Category Archives: Westport Country Playhouse

Striking 12 This Christmas

‘Tis the season.  Deal with it.

Not exactly falalalala or roasting chestnuts, is it?

But that’s the best way to describe “Striking 12″ by GrooveLily — a musical presentation at the Westport Country Playhouse on December 10.

It’s a great show — but, sponsors say, the toughest part is describing it to the potential audience of families, kids, and basically everyone in Westport.

Finally, someone came up with this:  “‘Striking 12′ is to Hans Christian Andersen’s ‘Little Match Girl‘ as ‘Rent’ is to ‘La Boheme.’”

Or try this:  “‘Striking 12′ is a cross between a concert and a theater piece.  It brings the spirit of ‘Match Girl’ into contemporary New York.”

And:  “It’s a concert-with-a-story, band-is-the-actors musical, with hauntingly beautiful songs and a funny, heartwarming story….part rock concert, part musical…the hippest holiday show in recent memory.”

If that sounds like PR, it is.  I haven’t seen “Striking 12.”  But I trust the people who have.

They love the show.  They think GrooveLily — the band that plays, mixing electric violin, piano and drums to create new music with roots in classical, musical theater, jazz and rock — is way cool.

David Roth — who, as director of Staples Players, knows a thing or two about satisfying an audience — says, “I first heard about GrooveLily from someone who was obsessed by them.

“Now I listen to them a lot, and use them in my directing class.  It’s one of the most creative and different mixtures of theater and music I’ve ever seen.”

Supporters of the show want to spread the word to everyone in Westport that — despite the hectic holiday season — this is a show not to miss.

Writing on the Playhouse blog, Chad Kinsman says:

It’s not kid’s music, but music that is accessible to kids and adults, and everyone in between!  One of the hardest things about planning a family outing during the holidays is trying to find something everyone will enjoy, and I can safely say “Striking 12″ is just that. Younger patrons will enjoy the story, tweens and teens will like the band’s sense of humor, and everyone will love the songs.

He continues:

There is the poignancy (of “Match Girl,” but unexpectedly mixed with musical comedy, pop-rock tunes, old-fashioned uplift, and the little salesgirl whose holiday spirit can’t be matched.

Inside the clever lyrics and great melodies are important life lessons.  It’s a touching, family-and-friends-affirming show perfect to help spread the holiday spirit to you and yours.

I hope I’ve done a good job of conveying the excitement of “Striking 12.”

If not:  bah, Humbug!

(For tickets to the December 10 4 and 7 p.m. performances, click here.)

“Anything Goes” For John Weidman

In the 1950s, John Weidman was a very good Westport Little League shortstop (the Jaguars, if it still matters).  He memorized “zillions” of TV commercials, a former teammate says, and recited them on the field during lulls in action.

Then he realized:  “There are no major league players from Westport.”

John Weidman

But there was more than baseball in his future.  As the son of Jerome Weidman — author of I Can Get It for You Wholesale — he gravitated toward writing.  At Harvard he befriended 1968 classmate Timothy Crouse.  They co-wrote a Hasty Pudding show.

Despite earning a law degree from Yale (where one of his classmates was Clarence Thomas), he circled back to writing.  On a whim he wrote Hal Prince with an idea.  The producer gave him $500; Weidman wrote “Pacific Overtures,” which Prince then handed over to Stephen Sondheim to turn into a musical.

Weidman kept writing:  for National Lampoon, “Sesame Street,” then a revision — with Timothy Crouse — of Crouse’s father’s “Anything Goes.”

The Weidman-Sondheim collaboration continued with “Assassins” in 1990, and “Road Show” in 2008.  Weidman was nominated for 3 Tony Awards (and won for “Contact”); he also won a dozen Emmys for “Sesame Street.”  He’s served 10 years as president of the Dramatists Guild.

Most recently he’s worked on the re-re-revision of “Anything Goes,” which the New York Times called “zesty.”  It’s currently playing at the Stephen Sondheim Theater.

That’s a nice little story — local boy makes good — but there’s another town connection even many long-time residents may not know:

Back in his teenage days, Stephen Sondheim was an apprentice at the Westport Country Playhouse.

The Weidman-Sondheim connection goes further than even they may realize.

A Short Interview With Martin

Somehow, it’s fitting that my interview with Martin Short took place as he was being fitted for a wig.

