She’s not a politician. She’s not a civic volunteer. She’s not a noted artist.
But politicians, volunteers and artists — especially artists — all love Nina Royce.
And we’ll all miss her, now that she’s left the Westport she loved and served so long and well.
She moved here in 1969, from New Haven. She married a Harvard guy, David Royce. Three children — and a master’s in fine arts — followed.
Nina spent 45 years at Max’s Art Supplies — the beloved downtown gathering spot for artists, designers, and anyone else needing pens, paint or paper. Nina was an important part of the glue that kept this town’s arts scene connected and vibrant.
Nina Royce (far left) with Max’s colleagues — and the store’s famous Karron’s clock.
For the past 3 years — ever since Max’s closed — you could find Nina at Age of Reason. She worked her magic on that innovative toy store’s many devoted customers — young and old.
Nina was also a regular at the Senior Center. She enjoyed exercise classes — and everyone there enjoyed her quiet, sunny presence.
Now it’s time for a change. Nina is moving to Ashland, Oregon. She’ll be near her son Zach, and granddog Otto. Seattle (son Peter) and Minneapolis (daughter Casey) are not too far away.
Nina has put out the welcome mat for Westporters heading west.
Happy (Oregon) trails, Nina, from all of us whose lives you have enriched!
(Hat tip: Jo Shields)
Nina Royce (seated, center) was feted by friends last week. She’s already on her way to Oregon.
In mid-September the Westport Y leaves downtown, for new digs at Mahackeno.
A few days earlier, another longtime Post Road anchor will also go.
Max’s — a legendary art supply store (and, just as important, social hub for painters, illustrators and cartoonists) — closes on September 1.
Max’s Art Supplies — a long and familiar Post Road store.
For 59 years Max’s has occupied prime real estate, directly opposite the Y. But the end of Westport as an “artists’ colony,” coupled with the increasing role of technology in both art and commerce, spelled the end.
Owner Shirley Mellor has held on longer than any other merchant would. It’s been years since she’s made any money. But — as much as she loves her employees, her town and her dwindling customer base — she can’t lose money forever.
Max’s dates back to 1956, when Max Kaplan bought Fine Arts Stationers. He replaced paper and candy with pens, sketch pads, paints, brushes and canvases.
Part of a shelf at Max’s, last Friday.
Shirley was Max’s wife. He died in 1983. The next year she married artist Gordon Mellor, a widower. He died in 2001.
“We played a huge role in the art life of Westport,” Shirley says proudly. “All the artists knew us. And they were a sizable number.”
They came to Max’s for supplies, and stayed to socialize. Whitney Darrow Jr., Stevan Dohanos, Bernie Fuchs, Mel Casson, Dik Browne, Mort Walker, Stan Drake, Leonard Starr, Eric von Schmidt, Constance Kiermaier, Tom Funk, Gill Fox, Naiad and Walter Einsel, Ward Brackett, Neil Hardy, Miggs Burroughs — the names roll off Shirley’s tongue, like the old friends they were.
She points to a photo from 1981. It was Max’s 25th anniversary. A hundred artists posed on the sidewalk outside.
The famous 1981 photo. Another was taken in 2006, for Max’s 50th anniversary.
Today, at least half are dead. That’s one reason Max’s is closing.
Another is the new nature of the art industry. The advent of computers changed the way illustrators worked. The rise of e-commerce changed the way they bought supplies.
Through the 1980s too, Westport was known as a marketing mecca. Industrial designers and marketing corporations were steady customers. When they moved out, Max lost more business.
For longer than she cares to recount, the store has not made money. At age 70 — well over a decade ago — Shirley took herself off the payroll.
Shirley Mellor at her desk, surrounded by original art from grateful customers.
Then she started subsidizing Max’s, out of her own pocket. She’s lucky, she says — she owns half of the building, as well as those that house neighboring Fig (formerly Schaefer’s Sporting Goods) and Dovecote (the old smoke shop, Quick Copy and beauty salon). “It was a good investment,” she says.
But it does not make up for the money that Max’s has been losing for so long.
Things were different, back in the day. The Fine Arts Theaters (now Restoration Hardware and Matsu Sushi) brought people downtown. So did the popular Ships Restaurant (now Tiffany).
“People were around. Now they’re not,” says Nina Royce.
Nina Royce, with plenty of “stuff” still left at Max’s.
Nina has worked at Max’s since 1969. In 1975, she created the first window display of Westport artists. Since then — every month — Nina has made that spot an ever-changing, always-intriguing exhibition of local creativity.
New York Times art critic Hilton Kramer — a former Westporter — once wrote of a New York City gallery, “I’ve seen better shows at Max’s than this one.”
Nina — whose husband David died last month — does not know what she’ll do now. Neither does 10-year employee Rita Ross Englebardt (whose husband died just a few days before Nina’s).
Talented framer Jay Cimbak is lucky. He will work on his own, once he finds a spot.
“We just can’t do it any more,” Shirley says wistfully. “We absolutely can’t make a living here. It’s a whole different world. We hung on as long as possible. Every day I lose money. Kids still come in with school projects. But we can’t make money on crayons.”
When the Fine Arts Theaters closed in 1999, Max’s next door felt the effects. (Photo/ Miggs Burroughs)
So there is no longer a place for an art supply store in downtown Westport. But what does that mean?
“You’ll lose the personal touch, the interactions,” Nina says. “Our customers are familiar to us. We’ve watched them grow. You don’t get that in a chain store, or on the internet.”
“It’s a different Main Street now,” Shirley adds. “There’s no hardware store, drugstore, grocery store or gas station. That’s where you get the personal attention.”
She says — trying to smile — “We’re heartbroken. We’ve been so happy to be here. We want to thank our customers. We will sure miss them. Hopefully, they’ll miss us.”
Shirley looks at the wall full of art — gifts from grateful cartoonists and illustrators — hanging above her desk. She hopes to donate it to the Westport Historical Society.
It’s a history of Westport art, over the past 6 decades. It’s great, and all original.
But nowhere near as great, or original, as Shirley, Nina and Max’s Art Supplies have been to us.
If your browser does not take you directly to the Westport Historical Society’s oral history interview of Shirley Mellor, click here.
(Discounted prices begin June 1. Everything will be for sale, including racks and fixtures.)
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