Tag Archives: The Remains

After Nearly 50 Years, The Remains Come Home

The last time the Remains played in Fairfield County was 1966. The legendary rock group was a few months away from opening for the Beatles, on that legendary band’s final tour. Now they were at Staples High School, the alma mater of half their members: guitarist/vocalist Barry Tashian and keyboardist Billy Briggs.

Rock critic Jon Landau had already described the Remains as “how you told a stranger about rock ‘n’ roll.”

That 1966 gig was to raise money for the Orphenians’ — Staples’ select choral group — upcoming tour of the Virgin Islands.

Westporters and Remains Barry Tashian (left) and Bill Briggs flank Staples music director John Ohanian in 1966.

Westporters and Remains Barry Tashian (left) and Bill Briggs flank Staples music director John Ohanian in 1966.

After that Beatles tour, the Remains broke up. Rolling Stone magazine later called them “a religious totem of all that was manic and marvelous about mid-’60s pop.”

They reunited a decade later, for a few dates. But Tashian joined Emmy Lou Harris’ band, and moved to California. In the 1990s, he and his wife — 1964 Staples grad Holly Kimball — formed a Nashville-based duo.

Then, in the mid-’90s, a promoter invited them to play in Spain. They were up for it — and so were their rabid European fans. They played a couple of dates every year since.

In June 2013 they rocked the Bell House in Brooklyn. They were excited about their half-century return to this area: a gig in Fairfield this past April.

But in February, drummer Chip Damiani died of a brain hemorrhage.

In January, Chip Damiani attended the Fairfield History Museum's opening reception for its rock 'n' roll exhibit. He posed in front of posters of his legendary band, the Reamins.

In January, Chip Damiani attended the Fairfield History Museum’s opening reception for its rock ‘n’ roll exhibit. He posed in front of posters of his legendary band, the Reamins.

The loss of their “brother” — whose pounding drums helped drive the group to cult status in the 1960s, and who still played as energetically 5 decades later — stunned the 3 remaining Remains.

But the show must go on. In August — the day after Holly’s 50th Staples reunion, where she and Barry (SHS ’63) played and sang — the band auditioned new drummers. They chose George Correia, who played with Clarence Clemmons and, Tashian says, “locked right in to what we do.”

On Friday, September 26, the Remains return to Fairfield County for the 1st time since 1966. They venue is the Fairfield Theatre Company (7:45 p.m.), and they are as amped as when they played with the Beatles (and Bobby Hebb, the Cyrkle and the Ronettes).

The Remains, back in the day.

The Remains, back in the day.

“When Chip died, we really understood the saying ‘You don’t miss your water till your well runs dry,” Tashian says.

“Losing Chip makes us appreciate what we have even more. We look at each other and say, ‘How could it be 50 years?’ But it is. And we’re committed to each other — to our brothers — totally. We’re spread across Massachusetts, New Jersey and Nashville, but we really are a family.”

In just a few days, they’ll see plenty of Westport fans who for years have been part of that Remains family too.

(For information and tickets to the Remains’ September 26 show, click here.)

Putting The “Sound” In 17 Soundview Drive

Ginger Baker sent a drum set to the house. Peter Frampton lounged on the front deck. Carly Simon wanted to buy it.

Those are just a few of the musical memories associated with 17 Soundview Drive. It’s one of the most handsome homes lining the Compo exit road, drawing admiring glances from walkers and sunbathers for its beachside gracefulness.

If only they knew the musical history hidden throughout the property.

17 Soundview Drive.

17 Soundview Drive.

It was built — like the rest of the neighborhood — as a summer house in 1918. One of Frank Lloyd Wright’s students designed it, ensuring harmony with the beach environment.

Francis Bosco — current owner Gail Cunningham Coen’s grandfather — bought it in 1928. A Sicilian immigrant and lover of opera, he tuned in every Saturday to NBC Radio’s live Met broadcasts. For years the voices of Enrico Caruso, Maria Callas, Robert Merrill and others soared from the living room, under the awnings and onto the beach, thrilling neighbors and passersby.

