Category Archives: Westport Country Playhouse

Kathie Bennewitz: Westport’s First “Town Curator”

You never know where life will take you.

Who knew, for example, that swimming and lifeguarding would help propel Kathie Bennewitz — 35 years later — to her new position as Westport’s 1st-ever town curator?

Yet that’s what happened, after Kathie Motes moved to Westport in the summer of 1978 — just before her senior year at a new school, Staples High.

Kathie Bennewitz

Kathie Bennewitz

Kathie joined the swim team, took art classes, and befriended Ellise Fuchs, whose father Bernie was a world-famous illustrator. Kathie posed for him, pretending to receive a medal for an Olympic scene.

At Princeton, she majored in art history. “I’m not a fine artist,” she claims. “But I love the process, and the way art reflects who we are.”

One summer, lifeguarding at Compo, she met Scott Bennewitz. He was a beach security guard — and a fellow Princetonian.

They married, and lived in Dallas, Minneapolis and Holland. She’d earned a masters in art history. Everywhere they moved, she worked in museums.

Eight years ago, they came to Westport. Kathie volunteered with the Westport Schools Permanent Art Collection. She says that meeting co-founder Mollie Donovan “changed my life.”

Kathie learned how deep and broad Westport’s arts history is. And she realized the impact of men like John Steuart Curry, and institutions like the Westport Country Playhouse, on this town.

"Blues Piano Players" -- one of the 7 wonderful works by Eric von Schmidt that make up "Birth of the Blues." They hang in the Staples auditorium.

“Blues Piano Players” — one of the 7 wonderful works by Eric von Schmidt that make up “Birth of the Blues.” They hang in the Staples auditorium.

She also met volunteers like Eve Potts — Mollie’s sister. “Their commitment, passion and enthusiasm for this town, and its arts community, is infectious,” Kathie says.

She worked professionally at Greenwich’s Bush-Holley House and the Fairfield Museum. A year ago, she became an independent curator.

She also was appointed tri-chair of the Permanent Art Collection, and served on the Westport Arts Advisory Committee. The 2 organizations gave her a broad perspective on the arts here.

So, when a group of people — including Ann Sheffer, David Rubinstein, Leslie Greene, Carole Erger-Fass and Joan Miller — floated the idea of a town curator, she was intrigued.

So was First Selectman Gordon Joseloff. “We already have a town historian, Allen Raymond,” Kathie notes. “This is a natural counterpoint.”

The doughboy statue on Veteran's Green is part of Westport's art and sculpture collection.

The doughboy statue on Veteran’s Green is part of Westport’s art and sculpture collection.

In her new post, she’s responsible for advising the town on the care of its art and sculpture collection. Westport owns several hundred works of art, displayed in Town Hall, the Senior Center, Parks & Rec headquarters — even the Fire Department. Statues include the Minuteman and Doughboy on Veterans Green.

Kathie will also serve as liaison to the 1,100-piece Permanent Art Collection, and the Westport Library, with its own murals, paintings and illustrations.

“So many other communities lose their treasures,” she says. “But thanks to Burt and Ann Chernow, and so many others, we have ours. They’ve created a platform we can spring off of, and do even more.”

That “more” includes plenty. Kathie envisions self-guided tours of the schools’ collections. A “museum on the street,” with Howard Munce’s Remarkable Book Shop work displayed outside that old store (most recently Talbots). Robert Lambdin’s “Battle of Compo” mounted near the cannons.

She’ll be involved in the rehanging of art at Town Hall — something last done in 1976.

Kathie would also like to open up hard-to-see parts of the town’s art collection — like the amazing fire station mural — to the public.

“Pageant of Juvenile Literature” — a 1934 work by Robert Lambdin — hangs in the Westport Library’s Great Hall. This is part of that mural.

“Pageant of Juvenile Literature” — a 1934 work by Robert Lambdin — hangs in the Westport Library’s Great Hall. This is part of that mural.

She is eager to get started. But she won’t be alone.

“I’m a team player. I enjoy working with people in groups. We need everyone’s help.”

Among those helping: Marie-Neloise Egipto, a Staples senior who will do her spring internship with the Permanent Art Collection.

“I’m honored to serve the town,” Kathie says. “This is different from the other positions I’ve held. It really validates all the decades of work done by the Mollies, the Eves and the Anns who have advocated for, and celebrated, our arts community and legacy.

