Tag Archives: Benj Pasek

Justin Paul (And Evan Hansen) Hit Broadway

Justin Paul is no stranger to Broadway.

Growing up in Westport, he saw plenty of shows on the Great White Way — and dreamed of getting there one day himself.

In 2012, he and his writing partner Benj Pasek made their Broadway debut with “A Christmas Story.”

Next month, the 2003 Staples grad is back. “Dear Evan Hansen” — the darkly funny show he and Pasek wrote that earned Obie, Outer Critics Circle and Helen Hayes Awards during its run at the Second Stage Theater — moves to the Music Box Theatre on 45th Street.

Previews begin on November 14. The official opening night is December 4.

Justin Paul (right) and Benj Pasek.

Justin Paul (right) and Benj Pasek.

It’s another feather in the cap of the young Westporter. It’s also a ton of work.

The move from a 299-seat theater to one seating 860 demands physical changes — tweaking and adjusting the set, staging and lighting.

It also forces the songwriters to look at ways to make the show “fuller, deeper and richer,” Paul says.

They’re adapting some lyrics, rearranging some music and honing the characters. Paul calls the changes “surgical.” It’s all part of the creative process.

dear-evan-hansen

“Dear Evan Hansen” is not your typical Broadway show. With the tagline “a new musical for the outsider in us all,” it focuses on a teenager who becomes involved in another teen’s tragedy. Pasek and Paul tell an important story, one nothing like the adventures of a lion or witches.

Though they’re 2 of the hottest young songwriters in the country, the duo did not set out to write “Dear Evan Hansen” as a Broadway show. They thought the subject matter would appeal to a non-profit company.

But they wanted the play to speak to more than their own generation of millennials. Director Michael Greif (“Rent,” “Next to Normal”) and their producer encouraged them to widen their lens.

The show is based in part on an incident at Pasek’s high school in Philadelphia. But Paul — who met his writing partner at the University of Michigan — also recalled another tragedy: 9/11.

He was a junior at Staples, and remembers the many raw emotions unleashed by that event in his school so close to New York City.

Now “Dear Evan Hansen” has transcended its small-house origins. It’s rare for an original show — not a book or movie adaption — to make the leap to Broadway.

But Westporters know that Justin Paul is a rare songwriter.

Soon, all of Broadway will know it too.

(For more information on “Dear Evan Hansen” — and tickets — click here. BONUS NEWS: Carol King reports that Pasek and Paul are writing the music for Disney’s upcoming remake of “Snow White.”)


Click here for “06880+”: The easy way to publicize upcoming events, sell items, find or advertise your service, ask questions, etc. It’s the “06880” community bulletin board!

Pasek And Paul In “La La Land”

Broadway loves Pasek and Paul.

Songwriters Benj Pasek and 2003 Staples High School graduate Justin Paul have earned raves, for productions like “A Christmas Story,” “Dogfight” and — moving to Broadway this fall — “Dear Evan Hansen.”

Soon, Hollywood audiences will love Pasek and Paul too.

Ryan Gosling and Emma Stone sing their lyrics in “La La Land.” The musical — about a love story between a jazz pianist and a would-be actress — opens in movie theaters this December.

In the trailer below, Gosling sings “City of Stars.” The music is by Justin Hurwitz.

(Hat tip: Lynn Flaster)

Justin Paul Juggles New Play, New Baby

Justin Paul’s life sounds like the plot of a play. He’s racing to finish his latest project on a tight deadline — while simultaneously welcoming his 1st child into the world.

The “play” metaphor is apt. Justin and Benj Pasek — America’s hottest young songwriting team — are putting the finishing touches on an exciting new off-Broadway production: “Dear Evan Hansen.”

Justin Paul

Justin Paul

Justin and his wife Asher’s baby was a couple of days late. He calls those extra hours of morning-to-late-night rehearsals, rewriting and tweaking “a gift before my world turned upside down.”

Boom! On Thursday, Emerson arrived. Only a new baby could divert Justin from the manic process of bringing a new show to New York.

Here’s the back story.

Justin — a 2003 Staples High School graduate — met his songwriting partner at the University of Michigan. They earned a 2007 Jonathan Larson grant as voices of a new generation, then went on to compose music and lyrics for “A Christmas Story,” “Dogfight,” “Edges” and “James and the Giant Peach.” Their songs were featured on NBC’s “Smash.”

