The winner of the Compo Beach Playground K-5 logo contest is …
Jack Burke. The Greens Farms Elementary School 5th grader designed the graphic that will be used as the Westport Rotary Club and Westport Young Woman’s League plan — and fundraise — for the renovation of the beloved kids’ spot. (Hat tip: Andrew Colabella)
Jack Burke’s winning logo.
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On Thursday, the Westport-Weston Community Emergency Response Team held a swearing-in ceremony at the Westport Library for 17 graduates of their course. Nine will join the local CERT team as volunteers.
For the first time, all 20-plus hours of training were held in Spanish. It was only the second CERT basic training class conducted in Spanish in the state.
Attendees learned a variety of emergency skills, including first aid, AED, CPR, disaster psychology, fire safety, traffic control, hazardous materials awareness, emergency shelters, light search, and rescue and terrorism.
To learn more about CERT, including upcoming classes, text or call Westport-Weston CERT president Mike Vincelli: 203-984-4051. Click here for their Facebook page.
CERT graduation and swearing-in ceremony, at the Westport Library. (Photo and hat tip/Frank Rosen)
The combination of flute and harp has been popular with composers for over 250 years.
On March 3 (2 p.m., Westport Library), flutist Elizabeth Mann and harpist Amy Berger offer “After the Dream.”
Joining them is Grammy Award-winning producer/guitarist (and Staples High School Class of 1971 graduate) Brian Keane. He has scored hundreds of films and TV shows, and produced over 150 albums. Keane is currently completing final edits to the soundtrack of Ric Burns’ 4-hour “Dante: Inferno to Paradise” for PBS.
He will talk with Mann, who has played on dozens of soundtracks, about composing for movies, and introduce his work for solo harp that he wrote for Berger.
The afternoon includes wine, courtesy of Jim and Mary Ellen Marpe.
Brian Keane, in his Connecticut studio.
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Claudia Sherwood Servidio captured this serene Earthplace scene yesterday, for today’s “Westport … Naturally” feature:
George Barrett accomplished lots in life. He played varsity soccer at Brown University, taught at Horace Mann, and was CEO of a Fortune 25 company.
But in 2016, he had a chance to play with The Who’s Roger Daltrey.
“Finally, I felt like I was home again,” says the 1973 Staples High School graduate.
As CEO of Cardinal Health — the Ohio-based multinational distributor of pharmaceuticals, medical and lab products — Barrett often traveled with his guitar.
But, the former Orphenian — who had sung professionally in New York, and considered a musical career — said, “I was hesitant to perform in public. I didn’t know how that would be seen.”
The Daltrey gig — at a company event — was a turning point. “People saw a side of me they hadn’t known,” Barrett says.
Encouraged, he began performing with the Columbus Symphony Orchestra, and jazz and chamber groups.
Now — at the age of 68 — he’s released his first record. Fittingly, it’s a collaboration with Grammy Award-winning producer/composer/arranger — and 1971 Staples grad — Brian Keane.
George Barrett (Photo/David McClister)
Barrett and Keane first met playing youth sports in Westport. Now, at Keane’s Monroe studio — and with an all-star band of musicians and backup singers — they’re together again.
Barrett and his 4 siblings — all musically talented — were part of a noted local family. His father Herb was a psychologist; his mother Lou was a Staples High School English teacher and poet.
George Barrett, Staples basketball star.
Barrett grew up as both a musician and athlete. Starring in soccer, basketball and baseball at Staples, he was always encouraged seeing Orphenians director George Weigle — with whom he toured Europe — at his games.
“No one forced me to make a choice. I was celebrated for doing both music and sports,” he says. He felt similarly supported at Brown, where Barrett — whose parents had helped build Temple Israel — moonlighted singing in church choirs.
After college he taught history and music, and coached soccer and baseball, at Horace Mann, the prestigious New York prep school. Meanwhile, he played music in Greenwich Village clubs like the Bitter End, did session work and recorded jingles.
“It was a crazy life,” he notes.
But while he loved “the music part of business” — being on stage — he did not enjoy other aspects. Offered a chance to move to Los Angeles, as part of the late-’70s soft rock scene, he said no.
A series of unexpected events — including going into business with his then-wife’s family — led to a career he’d never envisioned: pharmaceuticals. The dual history and music major had taken only one business course at Brown, but he earned an MBA at New York University.
