Category Archives: Looking back

Bill Mitchell Gets A Birthday Surprise

Every Saturday is “showtime” at Mitchells.

A steady stream of customers – from Brian Williams, Jack Welch and Jim Calhoun to your basic, everyday Joe Hedge Fund Manager and CEO — drops in. They grab a bagel, schmooze, and buy a suit or three.

Today was extra special. Bill Mitchell — son of founders Ed and Norma, father and uncle of the 3rd generation to run the store — turns 70 tomorrow.

The store was packed with well-wishers (and stocked with champagne and cake).

In the midst of all the A-Listers and heavy hitters, it was easy to overlook one older man.

But Walt Melillo was there too. He’s 90 now, but in 1958 he was the 1st non-family member hired by Ed and Norma.

Bill Mitchell (left) and Walt Melillo.

Bill Mitchell (left) and Walt Melillo.

Walt worked Friday nights and all day Saturdays . His real job was as an elementary school teacher (Saugatuck, then Burr Farms). In fact, both Bill and I were Walt’s students.

Today was a great day for Bill Mitchell. He was especially happy to share it with one of Westport’s most important — but seldom recognized — big, big names: Walt Melillo.

An “Elementary” Westport Murder

I’m not a fan of “Elementary.” In fact, until this week, I’d never heard of the CBS detective show.

ElementaryBut my great, longtime friend Neil Brickley is. And even though he no longer lives here, he keeps up with the 06880 (and “06880″).

Last week’s episode caught his eye. The plot involved a murder that took place 20 years earlier. The victim was stabbed to death on a street, and the case had gone cold.

“Elementary’”s writers could have chosen anywhere for their fictional murder. It might have been New York, or a made-up place like Mayberry or Mayfield.

But the murder took place in Westport.

We’ve come quite a way from the days when Lucy Ricardo accidentally destroyed our Minuteman statue.

(If your browser does not link directly to YouTube, click here.)

 

Happy 100th, Sherwood Island!

Next year, Sherwood Island celebrates 100 years as a state park. (At least, 1914 was the year Connecticut acquired the initial parcels for what — 23 years later — eventually became our 1st state park.)

In anticipation of the centennial celebration, the Friends of Sherwood Island will install educational panels on the history of the Sherwood family. Daniel Sherwood and his wife Catherine Burr settled the area in 1761. They farmed onions and potatoes, and harvested oysters.

An aerial view of Sherwood Island State Park.

An aerial view of Sherwood Island State Park.

But before the signs can be installed for a historical walking tour, an archaeological survey must verify the locations of houses and barns.

Next Wednesday (May 22, 10 a.m.), Connecticut state archaeologist Nick Bellantoni will make a presentation and inspection visit. The public is invited to attend his free lecture and walk-about tour. Entrance to the park is also free.

Elwood Betts will be there. The 87-year-old Westporter remembers where the Sherwood house was; he visited the farm complex as a 6-year-old. (Just as notably, he’s a Sherwood descendant.)

In preparation for Wednesday's event, Elwood Betts (left) shows archaeologist Ernie Wiegand where the 1787 Sherwood house stood.

In preparation for Wednesday’s event, Elwood Betts (left) shows archaeologist Ernie Wiegand where the 1787 Sherwood house stood.

Archaeology professor Ernie Wiegand will exhibit Native American artifacts from Sherwood Island and nearby Green’s Farms. He’ll also help identify arrowheads, stone axe heads or other artifacts residents have picked up over the years.

Sherwood Island is an enormously popular state park — and a spot many Westporters have never set foot in. You may not be able to make it to next Wednesday’s event — but don’t wait another 100 years to go.

JD And Harvey

The New York Times reports that in September Harvey Weinstein will release one of his film company’s “unlikeliest projects ever.”

“Salinger” — 9 years in the making — is a documentary about a very famous American writer.

JD Salinger

JD Salinger

But, the Times says, J.D. Salinger’s reclusiveness makes marketing the film difficult. Not only was the author — who died in 2010 — not involved in the film; neither was his son, nor the few members of a small circle of friends.

