Tag Archives: Drew Angus

Jake Bernard’s “City Of Love”

Jake Yarmoff is a singer/songwriter. So it’s not surprising that he cites Alice Lipson as a major influence. At Staples High School — from which he graduated in 2010 — the choral teacher helped him hone his smooth sound.

But he also was mentored by English instructor Julia McNamee. “She woke me up my last 2 years there, ” Yarmoff — who now goes by the easier-to-remember name Jake Bernard — says. “She taught me to be harder on myself, and made me the writer I am.”

Jake Bernard

Jake Bernard

Even math teacher Lenny Klein made an impact. “His policy of total honesty and great sense of humor were so important,” Bernard says. “He’s all about taking your work seriously — but not yourself.”

With that background, it’s not too surprising that at Penn State the aspiring entertainer majored in … finance. And minored in sociology.

He interned with Vanguard after junior year, then joined the investment firm full-time in financial sales at its Philadelphia headquarters. Bernard calls Vanguard “a great company, and a fantastic experience.” But he left 8 months ago.

“I knew I had somewhere else to be,” he says simply.

That “somewhere else” was metaphorical — not physical. He remained in Philly, and dedicated himself to his musical craft.

“My goal in my career is to have a positive impact — to inspire and give ‘wow’ moments, like other musicians have for me,” Bernard says.

“I want to make people smile, laugh and be their full selves. Ever since I was little, in every interaction with people — even outside of music — that’s been my aim.”

So Bernard wrote songs. He played. And he’s been in the studio, recording a series of singles he’ll release over the coming months.

Right now, “City of Love” is getting a lot of attention. And love.

It’s a 2-way street. Bernard has come to appreciate Philadelphia — a place that, growing up in Westport, he never really thought of — for its small-town-in-a-big-city vibe.

It took several months to get the tune right. But it — and a music video that shows Bernard singing and playing in some of Philadelphia’s most iconic spots (yes, of course including the “Rocky” steps!) — is a catchy, compelling love song to his adopted city.

Bernard knows that — musically speaking — the City of (Brotherly) Love is not in the same league as New York, Los Angeles, Nashville or Austin. It does have a lively hip hop, rap and jazz scene.

But the “beach pop” genre that Bernard specializes in (think Jason Mraz, and Fairfield’s own John Mayer) is wide open. He hopes to fill it.

Jake Bernard, in the city he loves.

Jake Bernard, in the city he loves.

Yet he retains his Westport roots. He recently performed at Toquet Hall with Alan Southworth — a friend since orchestra at Coleytown Elementary School — and Dustin Lowman, another Staples grad on the fast musical track. Bernard has also played alongside Staples alum Drew Angus.

Jake Yarmoff loves Westport. Jake Bernard loves Philadelphia.

And both places love both Jakes right back.

Drew Angus Earns A Golden Ticket

Music was always part of Drew Angus’ life.

From Mary Ann Hall’s Music for Children, through musicals at Coleytown, Bedford and Staples (Class of 2007), to the bands he’s played in and the record label he ran at Hartwick College, Drew has immersed himself in sound.

But after college, he says, “I lost my musical focus.” He spent a year managing a YouTube viral artist. Ultimately, he realized, he wanted to be on stage — not behind the scenes.

In the past 2 years he’s played over 150 gigs. Drew does it all: concerts, weddings, bar and bat mitzvahs. In November he appeared at the FTC Warehouse (with, among others, Anders Osborne).

Drew angus logo

Drew also made the Top 10 of Boston’s “Community Auditions” TV show — a 4-decade-old forerunner of “American Idol.”

Speaking of which…

Last summer, Drew was invited to an “American Idol” audition in Philadelphia. He roared through 3 rounds of auditions — then was asked to return, to perform in front of real-live judges.

It was another all-day affair. But singing in front of Harry, JLo and Keith was amazing.

Drew’s 1st song was “I’m Ready.” Harry said he’s buddies with singer/ songwriter Anders Osborne.

The judges liked Drew’s voice. JLo asked for another tune. He quickly tuned his guitar out of double drop  D — without a tuner. Impressed, Harry said, “You’ve got good ears, man!”

Drew played the 1st 2 verses of “Dock of the Bay.” Keith stopped him, and asked why he chose the song. JLo glared at Keith and said, “’cause he can sing!”

Drew got 3 “yeses,” and walked out — with a golden ticket to Hollywood!

Drew Angus with his parents -- and his golden ticket.

Drew Angus with his parents — and his golden ticket.

“Being validated by 3 industry veterans and the producers was incredible,” Drew says.

