announces that in lieu of flowers, contributions may be made to the American Red Cross. Click here for details.

On January 28, Ed Vebell attended the opening of a Westport Historical Society exhibit honoring his life and career. (Photo/Larry Untermeyer)

 

Remembering Ed Vebell

Andra Vebell writes:

My father, Ed Vebell, passed away peacefully at home last night. He was 96.

He had had congestive heart failure for some time now, but was bound and determined to make it to the opening of his show at the Westport Historical Society less than 2 weeks ago.

It was uncanny how he made it to that and then allowed himself to go. The show was the perfect sendoff for him, being surrounded by family and friends who were there to honor his lifetime of work.

In addition to Andra, Ed is survived by his daughters Renee Vebell and Victoria Vebell, and 3 grandsons: Jason Cohen, Dylan Hoy and Colin Hoy. 

In June of 2016, I posted this story on Ed. It too serves as a fitting reminder of his life:


At 95 years old, Ed Vebell could be ready to slow down.

The Westport artist has had quite a life. Here’s a quick summary:

During World War II he was an illustrator/reporter for Stars and Stripes newspaper. He’d be dropped off at a battle scene, told to find a story, then picked up 3 days later.

Ed Vebell, in Norman Rockwell-esque style, illustrates his own illustration.

Ed Vebell, in Norman Rockwell-esque style, illustrates his own illustration. The print sits atop many others in Ed’s studio.

After the war, he worked for French magazines (and covered the Nuremberg war trials). When she was 18, Grace Kelly posed for Ed. His first girlfriend was a star of the the Folies Bergère.

Two of Ed's sketches from the Nuremberg trials.

Two of Ed’s sketches from the Nuremberg trials.

Back in the States, he contributed to Time, Reader’s Digest and other publications. Specializing in military art, he drew uniforms from around the world for encyclopedias and paperback publishers. He worked for MBI too, illustrating the history of America from Leif Erikson through the Pilgrims, the Founding Fathers, and every war up to Vietnam.

Ed designed US stamps — some with military themes, some not.

One of Ed's US postage stamps.

One of Ed’s US postage stamps.

Oh yeah: He reached the semifinals of the 1952 Olympics, representing our country in fencing.

As I said, 95-year-old Ed Vebell could be slowing down.

He’s not. His latest project is selling his vast collection of uniforms.

They sprawl throughout the wonderful studio in his Compo Beach home, and in several other rooms. There are Revolutionary and Civil War uniforms, German helmets and Franco-Prussian gear. Buffalo Bill Cody’s hat is there too, in a bathtub surrounded by tons of other stuff.

He would have even more. But Hurricane Sandy wiped out his basement.

Two of Ed's many uniforms hang on a file cabinet.

Two of Ed’s many uniforms hang on a file cabinet.

Ed’s collection began years ago. He could rent a uniform for $15. But for just $10 more, he could buy it. That made sense; he had so much work, he needed plenty of uniforms.

So why is he selling?

“I’m 95,” he says simply. “I can’t keep them forever.”

Two auctions have already been held. He’s talking to more auction houses, and individual buyers too.

He knows each item. He points with pride to his Native American collection of bonnets, saddles and war shirts. He knows the differences between every tribe.

For years, he was hired for illustrations by editors out West. Why not use an artist closer by? he asked.

“We trust you,” they said.

Ed Vebell, in his Compo Beach studio.

Ed Vebell, in his Compo Beach studio.

The Civil War holds a special place in Ed’s heart. Years ago, he staged entire battle scenes in a Weston field. Models wore Yankee and rebel uniforms. Ed took photos, and worked from them.

He did the same with cowboys and Indians. “Those were great shows,” he recalls. “We had horses, riders, muskets and tomahawks. We entertained the whole neighborhood.”

It may be time to sell all those uniforms. But that’s not Ed’s only project.

At 95, he’s just finished two more picture books.

So now he’s looking around for his next one.

Ed drew this in 1944.

Ed Vebell drew this in 1944, in Italy.

 

Opening The Door To History

The front door of Wheeler House — the Westport Historical Society’s downtown home — has not been used for 20 years.

Now the Avery Place door is open. Visitors stroll through the parlor of the 1795 home, en route to the exhibits in the back.

The “new” entrance debuted today. A large crowd enjoyed the opening of “The Curious Case of Ed Vebell.” The must-see show chronicles the incredible life of Westport’s beloved 96-year-old illustrator.

He sketched World War II, including the Nuremberg Trials. He drew Wheaties box covers, Muhammad Ali and Grace Kelly. He fenced in the Olympics.

Ed’s done much more too. See it all.

And when you’re there, check out the welcoming — and wide open — front door.