“Mr. Weinstein indicated that the secrets will be part of the fun as he and his company forge a strategy for selling ‘Salinger’ to the masses,” the Times reports.

So the “06880″ question of the day is this: Does the film that Westporter Harvey Weinstein is releasing contain any information about Salinger’s 2 or 3 years in Westport?

He came here in 1949 or ’50 — details are sketchy. But according to the Times — and reported on “06880” the day he died — Salinger “holed up in a house on South Compo Road” in 1950 to write Catcher in the Rye.

Does Westport make it into “Salinger”? Because Salinger certainly made it to Westport.

Compo’s Last Century — And Next

Compo Beach may soon look different. But this time changes will come from us  – not nature.

Within the next few weeks Parks & Rec will issue a Request for Proposals. Engineering and design firms will bid on a master plan.

The Westport News quoted director Stuart McCarthy as saying the days of people “going to the beach, lathering themselves in suntan oil, and sitting in a chair” are over. Now everyone walks, jogs, bikes, pushes strollers, flies kites, launches windsurfers — you name it. And a lot more of us do it, too.

There's always plenty of activity at Compo Beach.

There’s always plenty of activity at Compo Beach.

Noting the sorry state of bathhouses and bathrooms, and the crowded entrances and exits, Compo Beach Association president Skip Lane said the beach “hasn’t been improved or really looked at in 100 years.”

Well, not quite.

In fact, the beach has seen many changes over the past century. (Historical reference point: The cannons were dedicated in 1910, 103 years ago. If they’d been there in 1777, maybe the British would not have landed and marched up to Danbury.)

For over 100 years, the cannons have been a Compo Beach icon. This painting is by Thomas N. Graves.

For over 100 years, the cannons have been a Compo Beach icon. This painting is by Thomas N. Graves.

A wooden bathing pavilion was built in 1919; 750 bathhouses were rented by the hour. (Sounds sketchy, I know.)

By 1927, what we now call the “pavilion” — the open-air area with a few benches between the volleyball courts and beach — was a handsome 2-story affair, featuring dining and dancing.

A small lifeguard cottage, trimmed by a nice garden, sat by the water’s edge.

But as Roaring 20s-ish as that all sounds, the beach itself was awful. It was filled with rocks — good-sized ones, this being New England. It took a few more decades before Compo became the sandy beach we know today.

The wooden bathhouses, with a boardwalk over the sand -- and the 2-story pavilion in the distance.

The wooden bathhouses, with a boardwalk over the sand — and the 2-story pavilion in the distance.

Anchored offshore — until about 1960 or so — were several large rafts. They were popular spots for diving, sunbathing, and teenagers trying to impress each other.

I don’t know why they were removed, but I bet liability was an issue. Things are much worse today, of course. If McDonald’s has to warn customers that coffee is hot, we’ll never see those rafts again.

Even through the 1950s, oldtimers say, the beach along Soundview Drive — from the drop-off area to Hillspoint Road — was considered “private.” It wasn’t, of course, but many Westporters asked permission of Soundview residents before sitting down to lather on suntan oil.

A scene from the late 1940s or early '50. (Postcard courtesy of CardCow.com)

A scene from the late 1940s or early ’50. (Postcard courtesy of CardCow.com)

In my coming-of-age age — let’s call it the Age of Aquarius — Chubby Lane ran the concession stand. It was located where the volleyball courts are now. And with parking right outside, you didn’t need a sticker to drive up, order one of the best cheeseburgers known to man, and hang out until someone told you to move.

Chubby had another great way of boosting business. Employees — wearing blue button-down shirts, and high knee socks — roamed the beach taking orders. They called them in by walkie-talkie, and tied a balloon around a beach chair. Soon, another employee delivered the food.

