Tag Archives: David Roth

Staples Players Share A Theatrical Moment

Great theater is made up of small but important moments.

Staples Players are well known for great theater.

After last week, they now know even more about those “moments.”

As the high school troupe — which is decidedly not your average bunch of teenage kids — prepares to stage “Laramie Project: 10 Years Later,” they spent 4 hours with someone intimately involved with that play, and the equally powerful “Laramie Project” that preceded it (which Players produced last year).

Andy Paris came to Staples on Thursday. He described how his Tectonic Theater Project group traveled to Laramie, Wyoming in the aftermath of gay student Matthew Shepard’s murder; how they structured a drama about the effect of that crime on a small college town, then how they returned a decade later, believing they’d fashion a 15-minute epilogue to their play.

Instead, Paris — an original cast member, who also performed in the HBO “Laramie Project” film — and his colleagues realized they had the makings of an entirely new work.

Paris told the Players actors and stage crew about all that. But he did much more.

"Laramie Project" actor Andy Paris (blue plaid shirt, coffee cup) works with Staples Players. (Photo/Kerry Long)

“Laramie Project” actor Andy Paris (blue plaid shirt, coffee cup) works with Staples Players. (Photo/Kerry Long)

He focused on “moment work”: the single unit that gives power and meaning to a play. In “Laramie Project,” such moments include scenes at the fence where Shepard was left to die, and the vigil that followed a few days later.

Then — using costumes, lights and other tools of the trade — Paris helped the Staples students devise their own “moments.”

One actor did it by walking in a spiral, while another created a tempo. Clever use of light and a gas mask formed another moment.

Staples Players create a "moment," with light. (Photo/Kerry Long)

Staples Players create a “moment,” with light. (Photo/Kerry Long)

“We could have done it for 8 hours,” Players director David Roth says. “The kids were entranced.”

The workshop helped actors, and lighting director Francis  Fiore, “understand the structure of ‘Laramie’ a lot more,” Roth noted. “It also brought them together as an ensemble, to better understand the creative theatrical process. I think it really opened their minds.”

“The Laramie Project: 10 Years Later” is powerful theater. The political, sociological and theatrical elements of Matthew Shepard’s murder are strong stuff.

But when Staples Players stage the show 2 weeks from now, they’ll do so with added insight, and extra depth.

It will be quite a moment.

(“The Laramie Project: 10 Years Later” will be performed in Staples’ Black Box Theatre on Thursday, Friday and Saturday, May 19, 20 and 21 [7:30 p.m.], and Sunday, May 22 [3 p.m.]. For more information, click here. For tickets, click here.)

 

Opening Hearts And Minds, To Leave Hatred Behind

For the past 2 days, hundreds of Westporters have been inspired by Megan and Grace Phelps-Roper.

In appearances sponsored by the Anti-Defamation League, the young women — granddaughters of Rev. Fred Phelps — have described in raw, harrowing detail how the Westboro Baptist Church known for picketing the funerals of AIDS victims, American soldiers killed in Iraq, and Steve Jobs controlled their minds until they were adults.

And what’s happened since they gathered the courage to leave.

Last night, a packed Westport Country Playhouse audience heard the women talk about the wrath they long believed God held for anyone who did not follow his every commandment. They told of the agony of leaving siblings, parents and grandparents — whom they deeply love — behind forever. And they spoke with wonder of being welcomed into the home of a rabbi who, just a couple of years earlier, they had called a “whore.”

“It’s so comfortable not to have to think for yourself,” Megan said. “But it’s so important when you do.”

Megan Phelps-Roper, after last night's talk at the Westport Country Playhouse. Her sister Grace is behind her.

Megan Phelps-Roper, after last night’s talk at the Westport Country Playhouse. Her sister Grace is behind her.

This morning, hundreds more Staples High School students gathered in the auditorium. They sat in stunned silence as the women talked — then followed up with respectful questions.

One student wanted to know what the Westboro Church thought of the pope. “They don’t really like him either!” Grace said.

As the women were leaving for their next engagement, someone mentioned “The Laramie Project.” Last year, Staples Players performed the deeply moving play — about a Wyoming town’s reaction to the murder of gay student Matthew Shepard.

A defining moment comes when church members picket his funeral. They scream their signature “God hates fags” refrains, and worse. Laramie residents, in turn, raise angel wings to block the protesters from view.