In 1982 Gail and her husband Terry Coen bought the house. She’s a musician and music teacher; he’s a songwriter and music promoter. Over the past 32 years they’ve lavished love on it. It was one of the 1st Compo homes to be raised, to protect against storms. It’s been beautifully renovated inside. The Coens also added a secluded rooftop deck, and flower and vegetable gardens.

You can see the water from nearly every room in the house. This is the living room.

You can see the water from nearly every room in the house. This is the living room.

But the professionally designed, fully soundproofed music studio is what really rocks.

It — and the chance to hang out privately, yet in the middle of all the beach action — has made 17 Soundview a home away from home for 3 decades of musical royalty.

Ginger Baker spent many evenings talking about the birth of British rock, touring with Eric Clapton, and his childhood in England during World War II. He also recited some very bawdy limericks. In return, he gave Ludwig drums to Soundview Studios.

Ginger Baker, and his drums. (Photo/Wikipedia)

Ginger Baker, and his drums. (Photo/Wikipedia)

Peter Frampton brought his young family. They loved the warm summer breeze, and being able to sit anonymously just a few feet from the hubbub of a beach afternoon.

One summer day, Carly Simon said she was thinking of buying a beach house. #17 was her favorite, because it reminded her so much of Martha’s Vineyard.

Meat Loaf played Sunday morning softball at Compo. After, he headed to the Coens’. One day, he played his next single on the roof deck. No one on the beach could see he was there — but they heard him. At the end, everyone applauded.

The Remains reunited for the 1st time in decades in the studio. (Full disclosure: I was there. It was one of the most magical moments of my life.)

Eric von Schmidt loved to sing by the fireplace, and joined jam sessions in the studio. One day, Ramblin’ Jack Elliott rambled over with him.

Other regulars included Jimi Hendrix’s bass player Noel Redding; Corky Laing and Leslie West of Mountain; former Buddy Miles Express front man Charlie Karp; Eric Schenkman of the Spin Doctors, and guitarist/producer/songwriter Danny Kortchmar.

17 Soundview - roof deck

The rooftop deck is a great place to watch fireworks. It’s also where Meat Loaf played his next single, to the unknowing delight of a Compo Beach crowd.

Some of those musicians — and plenty other great ones, though less known — were guests at the Coens’ annual July 4th fireworks parties. The food and drinks were fantastic, capped off by watching the passing parade on Soundview.

But the real action happened when the fireworks ended. Everyone piled into the studio, and jammed till the sun came up.

From Caruso to the Spin Doctors, 17 Soundview Drive has seen it all. If only those walls could talk (or sing).

It’s on the market now, ready for the next gig. For Westport’s sake, I hope the new owners understand the home’s history. I hope they realize how the place has sheltered so many artists, and helped their creative spirits grow.

And though Brian Wilson was one of the few musicians not to hang out at 17 Soundview Drive — well, I don’t think he did — I hope whoever buys this beautiful, wondrous property will “get” its longtime, way cool and very good vibrations.

(Interested in buying the house? Click here for details.)
 
 

 

The Remains Live

Chip Damiani’s death yesterday — from a massive cerebral hemorrhage, at age 69 — was the final drum roll for the Remains.

For a generation that loved them in the 1960s — and for new listeners, born long after the half-Westport band toured with the Beatles and broke up — Chip’s death was devastating.

But — thanks to 1969 Staples grad Ray Flanigan, who shot these videos last June, when the Remains rocked Brooklyn’s Bell House — one of America’s greatest rock ‘n’ bands will never die.

They opened the set with “Hang On Sloopy.” It starts slowly, then takes off like a runaway train:

Here’s part of the Yardbirds’ classic,”I’m a Man.”

And, for good measure, “All Day and All of the Night.”