“Idol” did not air Drew’s audition last week, when Philly was up. But he saw himself on TV, with his golden ticket.

Talk about a great screen shot!

Talk about a great screen shot!

“Reality TV is not just what you see on TV,” he notes. “There are a lot of amazing people who never get air time. Hopefully, you’ll see me in Hollywood next week!”

Winning “Idol” would be fantastic, Drew says. For now though, he’s taking it one performance at a time.

Tune in Wednesdays and Thursdays (Fox, 8 p.m.) to follow his journey.

(Drew Angus’ version of Jeff Buckley’s “Hallelujah” comes out next week on iTunes and Spotify. He’s donating proceeds from the sale and streaming of the track to the charity Little Kids Rock, which provides instruments and music education to underserved children across the country. Drew performs on February 2 at the Bitter End, and March 2 at Rockwood Music Hall.)

 

Alisan Porter Knows “Who We Are”

It’s been quite a year for Alisan Porter.

The 1999 Staples graduate — who also played Curly Sue in the movie of the same name, and performed on Broadway in “Footloose” and “A Chorus Line” — gave birth to her 2nd child, talked openly about her sobriety, and has just released her 1st solo album in 6 years.

After many years recording and performing with her band The Canyons, she felt the need to explore musically on her own. She spent time in Nashville writing, and — with friend and fellow Staples grad Drew McKeon — went into the studio. He co-wrote, co-produced and played on the album, called “Who We Are.”

Ali Porter

“We basically sat in her kitchen in California with a guitar and a laptop and started writing a song,” he says, recalling the project’s genesis. “Twenty minutes later we had a demo for a tune.”

They went out and got all-star musicians, veterans of bands for Joni Mitchell, James Taylor and Eric Clapton.

In a People magazine story written by yet another Staples grad — Jennifer Garcia — Porter describes her work as a recording artist, mother of 2 (ages 2 1/2 and 6 months), and blogger (“The Lil’ Mamas” is a no-holds-barred, tell-all, not-your- grandmother’s look at motherhood).

“Motherhood always comes first,” she says. “But I knew I wasn’t going to be a good mother if I didn’t continue to do what I love! Music is a part of me and I had to express myself, especially now that I’m a mom. That inspired a lot of the album. My own growing up and watching my children do the same.”

That’s happening in California now. But you can’t take the Westport out of Curly Sue Alison Porter.

 

 

Drew Angus’ SXSW

Drew Angus — a 2007 Staples grad, who studied music production at Hartwick College and now runs his own artists’ management firm — just returned from South by Southwest.

SXSW logoIf you’re from the Woodstock generation — or the silent film one –and don’t know about “SXSW”: It’s 2 weeks of music, film and interactive mayhem in downtown Austin, Texas. The festival features great new films, bands, technology, phone apps, surprise appearances by famous stars, and “a bearded lady-man with a well groomed mustache.”

That’s the 1st part of Drew’s report. Here’s the rest:

It’s a sleep-depriving binge on music, BBQ and Tex-Mex, with a side of networking. There’s a little something for everyone.

The official band schedule could be overwhelming — and that doesn’t include the vast number of unofficial shows and parties. My highlights included Justin Timberlake’s surprise show with ?uestlove, Jim James at Willie Nelson’s ranch, partying at Willie Nelson’s Ranch, Baauer, Dave Grohl demonstrating his original multi-track recording setup using 2 tape decks, an interview with George Clinton and Bootsy Collins, wandering into a Frank Turner show at 1:30 a.m. where most of the audience was singing along (some hanging off the fence, many drenched in beer), and discovering the band Dawes.

Drew Angus

Drew Angus

I missed a lot too, like Prince, The Flaming Lips, Smashing Pumpkins, and more, but I’m not sad… well, maybe a little bitter about Prince.  Life goes on.

I’ve attended SXSW since 2005. It’s gotten bigger every year.

This year I was supposed to perform. However, the only gig I ended up playing was at 30,000 feet on Southwest Airlines (the most captive audience I’ve ever had).

My gig on the ground got canceled because the venue shut down midweek (not terribly uncommon). This year Third Eye Blind were 2 songs into their set when the cops stopped it (due to overwhelming crowd response from fans on the street).

Westport often has a presence at SXSW, whether it’s bands, blogs or small companies.

Last year, Will Richardson (Staples ‘07) made a splash with his band American Royalty playing multiple shows a day (including a key slot at the Virgin Mobile House.

