Tag Archives: Murray the K

Beatles For Sale

This “06880” blog is “where Westport meets the world.”

That includes Liverpool. I’ve written before about local connections to the Beatles: Tim Jackson in the Ed Sullivan audience (right behind Nixon’s daughters). The Remains playing on the final ’66 tour (and Paul Ferrante’s book about it). Al Brodax’s role in “Yellow Submarine.” Prudence Farrow, the inspiration for their “White Album” song.

Remains Barry Tashian (left), Vern Miller and drummer ND Smart, on the Beatles 1966 tour. Keyboardist Bill Briggs — who, like Tashian, was a Staples High School graduate — is not in the shot.

I’m still searching for proof of the (sub)urban myth that the Beatles once hung out at Compo Beach, on a (supposed) visit to disc jockey Murray the K’s Bluewater Hill rental.

It’s been more than 50 years since the band broke up. They were together for only 10 — and mega-stars, really, for just 7.

But those early years were special. The Beatles were young, fresh, innocent. They smiled a lot.

Some of those smiles now hang on Michael Catarevas’ wall.

The Westport writer has been a Beatles fan nearly his entire 66-year life. Growing up near New Haven, he listened to their 45s at the legendary Cutler’s record store.

The older he gets, the more he appreciates them. The Beatles, he says, are “the soundtrack of my life.”

Catarevas never collected Beatles memorabilia. But in early 2020, he saw an online auction of the estate of Paul Goresh. The amateur photographer had taken the only photograph of John Lennon signing his “Double Fantasy” album for Mark David Chapman, a few hours before he murdered the singer.

Paul Goresh’s photo of John Lennon signing an autograph for Mark David Chapman, hours before being killed.

Many of Goresh’s photos fetched high prices (the Chapman image went for $40,000). But Catarevas bid $180 for — and won — a 1965 photo of the 4 Beatles, smiling and holding their MBE medals from Queen Elizabeth.

“They were so happy,” Catarevas says. “They were 21, 22 years old. It was such a fun time for them.”

The first Beatles picture Michael and Ben Catarevas bought.

The writer’s son Ben is 22 right now — and a big Beatles fan too. Working remotely from his parents’ house during the pandemic, he started watching the Goresh auction with his dad.

There was a lot to bid on. So Catarevas picked a theme: the Beatles and their girlfriends (“Beatles and Birds,” to use a ’60s phrase).

“It was a fun project,” Catarevas says. “Every day there was something new.”

They learned when and how to bid. One guy stymied them often. They thought he might represent a museum. Instead, he was just a fan with unlimited funds.

The “girlfriends” turned into wives: Cynthia Lennon, Jane McCartney, Maureen Starr, Pattie Harrison. Later, all became ex-wives. [CORRECTION: Paul McCartney never married Jane Asher.]

One wall n the Catarevases’ guest bedroom.

Catarevas and his son bought most of what they wanted (including shots of second wives). They have 33 original photos, plus magazines, posters (one in Czech), signed pictures by Albert Maysles from his documentary, newspaper front pages, and a signed print of a Cynthia Lennon drawing of the Beatles at the Cavern Club.

When Catarevas’ previous company moved from Stamford, employees could take anything they wanted. He picked the “boring corporate art” paintings — hoping the frames would one day come in handy. They just did.

The $180 for that first photo was the highest price the duo paid — except for one. They spent $220 on a shot of John, Paul and George singing at one mic. That’s extremely rare, Catarevas says.

A rare photo of 3 Beatles at one mic.

The framed images — along with album and EP covers — now line the walls of a guest bedroom in Catarevas’ home. He and Ben wander in from time to time, just to admire their work.

Long after the pandemic is over, Catarevas says, Ben will remember all those months bidding on photos with his dad. They appreciate the time spent together.

Of course, the value of their collection will appreciate too.

Cue “Taxman.”

BONUS TRACK: Catarevas has an oversized postcard of the Beatles with Murray the K. When he got it (for $35), he did not know about their (alleged) connection with Westport, through him.

Murray the K (center) with the Beatles.

Fast Music

The recent death of Ed Baer — the Westport native, longtime resident and renowned, versatile radio DJ — got local folks thinking about the role of radio in our lives.

Inevitably, talk turned to Westport’s rich musical past.

Mike Fast has plenty of memories to share. Growing up in Bridgeport in the 1950s, he was one of many young boys fascinated by radio’s reach and power.

In 1957 he started hanging out at the WNAB studio downtown. Just 13 years old, he learned all he could about the business.

A couple of years later, at Harding High, he spent after-school hours at the station’s transmitter site. Mike had no formal training, but he learned how to build and design his own equipment.

Mike Fast, at WNAB’s Bridgeport studio.

At 17 — through his Westport friend Stuart Soroka — he discovered WMMM. The station’s studio was above Oscar’s, on Main Street. Mike’s interest in Westport was piqued.

“It seemed like everyone in town smiled, and wore new clothes,” he recalls.