Bonus feature: Click here for Fran Fried’s very long, but tremendously insightful, piece on the Remains and their place in rock history.

Remains Drummer Chip Damiani Dies

Chip Damiani — whose pounding drums helped drive the Remains to cult status in the 1960s, and who still played as energetically 5 decades later — died today, of a massive brain hemorrhage.

The Remains — who besides Chip included Staples grads Barry Tashian and Bill Briggs, plus Vern Miller — had been preparing for a special show in Fairfield in April. It was scheduled for the end of the Fairfield Museum and History Center‘s current exhibit saluting area musical legends.

In January, Chip Damiani attended the Fairfield History Museum's opening reception for its rock 'n' roll exhibit. He posed in front of posters of his legendary band, the Reamins.

In January, Chip Damiani attended the Fairfield Museum and History Center’s opening reception for its rock ‘n’ roll exhibit. He posed in front of photos of his legendary band, the Reamins. (Photo courtesy of Facebook)

The Remains were — quite simply — America’s best rock band.  Ever.

Jon Landau said they were “how you told a stranger about rock ‘n’ roll.”

Rock journalist Mark Kemp said if they had stayed together, “we might today be calling them — and not the Stones — the World’s Greatest Rock ‘n’ Roll Band.”

Unfortunately, they broke up — right after touring America with the Beatles, a bit after performing on “Ed  Sullivan” and “Hullabaloo.” 

It took them decades to get back together. When they did, they picked up right where they left off. In fact, they were better than ever.

Chip Damiani, doing what he loved most.

Chip Damiani, doing what he loved most.

I was fortunate enough to be in Gail and Terry Coen’s Westport basement studio the 1st time they rehearsed for a European reunion tour, a decade or so ago. It was one of the most magical moments of my life. And no one was happier to be back than Chip.

The Remains got together regularly after that. They were the subject of an off-Broadway show (“All Good Things”) and a documentary (“America’s Lost Band”).

They all had separate lives, of course — hey, they’re in their mid-60s. Barry has had a long career as a musician in Nashville. Bill is a luxury automobile dealer. Vern is a high school music teacher. Chip was a roofer.

But at heart, Chip was a drummer. He played regularly with any band he could find. And every summer, he was at Gail and Terry’s 4th of July party on Soundview Drive. The food and fireworks were fun. But the highlight of the night — for Chip, and anyone fortunate enough to listen — was the midnight jam session that followed, down in the basement. As his bandmate Barry Tashian marveled, “He still played like a teenager.”

“All good things don’t have to end,” the Remains sang.

For Chip Damiani, the life he loved ended far, far too soon.

Fairfield Museum Unites Leonard Bernstein And Keith Richards

In 2014, the town of Fairfield celebrates its founding 375 years ago.

And nothing says “1639” like rock ‘n’ roll, soul, jazz and show tunes.

The Fairfield Museum and History Center kicks off the 375th anniversary with a “Rockin’ Top Ten” exhibit. Among the area musicians honored: former Westporters Ashford & Simpson, and the Remains, a half-Westport band that still inspires awe nearly 50 years after touring with the Beatles.

The exhibit features rare photographs, videos and artifacts from other artists who lived next to Westport, and spent (or are spending) plenty of time here: Weston’s Keith Richards and Jose Feliciano; Wilton’s Dave Brubeck; Fairfield’s Leonard Bernstein, Richard Rodgers, Chris Frantz and Tina Weymouth (Talking Heads, Tom Tom Club), Nile Rodgers and Bernard Edwards Chic), and Donna Summer.

It’s safe to say that, before this exhibit, all of those names had never before appeared in the same sentence.

The Remains included Westporters Barry Tashian (3rd from right) and Bill Briggs (far right). Rock critic Jon Landau said the band was "how you told a stranger about rock and roll."

The Remains included Westporters Barry Tashian (3rd from left) and Bill Briggs (far left). Rock critic Jon Landau said the band was “how you told a stranger about rock and roll.”