The small family business exposed him to everything. Ten years later, Barrett ran the firm.
It was then acquired by a company in Norway. The CEO asked him to run its American subsidiary, in Baltimore.
Barrett was 34 years old. He “learned to lead” from older employees. “They gave me a great gift,” he says.
In 1998 he began running US operations for Israel-based Teva, the world’s largest manufacturer of generic drugs. Eight years later he was offered its CEO spot. But instead of relocating to Israel, he joined Cardinal Health, an American firm, as vice chairman. Two years later, he was named CEO.
Barrett calls his decade there “an incredible experience. I worked with great people. It was a blessing.”
Yet all along, music was never far from his heart. So despite his post-Cardinal Health work — teaching at the Columbia University School of Public Health and NYU Business School, policy work in Washington, consulting, and board work with Brown, the Business Roundtable and the Rock & Roll Hall of Fame — when he was looking for a second (okay, fifth or sixth) act, he asked Keane for an honest assessment.
Brian Keane
They talked, played and made a demo tape.
“I think there’s something there,” Keane said.
That was all Barrett needed to hear.
Tapping into Keane’s vast network of musical contacts, Barrett worked on an album. His goal was to cross genres and age brackets.
A year and a half later, “Not Alone” has just been released. There’s a single from the album too — and a video.
“It feels like a rebirth,” says Barrett, of his first time back in a studio in decades. “I’m hearing my music now — with real horns and guitars and backup singers — the way I was hearing it in my head. Everyone has been sensational.”
The response from fellow musicians has been important. He recorded with, among others, jazz legends Cyrus Chestnut and Eddie Gomez, Billy Drummond, Dave Mann, Joe Bonadillo, “Saturday Night Live” drummer Sean Pelton — and his brother, cellist Dan Barrett.
Keane accompanied Barrett on guitar. Backup singers toured with Bruce Springsteen.
“I had been away from that community for so long. I was wondering: Am I a businessman with a hobby, or a real musician? Their welcome was very gratifying,” Barrett says.
“Not Alone” has been released on all platforms. It crosses genres: Americana, bluegrass, gospel, country, blues, classical, rock, funk and jazz. Most of the songs were written by Barrett, though it includes Richard Rodgers covers.
Barrett does not want to be known as “the singing business guy.” He hopes his music “speaks for itself, and for me — organically and gently.”
Though he’s never been active on social media, he now has a music website, an Instagram and a Facebook page. “That’s another learning experience,” he laughs.
Speaking of learning: At 68, does Barrett see his age as a deterrent?
“It’s less about age, than stage of life,” he counters. “If I was younger, I might do a national tour. But I’ll just perform selectively now.”
Still, he is “as excited and enthusiastic as when I was 24. I enjoy music as much as I ever did.”
Keane and Barrett have talked about performing in Westport. His ties here remain strong. “When I sit at the bench at the beach dedicated to my parents, my youth comes flooding back,” Barrett says.
That youth includes playing at long-gone venues like Grassroots, on Post Road West just over the bridge.
“You don’t realize until you leave just how special this community is,” says Barrett.
It’s a community where the artist who just released “Not Alone” grew up.
And never felt alone.
(Click here for “Not Alone,” on a variety of streaming platforms. Click here for George Barrett’s music website.))
(“06880” often chronicles the intriguing lives of talented Staples High School graduates. Please click here to support our work. Thank you!)
A week from tomorrow, Westporters have a chance to look back in history.
Or forward, to a very uncertain future.
Sunday, November 5 (2 to 5 p.m.) is the day for our “Historic Homes of 06880” house tour. It features 4 great properties, all from the 1700s: 6 Old Hill Road, 39 Cross Highway, 190 Cross Highway, and 29 North Avenue. Click here for details.
But this story isn’t about that.
November 5 is also the day for Westport’s annual TEA Talk (2 p.m., Westport Library).
The acronym stands for Thinkers, Educators and Artists. Sponsored by theWestport Arts Advisory Committee, and based on the one-letter-off TED Talks, it’s a chance for artists to discuss and demonstrate the role of technology in a variety of artistic disciplines.
This year, a panel of experts will use live and interactive demonstrations to explore the impact of artificial intelligence on arts education, music and art. The title is: “What’s Next for the Arts?”