“Dear Evan Hansen” is nothing like those.

The production notes say:

All his life Evan Hansen has felt invisible. To his peers, to the girl he loves, sometimes even to his own mother. But that was before he wrote the letter — that led to the incident — that started the lie — that ignited a movement – that inspired a community — and changed Evan’s status from the ultimate outsider into the somebody everyone wants to know. But how long can Evan keep his secret? And at what price?

Dear Evan Hansen - logo

Justin adds:

Evan Hansen is a lonely, isolated high school kid. His social anxiety is magnified by his hyper-connected digital life. But that’s not his only connection. The show is about the importance of connections during tragedy.

“Dear Evan Hansen” is complicated and intriguing. It is also, Justin says, “darkly funny.” The advertising tagline is: “A new musical for the outsider in us all.”

The book was inspired by an event at Benj’s high school. The pair kicked the idea for a play around in college, but could not figure out how to turn it into a musical. Now — with the book by Steven Levenson — they’ve done it.

Justin and Benj were high school students during 9/11. Justin remembers the urgent need during that awful time for people to come together, feel community, and examine their humanity. It’s a theme he’s wanted to tackle ever since.

“The chance to write an original story and musical is very rare,” Justin says. “The chance we get to tell this story — in our voice — is great. We have incredible freedom, and it comes from our hearts.”

Benj Pasek (left) and Justin Paul.

Benj Pasek (left) and Justin Paul.

Impending fatherhood intersected with the premiere of his new show in fascinating ways.

“Being a father for the first time is frightening,” Justin admits. “And the story is about a boy and his mother who don’t really connect. They’re pulled in different directions.”

This winter — during the sold-out run in Washington, DC — Justin and Benj were struck by how often a parent would see the show, then return later with a child. Or vice versa.

The Washington Post called the play “entertainingly smart … radiating charm, wit and humor.”

One song was written during a tough time for Justin and his wife. Hearing it each night during rehearsals, those raw emotions return.

A scene from "Dear Evan Hansen."

A scene from “Dear Evan Hansen.”

Previews have already begun. “Nothing crashed to the ground,” Justin says with relief. “We’re on our path to opening night.”

That date is May 1, at Second Stage Theatre. The cast is rehearsing 5 hours a day. They take a break, then perform for audiences at night. Each day, there are script and lighting changes.

“The ground constantly shifts,” Justin says. “It’s topsy-turvy, but fun. It’s musical theater boot camp.”

And for the next act — add a baby!

(For show times, tickets and more information, click here.)

Paul, Pasek — And Jackman

Staples graduate Justin Paul ’03 and songwriting partner Benj Pasek are well known on Broadway (“A Christmas Story” was nominated for a Tony Award).

They’re known off-Broadway, and overseas (“Dogfight” was just nominated for an Evening Standard Award for Best Musical in London).

They’re known on TV (NBC’s “Smash”).

Now the talented duo heads to the big screen.

They’ll contribute most of the songs to the new Hugh Jackman film musical, “The Greatest Showman on Earth.” Filming begins this summer in New York.

The movie showcases P.T. Barnum’s life. He was a circus creator and the promoter of Tom Thumb, of course. But Barnum was also the mayor of Bridgeport.

So as far from Westport as Justin Paul’s career has taken him, he hasn’t really left at all.

Justin Paul

Justin Paul

 

24 Hours To Showtime

At Staples, Ari Edelson spent months putting on shows. Whether acting or directing in Players, the 1994 grad learned to do theater the way  professionals do.

Now — as a professional “director/ producer/ multiple hat-wearer” with successes on 2 continents — Ari understands more than ever the importance of organization, planning and preparation.

Except when he’s putting on a musical in just 24 hours.

Ari Edelson, doing an interview for "24-Hour Musicals." (Photo by Kerry Long)

Ari Edelson, doing an interview for “24-Hour Musicals.” (Photo by Kerry Long)

From start — casting, writing songs and dialogue, staging, rehearsing and opening — to finish.

Poof! Like Brigadoon, the moment the curtain falls on a performance that did not exist one day earlier, it’s gone forever.

24-Hour Musicals,” they’re called. Ari has organized them at New York’s Gramercy Theatre since 2008.