“Very few communities have the public, school and library collections that we do. Westport should be very, very proud.”

Just as we all should be proud that Kathie Bennewitz is our 1st-ever “town curator.”

Even More Sandy Stuff I’m Finally Able To Get To

I’m still plowing through emails. Here’s a sampling. Apologies if I haven’t posted yours yet. Keep ‘em comin’!

Hurricane Sandy made Soundview Avenue very sandy indeed. The view is toward Compo Beach. (Photo/Betsy Phillips)

Norwalk Avenue, looking toward Bradley Street. The tide has receded, but the water has no place to go. (Photo/Betsy Phillips)

Some of the more than 75 Staples students who showed up at Longshore today, an hour after receiving a call from principal John Dodig for cleanup help. Another work session is planned for Friday.

  • The Farmers’ Market will be open tomorrow (Thursday) in the Imperial Avenue parking lot.  There’s hot coffee, fresh food and WiFi. They’ll also collect food and coats for those in need.
  • The Westport Country Playhouse is open again Thursday (10 a.m. to 6 p.m.) for cell phone and laptop charging.  Free coffee, too!
  •  Johanna Rossi passes along the website for CTWatchdog.com, with free legal advice on insurance for victims of Hurricane Sandy. “I don’t want to see fellow Westporters taken advantage of, especially senior citizens,” she says.

Coffee An’ opened at 6:30 a.m., and did a booming business all day. The power may be out in many homes, but we all need our donuts. (Photo/Larry Perlstein)

At Compo Sandy flooded streets, deposited sand everywhere, and knocked over cement cookout grills. But she couldn’t defeat the cannons. As they’ve done ever since the Revolutionary War (well, 1909 — they’re replicas) — the Compo cannons never wavered. (Photo/Jeb Backus)

Of course, some things never change. Arlene Avellanet reported that Arby’s was open. As usual, no one was there.

3 For Free

Three very different local businesses have stepped up to help, in the wake of Hurricane Sandy.

  • Westport Country Playhouse will open its lobby to the public to charge cell phones, laptops, etc. beginning tomorrow (Wednesday, October 31) at 11 a.m.  Free coffee, too!
  • Barcelona restaurants in South Norwalk, Fairfield, Stamford and Greenwich offer working bathrooms, charging outlets, and free WiFi.  Everyone is welcome. No purchase required — you can even bring in your own food, if you like.
  • And Westport Invitations — at the foot of Long Lots Road, behind Bertucci’s –  is open all week long as a free charging station. Power, cable and phone lines are available for all.

That just scratches the surface. If you own — or know of — a business or organization that’s helping everyone from customers and clients to complete strangers, click “Comments.”

Thanks to all, from a grateful town.

“Oklahoma!” Roots Run Deep In Westport

In its long and storied history, the Westport Country Playhouse has never staged Oklahoma!

But our local theater played a crucial role in creating that classic American musical.

In 1940, a production of Lynn Riggs’ play Green Grow the Lilacs incorporated turn-of-the-century folk songs and a scene with a square dance. Theatre Guild producer Theresa Helburn suggested to Lawrence Langner and his wife Armina Marshall — founders of both the Playhouse and Guild — that it would make a good musical.

The trio invited Richard Rodgers — who lived just a few miles away — to see a performance. Three years later the Guild produced Oklahoma! on Broadway, based on Green Grow the Lilacs.

Over the years, Oklahoma!‘s bond with Westport tightened even more. At just 17, dancer Bambi Linn made her Broadway debut in the show. She was Dream Laurey, the dancer in the dream in which Laurey tries to decide between Curly and Jud.

Bambi Linn, as Dream Laurey in “Oklahoma!” on Broadway.

Bambi Linn — whose Broadway career flourished after Oklahoma! — moved to Westport in the early 1960s. She and her husband, Joe de Jesus, taught generations of young Westporters to dance.

Though Oklahoma! never made it to the Westport Country Playhouse, audiences will soon see it here. It’s Staples Players‘ fall production, opening November 9.

“It was revolutionary,” director Dave Roth says of the 1943 production. “It’s considered one of the first shows in modern musical theater. Up to that point, songs didn’t really move the plot forward. They were really just there to entertain.”

Oklahoma! told its story through music — and, thanks in part to Bambi Linn, dance.

Oklahoma — the state — may be 1,500 miles from here. But the road from Oklahoma! — the musical — to the Staples stage ran right through the Westport Country Playhouse, just a couple of miles down the road.

