Category Archives: Arts

Now Hear This!

The arts are alive and well at Staples High School.

This morning’s post highlights the upcoming Players production of You Can’t Take It With You.

Earlier this week, first-year choral director Luke Rosenberg produced a spectacular spring concert. A variety of groups — chorus, chorale, choir and Orphenians — sang sophisticated, challenging music.

The international program featured selections in Latin, Swahili, Zulu, Hungarian, Latvian, Spanish and Hawaiian (!). There was an American spiritual, a complex Indian raga, and the powerful final number: Billy Joel’s haunting “And So It Goes.”

Staples media lab instructor Jim Honeycutt made a 12-minute highlight tape. Click below (or here) to enjoy the hard work and great talent of scores of Westport teenagers.

Staples Players CAN Take It With Them

In 1958, a Staples student named Christopher Lloyd urged English teacher Craig Matheson to start a theater program. The 1st play — produced in the brand-new auditorium, in the school’s 1st year on North Avenue — was You Can’t Take It With You.

Over the next 55 years, Staples Players gained national renown. Under just 4 directors — Matheson, Al Pia, Judy Luster and now David Roth — the troupe has sparked the careers of David Marshall Grant, Bradley Jones, Michael Hayden, Leslye Headland, Justin Paul and countless others (including Lloyd).

Now — with an astonishing 12 seniors ready to major or minor in some form of theater next year in college — Players is putting the finishing touches on its next production.

It is — fittingly – You Can’t Take It With You.

Michelle Pauker, Jack Bowman, Bryan Gannon and Madeline Seidman grill Clay Singer in "You Can't Take It With You." (Photo by Kerry Long)

Michelle Pauker, Jack Bowman, Bryan Gannon and Madeline Seidman grill Clay Singer in the upcoming “You Can’t Take It With You.” (Photo by Kerry Long)

In 1958, Matheson’s fledgling actors chose the Pulitzer Prize-winning comedy as their 1st show.

“I had no idea how to mount it, how to bring it down on a stage that large,” Matheson recalled years later. “I did very well from an acting point of view, but as a production director I stunk. The set was much too large, so the play lost its intimacy. And it was pink, so it looked even bigger.

“We put it on for one weekend, and were very glad to get an audience both nights. But people thought the show was fine.”

The 2013 production will be quite different. For example, it’s in the intimate Black Box theater (named for Matheson and his predecessor/Roth’s mentor, Pia).

The audience will sit on 3 sides of the stage, making it — well, intimate.

The cast and crew includes 9 seniors who will continue with theater in college: Tyler Jent (Cincinnati Conservatory of Music), Matt Kresch (Northwestern), Grace McDavid-Seidner (Point Park), Adam Mirkine (NYU), Michelle Pauker (University of Miami), Alexandra Rappaport (College of Charleston), Brianna Reedy (University of the Arts), Ryan Shea (UConn), Clay Singer (Carnegie Mellon) and Will Smith (Muhlenberg).

Tyler Jent is one of many Players who honed his acting, voice and dance skills at Staples. (Photo by Kerry Long)

Tyler Jent is one of many Players who honed his acting, voice and dance skills at Staples. (Photo by Kerry Long)

Not in this show, but like those 10 also hoping to make theater their career — as actors, directors or in tech — are Will Cohn (University of North Carolina School of Arts) and Liam Orly (Muhlenberg). 

“We provide a place where students can be challenged. It’s a safe environment to become theater artists,” Roth says of his program.

Roth has produced several shows with lots of dancing. The seniors have honed those skills — and it’s paid off. “Lots of schools have tough dance auditions,” Roth notes.

“We’re not a high school of performing arts. But we try to expose our actors to a broad variety of plays.”

Bryan Gannon and Madeline Seidman in "You Can't Take It With You." He is a junior; she's a senior headed to Williams College -- and the Class of '13 valedictorian. (Photo by Kerry Long)

Bryan Gannon and Madeline Seidman in “You Can’t Take It With You.” He is a junior; she’s a senior headed to Williams College — and the Class of ’13 valedictorian. (Photo by Kerry Long)

Roth calls You Can’t Take It With You “an old-timey farce. We really haven’t done anything like it with them.”

Cast and crew have found it “a huge amount of fun to rehearse,” Roth adds.

Presumably, just as Craig Matheson’s Players did, 55 years ago. Back in the days when dreams of Broadway had not yet danced through Staples’ sparkling new auditorium.

(“You Can’t Take It With You” runs Thursday, Friday and Saturday, May 30, 31 and June 1, at 7:30 p.m., and Sunday, June 2 at 3 p.m. For more information, including tickets, click here.)