Now they’ve become a little less ephemeral. A documentary crew has produced a film about the event. “One Night Stand” — which earned great reviews at festivals around the country — will open nationally in hundreds of theaters on Wednesday, January 30.

Fittingly, it will play for one night only. The closest Connecticut sites are Milford and Danbury.

Ben Pasek (left) and Justin Paul, deep into their "24-Hour Musical." (Photo by Kerry Long)

Ben Pasek (left) and Justin Paul, deep into their “24-Hour Musical.” (Photo by Kerry Long)

This being Westport, there’s more than one connection to the film. Staples 2003 grad Justin Paul and his writing partner, Benj Pasek — who most recently wrote the Broadway smash “A Christmas Story, The Musical” — participated in the 2009 24-Hour Musical, which the filmmakers followed. Ari, Justin and Ben are featured prominently in the movie.

Ari calls each exhausting, exhilarating 24-Hour Musical “an Ironman for the theater.”

The New York Times says the film “borrows from the frenzied, ticking-clock world of reality television.”

Describing the final product, Ari says, “Part of the fun is when people forget their lines. The audience loves seeing blood on the floor.”

There’s an even better line in the movie. Near the beginning, actress Tamara Tunie proclaims, “I’m excited and I’m terrified. It is kind of like sex.”

One Night Stand

Justin Paul’s “Christmas Story” Lights Up Broadway

In high school, people said that Justin Paul should be on Broadway.

That’s common praise for talented teenagers.

Few get there. The obstacles are great: Cutthroat competition. Bad timing. The need to make an actual living long before the bright lights shine.

Justin Paul

Justin Paul is one of the few. And it took him less than a decade, from the day he left the Staples stage in 2003.

A Christmas Story, the Musical” — with music and lyrics by Justin and Benj Pasek, his collaborator ever since freshman year at the University of Michigan — opened last night at the Lunt-Fontanne Theater.

Based on the movie “A Christmas Story,” and the book In God We Trust, All Others Pay Cash,” it earned a strong review from the New York Times.

Christopher Isherwood wrote:

Mr. Pasek and Mr. Paul have provided a likable, perky score that duly translates all of the major episodes in the story into appropriate musical numbers: Ralphie and his brother, Randy (Zac Ballard), enduring the humiliations of the local bully; the licking-the-cold-flagpole scandal; the visit to a cranky department store Santa Claus. The finest song is probably “Just Like That,” a lament for the quick passing of the childhood years performed with tender care by Ms. Dilly.

But the sequences that make the children in the audience perk up and stop fidgeting are naturally the big dance numbers led by the smaller fry in the cast. “A Christmas Story” features a sizable group of young performers that makes the small band of orphans in “Annie” look positively skimpy. They are wonderfully showcased in a couple of fantasy numbers that are the highlights of each act, and are choreographed with invention by Warren Carlyle.

In “Ralphie to the Rescue!” the stage becomes a Wild West town where Ralphie, with his trusty Red Ryder in hand, saves various damsels in distress in the guise of a sharpshooting cowboy. And the tap extravaganza in which Mr. Spring so impressively acquits himself comes in the course of a loopy number that finds the kids in the cast portraying dapper gents and their dolls cavorting in a speakeasy in the 1930s. (It’s very “Bugsy Malone,” for those who remember that peculiar movie.)

Why Ralphie’s imagination should be fired by such imagery is not made clear, but I was too dazzled by that stage full of children making a joyful, metallic noise to care.

You’re welcome to your Red Ryder carbine action BB gun, Ralphie. What I want for Christmas is a pair of tap shoes.

“A Christmas Story, the Musical” runs through December 30.

Paul And Pasek: “The Youngest Old Souls On Broadway”

With Dogfight — their off-Broadway musical debut — getting largely positive reviews*, Staples grad Justin Paul and his songwriting partner Benj Pasek are already looking ahead.

And with A Christmas Story, The Musical! headed for Broadway in 3 months, they’re generating plenty of buzz themselves.

Yesterday, the New York Observer took note. In a long story headlined “The Youngest Old Souls on Broadway: Dogfight Songwriters Benj Pasek and Justin Paul Hit the Big Time,” Harry Huan introduced the still-just-27 duo as Perhaps The Next Big Thing.