PS: There’s one final Westport-Oklahoma! connection. Richard Rodgers’ grandson — composer/lyricist Adam Guettel (The Light in the Piazza) — is engaged to actress Haley Bond. Before graduating from Staples in 2003 — where she was known as Haley Petersen — she played Cinderalla (Into the Woods), Marian the Librarian (Music Man) and Irene (Hello, Dolly!), among other Players productions.

Not Oklahoma!, though. The last time Players presented the ground-breaking — and Westport-connected — musical was 1995.

(Click here for Staples Players ticket information.)

Andre’s Mother (And Ann’s Brother)

Years ago, Jonathan Sheffer wrote the music for the movie “Andre’s Mother.”

It was an American Playhouse production — and Lindsay Law, Staples Class of 1967, served as executive producer.

Written by Terence McNally and starring Richard Thomas, “Andre’s Mother” was one of Sheffer’s 1st film scores. The 1971 Staples grad went on to become a nationally renowned composer and conductor.

When his sister — Westport philanthropist Ann Sheffer — learned that the film will be screened this Thursday (Oct. 18, 7:30 p.m.) as part of Play With Your Food’s “Short Cuts” series, she told artistic director Carole Schweid. Carole invited Jonathan to speak immediately after the screening, at Norwalk’s Garden Cinema.

But this is Westport, and connections run even deeper than that. Last month, at the Westport Country Playhouse gala, Ann sat with — who else? — honoree Terence McNally, and co-host Richard Thomas. They remember Jonathan well — from everyone’s younger days — and are as thrilled as Ann that “Andre’s Mother” lives on.

Ann Sheffer (left) at last month’s Westport Country Playhouse gala with (from left) Richard Thomas, Nathan Lane, Tyne Daly and Terence McNally.

Raising “Raisin” To New Heights

It’s easy to think of the Westport Country Playhouse as one of the nice perks of living here: a renowned, venerable theater providing entertainment and enjoyment in comfortable surroundings.

Easy, but wrong.

The Playhouse is far more than that. During every run,there’s thoughtful, provocative auxiliary programming that adds so much more to the experience.

With the current production of “A Raisin in the Sun,” though, the Playhouse has reached new educational and contemplative heights.

The show — which since its 1959 Broadway debut has stirred audiences with its passionate, emotional portrayal of a black family striving for its piece of the American dream — is the springboard for a series of speakers, panels, educator workshops, student projects and other special events.

TEAM Westport — the town committee on multiculturalism — developed programming that began even before the first curtain rose. It runs through the final performance, on November 3.

Last month, a half-day workshop provided teachers with important techniques and resources to engage students in the rich tradition of African American literature. A feminist author spoke at the Westport Library, analyzing race, class and gender in the drama. The Unitarian Church hosted a discussion on its relevance today, and the Westport Arts Center exhibited powerful Chicago street photographs.

The show opened to great reviews, and many more events lie ahead.

  • Director Phylicia Rashad talks about her long history with the play as an actor, director and African American woman (Sunday, Oct. 14).
  • Steven R. Carter, author of a book about playwright Lorraine Hansberry, discusses the evolution of her life and art (Sunday, Oct. 21).
  • There’s a post-matinee conversation on the theme of community (Oct. 28), and a talk-back with actors (Nov. 1).
  • The film “To Be Young, Gifted and Black” will be screened on Oct. 29.
  • A series of civil rights films — all made by Westporters Bill Buckley and Tracy Sugarman — are being shown on Wednesdays this month at the Senior Center.
  • Before the show on Thursday, Oct. 18 and Nov. 1, the Playhouse will host family communal dinners. That’s on top of special pre-performance receptions for the LGBT community (last week) and young professionals (Oct. 19).

A collaboration with the Westport Arts Center and McGivney Center in Bridgeport features a student photo project that explores the power of autobiography, and the unique ways in which people experience the world. Images — taken with disposable cameras — are exhibited in the Playhouse lobby, and online.

The Playhouse is also working with students in an after-school program at the Carver Center in Norwalk on a creative writing project. The youngsters will attend a show, and see their work published on the Playhouse website.

There’s even more. But you get the idea.

The Westport Country Playhouse is far more than just a handsome theater. TEAM Westport is far more than just another town committee.