The playground has changed over the years too. A carousel once sat near the basketball court, along with monkey bars and other stuff. The playground we now know was built in the late 1980s, in a burst of community spirit and volunteer labor — but not until a full-blown, nasty, typical Westport controversy wound through court.

Neighbors complained that the playground would ruin “the vista,” and send property values plummeting. It would also attract rowdy teenagers, who’d drink, do drugs and have sex. 

Today, of course, the Compo Beach playground is one of the first things realtors show to prospective buyers. And kids party safely in their own basements.

It's a full house at the Compo Beach playground.

It’s a full house at the Compo Beach playground.

So no, the beach has not just sat there, unchanging, for 100 years. Plenty has happened. Some of it’s good; some bad. Some has been planned; some not. I haven’t even mentioned the changes — to the coastline, the seawalls, the structures themselves — wrought by weather.

(Side note: A month ago, I wondered how Parks & Rec would ever get the post-Sandy beach ready for this summer. Thanks to a herculean effort — with help from Public Works and Kowalsky — it looks great. )

Back in the Carter administration, I was a young pup serving on a committee aimed at – surprise! — improving Compo Beach. Planning consultants were hired. They looked at the beach from all kinds of angles, and with fresh eyes. One of their proposals was to move parking away from the sand. “Reclaim the beach!” the consultants said. “People don’t need to drive that close to the water.”

No way, our committee said. This is Westport. People have always parked there, and they always will.

Let’s hope this next engineering and design firm comes up with some creative, reimagined ideas for the beach. They might even suggest diverting cars away from the water.

Hey, you never know.

Back in the day, cars parked even closer to the water than they do now.

Back in the day, cars parked even closer to the water than they do now. Check out the rocky beach. too.

William Phelps Eno’s Odd Plaque

I’ve walked up and down the Westport Y stairs — the ones by the pool, leading to the back parking lot — thousands of times.

But until the other day, I never stopped to read the plaque on the wall. (Full disclosure: The reason was that the stairs were gridlocked by a convoy of battle-ready baby strollers.)

The plaque honors William Phelps Eno. He’s the Westport businessman known as the “Father of Traffic Safety.”  His innovations — creations, really — included the stop sign, pedestrian crosswalk, traffic circle, 1-way street, taxi stand and pedestrian safety island. He designed traffic plans for New York, Paris and London.

For many years, his worldwide traffic institute was headquartered on Saugatuck Avenue, near the Norwalk line.

(Fun fact: He never learned to drive.)

It’s nice that the Westport Y has a plaque honoring him.

Eno plaque

But look closely. It honors the “William Phelps Eno Memorial Pedestrian Mall.”

Inquiring minds want to know:

  • Was this pedestrian mall once located where the plaque now stands? (The Y’s Weeks Pavilion was built in 1978.)
  • Was the mall somewhere else, and the plaque somehow landed here?
  • Will the plaque move to the new Y, when it relocates to Mahackeno?
  • And, most importantly: When was there a “pedestrian mall” in Westport, and why did we lose it?

From Polo Grounds To Cooperstown — Via Westport

Westporters flocking to “42” are inspired by the story of the man who broke baseball’s color barrier.

But 3 years after Jackie Robinson took the field for the Brooklyn Dodgers, the sport still grappled with integration — not on the field, but in the stands. An intriguing incident involved 1 Westporter — and 2 others, 60 years later.

The  Saturday Evening Post cover of April 22, 1950 shows fans in the Polo Grounds — the New York Giants’ fabled home. Their hands stretch skyward, reaching for a foul ball.

It’s an iconic scene — a classic, feel-good, All-American illustration.

Saturday Evening Post better

But — according to a letter written in 2000 by illustrator Austin Briggs’ son — there’s a bit of back story.

The son — who shares his father’s name — says that his father’s painting showed Fannie Drain, a black woman who worked for his family and was loved by all.

“When the Giants were playing, she and my father — whose studio was at home –would follow the radio broadcasts avidly and vocally; her pride and pleasure in being included in the cover painting were deep,” Briggs wrote.