Benj Pasek, Peter Duchan and Justin Paul (at Justin’s wedding).

Among the highlights:

Whether Pasek & Paul become this millennium’s Lerner & Loewe remains to be seen, but they are on the right track and coming at a respectable speed out of the University of Michigan’s theater department, old school ties flapping in the wind.

“We developed an appreciation for all those classic musicals and began to really analyze them and try to figure out what made them so great,” Mr. Paul explained. “Not that we write in their style necessarily, but we understand their craft.”

Two-time Tony winning director Joe Montello said, “It has been so exciting to collaborate with three people (Staples grad Peter Duchan wrote the book) who are at the very beginning of their careers. Their enthusiasm, their optimism—infectious!”

Godspell‘s Lindsay Mendez added, “It’s unbelievable to be able to debut a score of this caliber. Every song is so unique and special and fits the moment so perfectly. It’s a dream to get to sing their stuff.”

As for A Christmas Story, actor John Bolton praises, “I genuinely believe this score that they’ve written is not just a serviceable score for a contemporary holiday show, but I believe it to be a classic American score.”

Dogfight ends its run at Second Stage Theater August 19. A Christmas Story opens November 19 at the Lunt-Fontanne.

There’s still time to get tickets for both.

*(Except for some idiot from the New York Post.)

(To read the entire New York Observer piece, click here.)

Peter And Justin’s “Dogfight”

Peter Duchan and Justin Paul met at Coleytown Middle School. Peter was a big 8th grader, Justin a lowly 6th, but both were cast in “Peter Pan” and became friends.

The friendship blossomed through the Staples High School arts program. In 2001 — toward the end of his senior year — Peter thought it would be great if, at their final concert, the choir could sing a song he’d written.

The only problem, he says, was that he couldn’t write music.

But Justin had grown up around gospel songs. Peter said he’d write the words if Justin would take care of the actual notes.

“When Justin sits down at the piano, fun stuff happens,” Peter explains.

Justin wrote what Peter calls “a fantastic, upbeat song. My words were really not good, but that was secondary to the sound of the music.” (He advises ignoring the title: “Variations on Themes of Sorrow.”)

“It was different from the other stuff we did,” Peter recalls. With choral director Alice Lipson cheering them on, the choir loved it.

Peter did not know it then, but that was the first song Justin ever wrote.

It was far from his last.

(From left) Benj Pasek, Peter Duchan and Justin Paul — at Justin’s wedding.

At the University of Michigan, Justin met Benj Pasek. They became songwriting partners, collaborating on projects like the song cycle “Edges,” and the upcoming “A Christmas Story: The Musical!”

Pasek & Paul won a Sundance Institute Fellowship, and the 2007 Jonathan Larson Award.

Peter, meanwhile, graduated from Northwestern University. He co-wrote the screenplay for IFC Films’ “Breaking Upwards” and “Unlocked,” an Official Selection of the Tribeca Film Festival, among others.

In New York, Peter pitched plenty of ideas to Pasek & Paul. Nothing clicked.

Finally, more than 4 years ago, Peter suggested a musical version of “Dogfight.”

The Warner Brothers film, set in 1960s San Francisco, follows Eddie Birdlace, a Marine about to ship out to Vietnam. He and his friends hold a cruel competition — a “dogfight” – during which each man brings the ugliest date he can find to a party.

Justin and Benj’s agent helped obtain rights to the material. Throughout 2009 the duo worked on the music and lyrics. Peter wrote the book. The 1st workshop took place at the end of that year.

Finally — though this is not a long time frame for a musical — the show is in previews. It opens July 16th, at Second Stage Theatre in New York.

This period right before opening night is “nerve-wracking,” Peter admits. They’re still making minor tweaks, but soon the critics — and audiences — will have their say.

“Justin and Benj’s songs really push the show forward,” Peter praises.

But the show would be nothing without its book. Story, dialogue, structure — that’s all Peter’s work.

None of it would have happened, though, if Peter had not kept suggesting ideas to his friends, until one clicked.

Which in itself would not have happened, if Peter and Justin had not met on the set of a Coleytown Middle School production of “Peter Pan.”

Click below for a YouTube video of the first “Dogfight” rehearsal at Second Stage Theatre:

Broadway Boys Are Back In Town

For Broadway music, you can go to Broadway.