The TEA Talk features a diverse, “A” list of panelists.
Brian Keane in his home studio.
Brian Keane is a 1971 Staples High School graduate, and Emmy- and Grammy-winning composer/musician. He has composed music for hundreds of films and television shows, working with directors like Ken Burns, and produced over 100 albums.
He is leasing thousands of his compositions in a computerized music library to major entertainment companies, utilizing AI for metadata searches.
Steve Zimmerman is the Westport Public Schools K-12 arts coordinator. He faces daily challenges creating curriculum that respects art making, with the abundant available AI resources
Liz Leggett is an artist and arts consultant. She currently advises a tech company experimenting with AI-generated art, design and architecture.
“Robot Painting at an Easel” (Prompt by Eric Griffith; Generated on Midjourney)
“As AI becomes more prevalent in everything we do, there are questions we must answer,” says Shobana Mani, moderator of the panel and WAAC co-chair. “Does AI pose an existential risk to arts makers? And how does AI affect the ‘process’ of making art?”
Panelists will discuss those questions, and many more.
An audience Q-and-Q (and refreshments) will follow the TEA Talk. Admission is free. Click here to register.
(All “06880” stories are certified created by human beings, not AI. To support our people-produced blog, please click here. Thank you!)
The New England Music Hall of Fame has a new member: Charlie Karp.
The Staples High School Class of 1971 member — who left school to play with Buddy Miles, then worked with Jimi Hendrix and Keith Richards, wrote songs for Joan Jett and Joe Perry, before returning home to earn a fanatic following with bands like Dirty Angels, White Chocolate, Slo Leak and the Namedroppers, while simultaneously earning Emmys as a producer of music for sports networks, documentaries and feature films, and becoming a guitar teaching mentor to generations of aspiring young stars — was inducted posthumously.
Karp died in 2019, a few weeks after being diagnosed with liver cancer.
The ceremony was led, fittingly, by Brian Keane. A Staples classmate (and friend since Coleytown Junior High) — and himself a Grammy-winning artist, songwriter and producer — he and Karp often collaborated on musical projects. (Hat tip: Fred Cantor)
Brian Kean (left) and Charlie Karp. (Photo/Lynn Untermeyer Miller)
Westport’s rainbow crosswalk was installed yesterday, by the Department of Public Works.
As the photo below shows, this one will last quite a while. It replaces the temporary one laid down in June on Jesup Road at Taylor Place, to celebrate Pride Month.
This crosswalk — funded by private donations — will be dedicated at 1 p.m. October 11: National Coming Out Day.
Nearly 80 members and guests of the Y’s Men of Westport and Weston enjoyed a tour of an architectural landmark on Sunday.
Fellow Y’s Man Win Allen opened his historic home on Burritt’s Landing North.
He’s notable too. Allen founded the first Black-owned broker dealer firm on Wall Street. His book “I Pried Open Wall Street in 1962” chronicles his journey.
He and his late wife Ruby bought their home in 1975. Built in 1957, it was designed by Ludwig Mies van der Rohe’s protégé Roy Binkley. His Wikipedia entry mentions the Allen House in Westport — listed on the National Register of Historic Places — as one of his masterpieces.
Allen told the Y’s men that Marilyn Monroe spent months in the house as a guest of director Lee Strasberg, when he conducted workshops for prominent actors there.
Win Allen’s landmark home ..,
… and Allen (center) with his guests. (Photos/Dave Matlow)
The Westport Farmers’ Market is a Thursday tradition for shoppers of all ages.
Including the youngest.
Each week, the WFM’s “Get Growing” program includes a craft or activity for kids and toddlers. It introduces them early to the importance of shopping locally and sustainably.
Program leader Mae Farrell loves interacting with kids and their families, while providing a fun place to visit.
As the program grows, so has its need for craft items. On October 12 and 19, WFM hosts a craft material drive. They’re looking for cheese cloth, paper, pom pons, markers, crayons, shells, toilet paper rolls, mini wooden ornament slabs, cookie cutters, felt, dried beans and lentils, ribbon, clay, washable paints, paper straws and white paper plates.
The Farmers’ Market runs every Thursday from 10 a.m. to 2 p.m., at the Imperial Avenue parking lot.