Megan and Grace said they’ve never seen “The Laramie Project.”

Players director David Roth gave them a DVD of the show.

When these 2 courageous young women watch it, they’ll no doubt take a few more steps on their remarkable journey.

Westporters should feel honored — and inspired — they’ve shared it with us.

(Staples Players present “The Laramie Project: 10 Years Later” on May 19, 20 and 21, in the Black Box theater.)

"Reverend" Fred Phelps, and some of his signs. His granddaughters, Megan and Grace Phelps-Roper, described what it's like to grow up in that environment -- and how conflicted they feel because they still love their family.

“Reverend” Fred Phelps, and some of his signs. His granddaughters, Megan and Grace Phelps-Roper, described what it’s like to grow up in that environment — and how conflicted they feel because they still love their family.

“Drowsy Chaperone”: Wake Up! Just 2 Performances Left!

It’s one thing for Staples Players to sell tickets to shows like “A Chorus Line,” “West Side Story” and “Guys and Dolls.”

Everyone knows the high school troupe will knock those familiar shows out of the park.

It’s a lot tougher to try to sell a musical few people have heard of — and with a sleep-inducing title.

Trust me: “The Drowsy Chaperone” will do more than keep you awake.

It’s laugh-out-loud hilarious. It’s superbly entertaining.

And it’s as Broadway-quality as every other Players production you’ve ever loved.

Drowsy Chaperone - Christian Melhuish, Aaron Samuels, Charlie Zuckerman - Kerry Long

Aaron Samuels (center) breaks theater’s “4th wall.” Playing “Man in Chair,” he also interacts with actors Christian Melhuish and Charlie Zuckerman. (Photo/Kerry Long)

The premise is a bit odd — a “Man in Chair” imagines an entire 1920s musical in his apartment — but trust me: It works.

Without knowing anything about 1920s musicals, you’ll get both the spoof of the genre — and the homage. The cast and crew clearly have fun. They straddle past and present — and their joy is infectious.

“The Drowsy Chaperone” features superb performances from — among others — Aaron Samuels (Man in Chair), and Jacob Leaf (Tevye in “Fiddler on the Roof,” this time nailing a Latin lover in a performance that would make Rudolph Valentino swoon).

There’s tap dancing, show-stopping songs, and Players’ signature professional sets, costumes and pit orchestra.

Trix the Aviatrix descends onstage, in a memorable number. (Photo/Kerry Long)

Trix the Aviatrix descends onstage, in a memorable number. (Photo/Kerry Long)

Directors David Roth and Kerry Long have been bombarded with emails from fans who — like me — surprised themselves at how much they loved a play they knew nothing about.

Roth and Long knew when they chose “Drowsy Chaperone” that it would be a tough sell. They took the challenge anyway.

They’re happy to see that — thanks to word of mouth — tickets are going fast for Friday and Saturday’s final performances.

Consider this your wakeup call.

(“The Drowsy Chaperone” will be performed this Friday and Saturday — March 18 and 19 — at 7:30 p.m., at Staples High School. Click here for tickets.)

Players’ Audiences Won’t Sleep At “Drowsy Chaperone”

Staples Players are known for producing challenging, Broadway-quality shows with important messages. In just the past few years they’ve staged “Cabaret,” “Sweeney Todd” and “The Laramie Project.”

Their spring show is just as demanding, technically and artistically. But “The Drowsy Chaperone” has almost no message at all.

It’s simply fun, uproariously funny, catchy. And short.

Besides the complex choreography and intricate set, one challenge for David Roth — in his 50th show as Players director — is selling the show to audiences. Though it won several Tonys in 2006, many theater-goers have not heard of “The Drowsy Chaperone.”

That’s a shame.

Aaron Samuels -- the "Man in Chair" -- is a central character in "The Drowsy Chaperone." (Photo/Kerry Long)

Aaron Samuels — the “Man in Chair” — is a central character in “The Drowsy Chaperone.” (Photo/Kerry Long)

See, there’s this middle-aged theater-lover. Feeling down, he puts on a record of a favorite musical — and invites the audience to listen too.

The show we hear is a fictional 1920s musical: “The Drowsy Chaperone.” The entire play comes to life in his apartment.