In 1961 Mike, Stuart and a kid named Gordon Joseloff started a radio station at the YMCA. Their 1-watt transmitter — a couple of miles away, at Compo Beach — was hooked up to a phone line in their “studio.” It was an early “pirate” station — and it was called WWPT.

A July 1961 New York Times story on WWPT featured (from left) Gordon Joseloff, Jeff Berman and Stuart Soroka. As the caption notes, Mike Fast was missing from the photo.

Joseloff went on to become an international news correspondent with CBS — and later, first selectman of Westport. Today he runs WestportNow.com.

Mike’s Westport connection grew stronger. He, Dennis Jackson and Cliff Mills bought a turntable, and ran record hops at the new Staples High School on North Avenue.

A poster for dances at Staples High School. Perhaps Mike Fast’s shows cost a dime more than Dennis Jackson’s because they were 2 hours longer.

In 1962 Ed Baer — whom Mike had befriended back at WNAB — was working weekends at New York’s WMCA. Mike had very little experience, but when Ed set him up with an interview there, Mike talked his way into a job. (The key: Both his mother, and the mother of the engineer interviewing him, were from County Cork.)

Mike worked other jobs too: doing sound at the United Nations; at the National Radio and TV Center; at WHN. A stint at 1010 WINS lasted “about 10 minutes.” He played the wrong record, and legendary DJ Murray the K threw him out.

In 1965 the WMMM engineer retired. Mike talked his way into that job too, even though he knew little about transmitting equipment.

Around that time, Staples began bringing live bands to the auditorium. The school had no PA system, so the ever-resourceful Mike supplied groups like Cream and the Rascals with his own.

Ginger Baker, on the drums at Staples High School. (Photo copyright Jeremy Ross)

But Mike’s real love was live recording. He worked often with the Westport Country Playhouse, and the American Shakespeare Festival in Stratford (which burned to the ground last Sunday).

After doing sound on the road with Edgar Winter’s White Trash, Mike produced and managed his own bands. They were booked all over New England.

But those gigs did not pay well. Mike got back into radio. He moved around: Atlanta, Los Angeles, Portland.

He returned east — and went back to WMMM. He was there when Donald J. Flamm bought the station, and turned it into WDJF (named for his own initials).

When the FCC changed rules — eliminating the need for radio stations to hire 1st-class engineers — Mike was fired. The same day, his wife told him she was pregnant with their first child.

But he always found work. Mike has spent his entire life in radio and sound.

Mike Fast

“It’s a different world today,” he notes. “Radio stations are not the creative factories they used to be. I consider myself lucky to have been there, in the golden age.”

WMCA, WINS, WMMM — none of them are the stations they once were. But Mike Fast worked at all of them.

And — thanks to Westporters like Ed Baer, Gordon Joseloff and Murray the K — he’s had a very memorable career.

(Hat tip: Dennis Jackson)

Remembering Al Brodax

Al Brodax died last week, at 90. The longtime Westporter led quite a life.

He enlisted in the Army in 1943, at at age 17. Wounded in the Battle of the Bulge, he was awarded the Purple Heart. He graduated from the University of Wisconsin, then joined the William Morris Agency where he worked on “Your Show of Shows.

Al Brodax (Photo/Carol King)

Al Brodax (Photo/Carol King)

Brodax wrote and produced more than 500 episodes of “Popeye,” “Krazy Kat,” “Barney Google” and “The Beatles” cartoon series.

His greatest fame came as producer and co-writer of “Yellow Submarine.” It won more than 30 awards, including the New York Film Critics Circle in 1969. Brodax later became the animation supervisor for ABC, then a consultant for Marvel Comics.

In 2012 — before his appearance at a Westport Youth Film Festival event — I wrote this piece for “06880”:

More than 45 years after it supposedly happened, whether the Beatles actually visited Murray the K* at his Bluewater Hill home is up for debate.

But no one can deny that without Westporter Al Brodax, “Yellow Submarine” would never have left the dock.

In the late 1960s, Brodax was head of King Features’ motion picture/TV division. He pitched the idea of a full-length film based on the song of the same name to the Beatles. (I’m sure he knew someone who knew someone who…)

Yellow Submarine movieThe Beatles agreed to provide music for the animated film. (It was also a way to fulfill their contractual obligation to United Artists.)

With Brodax serving as co-writer and producer, “Yellow Submarine” was released to critical acclaim in 1968. The next year, it won the New York Film Critics Circle Award.

(Full disclosure: I always thought “Yellow Submarine” was the worst song in the entire Beatles discography. I had no desire to see the film, then or now.)

Brodax went on to produce, write and direct several Emmy-winning TV shows, including “Make a Wish” and “Animals, Animals, Animals.”

In 2004 he wrote “Up Periscope Yellow: The Making of the Beatles’ Yellow Submarine.” 

Given my antipathy toward the song, I have not read it. Nor do I plan to.

However, I am sure Al Brodax’s death is being mourned by Beatles fans everywhere.

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*Murray the K was a famous DJ.**

**DJ as in “radio disc jockey,” not “someone who plays music at proms, weddings and bar mitzvahs.”