Martin Short

The visual of the comedian talking about his upcoming performance in Westport was compelling.  But he chatted calmly, while wigmakers buzzed about preparing him for his new role in “How I Met Your Mother,” as Marshall Eriksen’s new boss.

Short will be here on Saturday, September 24.  The event is Homes With Hope‘s 4th annual “Stand Up” benefit.  Guests “stand up” for the services the organization provides to the homeless, at the same time being treated to great stand-up comedy.

It’s a formula that works, and one that Short likes.

He’s always wanted to help people — he was pre-med until he realized he liked the idea of being a doctor more than actually being one; then he switched to social work, before giving in to his inner actor.

This is not just a fly-in-and-fly-out appearance.  Short knows all about Homes With Hope.

“It’s an amazing organization,” he says.  “I love doing events like this.  People are in a good mood, and they commit to doing good things.”

There’s nothing funny about homelessness.  But Martin Short is a very funny man.  From “SCTV” and “Saturday Night Live” through “Three Amigos” and “Father of the Bride,” he’s entertained audiences for decades.

Now he’ll use his gift of laughter to help Westporters stand up against homelessness.

(Martin Short will perform at the Westport Country Playhouse.  Holders of $200 and $150 tickets enjoy a 7 p.m. plaza reception with cocktails, “short” ribs, “short” cake and more.  $75 tickets are also available.  The event includes a live auction.  For tickets and information, click here.)

The Playhouse: Past, Present And Future

As the Westport Country Playhouse celebrated its 80th anniversary last week, I wanted to interview someone who attended the 1st performance.

No luck.

But I did find Doug Tirola.  The producer (4thRowFilms) and Westport Arts Center board member has a long history with the Playhouse.  In fact, it has informed and influenced his entire life.

Doug’s father Vincent was the Playhouse attorney — and helped save it one of the many times it nearly went under.

Doug Tirola

Doug’s earliest memories of the Playhouse are of “typical kids’ shows.”  His 1st job, a few years later, was placing posters for upcoming shows in as many store windows as possible in Westport, Fairfield and Darien.  He earned 25 cents per poster.

His 2nd job was house beautician.  “That’s theater-speak for janitor,” he notes.  Doug would prepare the Playhouse for the upcoming show, head to the Y to play basketball (or Ships to eat), then return afterward to clean up.

Mondays were special.  That was opening night — and shows changed weekly.  Local critics like Ina Bradley and Jeanne Davis were there.  They’d eat next door at Backstage (now the Dressing Room) before the play ; afterward they’d all gather on the gravel patio outside the theater, then return to Backstage for drinks.

Some theater-goers were there already.  “If the play wasn’t good, at intermission guys would wander over to the bar,” Doug says.

Doug also ushered.  His co-workers were older people, like today.  But there were also many younger ushers.  He doesn’t see many of them now.

The Playhouse, he says, was a hangout for teenagers — and not just the theater crowd.  “I played 3 sports,” he notes.  “Lots of kids wandered back and forth between the playhouse and Friendly’s” in Playhouse Square.

Westport Country Playhouse -- 80 years young.

Now — producing and marketing movies — Doug looks back on those days with a sense of awe.  “I had this sense of it being like ‘hey, let’s put on a show.’  I had no idea how hard that is.  Turning shows around week after week, with what I realize now were very limited resources — that makes me realize anything is possible.”

Doug was influenced by men like Jim McKenzie — the longtime executive producer, and a “larger than life figure” — and Todd Haimes, now artistic director of the Roundabout Theatre.

Looking back, Doug also realizes that his initial experiences at the Playhouse were special.

“11-year-olds today have a lot more options than we did then.  There’s good and bad sides to that.  But I also think there are more things today geared directly at them.  Back then, by default, kids were exposed to more adult activities — the theater, movies, even TV shows.  That forced us to interact with the adult world.”  As with ushers, Doug sees few young people involved with the Playhouse’s adult shows.

He also senses less of an overall townwide connection with the Playhouse.

“I’m not trying to be negative,” he emphasizes.  “But part of the DNA of Westport has always been the arts.  People here still point with pride to the arts, but they don’t always take advantage of them.

“My parents chose Westport over other Fairfield County towns in part because there was more diversity, but also because of the arts opportunities.  People who moved here the last 10 years, probably 95 percent would say they came for the schools and the beach.  Those are great things, but 30 years ago they might have included the arts too.