“It’s a real homage — and at the same time, a parody — of ’20s musicals,” Roth says.

“It was a unique time: right before the Depression, and the advent of talking pictures. It was a time of big, splashy musicals — without much plot.”

With Roth and associate director Kerry Long, the cast explored the time period by watching documentaries of the development of musical theater during that decade. They also saw “Singin’ in the Rain.” That classic film takes place in the exact same year as “Drowsy.”

The show — which opens March 11, and runs through March 19 — is the first for Players’ new choreographers, Christopher Hudson Myers and Rachel MacIsaac. The married couple — he just finished a 5-year Broadway stint in “Mamma Mia!”; she was with the show’s national touring company — moved to Westport last year.

Roth says, “We’ve never done tap dancing at this level. It’s really complicated, but they’re doing some amazing things. I’m impressed every time I see it. And the kids really like it.”

In a musical number called "Accident Waiting to Happen," Robert (Keanan Pucci) rollerskates while blindfolded. to avoid seemg his bride Janet (Caroline Didelot) on their wedding day. Aaron Samuels plays the "Man in Chair." (Photo/Kerry Long)

In a musical number called “Accident Waiting to Happen,” Robert (Keanan Pucci) rollerskates while blindfolded. to avoid seemg his bride Janet (Caroline Didelot) on their wedding day. Aaron Samuels plays the “Man in Chair.” (Photo/Kerry Long)

Another challenge is the set. Technical director Peter DiFranco and his crew have created an apartment that transforms magically into a Hamptons mansion.

“The Drowsy Chaperone” is the final musical for Players’ seniors. They’ll exit the stage with a great one.

(“The Drowsy Chaperone” will be presented Friday and Saturday, March 11, 12, 18 and 19 at 7:30 p.m., and Sunday, March 13 at 3 p.m. For tickets and more information, click here.)

Zito And Honeycutt Grab Radio Gold

It’s a good thing the Staples Media Lab is big. There’s room for TV production classes, a radio station and recording studio, plus plenty of high-tech equipment and offices.

Teachers and students need all that space to make magic. And, to store all the trophies they win for their work.

The latest hardware was handed out last weekend at North Central College in Naperville, Illinois. As usual, Staples won several John Drury Awards — the country’s top honors for excellence in high school radio broadcasting.

But this year was extra special. Jim Honeycutt and Mike Zito were named Co-Faculty Advisors of the Year. It’s the 1st time a school has had 2 honorees — and it came just a few months before both legends retire.

The pair were cited for their long service to WWPT-FM; their cutting-edge work, and their contributions to the school and community. Nominating letters of support poured in from Staples athletic director Marty Lisevick, citing the duo’s work in creating robust sports coverage; assistant principal James Farnen, attesting to their dynamic classroom environment, and past and present students, describing the instructors’ sometimes life-changing impact.

Mike Zito and Jim Honeycutt (rear) stand with WWPT-FM's Jack Caldwell and Cooper Boardman -- and some Drury Award trophies. Behind them is a mural -- painted by Staples art students -- on the wall outside the Media Lab.

Mike Zito and Jim Honeycutt (rear) stand with WWPT-FM’s Jack Caldwell and Cooper Boardman (and some Drury Award trophies). Behind them is a mural — painted by Staples art students — on the wall outside the Media Lab.

Sunday’s awards ceremony was emotional, Zito admits. He and Honeycutt have known one each other since the 1970s — when neither was yet teaching.

Honeycutt was a musician, who built the sound system for Barnaby’s in Bridgeport. Zito was the DJ there.

“We were in and out of each other’s lives for years,” Zito says. “Then we had the good fortune of establishing the media department at Staples.”

He arrived at the high school 14 years ago, from Coleytown Middle School. Honeycutt — formerly a Long Lots Middle School social studies and Staples computer teacher — had already moved into TV, radio and recording instruction.

WWPT- FM has won many Drury Awards. In 2011, it was named best high school station in the US.

WWPT- FM has won many Drury Awards. In 2011, it was named best high school station in the US.

The Media Lab now encompasses WWPT-FM and the Staples Television Network — both after-school activities — and classes in TV, radio, film, audio production and graphics.

Broadcast coverage includes live sports events, Staples Players’ shows, Candlelight and other concerts, graduation, even elections.