“Art About Town” Street Party Postponed To May 30

Tonight’s “Art About Town” street festival — featuring music, food and fun — has been postponed to next Thursday (May 30, 5:30-8:30 p.m.).

We don’t know what the weather will be like then, but it’s got to be better than today.

Two years ago during "Art About Town," clay sculptor Peter Rubino created Beethoven -- as the "5th Symphony" played in the background.

Two years ago during “Art About Town,” clay sculptor Peter Rubino created Beethoven — as the “5th Symphony” played in the background.

JD And Harvey

The New York Times reports that in September Harvey Weinstein will release one of his film company’s “unlikeliest projects ever.”

“Salinger” — 9 years in the making — is a documentary about a very famous American writer.

JD Salinger

JD Salinger

But, the Times says, J.D. Salinger’s reclusiveness makes marketing the film difficult. Not only was the author — who died in 2010 — not involved in the film; neither was his son, nor the few members of a small circle of friends.

“Mr. Weinstein indicated that the secrets will be part of the fun as he and his company forge a strategy for selling ‘Salinger’ to the masses,” the Times reports.

So the “06880″ question of the day is this: Does the film that Westporter Harvey Weinstein is releasing contain any information about Salinger’s 2 or 3 years in Westport?

He came here in 1949 or ’50 — details are sketchy. But according to the Times — and reported on “06880” the day he died — Salinger “holed up in a house on South Compo Road” in 1950 to write Catcher in the Rye.

Does Westport make it into “Salinger”? Because Salinger certainly made it to Westport.

From Polo Grounds To Cooperstown — Via Westport

Westporters flocking to “42” are inspired by the story of the man who broke baseball’s color barrier.

But 3 years after Jackie Robinson took the field for the Brooklyn Dodgers, the sport still grappled with integration — not on the field, but in the stands. An intriguing incident involved 1 Westporter — and 2 others, 60 years later.

The  Saturday Evening Post cover of April 22, 1950 shows fans in the Polo Grounds — the New York Giants’ fabled home. Their hands stretch skyward, reaching for a foul ball.

It’s an iconic scene — a classic, feel-good, All-American illustration.

Saturday Evening Post better

But — according to a letter written in 2000 by illustrator Austin Briggs’ son — there’s a bit of back story.

The son — who shares his father’s name — says that his father’s painting showed Fannie Drain, a black woman who worked for his family and was loved by all.

“When the Giants were playing, she and my father — whose studio was at home –would follow the radio broadcasts avidly and vocally; her pride and pleasure in being included in the cover painting were deep,” Briggs wrote.

The Post editors told Briggs he would have to paint her out of the picture.

“He broke the painting, on a gesso panel, over his knee and walked out,” the son said. “The financial sacrifice was great, but he never regretted his act or repented his fury.”

Stevan Dohanos

Stevan Dohanos

The illustration was redone by Stevan Dohanos, a noted Westport illustrator and frequent Saturday Evening Post contributor. He used many of the same models, but replaced Fannie Drain (near the bottom left) with a large white man wearing a handkerchief.

Dohanos’ original hung in the Baseball Hall of Fame, in Cooperstown, New York. And that was that — until last year.

Sarah Wunsch — a 1965 Staples High School grad, now a staff attorney for the ACLU of Massachusetts — chatted about the story with classmate Tom Allen, a member of the Baseball Hall of Fame President’s Advisory Board.

She wrote the Hall, in Cooperstown. She soon received a reply from Erik Strohl, director of exhibitions and collections in Cooperstown.

“I was unaware of the details behind this painting and I find the story very fascinating,” he said.

The details truly provide a picture of life in the 1950s, which may seem foreign to us now. I tell our visitors all the time that we can learn much about ourselves as Americans through the lens of baseball, and this painting surely fits that bill.

He promised to find a way to add the information to the exhibit. He said it would “provide a much wider context on the full story of the painting, including what it teaches us about race relations, both in baseball and in popular magazines.”

“Gutless & Grateful”: Amy Oestreicher’s Amazing Story And Show

In 2005, Amy Oestreicher’s life was good.

After years of acting and singing locally, and auditioning in New York, she had just been accepted into the very prestigious University of Michigan musical theater program.

Suddenly, Amy suffered a major blot clot.  Her stomach exploded.  She lapsed into a coma.

During the 1st week of that nightmare, she had 10 surgeries. Doctors removed her entire stomach. Her coma continued for months.