Westport's April Kry performed at South By Southwest... (Copyright Kirk Stauffer Photography)

Westport’s April Kry performed at South By Southwest… (Kirk Stauffer Photography)

This year, Westport was there in force. Staples ’07 graduates April Kry and Harry Rodrigues (or, as the world knows him, Baauer) were both in town. I caught April at her ZodLounge showcase at Bourbon Girl. For a petite woman, she’s got one hell of a voice and a band to groove hard. She took command of the stage, telling stories through catchy songs and soaring melodies.

Afterwards we chatted. We agreed that while performing at “South By” is great, there’s just so much noise (bands) that it’s more about the networking than the performing.

Baauer, on the other hand headlined quite a few shows. He was a big buzz artist this year. I caught his show at La Zona Rosa, the venue Prince made a surprise appearance at Saturday night (with 7 encores).

Electronic music isn’t quite my jam, but Harry throws down. He came on at 1:10 a.m. and played a 45-minute set straight — no stops between songs. That’s impressive.

The crowd’s dance moves were reminiscent of those during the raves Harry and friends threw while at Staples: intense head and body bobbing, hands thrown up waving to the beat, and some jumping.

...and so did Westport's Harry Rodrigues, known the world over as Baauer. (Look closely; that's him.)

…and so did Westport’s Harry Rodrigues, known the world over as Baauer. (Look closely; that’s him.)

Harry’s excitement and intensity on stage behind a wall of LEDs with rapidly changing shapes and patterns, combined with a killer light show and the deepest, loudest sound system of SXSW, transcended reality. The 3 light guys were all working just as hard as Harry. The light show and music really go hand in hand.

He did of course spin the “Harlem Shake” track.

I caught up with Harry after his gig. He’s still Harry.

When I asked how the whole “Harlem Shake” thing happened, his smile grew. He said simply, “I have no idea. I don’t f—ing know.”

Then — in a great Westport moment — he was ushered off to the illmore party. It was run by another Staples grad: Mike Bowen.

It was a successful week, full of great music, handshakes, friends, and partying like a rockstar. Now it’s time to get back to reality. I have a lot of work to catch up on — and new leads to connect with.

Crowd-Funding SafeRides’ Smartphone App

When SafeRides was first proposed several years ago, there were big concerns.

Giving teenagers free rides home from parties — no questions asked — will encourage drinking!

Kids will use it as a taxi service!

People will join just to put it on their college application!

SafeRides logoThose fears were unfounded. In the years since Alix Dulin and a few friends got the confidential service up and running, it’s become a low-key, but very important, part of local adolescent life.

And, in typical Westport fashion, it’s made a national impact.

Staples parent Isaac Levi appreciated SafeRides — but was surprised its lack of an even rudimentary website made scheduling and operations difficult. In 2009 he and friend Amiel Dabush developed software to schedule drivers, e-mail members, distribute messages and update calendars.

Then they made the system available to every other SafeRides chapter in the country. SafeRidesUS.com makes scheduling and dispatching  easy — and starting a new chapter painless. Over 60 high school and college groups now use the SafeRidesUS software.

But a website is so early 2000s.

So Isaac and Amiel set their sights on the smartphone market.

Isaac Levi

Isaac Levi

With GPS — and all the other stuff iPhones and Androids can do — scheduling volunteers, getting substitutes, dispatching and routing rides, and communicating with riders, drivers and navigators will be cake.

With just one or two swipes, users can ask for a ride, then find out how soon the driver will arrive. GPS will pinpoint where someone needing a ride is calling from if they don’t know (or are too drunk to explain).

Isaac and Amiel funded the initial website themselves. But they figure it will cost $50,000 to get the SafeRides app developed, running and marketed.

Drew Angus — a 2007 Staples grad who admits he “never knew SafeRides existed” — produced a video for Isaac and Amiel. They’re using it to raise money on the crowd-funding site IndieGoGo.

There’s great potential for expanding the app. Bartenders, for example, could prevent patrons from driving home drunk.

But right now Isaac and Amiel are concentrating on raising capital. In Westport, it can take 15 minutes for a SafeRides car to pick up a rider.

Coincidentally, every 15 minutes someone in America dies in a drunk driving accident.

Isaac, Amiel and everyone in SafeRides wants to cut both numbers down.

(To contribute to the SafeRides app, or view the IndieGoGo video, click here.)

Drew And Giorgio Do “Ellen”

Drew Angus is a talented musician. But when the 2007 Staples grad reached “The Ellen DeGeneres Show,” it was as a manager — not a guitarist.

That’s show biz.

Like many peers, Drew spent the past few months after college graduation — at Hartwick he created an individual program in music production and management — looking for work.