Over the next 3 months the museum show — partially sponsored by Westporters Deej and Deborah Webb — will include musical performances, lectures, artist evenings, films and more.

It kicks off tomorrow (Thursday, January 16, 6 p.m.) with a show featuring Chris Frantz. Other events this year include appearances by Caravan of Thieves, Mystic Bowie and the Zambonis; a performance and lecture tracing the influential friendship between Leonard Bernstein and Aaron Copland; the story of Bridgeport’s once-famous Ritz Ballroom dance palace, and an evening with Jose Feliciano.

About the only thing missing is Hall and Oates.

(For more information click here, or call 203-259-1598.)

Westport And Tyson Chandler: “The Minister Of D”

In 2010, Staples grad Fred Cantor co-wrote “Monbo Time.” It was a paean to pitcher Bill Monbouqette Monbouquette, and 40 years of Red Sox history.

The legendary Remains — a band that got their start in Boston, but whose lead singer Barry Tashian and keyboardist Bill Briggs called Westport home — recorded the song. They donated half of all revenues from it to cancer research and treatment.

Fred Cantor

Fred Cantor

But Fred is not a Red Sox fan. He loves basketball, and has been a New York Knicks fanatic since before the championship days of Willis and Walt.

So for his encore sports-songwriting effort — again for charity — he’s gone to the hoop.

Fred — who in real life is an attorney — chose Tyson Chandler. The veteran center “epitomizes selfless team play,” Fred says. “I really appreciate that, not only as a longtime fan but also having played on successful soccer teams at Staples and Yale.”

If the Knicks win an NBA title for the 1st time in 4 decades — since Fred was young — Tyson will be key.

Tyson Chandler

Tyson Chandler

First, Fred wrote some lyrics that capture the essence of Tyson’s game. Then he decided to give him a nickname. “I feel he deserves even greater recognition than he’s gotten,” the songwriter says.

Which is how Tyson Chandler became “The Minister of D.”

Next, Fred called Charlie Karp and Michael Mugrage. Both are Staples classmates of Fred’s — and friends dating back to Coleytown Elementary and Coleytown Junior High, respectively.

They’re hugely talented musicians. Charlie left Staples to join Buddy Miles’ band. He played at Jimi Hendrix’s memorial service, and earned a devoted local following with bands like White Chocolate, Dirty Angels and Slo Leak.

Michael toured with Orleans, and composed music for Chaka Khan, Smokey Robinson and Terry Cashman’s classic “Talkin’ Baseball.”

Michael Mugrage (center) and Charlie Karp (right) record "The Minister of D," with sound engineer Tom Hawes.

Michael Mugrage (center) and Charlie Karp (right) record “The Minister of D,” with sound engineer Tom Hawes.

“I wanted a song that combined different elements,” Fred explains. “The lyrics were to be rapped, but I also wanted a funk sound that evokes the era when the Knicks won their 2 titles. And I wanted the song to be part rock.”

“We wanted the music to harken back to the glory days of the Knicks of the early ’70s,” Michael told TheKnicksBlog. The site describes that “New York cool” time of Sly and the Family Stone, and Isaac Hayes, as “an era one imagines Tyson would  have felt right at home in.”

Within minutes of getting together, Charlie and Michael nailed it. After a bit more work, they recorded it with sound engineer Tom Hawes.

They continued to improvise, taking turns on lead and bass guitar, and sharing vocals in different octaves to create harmonies (and a “big group” sound). At the end, they created crowd noise to mimic the Garden.

Tyson’s reps say he is honored by the song. He feels good too that 25% of the royalties go to the Garden of Dreams Foundation, benefiting kids facing obstacles.

And Fred no doubt feels good that he’s written a song about favorite team. Not the Red Sox.

(Click here to hear “The Minister of D.” Search “Charlie Karp & Mike Mugrage” on iTunes to buy it.)