Little kids love the Farmers’ Market. (Photo/Margaret Kraus)
Christ & Holy Trinity Episcopal Church’s new “Music & Arts” year kicks off this Saturday (October 7), with an afternoon of all things Celtic.
Attendees will enjoy Irish dancing, learn to play a bodhran, and discover other Celtic activities for all ages. All activities are free, from 2:30 to 4:30 p.m.; everyone is invited.
At 4:30, a concert in Branson Hall features Ringrose and Freeman, accompanied by Loretta Murphy on accordion and Mary Gardner on bodhran. Food, drink and s’mores follow at the fire pit.
Tickets for the concert are $35 for adults; children are free. Click here to purchase.
Speaking of music: One of Jazz at the Post’s most popular performers — Westport’s own Melissa Newman — returns this Thursday (October 5; shows at 7:30 and 8:45 p.m.; dinner begins at 7; VFW Joseph J. Clinton Post 399; $15 cover; reservations: JazzatthePost@gmail.com).
The Westporter will be joined by guitarist Tony Lombardozzi, bassist Phil Bowler and drummer Bobby Leonard.
Another iconic Westporter — internationally best-selling author Jane Green — takes the Sacred Heart University Theatre stage this winter.
She’ll be Chris Sarandon’s guest on his podcast, “Cooking by Heart.” The “worlds of literature and gastronomy (will) converge in a symphony of flavors, anecdotes, and inspiration” as she and Sarandon talk about childhood memories, share recipes, and chat about their culinary creations.
Scott Smith writes: “I was in the yard this weekend after Friday’s deluge and took these photos. Fungi were on the logs that enclose my compost heap.
“What strikes me about the mushroom colonies is how similar in structure they are to mineral formations and coral reefs, though I bet Mother Nature already knew that. The ephemeral bulbs sprout up in the yard this time of year. Life blossoms even as the decay and decomposition of fall sets in.”
And finally … if you never heard Charlie Karp (story above), click the videos below.
And if you are a Charlie Karp fan, here are a few memories to enjoy.
(Music, the Farmers’ Market, real estate, downtown — it’s all part of the daily “06880” mix. If you enjoy our daily “Roundup,” please support our work. Just click here to contribute. Thank you!)
The sudden death last summer of Walton Amey — a multi-talented musician and athlete, and a 1971 Staples High School graduate — stunned his many friends and admirers. He was 69.
Grammy-winning musician and producer Brian Keane, writes:
I lost my dear friend Walton Amey while we were vacationing at our mutual friend and former bandmate Stephen Schneider’s beach house on Fire Island.
Walt was an amazingly talented, engaging and entertaining person. He was an accomplished actor, singer, comedian and athlete. He was a rugged non-conformist who refused the high expectations and restrictions of traditional societal values.
Walton Amey, in the 1971 Staples High yearbook.
Walt viewed life as a playground — one with which he was constantly engaged, always thinking of ways for people to have fun, get involved, be entertained, enjoy being ridiculous.
Walt was a showman. Being engaged in a show that delighted even one other person truly made him happy.
Stephen Schneider wrote a wonderful song in tribute called “Another Lime Jimmy.” He performed it at Walt’s touching (and sort of wild) celebration of life on the shores of Lake Onondaga in Syracuse this past summer. The song is both hilarious and heartbreaking. Very catchy too.
I produced the song with Stephen performing it, using people from various bands and theatrical productions that Walton performed with over the years.
I’m sure we didn’t get to everyone who would have wanted to contribute. But as Walt often said, “what’s good is good.”
The most valuable thing about Thanksgiving is the appreciation of gratitude. So this seemed like an appropriate way to say thanks this year.
I hope that, even if you never knew Walton Amey, watching the video will give you some sense of that joy, fun, and spontaneity with which he approached life.
“06880” agrees. Click below, for the best 6 minutes of your day.
(From graduates to current students — and those not yet there — “06880′ brings you news of Staples High. Please click here to support your hyper-local blog.)
If they want music, most high school reunion organizers hire a DJ.
Staples High School’s Class of 1970 has Smoke.
That’s the house band — made up of ’70 grads Mark Smollin, Chuck Boisseau, Steve Wall, Pete Morgen, Marc Bailin and Jeff Dowd (’71) — who played at their past few reunions.