Or Broadway can come to you.

This Sunday (February 12, 4 p.m., Staples High School), the Broadway Boys — “the hottest male voices currently working on the New York stage” — return to Westport.

And by “return,” I mean that literally.

Musical director and keyboardist Justin Paul, bassist Dan Asher and drummer Drew McKeon are Staples grads. Guitarist Jeremy Goldsmith grew up in Weston.

The quartet drives the Boys’ show, combining scintillating harmonies with pop, funk, gospel, jazz, folk, pop R&B, Latin — and of course show tunes.

An added attraction: over a dozen Staples Players — some of them destined for Broadway themselves — will join the Broadway Boys onstage for a pop/gospel song written by Justin Paul and his musical partner, Benj Pasek.

It’s a fitting combination. Justin is a former Staples Player, while Dan and Drew played in the pit for many productions.

The group’s goal is to spread “wonderful music from the Broadway repertoire — both classic and contemporary — across the country,” Justin says.

They also hope to get younger generations excited about Broadway. The show is a fundraiser for Staples Players and the Northeast Childrens Theatre Company, a new non-profit founded by Justin’s brother Tyler Paul. Both organizations are filled with youngsters who love Broadway, and its music.

“We love reaching young people,” Justin says. “That’s why it’s so exciting to come back to Staples. It’s even more exciting to actually perform with these amazing, dynamic and talented high school performers.”

Justin Paul

The Broadway Boys perform all over the country. But, Justin says — without too much bias — “I truly believe Staples is a unique place. The tradition of producing wonderfully trained, absurdly talented and highly skilled musical theater performers is incredible.

“I always feel rejuvenated when I work with high school students. I get a new love and respect for this art form from them. They’re not jaded, bitter or ‘over it.’ Their excitement and wonder about the theater is contagious.

“Getting up on stage — my old stage — with them and making music together is what collaboration, joy and theater is all about.”

The Broadway Boys earn raves wherever they perform. On Sunday, the performance is right here in our — and their — backyard.

(Click here for ticket information. Among the Staples Players scheduled to appear: Gregg Bonti, Allie Daut, Charlie Greenwald, Danielle Honigstein, Tyler Jent, August Laska, Grace McDonald-Seidner, Liam Orly, Alexandra Rappaport, Sami Schwaeber, Ryan Shea, Clay Singer, Michael Sixsmith and Jamie Yarmoff.)

Justin Paul, Peter Duchan — And Joe Mantello

Joe Mantello is a huge name on Broadway. Justin Paul and Peter Duchan soon will be.

Mantello — a very hot director, with 2 Tony Awards among his many credits — has just been announced as director of the world premiere of “Dogfight.” The musical is set for Second Stage Theatre in June.

Justin Paul

“Dogfight”‘s book is by Peter Duchan. The music and lyrics are by Benj Pasek and Justin Paul.  Peter and Justin are Staples grads; Benj is very familiar locally, as a longtime collaborator with Justin.

Set in 1960s San Francisco, “Dogfight” follows Eddie Birdlace, a Marine about to ship out to Vietnam.  He and his friends hold a cruel competition — a “dogfight” – during which each man brings the ugliest date he can find to a party.

According to Playbill.com, “Eddie finds Rose, a diner waitress whose idealism and compassion challenge him on his last evening before he ships out. When he returns, a broken man, to a changed America, he may finally be ready for the redemptive kindness Rose offers.”

“Dogfight” won the 2011 Richards Rodgers Award for Musical Theatre.

Benj and Justin’s current projects include “A Christmas Story” (national tour 2011) and “James and the Giant Peach” (Goodspeed 2010).

Peter Duchan

Peter co-wrote the screenplay for “Breaking Upwards,” released by IFC Films last year. He also co-wrote a short, “Unlocked,” an Official Selection of the Tribeca Film Festival, among others.

As for Joe — the only person with non-Westport connections in this story — he is currently represented on Broadway by “Wicked” and “Other Desert Cities.” He has also directed “Pal Joey,” “9 to 5 the Musical,” “The Odd Couple,” “Glengarry Ross, “Take Me Out, “The Vagina Monologues,” “Love! Valour! Compassion” and “The Santaland Diaries” — among many others.

Now he’s got one more accomplishment: Working with Justin Paul and Peter Duchan.