“I know plenty of people support the arts financially,” he says.  “But it’s important to go to shows, and to the Arts Center — and to expose your kids to them.”

But — on the 80th anniversary of the Westport Country Playhouse — Doug continues to beat the Playhouse drum.

“As much as I remember what it was like when I was young — the sights and smells — you can’t walk into the Playhouse now and not feel how awesome the space is.

“They’ve done a great job of honoring what it was, and doing what needs to be done for the future.”

A future that — thanks to Westporters like Doug Tirola and his father — now seems more secure than ever.

Eat, Drink, See A Play

Several years ago, when the Westport Country Playhouse was being renovated, nearby restaurants saw drops of up to 2/3 in business.

The Dressing Room sits in the shadow of the Playhouse. Other partner restaurants are not far away.

This summer, many of those restaurants — the ones still around, anyway — will show their appreciation for the Playhouse in a tangible way.  Seven have signed on as “partners” for the 2011 season.  Playhouse subscribers receive discounts of up to 20%, when presenting a ticket or stub on the day of that performance.

The 7 partners include The Dressing Room, La Villa, Manolo, Matsu Sushi, Rizzuto’s, Tavern on Main and Thali.

It’s a win-win-win.  Participating restaurants get their logos displayed in Playhouse promotional materials (and complimentary tickets).  The Playhouse gets to support — and gets support from — local businesses.

And theater-goers get great, discounted meals at a diverse mix of restaurants.  It’s a nice reminder that Fairfield hasn’t stolen all our culinary thunder.

Yet.

(Click here for full restaurant descriptions and discounts.)

Now Playing At The Library

In 1931, Broadway producers and Weston residents Lawrence Langner and his wife Armina Marshall transformed an old red barn into the Westport Country Playhouse.

Now 80 years old, the iconic establishment is honored with a display at an even older institution:  the Westport Library.

Downstairs — across from the River of Names tiles — posters, photos and memorabilia celebrate 8 decades of entertainment, enlightenment and education.

Included is a shot from the 1st-ever show:  “The Streets of New York,” starring the legendary Dorothy Gish (and the long-forgotten Rollo Peters).

Only a tiny smidgen of stuff is on view.  To see more — including a show — go to the Playhouse itself.

A scene from the first-ever play: "The Streets of New York."

Tiger Mother Comes To Town

Amy Chua is coming to Westport.

Amy Chua

Unless you’ve been living in a country like China with a censored internet — or too busy ferrying your kid to piano lessons, violin lessons and math tutoring sessions — you know who she is.

Chua is the author of Battle Hymn of the Tiger Mother. She took time from her day job (professor at Yale Law School) to describe her secret parenting skills.

Chua’s daughters were never allowed to:

  • attend a sleepover or have a playdate
  • be in a school play (or complain about not being in one)
  • watch TV or play computer games
  • get any grade less than an A
  • not play the piano or violin.

Chua also rejected birthday cards of insufficient quality, and demanded new ones.

On Tuesday, May 3 (11 a.m.-1 p.m.) she’ll be at the Westport Country Playhouse.  The event is a fundraiser and book signing for the Read to Grow literacy program.

Chua will be interviewed by Roxanne Coady, Read to Grow’s founder and a contributor to Faith Middleton’s NPR Book Show.

The press release didn’t say if Chua will take questions.  If she does, Westporters might ask if her child-raising methods aren’t just a wee bit out of line.

Or tell her they don’t go far enough.

(Tickets are $75, which includes a copy of the book, and $125, which includes priority seating, 2 copies of the book, and a pre-event reception with Chua.  To register, call 203-227-4177 or click here.)

Remembering Elizabeth Taylor

Liz Taylor — who died this morning in Los Angeles at 79 — had a Westport connection.

Liz Taylor

The Oscar winning actress — whose films ranged from “National Velvet” and “Cat on a Hot Tin Roof” to “Cleopatra” and “Who’s Afraid of Virginia  Woolf?” — rented a home here in the 1950s and ’60s.  She lived on Long Lots Road, across from the Fairfield County Hunt Club.  She was a frequent visitor to local restaurants and stores — and the Westport Country Playhouse.

If you’ve got a personal memory, story or anecdote about Liz Taylor, click “Comments” to share.

(Posted 9:35 a.m.)