Their 50th was delayed by COVID for 2 years. But Smoke planned to get together for their final gig this past weekend, when the Class of ’70 (coincidentally, most of whom are now 70 years old) gathered at the Norwalk Inn.
As always, they came in a few days early to rehearse. But COVID is not yet over. The virus infected the band. They had to cancel.
It was a bitter disappointment, for them and their many classmates/friends/ fans/groupies.
But the Class of ’71 rode to the rescue.
They’ve got their own reunion band — called (go figure) The Reunion Band. (They also played a legendary Levitt Pavilion show, in 2019.)
The Reunion Band rocked the packed Levitt Pavilion in 2019, at a memorial concert for former member Charlie Karp. Comprised entirely of graduates of Staples High School’s Class of 1971, its members have played and recorded with — among many others — Jimi Hendrix, Buddy Miles, Van Morrison, Smokey Robinson and Orleans. (Photo copyright Ted Horowitz)
When Smoke went up in ashes, Smollin asked Reunion Band front man/multiple Emmy winner Brian Keane for help.
There were many reasons not to: Brian’s looming movie scoring deadlines, his son coming to visit, no time to rehearse. And his partner and fellow band member, Bonnie Housner Erickson, was in the midst of planning her own (delayed) reunion.
But quickly, Brian and Bonnie said: Let’s put on a show!
It did not matter that the last time the Reunion Band played together was that Levitt gig. They’re pros.
They contacted 3 other Reunion Band members: Rob and Julie McClenathan, and Dave Barton. They could not get Michael Mugrage (previously scheduled engagement) and Bill Sims (in Vermont).
But they added some high-powered, non-’71 musicians: Leigh Sobel (SHS ’68, lead singer of famed Mandrake Root); David Giardina (SHS ’70), Tim DeHuff (SHS ’72), and non-Stapleites Tony Aiardo and Arti Dixson.
Bonnie says, “Our collective belief of never turning down a comrade in need, coupled with our decades-long backgrounds as music and theater producers won out. It was ‘all hands on deck,’ making this happen for our friends.”
With no rehearsal — but plenty of professional chops — the Reunion Band rocked the Norwalk Inn. They played the music everyone loved (and that Smoke would have played). The Class of 1970 partied like it was 1999.
The Reunion Band at the Norwalk Inn. From left: Tony Aiardo, Tim DeHuff, Bonnie Erickson, Julie and Rob McClenathan, Leigh Sobel, Arti Dixson, Brian Keane. Not pictured: David Barton, David Giardina. (Photo courtesy of Mary Gai)
“The unexpected plus for me was that I saw so many people I hadn’t seen in years,” Brian says.
“When you go to reunions you only see those from your own class, but in reality we go to school with, and interact socially with, classmates a year or two younger and older too.
“I really felt badly for Smoke. I had played in school with many members. I knew how much they wanted to be there.”
As for the Reunion Band: They’re getting ready for their next gig. They play at their own reunion — the Class of ’71 — on October 1.
This time, they’ll even have a few days to rehearse.
BONUS TRACK: You don’t have to be a member of the Class of ’71 to enjoy this kick-ass reunion website (click here — then click “Flashback” from the dropdown menu).
And who designed it? The Reunion Band’s own Bonnie Erickson.
(Hat tip: Fred Cantor)
(“06880” appreciates donations from members of any high school class — anywhere. Please click here to help.)
Walton Amey — a multi-talented musician and athlete, and a 1971 Staples High School graduate — died suddenly on Sunday. He was 69.
His longtime friend, Grammy-winning musician and producer Brian Keane, writes:
Some friends in life are so close, for so long, that they become part of your own history. Walton Amey is such a friend for me.
Walton Amey, in the 1971 Staples High yearbook.
He was a top athlete, captain of the Coleytown Junior High football team where we played together, a talented singer in the elite Staples Orphenians (we sang together in a church choir too).
We made mischief together, partied together, played in the same rock ‘n’ roll band, and served on community projects together. Walton was also a theatrical star in Staples Players.
After high school, Walt attended college in Ithaca, New York with me, David Barton and Linda Satin (all from our Staples class). Walt and I were roommates as freshmen.
In Ithaca he and I played music professionally in coffeehouses and bars with our good friend Stephen Schneider. We were joined by our high school band drummer David Barton. We wrote and recorded some memorable original songs together. Walton was an engaging entertainer, and the life of any party.