And the impact of the partnership between the two ripples far beyond the usual autumn audience, sitting comfortably in their familiar red seats.

Westport Country Playhouse

Remembering To Celebrate Westport

The question seemed reasonable. An “06880″ reader working with a few non-profit groups wanted to know where she could find a calendar of events in Westport for October, and on through winter and spring.

For scheduling purposes — her own, and her organizations’ — she needed to see what the Downtown Merchants, Rotary clubs, Westport Arts Center, library, Wakeman Town Farm, Westport Woman’s Club and others had planned. And when.

I sent her to WestportNow.com. Every day — in between photos of sunsets and teardowns — the local site posts a comprehensive calendar of upcoming events.

No good, the “06880″ reader said. It’s only for that day.

There’s a “Celebrate Westport” community calendar on the official town website. But that didn’t do it either.

“Everyone is slacking on putting in their events,” she said.

She’s right.

“There (sic) something going on almost every evening,” the Celebrate Westport site says.

But you wouldn’t know it. Entire weeks are empty.

The Westport Country Playhouse is unlisted. There are no library events. Not even — on the official town website — official town meetings.

A Westport Historical Society reception on October 5 — celebrating  “US Postage Stamps by Westport Artists” — is listed on the Celebrate Westport calendar.

The Celebrate Westport calendar is a great tool. You can be reminded of events by email, notified of changes, even forward info to friends.

But it’s all wasted if no one uses it. Or updates it.

I’ve done my job. I’ve posted a link to the Celebrate Westport calendar on the right side of my “06880″ home page.

Now I just have to remember to use it.

A Guide For Summer Guests

Summer might be the best reason of all to move to Westport. Between the beaches, Longshore, backyard pools, the Playhouse, Levitt, plenty of restaurants, and tons of activities for kids and families, this is an awesome time of year.

Which is why many Westporters are happy to leave town. They rent their homes for substantial sums. The cost to them of renting elsewhere — even a European vacation — is far less than what they get for handing the keys to a bunch of strangers for a couple of weeks (or months).

Well, strangers, if you’re going to live here, you should know a few things. This is how to be a real Westporter:

When you leave Compo Beach and turn right on Hillspoint, don’t drive 2 miles an hour like you’ve never seen water before. You may think it’s a lovely sight, but we’ve got places to go. Speed it up, buddy.

Yeah, it’s pretty. Get over it!

Conversely, it’s perfectly all right to drive erratically — fast, slow, then fast again — if you’re talking on a cell phone. Or, better yet, texting. Technically, both are illegal in Connecticut. But this is Westport, where magically no rules apply to you. Only to other people. Trust me — it’s true.

While walking or jogging, ignore all sidewalks. They’re there for decorative purposes only. However, if you’re riding a bike or running with a stroller filled with triplets, you must use the sidewalk. It’s the law.

Parking lot stripes are mere suggestions. Feel free to land your car wherever you wish. Sharp angles are fine! And if you’re in the narrow lane in front of Robek’s and Silver’s, lined on both sides with parallel parking slots, it’s your lucky day. It’s a Westport tradition to park worse there than any other place in town.

Just another day in front of Robek’s and Silver’s.

After shopping, feel free to leave your cart wherever you wish. You might want to find a slight incline, so the moment you drive off gravity causes your cart to roll slowly downhill. Too bad you’re not around to watch it comically rocket into a random car or child!

You know those signs prohibiting unattended saving of picnic tables at Compo? What a hoot! Go ahead — reserve to your heart’s content. You’re not a real Westporter until you smush 3 or 4 tables together, plant a tablecloth on it (don’t forget the vase!), and scatter some beach chairs around the perimeter.

Here’s how real Westporters do it.

Welcome to Westport. And don’t bother cleaning up before you leave. We’ll take care of all that when we get back!

An Au Pair Falls In Love (With Westport)

When Annika Ritter came to Westport in 2010 to work, she did not want to hang out with other au pairs.

“90 percent of the girls are German,” she says. “If I wanted to speak German, I would have stayed there!”

The lively, fun-loving 24-year-old — raised in a village near Frankfurt — vowed to immerse herself in Westport, and discover as much about her new town as she could.

Now — her 2-year stint almost over — Westport has become more than the place she works.

Annika considers it home.

She knew very little about Westport before Au Pair in America matched her with a family here. Wikipedia made it sound “very fancy.” When she saw some of the houses, how people dressed, and stores on Main Street that were way too expensive to shop at, she understood how wealthy it is.