Amy Oestreicher

Amy Oestreicher

Through her long siege in ICU, “my father saved my life,” Amy says. (He’s Westport dermatologist Dr. Mark Oestreicher.) Her 3 brothers were constantly by her side. (The experience helped one decide to be a doctor. Jeff is now in his 1st year of residency — as a pediatric gastroenterologist.)

For nearly 3  years, she could not eat or drink. Not one morsel of food, or a drop of water.

The Oestreichers moved to a smaller house near Compo Beach, where they could better help Amy.

She was hungry and thirsty. But as soon as she realized what lay ahead, Amy vowed not to be a permanent patient. “I wanted to live life,” she says.

Curtain Call in Stamford had a casting call for “Oliver!” “I couldn’t eat or drink, and I was as skinny as a pole,” Amy recalls. “I had tubes and bags all over. I could hardly walk.”

But she got the female lead — Nancy — and managed to do the show. By the end of the run, she was drinking 2 ounces of water a day.

During her long recovery, Amy Oestreicher also painted -- in big, bold colors. (Photo/Westport News)

During her long recovery, Amy Oestreicher also painted — in big, bold colors. (Photo/Westport News)

The next summer, she landed a role in Staples Players‘ production of “Cats.”

“I was still starving,” Amy says. “I just needed to be around people. Doing that show was great.”

Surgeries continued. One took 19 hours, using 3 shifts of doctors and nurses. The outcome was not as good as expected.

Finally, though — 27 surgeries later — Amy can eat and drink.

She’s also — at 26 years old — just been accepted at Hampshire College.

Before she goes away to school, though, she’s working on another project. “Gutless & Grateful: A Musical Feast” is Amy’s 1-woman show.

First performed last October at the Triad in New York, it’s been called “a moving personal history told with grace and humor, and garnished with great songs sung from the heart.”

“Doing that show meant so much to me,” Amy says. “I had been so isolated. For 7 years I talked only to my parents and my doctors. Then to perform, and have people I don’t know hug me! It was so rewarding to share my story, and know it inspires people.”

Amy Oestreicher onstage.

Amy Oestreicher onstage.

Written by Amy and Jerold Goldstein — based on hundreds of pages of her journals — it returns to Bridgeport’s Bijou Theatre June 1 and 2. On June 16 and 24, Amy takes her show back to the Triad, and on July 16 to Pittsfield, Massachusetts.

“I’ve always written and performed,” Amy says. “So many things have happened to me over the years. I just wanted to tell my story.”

You and I may not call the past 8 years of Amy’s life “funny.” The fact that she does — and sings and talks about it with such intimacy, gusto and pride — is reason enough to put “Gutless & Grateful” on your calendar now.

(For information on the June 1 and 2 shows at the Bijou Theatre in Bridgeport, click here or call 203-332-3228. For the June 16 and 24 shows at the Triad in New York, click here or call 800-838-3006.)

Amy Oestreicher poster

Charles Adler’s Kickstarter Start

From time to time, I’ve written about Westporters and their Kickstarter projects.

But I never knew that Kickstarter — the pledge-online website that’s funded over 38,000 creative projects, including Jean Paul Vellotti’s oyster boat restaurant, Gina Rattan’s Fringe Festival play and Nate Fox’s kids’ educational toy — was itself kick-started by a Westporter.

Take a bow, Charles Adler — Staples Class of 1992.

Charles Adler

Charles Adler

According to an interview on the design/technology/pop culture blog Subtraction, in high school he was “fascinated with objects and architecture, both with the result and the journey by which they came to be.”

At Purdue — where he studied mechanical engineering technology — he created fliers for house parties. He discovered the Web, and in 1995 dropped out of school to work as a designer/developer for a Chicago studio.

Charles had always traveled. Now he sought out projects that were technical in nature, large in scale, and often overseas. He also co-founded an online art publication Subsystence.

He started his own firm, but was frustrated by the limits of client-services relationships. He told Subtraction, “The work was judged by clients, not the people who ultimately used the things we made.”

Kickstarter could not be more people-oriented.

Kickstarter_Logo

But it’s not an entirely new idea. The website notes:

Mozart, Beethoven, Whitman, Twain, and other artists funded works in similar ways — not just with help from large patrons, but by soliciting money from smaller patrons, often called subscribers. In return for their support, these subscribers might have received an early copy or special edition of the work. Kickstarter is an extension of this model, turbocharged by the web.

The initial idea came in the fall of 2005, from Perry Chen and Yancey Strickler. A year later, Perry met Charles through a mutual friend.