After Stephen, David and I left in 1975 Walt brought in the guitarist from our high school band, Jeff Dowd, and had a very popular band called Desperado. They made several records together, before Jeff left to begin an opera career in Germany.
One of the band’s records. Walton hangs 2nd from right.
Walt continued playing music around upstate New York. He taught ballroom dancing at Cornell, developed a fondness for tennis, and lived a reclusive life in rural upstate New York for a time.
In 1993 one of our musicians threw a surprise 40th birthday party for former dormmates and band members in New York City. That morphed into an annual event, then into a yearly weekend gathering on Fire Island.
It was a Big Chill weekend: no spouses. We became like another family to each other over the years. Walton and Elizabeth Schenck started a wonderful relationship 14 years ago. They lived together in Syracuse, where Elizabeth practices as a public defender attorney.
I saw Walt and Elizabeth every year at the Fire Island reunions. Starting in 2020, my partner Bonnie (who was in theatrical productions with Walton at Staples) and I started meeting Walt, Elizabeth and a few others on 4th of July weekends.
The 2018 reunion. Walton Amey is standing, 2nd from right; Brian Keane is sitting, far left.
We gathered once again this year. We played games on the beach, watched fireworks, had great dinners, drank, played guitars and sang songs we had written, songs of our youth, and all kinds of fun songs in between.
We told jokes, shared stories, and had a wonderful time. Walton, Stephen and I watched Wimbledon past midnight, after everyone else went to bed. Walton made us sing 3-part harmonies to some Crosby, Stills & Nash tunes, which we obliged him to get him to go to bed. Walton was in his bliss.
Some time after we went to bed at 1 a.m., Walton got back up. We don’t know what happened, but he was discovered at the bottom of the stairs at 2:15.
EMS arrived 10 strong right away, and worked on him from 2:30, even getting a pulse back. But he lost that pulse on the way to the hospital.
The night before, we watched a spectacular sunset from the deck of the beach house. I had remarked how lucky we were to be alive to witness this. Walt agreed, and expressed his gratitude too.
Walton Amey and Elizabeth Scheck at Fire Island, the night before he died.
When we got confirmation that Walton had died, we knew we had lost an important part of our own lives. Our life histories had been so intertwined. We spent the rest of the day in a combination of shock, grief, and “producer mode” dealing with things.
On the morning of July 4th, we gave Walton the tribute he had told Elizabeth he wanted: a New Orleans-style funeral procession. Stephen and I led the way to the ferry. We played “When the Saints Go Marching In” on ukuleles. The rest of our group sang along, walking in the sand with umbrellas.
At first it was hard to keep from choking up. Then it transformed into something more joyful. A couple of people looked at us oddly, but we kept going. We all felt better by the time we got to the ferry. The crowd there appreciated it, too.
Walton couldn’t have asked for a better death than having spent the weekend doing exactly what he loved, with people he loved, and who loved him, in one of his favorite places on earth — then having it all end unexpectedly, and rather instantly as far as I can tell.
Though many of us will feel pain, and the loss of Walton in our lives, we grieve for that which has been our heart’s delight. Walt made us all rich in life experience, for simply sharing part of this glorious ride called life with him. He was part of what made our lives fun. Personal grief is mixed with a deep sense of gratitude for that.
Walt is survived by his sister Meg Amey Smith of Des Moines, Iowa; his significant other, Elizabeth Schenck of Syracuse, New York, and the many of us who loved him and became like family with him.
It takes a certain talent — and mindset, and genius — to be a heralded songwriter. Think Irving Berlin, Cole Porter, Bob Dylan or Lennon/McCartney.
But the music world is full of songwriters we’ve never heard of.
Like Billy Seidman. He’s been on the staff at RCA Music and other publishing companies, in New York and Nashville. He’s an adjunct professor of songwriting at NYU, and the New School for Jazz and Contemporary Music. He consults for Berklee NYC/The Power Station.
Billy Seidman
Seidman’s songs have been recorded and performed by Oscar, Grammy, Emmy, Golden Globe and Tony-winning artists like Irene Cara, Vicki Sue Robinson, Evelyn “Champagne” King and Kevin Kline. He’s a studio musician too, and toured with Ashford and Simpson.