The Post editors told Briggs he would have to paint her out of the picture.

“He broke the painting, on a gesso panel, over his knee and walked out,” the son said. “The financial sacrifice was great, but he never regretted his act or repented his fury.”

Stevan Dohanos

Stevan Dohanos

The illustration was redone by Stevan Dohanos, a noted Westport illustrator and frequent Saturday Evening Post contributor. He used many of the same models, but replaced Fannie Drain (near the bottom left) with a large white man wearing a handkerchief.

Dohanos’ original hung in the Baseball Hall of Fame, in Cooperstown, New York. And that was that — until last year.

Sarah Wunsch — a 1965 Staples High School grad, now a staff attorney for the ACLU of Massachusetts — chatted about the story with classmate Tom Allen, a member of the Baseball Hall of Fame President’s Advisory Board.

She wrote the Hall, in Cooperstown. She soon received a reply from Erik Strohl, director of exhibitions and collections in Cooperstown.

“I was unaware of the details behind this painting and I find the story very fascinating,” he said.

The details truly provide a picture of life in the 1950s, which may seem foreign to us now. I tell our visitors all the time that we can learn much about ourselves as Americans through the lens of baseball, and this painting surely fits that bill.

He promised to find a way to add the information to the exhibit. He said it would “provide a much wider context on the full story of the painting, including what it teaches us about race relations, both in baseball and in popular magazines.”

Minuteman Hill: “The Street Where I Live”

My recent post on the Battle of Compo Hill got alert “06880″ reader June Eichbaum thinking — and writing. She says:

When I open the window and the air smells like onions, I know it’s spring.

Before there were houses, Minuteman Hill — where I live — was an onion farm. During the Civil War, Westport farmers harvested barrels of onions. Union troops ate as many onions as Westport could grow, as protection against scurvy.

In the late 1800s yields dropped after years of single-crop farming robbed the soil of nutrients. Demand from the Army declined, and the Irish potato famine fungus arrived in America, causing an onion blight.

Minuteman Hill is a drumlin — an inverted spoon — that rises 100 feet above the moraine and wetlands below. Thousands of years ago, melting glaciers relentlessly scraped, mixed and reworked minerals, decaying vegetation and loose particles. Glaciers literally tilled the ground to make the soil in my garden as they melted.

The Minuteman statue. In the distance is Minuteman Hill.

The Minuteman statue. In the distance is Minuteman Hill.

Our street’s namesake is the bronze statue created by Henry Daniel Webster of a life-sized Minuteman soldier, crouched at the ready with musket in hand. He gazes up to where patriot sharpshooters sacrificed their lives in 1777, after ambushing British troops marching back to their war ships after burning an arsenal in Danbury.

The Minuteman is cared for by the community. When it snows, people put a woolen cap on his head and a scarf around his neck. At Christmas, he dons a Santa costume. On July 4th the Minuteman dresses up as Uncle Sam, surrounded by flags. He oversees the fireworks at the same beach where invading British ships dropped anchor.

In 1855 a house was built on the site of that Revolutionary War battle, next door to where we live now. It was sold in 1878 to Signorney Burnham, who rebuilt it in an eclectic Victorian style.

The Burnham house, on the site of the Battle of Compo HIll. (Photo by Jill Eichbaum)

The Burnham house, on the site of the Battle of Compo HIll. (Photo by June Eichbaum)

Burnham bred prize cattle, imported from his farm on the Isle of Jersey. Their manure improved the soil, and their grazing gave the land respite from farming. Burnham Hill marks the cows’ path down to Old Mill Beach.

Before 1950, our neighbors’ great-aunt owned the entire hill (it was then part of Compo Hill). My neighbor tells how her great-aunt sold a piece of the hill every time her husband wanted to travel to Europe (apparently quite often).

In 1950 she submitted a proposal to the town to subdivide some of the land. She penciled in a path to access those parcels, writing by hand “Minute Man Hill.”