The cover, as it appears on iTunes. It's a ticket stub from a game Fred went to the 1st week the new Madison Square Garden opened. Fred  Cantor calls Tyson Chandler "a throwback" to that era of championship NY Knick teams.

The cover, as it appears on iTunes. It’s a ticket stub from a game Fred Cantor went to the 1st week the new Madison Square Garden opened. He calls Tyson Chandler “a throwback” to that era of championship NY Knick teams.

The Remains Of Boston

This Sunday’s Boston Music Awards will be fun.

Artists like Josh Ritter, Peter Wolf and the Mighty Mighty Bosstones are contending for honors.  Musicians, music lovers and industry hotshots will gather at the Liberty Hotel to hear the winners announced, dance, and raise money for music charities across New England.

They’ll hear performances by DOM, Jennie Dee & the Deelinquents, Mystery Roar, Kingsley Flood, Kon and many others I have (thankfully) never heard of.

But when the Remains take the stage, the place will party like it’s 1965.

The Remains then...

The band — featuring Westport natives Barry Tashian and Billy Briggs — will be inducted that night into the Boston Music Awards Hall of Fame.  They join previous inductees like Carly Simon — musicians with Boston ties who have influenced the industry.

If you’ve never heard of the Remains — especially if you’ve never heard them — I feel sorry for you.

Formed at Boston University, they were — quite simply — America’s best rock band.  Ever.

Jon Landau said they were “how you told a stranger about rock ‘n’ roll.”

Rock journalist Mark Kemp said if they had stayed together, “we might today be calling them — and not the Stones — the World’s Greatest Rock ‘n’ Roll Band.”

That was the key.  They broke up.

It was an unfortunate breakup — it happened right after they toured America with the Beatles, a bit after they performed on “Ed  Sullivan” and “Hullabaloo” — and it took them decades to get back together.

But reunite they did, a few years ago.  They were the subject of an off-Broadway show (“All Good Things”) and a documentary (“America’s Lost Band”).

...and now.

They’ve played concerts across North America and Europe, thrilling old fans and introducing new ones to the joys of kick-ass, hard-driving, rock-solid rock ‘n’ roll.

I’m sure some people will go the ceremony because of Josh Ritter and Peter Wolf.  Others will want to see Jennie Dee & the Deelinquents, Mystery Roar or Kingsley Flood (whoever they are).

But when the night is over — I guarantee — all anyone will talk about is the Remains.

Monbo Time

In the summer of 1966, the Standells hit it big with “Dirty Water.”  And the Remains toured with the Beatles.

I never understood why the Standells — a California garage band — sang about “the River Charles,” and said, “Boston, you’re my home.”

The Remains then...

I cared much more about the Remains.  Though they never had a smash like “Dirty Water,” they’re revered now as “America’s greatest lost band.”  They were, Jon Landau said — channeling John Sebastian — “How you tell a stranger about rock and roll.”

And — though they began at Boston University, and are forever associated with that city — lead singer Barry Tashian and keyboardist Bill Briggs are Staples grads.

“Dirty Water” lives on.  For years, the Red Sox have played the song after home wins.

The Remains knew about baseball too — on the Beatles’ final tour, they opened for them at places like Shea Stadium, Dodger Stadium and Candlestick Park.

The Standells — 1-hit wonders — are long gone.  But the Remains have reunited, playing concerts to adoring fans here and in Europe.

Now they’re ready to take on Fenway Park.

Westporter Fred Cantor took a 2002 Remains song — “Time Keeps Movin’ On” — and co-wrote new lyrics.  The new song is “Monbo Time” — a tribute to former Sox pitcher Bill Monbouquette.

...and now.

It’s also a paean to the past 40 years of Red Sox history.  There are references to Yaz, Jim Lonborg, Bernie Carbo’s historic home run, Pudge Fisk, Pedro Martinez, Curt Schilling, Manny Ramirez — even announcers Ken Coleman and Ned Martin, and the Citgo sign.