Now the Westport native wants to teach you how to write songs like him. And like Berlin, Porter, Dylan and Lennon/McCartney.
Seidman recently introduced The Song Arts Academy. The Zoom course challenges students to “beat your songwriting heroes — write your best song in 4 weeks!”
This month drew 15 songwriters of varying backgrounds, levels and ages, from around the country. A summer “tune-up workshop” is coming soon.
Seidman hopes to find a space in Westport to offer an in-person course.
He knows this town well. In addition to going to school here before moving to New York, he’s friends with Grammy and Emmy-winning composer/producer/ Staples High graduate Brian Keane, plus Staples grad/former Remains front man/country singer-songwriter Barry Tashian and his songwriting son Daniel. Seidman was part of the now-legendary 2019 tribute to guitarist Charlie Karp that rocked the Levitt Pavilion.
(He was also a member of The Jades, a junior high dance band. Fellow members included Karp, Fred Reynolds, and Bob Jackson — “when his brother Chip let him borrow an amplifier.”)
Of course, there are differences between writing a story, and writing a song. In the latter, Seidman notes, “you only have 2 1/2 to 3 1/2 minutes total, and just 5 to 15 seconds to grab the listener’s attention. You have to get a lot done, fast.”
You have to do it in two ways, too: the music itself, and the lyrics.
Hope, loss, regret, joy — those emotions (and many more) are the starting points for Seidman’s deep dive into how to craft a good song.
How deep? Consider “love.” Seidman breaks it down into song categories like devotional love, new love, disillusionment love, unrequired love, makeup, breakup, coming to terms with love, coming of age, empowerment, optimism … to name a few.
He’s similarly deep when talking about harmony, melody and chord structure.
This is not for the faint of heart. But neither is trying to write a song like “Can’t Be Really Gone,” “Goodbye Yellow Brick Road” or “Take Me Home, Country Roads.”
“Some people have a supernatural gift” for songwriting, Seidman says. But everyone — no mater how talented or average — can develop that skill.
“I have a method that works,” Seidman says confidently. “People who work with me look at songs differently. I help them connect with themes, so they connect with their audience. I’m like Johnny Appleseed.”
Earlier this week, “06880” noted the full agenda of the Planning & Zoning Commission’s Regulation Revision Subcommittee meeting.
Yesterday, the group discussed a proposed amendment to preserve mature trees on private property. It received both positive and negative feedback. The text amendment will be re-drafted, for further discussion at a future subcommittee meeting.
Proposals that would permit 2nd floor retail, as well as stores over 10,000 square feet, downtown will be considered at next Thursday’s work session, to be brought as a P&Z-sponsored text amendment at a future meeting.
A proposal to allow non-team activities — for instance, guided hikes, painting classes and yoga — at Baron’s South will also be considered at next Thursday’s work session, to be brought to a future public hearing as a P&Z-sponsored text amendment.
Discussions will continue on a Planning & Zoning Commission tree proposal.
Local to Market — the food-and-more store featuring (duh) all local goods, at the corner of Main Street and Parker Harding Plaza — has a constantly changing array of items.
But they’re always on the lookout for more.
Which is where we all come in.
Next Tuesday (January 11, 4 to 5 p.m.), they’re sponsoring a “think tank.” Everyone is invited to hear about procurement, ask questions, suggest ideas, and meet fellow food lovers.
Want two more reasons to go? There’s also a wine tasting from Stappa Vineyards. And you’ll get 15% off if you shop during the event.
Tomorrow (Friday, January 7; 9 pm on New York’s Channel 13; check listings for other PBS stations) marks the first of 3 “Stars on Stage from Westport Country Playhouse” specials.
Gavin Creel stars in the inaugural broadcast, taped during 2 shows in September, and produced by our own Andrew “Live from Lincoln Center” Wilk.
Pre-press has been excellent. The Los Angeles Times called it a “Pick of the Week,”
But see for yourself (below). Then mark your calendars for the next 2 Fridays: Shoshana Bean on the 14th, Brandon Victor Dixon the 21st.
2011 Staples High School graduate Margot Bruce’s short film, “Harbor,” debuts at the Westport Library next Wednesday (January 12, 7 p.m.). She’ll be there, and hosts a conversation afterward. Click here to register.