Today, Minuteman Hill is a dead-end street of 22 homes. More than half sit along one of the 5 spokes that radiate out on the flat land at top.

In the early 1950s Harry Suttenfield built a modest home for his growing family on land adjacent to the elaborate Victorian. His house has been our home for 20 years. The trees he planted create a sense of place so grounded and strong that living here feels like a reprieve from a world of soundbites and short attention spans.

Weeping cherry trees on Minuteman Hill. (Photo by June Eichbaum)

Weeping cherry trees on Minuteman Hill. (Photo by June Eichbaum)

For the 7 days each spring that 2 weeping cherry trees bloom, their ethereal beauty is breathtaking. As the petals gently descend, our entire front garden, driveway and road are covered in delicate white. From a distance, it looks like snow.

Directly in front of the house, Suttenfield planted what today is an enormous sycamore tree. He also planted an apple orchard. Five trees remain. From late August to early October, neighbors pick apples. We take turns using a bright red gadget that it is as fun as it is practical.

The apples from our tree taste better than any I have ever eaten. They also make great pies.

Do you have a story about your neighborhood, home or road? Click “Comments” — or send it to dwoog@optonline.net.

A rose arbor on Minuteman Hill. (Photo by June Eichbaum)

A rose arbor on Minuteman Hill. (Photo by June Eichbaum)

Grandfather Clause

The other day, a longtime friend and fellow Staples grad joked — at least, I think she was joking — that Westport natives like us should be “grandfathered in” for certain privileges.

For example, she said, we should be exempt from the 1-way prohibition on Wright Street — near that gross office building — because it was 2-way all the way, back in the day.

She also said we should still be allowed to call Earthplace “The Nature Center” — because that’s what it always was, and really still is. Plus, whenever we walk into Elvira’s, we should not be surprised by the full shelves and lack of grubbiness.

Before it was Elvira's, it was The Old Mill Deli. Also known as Kenny's. Or Grub's.

Before it was Elvira’s, it was The Old Mill Deli. Also known as Kenny’s. Or Grub’s.

I came up with my own grandfather clause: driving both ways down Main Street — like from the pizzeria toward Thompson’s Pharmacy. I mean, Ships. Sorry: Tiffany.

Sure, that would cause a bit more chaos than turning onto Post Road West from Wright Street.

But it is a grandfather-driver-type thing to do.

Yep, there was 2-way traffic on Main Street. And Klein's, the Townly Restaurant, and a Mobil station.

Yep, there was 2-way traffic on Main Street. Plus a traffic light, Klein’s (now Banana Republic), the Townly Restaurant, and a Mobil station.

If you’re a long-time Westporter, click “Comments” to add your own ways of being grandfathered in.

And if you’re a newcomer, click “Comments” to share ways you might be grandfathered in to Westport, years from now.

More On Lees

Dale Call’s day job is Westport Chief of Police.

In his spare time, he does detective work — on Westport’s history.

Following up on yesterday’s post, referencing the Lees’ twine manufacturing company — and Mary Palmieri Gai’s additional comments, remembering Lees’ Richmondville mill and surrounding real estate — Dale writes that the Leeses were “a fairly large family, and pretty prominent Westporters back in the day.”

Edward M. Lees (Courtesy of Dale Call)

Edward M. Lees (Courtesy of Dale Call)

They began selling their significant landholdings in the 1920s — but the name survives, thanks to Lees Pond, Lees Dam and Lees Lane, all in the Richmondville area.

Edward Lees was a Westport postmaster, and a lawyer. Dale thinks he had little to do with the mill, which belonged to his father, John.

Dale also knows quite a bit about Fairfield’s 17th Regiment, which was mentioned yesterday, and in which many Westporters fought during the Civil War. A number of soldiers were Dale’s ancestors.

Edward Lees joined the regiment too, ending the war as a 2nd lieutenant in Company K. He was wounded at Gettysburg, and captured at the Battle of Chancellorsville — which, Dale notes, began 150 years ago yesterday.