“On Back to School Night and when we talk to 8th grade parents, we like to say that there are many ways kids can find their place at Staples,” Zito says. “Some do it in arts, athletics or science. Others find a home here.”

For he and Honeycutt, being honored for helping students feel comfortable — and discover a new passion, perhaps even their life’s work — is “a real nice cap to our own careers.”

But the teachers are just as proud of the other Drury Awards won last weekend.

Cooper Boardman, Adam Kaplan and Zach Edelman were honored for Best Sports Play-by-Play radio broadcast. It was not even a Staples game — the trio earned kudos for their work on the girls basketball state finals (Wilton vs. South Windsor) at Mohegan Sun.

Boardman arranged that coverage on one day’s notice.

Boardman, Edelman and Jacob Bonn came in 2nd, in the same category, for their broadcast of the Trumbull-Stamford FCIAC basketball championship.

In addition, Boardman placed 2nd (Best Sportstalk Program) for his interview of ESPN personality Jonathan Coachman; Boardman, Edelman and Bonn took 3rd for Best Sportscast (“WWPT Sports Update”). Jack Caldwell was a national finalist for his Sportstalk interview with hockey goaltender Mike Liut.

WWPT_logo

But wait! There’s more!

Honeycutt’s Audio class and David Roth’s Theater 3 class took both 1st and 2nd place for “Best Radio Drama – Adaptation.” They were cited for parts I and II of “A Christmas Carol.”

Finally, WWPT was runnerup for Best Radio Station in the country. It’s the 6th consecutive year the FM outlet was either 1st, 2nd or 3rd.

It was quite a weekend for WWPT, and their advisors. So what’s ahead for the duo, once they retire in June?

Honeycutt will enjoy his grandchildren, who live nearby.

Zito and his wife head to Austin, Texas. “It’s a great music town,” he notes. “I hope to get into radio there.”

He will not win any more Drury Awards. But SXSW — watch out!

To watch the award-winning live radio adaptation of “A Christmas Carol,” click below.

 

 

Players’ “Fiddler” A Show For The Ages

David Roth always liked “Fiddler on the Roof.” He just didn’t love it.

The longtime Staples Players director chose the show as his acclaimed troupe’s fall mainstage production.

Now he’s fallen in love with it. And — thanks to all that’s happening on the world stage — his high school actors are passionate about it too.

Jacob Leaf as Tevye in

Jacob Leaf as Tevye in “Tradition.” (Photo/Kerry Long)

“I knew ‘Fiddler’ was important because it exposes teenagers to what was happening at that point in history,” Roth says of the musical that opens this Friday.

“But I never expected it to resonate so much with the contemporary world.”

In the months since the show was chosen, the Syrian refugee crisis has exploded. The parallels with “Fiddler’s” story line — families and communities torn apart, then scattered all across the globe — help students connect yesterday and today.

They’re doing more than just talk about it. At the show this weekend and next, Players will raise funds to help female Syrian refugees. Women were chosen in part, Roth says, because “Fiddler” is a story of matchmaking.

“In the beginning, it was hard for kids to relate to that concept,” Roth notes.

Samantha Chachra (Tzeitel) and Remy Laifer (Motel) in

Samantha Chachra (Tzeitel) and Remy Laifer (Motel) in “Miracle of Miracles.” (Photo/Kerry Long)

When they studied the role of Chava — the eldest of the 3 daughters, who marries a Christian — he and his actors talked about religious tradition. None of the Staples students could really relate to the distress over intermarriage, epitomized by Tevye’s harsh comment, “You’re dead to me.”

But they did connect that to the current issue of same-sex marriage. Roth’s actors know that even in 2015, people are ostracized for marrying a same-sex partner. “Kids do understand what it means to go against norms and traditions,” the director says.

There’s another reason Roth has grown to love “Fiddler.”

“I’ve realized it’s an almost perfect, musical,” he says. “There’s great storytelling, songs and dance, and a fantastic balance of humor and pathos. That’s why it’s one of the most popular shows of all time.” The 5th Broadway revival opens soon.

But you don’t have to travel that far to see “Fiddler on the Roof.” The Staples curtain rises on Friday.

(“Fiddler on the Roof” runs Friday and  Saturday, November 13, 14, 20 and 21 at 7:30 p.m. Matinees are set for Sunday, November 15 and Saturday, November 21 at 3 p.m. Ticket sales are strong — so to order online now, click here.)