The Westport (Ireland) Country Playhouse

Did you know there’s a Westport Country Playhouse in Ireland, too?

Amazingly, it looks just like ours here in Westport — except it’s green, not red:

Okay, that’s a bit o’ blarney.

The special effect was created by Alysia Miller of the Westport Country Playhouse patron services staff.

The one in Connecticut, to be sure.

Happy St. Patrick’s Day!

Census And Sensibility

The release this week of Westport’s census data — showing, among other things, that just 1.2% of our town identifies as “black or African American” — got me thinking.

While that percentage has long been paltry — it translates to 305 men, women and children, up just 13 from 2000 — Westport does have a history of involvement in the broad civil rights issues of the day.  Whenever that day was.

During the abolitionist movement, houses served as stops on the Underground Railroad.  At least one — on Weston Road, across from the present-day Methodist Church — still stands.  A once-hidden room — accessible from the outside — attests to its role in hiding runaway slaves.  (Though Connecticut was a free state, fugitives could still be captured and returned.)

Abraham Lincoln allegedly visited here during the Civil War.

That home was part of Morris Ketchum’s sprawling Hockanum Hill estate.  He frequently hosted Salmon P. Chase, as Abraham Lincoln’s Treasury Secretary sought funding for the Civil War.

Though no official record exists, Lincoln allegedly stayed at Hockanum Hill while president too.  The estate — on Cross Highway, near the foot of Roseville Road — offered an out-of-the-way respite on secret financing trips north.  The current deed refers to the “Lincoln room,” and a letter supposedly exists in which the president thanked Ketchum for his hospitality.

A century later, in the early days of the modern civil rights movement, Herman and Gladys Steinkraus lived on South Compo.  He was president of both Bridgeport Brass and the US Chamber of Commerce.  The couple were avid supporters of the United Nations, and often invited African ambassadors to Westport.  It was the 1st time some had ever been inside an American home.  Not all the Steinkraus’ neighbors were pleased.

Around that time, Ernestine White was a beloved music teacher at Bedford Junior High School.  A pupil invited her to his bar mitzvah.  A few tongues wagged — but the invitation was in keeping with the tenor of the times.

Rev. Dr. Martin Luther King definitely came to Westport.

Temple Israel’s rabbi, Byron T. Rubenstein, was deeply involved in the civil rights struggle.  Rev. Martin Luther King spoke at the temple in 1964.  A month later, Rubenstein and King were both arrested in the south, at a nonviolent march.  Rubenstein and others were instrumental in organizing Freedom Rides from Westport, challenging laws that enforced segregation.

Tracy Sugarman was one of several Westporters to participate in the Mississippi Freedom Summer.  He knew the murdered civil rights workers Goodman, Schwerner and Chaney, and developed deep friendships with leaders like Julian Bond and Fannie Lou Hamer.  Sugarman hosted them, and many others, in his Westport home.

The 1960s were a time of civil rights ferment, and many Westporters were active in the cause.  Both the Intercommunity Camp — bringing together youngsters from Westport, Weston, Norwalk and Bridgeport — and the school district’s Project Concern, serving dozens of Bridgeport elementary, junior high and high school students, were direct results of local activism.

The team that is TEAM Westport

For nearly a decade TEAM Westport — the first selectman’s committee charged with achieving and celebrating multiculturalism — has worked to make this a more welcoming place for all minorities.  African Americans have taken a leading role.  TEAM Westport has organized trips to the slave ship replica Amistad; led school panels, talkbacks at the Westport Country Playhouse, and community conversations; partnered with schools, religious organizations and the library, and worked in dozens of other ways, large and small, to reinforce awareness of diversity issues and concerns.

Of course there have been less visible, lower-key events too.  In 1960, Sammy Davis Jr. married Mia Britt.  At the time, 31 states outlawed interracial marriage.  Connecticut was not one of them — and, legend has it, the couple honeymooned at a home off Wilton Road.

These are just a few of the connections Westport has made, over many years, with civil rights issues.  We’re not a racial melting pot — but neither are we immune from the world outside our borders.  It was Westport’s involvement, in fact, that brought many families here in the 1950s and ’60s, when they could have chosen many other places to live.

Has Westport changed since then?  Are these issues still important, and are Westporters as involved?  If so, how?  If not, why — and what’s taken their place?  Click “Comments,” to share your diverse (and diversity) thoughts.