“Harbor” offers a modern twist on selkie stories from Celtic, Gaelic, and Norse folklore.
While at Staples, Margot swam and played water polo, and was a member of the band, orchestra and chorus. She discovered a passion for filmmaking at Fairfield University, and graduated from the College of Wooster with a BA in English. She recently completed an MFA in cinema at San Francisco State University.
Suzanne Bauman — the pioneering female documentary filmmaker who lived near Old Mill Beach from 1976-1991 — died on January 2, from complications of cancer. She was 76 years old.
She and her husband Jim Burroughs gave noted 1971 Staples High School graduate Brian Keane his start in film scoring.
Suzanne was editor and co-producer of the Academy Award-nominated “Against Wind and Tide: A Cuban Odyssey” (1981). She and Jim produced the film while living in Westport. It was the first one scored by then-27-year old Keane.
She produced, directed and wrote more than 80 films, both documentary and drama.
Suzanne took crews all over the world, and worked with — among others — John Kenneth Galbraith, Norman Mailer, the Sixth Earl of Carnarvon, Diana Vreeland, astronaut Edgar Mitchell, Neil de Grasse Tyson, Anna Wintour, Gianni Versace, Tina Brown, Jane Alexander, David Rockefeller, Fidel Castro, Ted Kennedy, Annie Liebowitz, Gloria Steinem, Cybill Shepherd, Raul Julia, Stacy Keach, Martin Sheen and Sir Ian McKellen.
She was supervising producer/director of “The Writing Code,” a landmark series for PBS on the invention, history, art and craft of writing, from ancient times to the internet.
“Water Wars” won the award for best documentary feature at the 2014 Universe Multicultural Film Festival. Her feature documentary “Shadow of Afghanistan” premiered at the Tribeca Film Festival and the International Documentary Festival in Amsterdam. “Jackie Behind the Myth,” a two-hour documentary special on Jacqueline Kennedy Onassis, was People Magazine’s Pick of the Week, premiered on PBS nationwide and aired in more than 30 countries.
Suzanne is survived son Ryan, and step-children Rain, Shannon, Shane and Doah Burroughs.
For more information on Suzanne’s life, click here and here.
Suzanne Bauman
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Today’s “Westport … Naturally” Earthplace photo has been hanging around the “06880” files for a while. But a good mushroom never gets old.
What do Muddy Waters, James Cotton, James Montgomery and Brian Keane have in common?
The 3 famed blues musician — and the Grammy and Emmy Award-winning composer/producer/1971 Staples High School graduate — will be inducted into the New England Music Hall of Fame. The ceremony is Saturday (November 27) in Mystic.
Keane has scored hundreds of films and television shows. His music has been hailed as “indelible and breathtaking” by the Los Angeles Times, “piercingly beautiful” by the New York Times, and “masterful” by Newsweek. He has been called a “musician’s musician” by Downbeat, a “composer’s composer” by the Hollywood Reporter, and “one of the most impressive musicians of the decade” by Billboard.
(To learn more about Brian Keane, click here. For more on the New England Music Hall of Fame, click here. Hat tip: Fred Cantor)
The Westport group — which protects local cats from homelessness, while supporting felines in 9 area towns through spaying and neutering, with dozens of volunteers — earned tax-exempt status in November 2001.
TAILS — whose formal name is The Alliance In Limiting Strays — helps both dogs and cats. But they focus on where they see the most need: feral cats. One pair can easily turn into 40 cats in 2 years.
To learn more, click here or here; email info@tailsct.org; call 203-222-1992, or search Instagram: @tails_spay_neuter.
Among the many yard signs promoting political candidates earlier this month, one of the most memorable urged “Write in Alma for Board of Education.”
Hers — and all the others — are gone. But a new sign has cropped up, plugging someone else by her first name only. It too starts with “A”:
(Photo/Matt Murray)
Matt Murray — who spotted this sign — says, with tongue (hopefully) in cheek: “I don’t know what office she’s running for, or what her political affiliation is, but I think she may have missed the timing for elections.”
And finally … Philip Margo, an original member of the Tokens — best known for the mega-hit “The Lion Sleeps Tonight” — died earlier this month in Los Angeles, after suffering a stroke. He was 79.
The Tokens had other hits too. Click here for the intriguing back story of his, and his group’s, careers.
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