For Your Viewing Pleasure

There’s a lot to see and hear in Westport. No one can do it all.

But if you missed 2 recent Staples High School-related events, YouTube can help.

A couple of weeks ago, the music department presented a fantastic concert: “The Art of Folk Music.” One audience member said “it equaled or surpassed many a NYC production.”

To hear Luke Rosenberg’s superb choral groups, click below:

Last week, David Roth’s Theater 3 acting class and Jim Honeycutt’s audio production class collaborated on a WWPT-FM live radio broadcast of “Dracula.” It was just like 1939: the Orson Welles Mercury Theater original script, period commercials, sound effects, the challenge of conveying a story completely with actors’ voices and sound effects.

The media lab shot the show. Here you go:

Enjoy!

“Godspell” Spills Across The Staples Stage

“Godspell” is no stranger to Staples High School.

But Players’ 2 previous productions of the parable-based musical were performed as student-directed studio theater pieces.

Next week, “Godspell” spills across the main stage.

Part of

Part of “the tribe” of “Godspell.” (Photo/Kerry Long)

Over 50 students — all between ages 14 and 18 — present the vibrant show July 23, 24 and 25.

A cast that big presents challenges, notes director David Roth.

The original production includes only Jesus, Judas and 8 followers. Roth and co-director Kerry Long expanded that core group, then added an ensemble. They listen to Jesus’ words, and join in the celebration.

This production is also special because “Godspell” enjoyed a major Broadway revival in 2012. It featured new vocal arrangements, and script changes with plenty of modern references. There’s rapping, puppets — even a game of Pictionary.

This year’s Staples version includes those additions, along with a song not previously used on stage, “Beautiful City.”

Caroline Didelot and Jack Baylis share a duet. (Photo/Kerry Long)

Caroline Didelot and Jack Baylis share a duet. (Photo/Kerry Long)

Roth says he grew up loving the show. Its upbeat message of love and tolerance make it a great summer choice.

“Some of our recent productions, like ‘Cabaret’ and ‘Sweeney Todd,’ were very moving, but also very dark,” Roth adds. “‘Godspell’ is equally poignant, but in a joyous and exuberant way. It’s also a great show for the entire family, regardless of your religious beliefs.”

With opening night near, Players are working hard to make this the best summer production ever — day by day.

(“Godspell” will be performed at 7:30 p.m. on Thursday, Friday and Saturday, July 23, 24 and 25, and 3 p.m. on Saturday, July 25. Tickets are available at www.StaplesPlayers.com, and at the door.)

Staples Players Bring “Laramie Project” To Life

When Staples Players director David Roth announced the spring Black Box Theater production — “The Laramie Project” — 80% of the actors had no idea who Matthew Shepard was.

But why would they? The oldest were 2 years old when the gay University of Wyoming student was beaten, tied to a fence and left to die in the Laramie night.

Roth and co-director Kerry Long are adept at presenting theater that educates audiences. This time, they’re educating their cast too.

“I don’t think kids in this community have any idea how tough it still is to be lesbian, gay, bisexual or trans in other parts of the country,” Roth says. “A lot of teenagers here don’t realize how we’ve gotten to this place of acceptance.”

Part of the reason Staples is a high school where students feel comfortable being who they are — whoever they are — is because of John Dodig. The principal has worked hard to create an environment of acceptance and inclusion. He retires this spring after 11 years at Staples — and 47 in education — so Roth and Long are proud to dedicate this year’s “Laramie Project” to him.

Sophia Sherman, Keanan Pucci and Nick Ribolla, ensemble members of “The Laramie Project.” (Photo/Kerry Long)

It’s the 2nd time Roth and Long are directing this show with Players. The 1st production was 8 years ago.

This set design is completely different. So is the use of technology, showing the use of TV cameras as world media descended on Wyoming.

Different too is that “The Laramie Project” now has a companion piece. In 2008 — 10 years after Matthew Shepard’s murder — the Tectonic Theater Project returned to the town. They interviewed many of the same people who contributed to the first play, as well as others — like Matthew’s mother Judy, and his 2 killers. All showed what had — and had not — changed in the intervening decade.