The next day, they began working together on a funding platform for creative ideas. After months of collaboration they ended up with wireframes and specifications for the site.

But none of the trio could code. For months, little happened. Charles moved to San Francisco, and took on part-time freelance work.

In the summer of 2008, advisers and developers signed on. The scattered team worked via Skype and email (Charles had moved again, to Chicago), but they were finally building.

On April 28, 2009, Kickstarter launched. Projects trickled in — then came in a flood.

The Kickstarter screenshot for Westporter Jean Paul Vellotti's oyster restaurant project.

The Kickstarter screenshot for Westporter Jean Paul Vellotti’s oyster boat restaurant project.

“Designing Obama” was a landmark. Filmmakers jumped in. Singer-songwriter Allison Weiss funded her album via Kickstarter — in just 1 day. Word spread.

The 52-person for-profit company is now based on the Lower East Side. If a project is successfully funded, Kickstarter gets 5%.

Kickstarter-funded art works have been exhibited at MoMA, the Whitney Biennial, the Kennedy Center, Smithsonian and the American Folk Art Museum.

Roughly 10% of the films accepted by the 2012 Sundance, Tribeca, and South by Southwest film festivals were funded on Kickstarter.

At least 12 projects have launched objects into space.

According to the website, successful projects tied to Westport include an iPhone 5 case; a Twelfth Night production; Frederick Chiu’s recording of “Hymns and Dervishes”; a Paula G Reality CD, and a book on noted architect Frazier Forman Peters.

To which I add a 6th: Charles Adler’s website that, in just 4 years, has raised $548 million from 3.7 million people.

And, according to tech guru Tim O’Reilly, is “the most important tech company since Facebook.”

Or, he adds: “Maybe more important, in the long run.”

Tony Nominations For 3 Westporters

The Tony Award nominations were announced moments ago — and a trio of former Staples Players standouts work on shows that could win.

Justin Paul

Justin Paul

Justin Paul (Staples Class of 2003) and his writing partner, Benj Pasek, were nominated for Best Original Score (Music and/or Lyrics) Written for the Theatre, for their work on “A Christmas Story, The Musical.” Their competition is “Hands on a Hardbody, “Kinky Boots” and “Matilda the Musical.”

Gina Rattan ’04 is associate director of “Rogers + Hammerstein’s Cinderella.” It’s up for Best Revival of a Musical, going against “Annie,” “The Mystery of Edwin Drood” and “Pippin.”

Michael Altbaum (Staples ’02) is assistant company manager for “Matilda the Musical.” It vies for “Best Musical,” with “Bring It On: The Musical,” “A Christmas Story, The Musical” and “Kinky Boots.”

Gina Rattan

Gina Rattan

The winners will be announced on Sunday, June 9 at Radio City Music Hall (and televised live on CBS).

Justin, Gina and Michael should have a great time — and will greet each other warmly.

All 3 were together for a year at Staples. In addition, Justin and Gina had wonderful theater careers just a year apart at the University of Michigan.

PS: This just in! Kate Bosch (Staples ’05) is a set painter for the Huntington Theatre Company of Boston — which will receive the Regional Theatre Tony at the June 9 awards ceremony.

Southern Cotton, Westport Twine

While many Westporters have been deeply moved by Steven Spielberg’s epic “Lincoln” movie, the 16th president wasn’t always the most popular guy in town.

In 1860 , not the most popular guy in town.

In 1860 , not the most popular guy in town.

In 1860, he got only 48 percent of the vote in Westport. Lees’ twine manufacturing company — which relied on Southern cotton, and at the time one of Westport’s major manufacturers — apparently was more important to local voters than any abolitionist fervor or save-the-nation ideals.

That fascinating tidbit comes from Brian O’Leary. A historian who loves poring over old newspaper clippings, he’ll talk tomorrow (Sunday, April 28, 7 p.m., Unitarian Church) about Westport and that 1860 election, held just before the Civil War. He’ll also discuss the 60 Westport men who volunteered to fight in Fairfield’s 17th Regiment.

O’Leary’s talk is just part of tomorrow’s event. Baritone Jose Andrade will perform Civil War songs, including “Aura Lee” (the melody Elvis Presley used 100 years later for “Love Me Tender”), “Dixie,” “Battle Hymn of the Republic” and more.

The concert and talk is co-sponsored by the Unitarian Church and Westport Historical Society. One of the beneficiaries is the church’s Steinway piano. It’s gotten a lot of use over the years, and must be restrung.

Though presumably not with twine made in Westport, from Southern cotton.

(Tickets are $15, at the door. For more information click here, or call 203-227-7205.)