He had great credentials — he’d interned at A&M Octone Records, and worked as a talent scout/trend spotter, among others — but it’s not an easy time to be a 22-year-old job seeker.

Drew Angus

Drew did not want to work at a big company. “I’m an entrepreneur, a go-getter, creative and dedicated,” he says. “I was scared of finding myself stuck in some corporate rut where I’d be crunching Excel data, answering phones and doing all the stuff the next person up the chain doesn’t have time for.”

He admits, “I know I sound like a kid fresh out of college in this era of entitled children.” But all along he was working hard, donating time to small start-ups and non-profits, looking for the right opportunity.

And then along came Giorgio.

The young man (full name: Giorgio Fareira) is a Bridgeporter now living in Fairfield, attending Norwalk Community College and working at Starbucks.

Not long ago, he and some friends drove to Hartford. Pulling into a Sonic, he sang his order into the drive-thru mike. A buddy taped the scene, uploaded it to YouTube — and (thanks to a push by Comedy Central’s Tosh.0 — the video went viral.

Within days, nearly a million people saw it.

Giorgio asked Drew — they were friends through the Connecticut music scene — to help him out. Drew agreed, joking about getting Giorgio on the “Ellen” show.

The next day, Ellen called. So did CNN’s Soledad O’Brien and “The Voice.”

Drew put his eggs in Ellen’s basket.

And justlikethat, Drew and Giorgio were in LA.

Drew Angus (right) and Giorgio.

Ellen’s producers sent a slick Mercedes SUV to pick up the duo at LAX. The next day — last Thursday — they recorded 3 tracks for an EPthat came out on Valentine’s Day, in conjunction with the show. Tracking guitars, mixing and mastering took until 3:30 the next morning.

But they were up at 8 on Friday to plan a unique taping session. The idea was to build on the Sonic video, sending Giorgio to various spots around LA where he’d surprise random people with his simple, sweet strumming serenades.

A crew of 10 — in 5 cars — started at 11 a.m. They hit a gas station, bus stop, Starbucks, hair salon, dentists’ office and AAA — places, Ellen explained, where “people might not be having a good time,” and needed some cheering-up.

Giorgio warbled to a woman under a large hair dryer, “They even got the tin foil to keep out the CIA.” At the dentist’s, all the hygienists got into the act. And at AAA, when a dozen employees high-tailed it to a conference room, Giorgio sang to the closed door.

The results are fantastic — as Ellen and her nationwide audience saw (below):

On Saturday night, Giorgio played at the Hard Rock Cafe for 300 people. When the MC introduced him as “the Sonic guy who’s going to be on Ellen,” half the audience took pictures.

On Monday — Show Day — Ellen proved as much a character in person as she is on TV. He went on, rocked the segment, and as he exited the stage, was congratulated by many (including the Kardashians’ father).

That, too, is show biz.

Making Wickit Music

When Drew Angus and his roommate asked to use the recording facilities at Hartwick College last year, they were rebuffed.

Drew Angus and his board.

So the pair took a different approach.  Drew — who had taken audio production courses at Staples, recorded his band the Euphons in the Staples studio, then at Hartwick created his own music industry major — used a January term course with a business professor to learn how to create his own record label.

Drew discovered that John Doelp — a senior vice president at Columbia Records — is a Hartwick grad.  Drew met him in his impressive New York office, dominated by the biggest speakers Drew has ever seen, and a plaque-filled wall.

John told Drew that the record label industry is dying, and challenged him to help find a way to make it viable again.  John’s advice:  Find a band Drew thought would be successful, and get them to tour.

Back at Hartwick last spring, Drew took an online Berklee College of Music entrepreneurship course.  He honed a business plan.

Last fall he hosted a battle of the bands.  Then he and a team picked 4 groups with potential.  With a $17,000 grant from Hartwick’s Student Senate, he and roommate M.W. Degan put them in a state-of-the-art recording studio — in a section of the music department that had turned him down less than a year earlier.

The result — after Drew spent many hours mixing — is a 4-track compilation on WICKit Music Group, Hartwick’s “student run record label.”  It’s available now online.  Donations are requested, with funds earmarked to press and promote the compilation as a physical CD in the fall.

This summer — before senior year — Drew is working at A&M Octone Records in New York.  His goal:  “to really learn how to run a record label.”

What about John Doelp’s warning, that the record label industry is going down the tubes?

“In some senses, yes,” Drew says.

“But they just need to be run better than the head honchos of the Big 4 are running them now.

“John told me to get a band to go out and play.  But I’m trying to build something with my educational experience too.”