But “Monbo” — a 3-time All-Star — is key.  Now 73, he has leukemia — fortunately, in remission.

To honor “Monbo” — and Briggs, who has been diagnosed with bladder cancer — the Remains are donating 50% of revenues from the song to cancer research and treatment.

The band’s connection to the Red Sox is real.  Myles Standish Hall — their BU dorm — is a line drive away from Fenway.  When they were rockin’ the Rathskeller — a Kenmore Square landmark — Sox outfielder Tony Conigliaro was a fan.

Cantor — an attorney and longtime Remains fan who produced both an Off-Broadway musical and a documentary about the band — sees parallels between Monbouquette and the Remains.  “Both achieved a certain level of fame,” he says.  “But neither got the recognition they deserved.”

For 44 years, “Dirty Water” has defined Boston.  Maybe now it’s “Monbo Time.”

(“Monbo Time” is available at cdbaby.com, and soon on iTunes.  For lyrics and to hear a song clip, click here.  To read more about the recording, click here.)

All That Remains

Marilyn Chambers’ untimely death earlier this week shined a spotlight on Westport, where she grew up.  But Marilyn was not the only famous member of her family.

Long before Marilyn opened the green door, her brother Billy Briggs was on his own way to stardom.  As keyboardist for the legendary Remains, Billy appeared on “The Ed Sullivan Show” and “Hullabaloo.”  He toured with the Beatles — and, with fellow Westporter Barry Tashian and 2 bandmates, camethisclose to being the greatest American rock ‘n’ roll group ever.

The Remains never made it to the top.  In the midst of that 1966 Beatles tour, they were already breaking up.

But they remain cult heroes.  Jon Landau‘s praise — “They were how you told a stranger about rock ‘n’ roll” — is as true today as it was 42 years ago.

Now, when many people their age are retiring, the Remains are finally getting their due.  On the big screen.

The Remains - Barry Tashian (2nd from left); Billy Briggs (far right)

The Remains - Barry Tashian (2nd from left); Billy Briggs (far right)

Westport native Fred Cantor — a few years younger than the Remains, but (like me) a long time ardent admirer — is the producer and driving force behind “America’s Lost Band.” That new documentary — narrated by the J. Geils Band’s Peter Wolf, another early fan — weaves rare archival footage and flashbacks with the Remains’ current lives.  Believe it or not, they’re still playing kick-ass music — including at film festivals across the country, where fans old and new  gather to worship at their altar.

“America’s Lost Band” premiered at the Boston Film Festival, to great reviews.  Screenings in Chicago and Providence played to wildly enthusiastic audiences.  Next week it’s in Nashville and Portland, Oregon; on April 28 it’s one of only 4 films picked for the “Celluloid  Heroes:  Rock ‘n’ Roll on Film” series at New Orleans’ Ponderosa Stomp Music Festival.

How good were the Remains?

Rock journalist Mark Kemp said if they had stayed together, “we might today be calling them — and not the Stones — the World’s Greatest Rock ‘n’ Roll Band.”

Bruce Springsteen’s guitarist, Little Steven Van Zandt, called the Remains “living history, and one of our most valued American treasures.”

And Rolling Stone magazine described them as “a religious totem of all that was manic and marvelous about mid-’60s pop.”

Billy Briggs and Barry Tashian have not forgotten their Westport roots.  They rehearse here often, in their friends Terry and Gail Coen’s basement studio.  Their many Westport friends never forgot them either.

Now — thanks to another Westporter’s passion and movie-making skills — the entire country is rediscovering them.

And now for a treat:  To hear the Remains, click here. My recommendations (from the scroll-down list that appears on the right side of the linked page):  Start with “Hang on Sloopy” and “I’m a Man,” followed by a 3rd live song: “Mercy, Mercy, Mercy.”  Next, 2 album cuts: “Diddy Wah Diddy” and “Why Do I Cry.”  But whatever you listen to: CRANK IT UP!