The result was another play: “The Laramie Project: Ten Years Later.” It recently become available for licensing. Players will be one of the first companies anywhere to produce that show next year.

Each cast member plays multiple roles in

Each cast member plays multiple roles in “The Laramie Project.” (Photo/Kerry Long)

Roth and Long are excited about the opportunity to do their 1st-ever cycle. Some of this year’s cast will audition for the same roles a year from now. It’s a challenging way for them to look at their character’s growth — and their own.

The directors savor the chance to work with an ensemble. The cast of 18 covers over 60 roles. Each actor must understand multiple, nuanced characters. The hate crime evoked complex reactions among many Laramie residents.

It’s all part of the educational process that began when this generation of Staples students first heard the name “Matthew Shepard.”

(“The Laramie Project” will be presented in Staples’ Black Box Theater on May 28, 29, 30 and 31. Click here for times, and ticket information [available starting Saturday morning].)

Staples Players’ Post-Apocalyptic “Sweeney Todd”

Stephen Sondheim is notorious for writing difficult musical theater. And “Sweeney Todd” is considered to be his best — and perhaps musically toughest — work.

Which is exactly why the show has been chosen by directors David Roth and Kerry Long for this spring’s Staples Players mainstage production.

Sweeney Todd poster

The curtain rises next Friday (March 13) on a unique version of the 1979 Tony Award-winning thriller. Set not in 1849, but 200 years later — 2049 — Staples’ “Sweeney” envisions a post-apocalyptic world. The undefined-but-class-war-type disaster unfolded in 2015 — this year — when both Sweeney Todd and Nellie Lovett were 17. That’s the age, of course, of the stars of the show.

Those stars have embraced what Roth and Long are asking them to do.

“Musically, this is the most challenging production since I’ve been here,” says Roth, a 1984 Staples graduate who directed his first Players show in 2000.

“The harmonies, rhythms and lyrics are all very tough,” Roth says. “That’s why actors love it.”

Sweeney Todd (Everett Sussman) and Mrs. Lovett (Juliet Kimble), in an intense scene. (Photo/Kerry Long)

Sweeney Todd (Everett Sussman) and Mrs. Lovett (Juliet Kimble), in an intense scene. (Photo/Kerry Long)

Before auditions began, Roth compared it to “A Chorus Line.” He told potential cast members that, just as that show demanded above all else the ability to dance, this one revolves around musicality.

And, Roth noted, that does not just mean a good singing voice. Actors also need to handle very complicated music.

“Sondheim says it bothers him when everyone singing a musical theater number has the same thought at the same time,” Roth explains. “So he writes 8 or 9 different thoughts. It’s much closer to reality.”

It’s also a lot to ask of teenagers. But Staples Players are not typical teenagers.

Like Roth and Long, they love Sondheim’s dark humor. They understand his tragic, broad themes. Like the best actors anywhere, they’ve appreciated the chance to find out where all those characters come from.

To prepare for the show, Roth has scheduled more singing rehearsals than usual. Music director Luke Rosenberg — who talked about doing “Sweeney Todd” since arriving at Staples 3 years ago — has worked hard with the directors to make sure the cast understands exactly what they’re singing.

“With Sondheim, music informs the emotion of a scene,” Roth says. “We’re trying to let that happen.”

He’s given the actors plenty of table work — talking about what happened to them in the “apocalypse,” figuring out the events that led them to where they are in 2049.

Technical director Pete DiFranco and professional set designer (and Players alum) Reid Thompson have built a clever brick structure that evokes the world Roth and Long have envision.

Meanwhile, Priscilla Stampa and Marjorie Watt — Players’ longtime costume designers, who are retiring after this main stage production — have created very innovative, post-acopalyptic costumes.

The cast of "Sweeney Todd" gets ready for opening night. (Photo/Kerry Long)

The cast of “Sweeney Todd” gets ready for opening night. (Photo/Kerry Long)

The best theater challenges, provokes and prods its audience. Stephen Sondheim is a masterful creator of the best theater — and Staples Players are wonderful interpreters of it. The 2049 version of “Sweeney Todd” promises to be a show for the ages.

(“Sweeney Todd” will be produced on Friday and Saturday, March 13, 14, 20 and 21, at 7:30 p.m., and Sunday, March 15 at 3 p.m., in the Staples High School auditorium. For tickets and more information, click here.)