Tag Archives: “Drunk Stoned Brilliant Dead”

Drunk Stoned Brilliant Dead In Stamford

In the summer of 1978, Doug Tirola’s parents took him to see “Animal House” at the Fine Arts Theater (now Restoration Hardware).

He was not yet a teenager, but he loved it. When the film ended, he and his father got right back in line for the next show. It remains one of the funniest movies he’s ever seen.

Soon, Doug sought out National Lampoon — the magazine that spawned the movie — at the Merritt Superette, Westport Smoke Shop and Christie’s Country Store. He was swept up by its boundary-breaking irreverence.

Doug Tirola

Douglas Tirola

A few summers later, Doug was working at the Westport Country Playhouse. He earned 25 cents for every business that put an “upcoming show” poster in its window. With his hard-earned savings, he went to Remarkable Book Shop and bought “National Lampoon’s 10th Anniversary Anthology.” Even today, he says, that collection of art and articles seems outrageous.

Many years passed. Living back in Westport, Doug — now a filmmaker himself — and his wife were invited to a dinner party. With the economic downturn underway, the man seated next to Douglas lectured him about all the rules needed to get things going again — which applied to everyone except the man himself.

Doug made a poor, not-Lampoon-worthy joke about German profiteers in World War II. It ruined the dinner party, and a woman told him “Doug, you always go too far. You always have to say the thing everyone might be thinking, but you’re not allowed to say.”

He’d never heard anything like that. It got him thinking about that National Lampoon 10th Anniversary Anthology. He’d kept it with him, during moves all over the country. He realized that one book had influenced his entire life.

He had just finished his 2nd movie, for his company 4th Row Films (where he teams with fellow Staples grad Susan Bedusa). The 1st was acquired by HBO. The 2nd was about to be released in theaters, and on Showtime. It was time to make a film about National Lampoon.

The National Lampoon crowd, in the 1970s.

The National Lampoon crowd, in the 1970s.

The result was “Drunk Stoned Brilliant Dead.” It premiered at Sundance earlier this year, and after playing at Tribeca was picked up by Magnolia Pictures.

The Fine Arts Theater is now just a memory. So is National Lampoon.

But tonight, Doug

sfilm will be show at the Avon in Stamford (7:30 p.m.). Friends and family — and Lampoon’s many fans — will enjoy the film.

A film that would never have been made, if not for Doug’s laugh-out-loud experiences decades ago in Westport.

And, of course, that dinner party a few years back.

 

Drunk Stoned Brilliant Dead

From the 1920s “lost generation” expats in Paris to the beat poets of 1950s’ Greenwich Village, cultural history resonates with moments in time when great, creative people came together unexpectedly. Without planning to, they created movements of outsize influence.

Perhaps the most famous National Lampoon cover of all time.

Perhaps the most famous National Lampoon cover of all time.

That’s what happened at the National Lampoon in the 1970s. A wildly outrageous, semi-demented group of men and women joined forces to whack social taboos, from politics and race to sex and religion. Nothing was sacred.

Gilda Radner, John Belushi, Bill Murray, Chevy Chase and like-minded talents used an irreverent magazine to launch records and movies (“Animal House,” “National Lampoon’s Vacation”) that changed the face of comedy, culture — perhaps even America itself.

For years, filmmakers — including an Oscar-winner — tried to capture that special moment. All those projects imploded.

Now Westporter Doug Tirola and Susan Bedusa have done it.

Their company — 4th Row Films — is in the final, frantic post-production days of “Drunk Stoned Brilliant Dead: The Story of the National Lampoon.” The 93-minute documentary weaves never-before-seen archival footage with the magazine’s beautiful and often shocking art, in a film that is already drawing praise and attention.

The National Lampoon crowd, in the 1970s.

The National Lampoon crowd, in the 1970s.

There’s much more to come. It premieres this Sunday (January 25) at the very prestigious, make-or-break-a-movie Sundance Film Festival.

As a kid in Westport, Tirola saw “Animal House” twice at the Fine Arts Theater. He scavenged for new issues of National Lampoon at Bill’s Smoke Shop. He hauled the now-legendary Lampoon 10th Anniversary Anthology from grad school to his 1st apartment to his home here, when he moved back.

Susan Bedusa and Doug Tirola.

Susan Bedusa and Doug Tirola.

After batting around the idea of a Lampoon history film, Susan Bedusa — a fellow Staples graduate, and Tirola’s longtime producing partner — convinced him to contact the Lampoon‘s owners. At a meeting in Los Angeles, they said they’d cooperate — if the original magazine owners signed off on the concept.

Coincidentally, at the height of its popularity, Lampoon publisher and “Animal House” producer Matty Simmons owned a summer home on Lamplight Lane. Belushi, Radner and other stars came here for parties.

Tirola got the rights to the story — including the artwork that was an important part of the magazine. National Lampoon launched the careers of artists who went on to work at the New Yorker, and for “The Simpsons” and “Home Alone.”

Now it’s a race to finish the sound mixing and color correction. Then it’s on to Sundance, and the Drunk Stoned Brilliant Dead premiere.

Afterwards, there will be a party.

Togas are optional.