Tag Archives: Amanda Innes

“Main Street To Madison Avenue” Opens Tomorrow On Riverside

When the Westport Arts Center announced its next exhibition — “Main Street to Madison Avenue,” honoring Westporters’ involvement in advertising and art over the last 70 years — folks flocked to offer items.

Children, grandchildren and surviving spouses scoured studios, attics and basements to find sketches, paintings and storyboards. WAC officials had expected some interesting submissions. But they were stunned at how much had lain around, unnoticed and untouched for years.

One of the people was Miggs Burroughs. A noted artist and photographer himself, he hauled in his father’s portfolio. In the 1950s, ’60s and ’70s, Bernie Burroughs was one of those Westporters whose drawings helped influence consumer habits around the country — and eventually the world.

Miggs had not looked at some of his father’s work for decades. The Arts Center staff was fascinated by it.

After a couple of hours, Miggs casually mentioned Bernie’s van Heusen ad campaign — which Andy Warhol later appropriated.

That fit in perfectly with the “Main Street to Madison Avenue theme.” In addition to paying homage to Westporters, the show examines nationally known artists who were influenced by the iconic design and aesthetic of that era.

And when Warhol used Bernie Burroughs’ work, his model was Ronald Reagan.

“That’s the whole point of this show: making those connections,” WAC executive director Amanda Innes says.

“Van Heusen 356,” by Andy Warhol — based on work by Bernie Burroughs.

Miggs had another surprise for the WAC curators. He said that as a child, he’d go to the Westport station with his dad. When the train pulled in, Bernie would hand his portfolio to the conductor — along with some cash.

The conductor delivered it to Bernie’s New York ad agency. That was common practice, Miggs said.

“Conductor,” by Bernie Burroughs, is part of the Westport Arts Center show.

“That’s a great story about trust,” Innes says.

“But it also shows the anonymity of these artists. They created the work, but they didn’t sign them. They weren’t invited to ad meetings. They didn’t even own the art — the agencies did.”

Part of the reason for this show, she says, is to “honor the men who created so much of this iconic imaging and branding.” (And yes, everyone in this show — like nearly all of Madison Avenue then — is male.)

The Arts Center show opens tomorrow (Friday, April 21, reception from 6 to 8 p.m.). On display is original art and advertisements from illustrators like Bernie Burroughs, Al Parker and Bernie Fuchs. Hung alongside are works by artists like Andy Warhol, Walter Robinson and Richard Prince, who appropriated so much of that material.

Westport artist Bernie Fuchs painted this for Pepsi. He also created art for Coke. Both are displayed in the WAC show.

Innes has had a great time — and an excellent education — mounting the exhibit. For example, hearing it was in the works, Harold Levine headed over. He spent 2 hours regaling Innes about his career.

He had a lot to talk about. In addition to co-founding (with Chet Huntley) a legendary ad agency, he knew Warhol when the struggling young artist asked him for work.

Sadly, Levine will not be there tomorrow. He died in February, at 95.

But that gives you an idea of the kind of show it will be.

Part of Jonathan Horowitz’s “Coke/Pepsi,” on display at the Westport Arts Center. He draws upon the work of Andy Warhol — who in turn appropriated advertisements drawn by Westport artists.

Simultaneously, the WAC will showcase 30 works by high school students. The show is juried by treasured Westport artists Ann Chernow and Leonard Everett Fisher.

Tomorrow evening, a Westport student will receive the Tracy Sugarman Award — named for another of our most famous artists.

That award — and the entire show — is a great way to tie our artistic/advertising past in with our consumer culture present. It’s also a chance to highlight the next generation of local artists.

Some day, some may gain fame for their paintings. Some may toil anonymously, but have their works seen by millions.

And — like the professionals featured in the new Westport Arts Center show — some may do both.

(During tomorrow’s opening reception for “Main Street to Madison Avenue,” the video room will run a loop of advertisements — including some from Harold Levine’s agency. The show runs through June 22.)