But she realized something else: There is lots to do here, and plenty of good people to do it with.

Because her host family belongs to the YMCA, she was added to their membership — free. Annika took morning classes: step, spinning, whole body conditioning, yoga, Zumba. There were a number of “older ladies,” she says diplomatically, but also mothers of children in her host family’s classes at Saugatuck Elementary School.

Annika was up for anything. She talked about “global awareness” at Saugatuck El and Earthplace. Twice she did face painting at the au pair agency’s booth at the Fire Department’s “Touch a Truck Day.”

Annika took this wintertime photo of the Compo Beach marina.

Nearly every morning, when the kids were at school, she went to the Westport Library to read. “It’s one of my favorite parts of town,” she says. In the afternoons she returned with her host family’s children, for chess, crafts or story time.

She loves Compo Beach and Longshore, the Playhouse, Winslow Park, the farmers’ market, Earthplace hiking trails, and the $5 margaritas at Viva’s.

The Memorial Day parade was special. “The whole town was together,” she says. “I saw people I have gotten to know well. I felt really at home.”

Annika took this photo too, of a Westport graveyard.

She ranged beyond Westport too, taking watercolor and drawing classes at Norwalk Community College, and color theory at Parsons School of Design. She volunteered at a media company nearby, sang karaoke at Southport Brewing Company, and met great people through her church in Black Rock

But Westport holds a special place in Annike’s heart.

“When I first came, I thought it was too fancy for me,” she admits. “But once I got past the surface, and got to know people, I had a total different view.”

Midway through her stint here, her family moved to a new house on Lone Pine Lane. “The neighborhood is so cute,” Annika says. “Everyone waves, and helps each other out. When we first got here, every day someone else brought over cake or cookies. That was so nice.”

Annika wants to give back to Westport a small part of what she’s gotten out of it. She hopes to give a “mini-German lesson” in the library children’s department. She offered to do a bake sale for the Y, but they basically said, “We need millions.”

This summer, Annika’s au pair job ends. Her parents are coming, and they’ll do something typically American: a road trip to the West Coast.

A Zumba instructor, by Annika.

Annika is ready to start her real career. A very accomplished photographer — she took over 10,000 photos in the US (including family portraits for Christmas cards and head shots for a professional actress), and has a wonderful blog — she hopes to study media management back in Germany. She’d also like to open a photography studio.

Her dream is to come back to the United States, for good.

“I’m going back to Germany in September,” Annika says.

“But my home is Westport.”

“Connecticut: Still Revolutionary”

“Connecticut: Still Revolutionary” is our state’s new brand.

Doesn’t that just roll off your tongue?

Remember “I ♥ New York”? It’s only 4 syllables. Ours is 11!

And you thought Connecticut was a puny little state.

The good news: We only spent $500,000 on the logo and “other creative materials.”

Governor Malloy’s new tourism push — a $27 million, 2-year campaign involving TV, radio, billboards and social media (plus a website, ctvisit.com) — highlights Connecticut’s many attractions. They are, in case you forgot, our shoreline, hills, Mystic Aquarium, Essex Steam Train, Goodspeed Opera House, and — is this a great state our what? — 2 tribal casinos.

And you thought there was nothing to do in Connecticut!

In announcing the campaign yesterday, Governor Malloy also referenced a different type of revolution: the sexual one.

Not a big fan of the sexual revolution.

Yes! In Griswold v. Connecticut — a groundbreaking 1965 case — the Supreme Court struck down a law prohibiting the use of contraception. That paved the way, 8 years later, for Roe v. Wade. Which led, basically, to Rick Santorum being considered (well, by some people) a legit candidate for president of the United States.

You go, Land of Steady Habits!

As a loyal Westporter, I’m pissed the governor did not mention 2 local revolutions as he launched the campaign.

The Westport Country Playhouse revolutionized summer theater — and Broadway — when it opened in 1931.

And The Stepford Wives — set right here in Westport — revolutionized an entire generation of women when the book and movie came out in the 1970s.

For a few years — ever since the sexual revolution, actually — women had been asserting themselves in the workplace, at the voting booth, and in the bedroom.

Suddenly, though, Stepford Wives realized the importance of being submissive, docile housewives.

It’s taken a while, but now women are back on top. Thank you, 50 Shades of Grey.

You say you want a revolution…