Battle Hymn

Kathie Bennewitz: Westport’s First “Town Curator”

You never know where life will take you.

Who knew, for example, that swimming and lifeguarding would help propel Kathie Bennewitz — 35 years later — to her new position as Westport’s 1st-ever town curator?

Yet that’s what happened, after Kathie Motes moved to Westport in the summer of 1978 — just before her senior year at a new school, Staples High.

Kathie Bennewitz

Kathie Bennewitz

Kathie joined the swim team, took art classes, and befriended Ellise Fuchs, whose father Bernie was a world-famous illustrator. Kathie posed for him, pretending to receive a medal for an Olympic scene.

At Princeton, she majored in art history. “I’m not a fine artist,” she claims. “But I love the process, and the way art reflects who we are.”

One summer, lifeguarding at Compo, she met Scott Bennewitz. He was a beach security guard — and a fellow Princetonian.

They married, and lived in Dallas, Minneapolis and Holland. She’d earned a masters in art history. Everywhere they moved, she worked in museums.

Eight years ago, they came to Westport. Kathie volunteered with the Westport Schools Permanent Art Collection. She says that meeting co-founder Mollie Donovan “changed my life.”

Kathie learned how deep and broad Westport’s arts history is. And she realized the impact of men like John Steuart Curry, and institutions like the Westport Country Playhouse, on this town.

"Blues Piano Players" -- one of the 7 wonderful works by Eric von Schmidt that make up "Birth of the Blues." They hang in the Staples auditorium.

“Blues Piano Players” — one of the 7 wonderful works by Eric von Schmidt that make up “Birth of the Blues.” They hang in the Staples auditorium.

She also met volunteers like Eve Potts — Mollie’s sister. “Their commitment, passion and enthusiasm for this town, and its arts community, is infectious,” Kathie says.

She worked professionally at Greenwich’s Bush-Holley House and the Fairfield Museum. A year ago, she became an independent curator.

She also was appointed tri-chair of the Permanent Art Collection, and served on the Westport Arts Advisory Committee. The 2 organizations gave her a broad perspective on the arts here.

So, when a group of people — including Ann Sheffer, David Rubinstein, Leslie Greene, Carole Erger-Fass and Joan Miller — floated the idea of a town curator, she was intrigued.

So was First Selectman Gordon Joseloff. “We already have a town historian, Allen Raymond,” Kathie notes. “This is a natural counterpoint.”

The doughboy statue on Veteran's Green is part of Westport's art and sculpture collection.

The doughboy statue on Veteran’s Green is part of Westport’s art and sculpture collection.

In her new post, she’s responsible for advising the town on the care of its art and sculpture collection. Westport owns several hundred works of art, displayed in Town Hall, the Senior Center, Parks & Rec headquarters — even the Fire Department. Statues include the Minuteman and Doughboy on Veterans Green.

Kathie will also serve as liaison to the 1,100-piece Permanent Art Collection, and the Westport Library, with its own murals, paintings and illustrations.

“So many other communities lose their treasures,” she says. “But thanks to Burt and Ann Chernow, and so many others, we have ours. They’ve created a platform we can spring off of, and do even more.”

That “more” includes plenty. Kathie envisions self-guided tours of the schools’ collections. A “museum on the street,” with Howard Munce’s Remarkable Book Shop work displayed outside that old store (most recently Talbots). Robert Lambdin’s “Battle of Compo” mounted near the cannons.

She’ll be involved in the rehanging of art at Town Hall — something last done in 1976.

Kathie would also like to open up hard-to-see parts of the town’s art collection — like the amazing fire station mural — to the public.

“Pageant of Juvenile Literature” — a 1934 work by Robert Lambdin — hangs in the Westport Library’s Great Hall. This is part of that mural.

“Pageant of Juvenile Literature” — a 1934 work by Robert Lambdin — hangs in the Westport Library’s Great Hall. This is part of that mural.

She is eager to get started. But she won’t be alone.

“I’m a team player. I enjoy working with people in groups. We need everyone’s help.”

Among those helping: Marie-Neloise Egipto, a Staples senior who will do her spring internship with the Permanent Art Collection.

“I’m honored to serve the town,” Kathie says. “This is different from the other positions I’ve held. It really validates all the decades of work done by the Mollies, the Eves and the Anns who have advocated for, and celebrated, our arts community and legacy.

“Very few communities have the public, school and library collections that we do. Westport should be very, very proud.”

Just as we all should be proud that Kathie Bennewitz is our 1st-ever “town curator.”